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Ps TOILETRY CASE SETS ACROSS LIFE and DEATH in EARLY CHINA (5 C. BCE-3 C. CE) by Sheri A. Lullo BA, University of Chicago
TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) by Sheri A. Lullo BA, University of Chicago, 1999 MA, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 Ps UNIVERSITY OF PITTSBURGH FACULTY OF ARTS & SCIENCES This dissertation was presented by Sheri A. Lullo It was defended on October 9, 2009 and approved by Anthony Barbieri-Low, Associate Professor, History Dept., UC Santa Barbara Karen M. Gerhart, Professor, History of Art and Architecture Bryan K. Hanks, Associate Professor, Anthropology Anne Weis, Associate Professor, History of Art and Architecture Dissertation Advisor: Katheryn M. Linduff, Professor, History of Art and Architecture ii Copyright © by Sheri A. Lullo 2009 iii TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) Sheri A. Lullo, PhD University of Pittsburgh, 2009 This dissertation is an exploration of the cultural biography of toiletry case sets in early China. It traces the multiple significances that toiletry items accrued as they moved from contexts of everyday life to those of ritualized death, and focuses on the Late Warring States Period (5th c. BCE) through the Han Dynasty (206 BCE-220 CE), when they first appeared in burials. Toiletry case sets are painted or inlaid lacquered boxes that were filled with a variety of tools for beautification, including combs, mirrors, cosmetic substances, tweezers, hairpins and a selection of personal items. Often overlooked as ordinary, non-ritual items placed in burials to comfort the deceased, these sets have received little scholarly attention beyond what they reveal about innovations in lacquer technologies. -
Daoism and Daoist Art
Heilbrunn Timeline of Art History Daoism and Daoist Art Works of Art (19) Essay Indigenous to China, Daoism arose as a secular school of thought with a strong metaphysical foundation around 500 B.C., during a time when fundamental spiritual ideas were emerging in both the East and the West. Two core texts form the basis of Daoism: the Laozi and the Zhuangzi, attributed to the two eponymous masters, whose historical identity, like the circumstances surrounding the compilation of their texts, remains uncertain. The Laozi—also called the Daodejing, or Scripture of the Way and Virtue—has been understood as a set of instructions for virtuous rulership or for self- cultivation. It stresses the concept of nonaction or noninterference with the natural order of things. Dao, usually translated as the Way, may be understood as the path to achieving a state of enlightenment resulting in longevity or even immortality. But Dao, as something ineffable, shapeless, and conceived of as an infinite void, may also be understood as the unfathomable origin of the world and as the progenitor of the dualistic forces yin and yang. Yin, associated with shade, water, west, and the tiger, and yang, associated with light, fire, east, and the dragon, are the two alternating phases of cosmic energy; their dynamic balance brings cosmic harmony. Over time, Daoism developed into an organized religion—largely in response to the institutional structure of Buddhism—with an ever-growing canon of texts and pantheon of gods, and a significant number of schools with often distinctly different ideas and approaches. At times, some of these schools were also politically active. -
My Tomb Will Be Opened in Eight Hundred Years╎: a New Way Of
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2012 'My Tomb Will Be Opened in Eight Hundred Years’: A New Way of Seeing the Afterlife in Six Dynasties China Jie Shi Bryn Mawr College, [email protected] Follow this and additional works at: https://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Let us know how access to this document benefits ou.y Custom Citation Shi, Jie. 2012. "‘My Tomb Will Be Opened in Eight Hundred Years’: A New Way of Seeing the Afterlife in Six Dynasties China." Harvard Journal of Asiatic Studies 72.2: 117–157. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/hart_pubs/82 For more information, please contact [email protected]. Shi, Jie. 2012. "‘My Tomb Will Be Opened in Eight Hundred Years’: Another View of the Afterlife in the Six Dynasties China." Harvard Journal of Asiatic Studies 72.2: 117–157. http://doi.org/10.1353/jas.2012.0027 “My Tomb Will Be Opened in Eight Hundred Years”: A New Way of Seeing the Afterlife in Six Dynasties China Jie Shi, University of Chicago Abstract: Jie Shi analyzes the sixth-century epitaph of Prince Shedi Huiluo as both a funerary text and a burial object in order to show that the means of achieving posthumous immortality radically changed during the Six Dynasties. Whereas the Han-dynasty vision of an immortal afterlife counted mainly on the imperishability of the tomb itself, Shedi’s epitaph predicted that the tomb housing it would eventually be ruined. -
Report Title - P
Report Title - p. 1 of 410 Report Title A guide to Oriental classics. Prepared by the staff of the Oriental studies program, Columbia College and ed. by Wm. Theodore de Bary and Ainslie T. Embree. (New York, N.Y. : Columbia University Press, 1964). A plan for the prince : the Ming-i tai-fang lu of Huang Tsung-hsi. Translated and explained by William Theodore de Bary. (New York, N.Y. : Columbia University, 1953). Diss. Columbia Univ., 1953. [Huang, Zongxi. Ming yi dai fang lu]. A select list of books on the civilizations of the Orient. Ed. by W.A.C.H. Dobson. (Oxford : Clarendon Press, 1955). [WC] A source book in Chinese philosophy. Transl. and compiled by Wing-tsit Chan. (Princeton, N.J. : Princeton University Press, 1963). A, Xiu. Pfauenprinzessin und Prinz : nach einem Volksepos des Tai-Volkes. [Übersetzt von Eva Müller]. (Peking : Verlag für fremdsprachige Literatur, 1961). [Zhao shu tun he nan ruo na]. [Mul] A, Ying. Eluosi he Sulian wen xue zai Zhongguo. (1956). In : A Ying quan ji ; vol. 2. [Russian and Soviet literature in China]. [Gam2] A, Ying. Yibusheng di zuo pin zai Zhongguo. In : Wen xue cong bao ; no 17 (1956). [Ibsens Werke in China]. [Ibs115] Abegg, Lily. China und Vietnam. (Einsiedeln : Benziger, 1967). (Offene Wege ; 6). [WC] Abegg, Lily. Im neuen China. (Zürich ; Freiburg i.B. : Atlantis Verlag, 1957). [Reise unter der Organisation von Intourist von Hong Kong nach Guangzhou, Beijing, Xian, Chongqing, Wuhan, Mandschurei, Lanzhou bis Tianjin]. [Cla] Abegg, Lily. Vom Reich der Mitte zu Mao Tse-tung. (Luzern ; Frankfurt a.M. : Bucher, 1966). -
Humor in Ancient Chinese Philosophy Author(S): Christoph Harbsmeier Source: Philosophy East and West, Vol
Humor in Ancient Chinese Philosophy Author(s): Christoph Harbsmeier Source: Philosophy East and West, Vol. 39, No. 3, Philosophy and Humor (Jul., 1989), pp. 289- 310 Published by: University of Hawai'i Press Stable URL: http://www.jstor.org/stable/1399450 Accessed: 08/08/2010 22:41 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=uhp. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Hawai'i Press is collaborating with JSTOR to digitize, preserve and extend access to Philosophy East and West. http://www.jstor.org Christoph Harbsmeier Humor in ancient Chinese philosophy Man has been defined as the laughinganimal.1 He not only belongs to his culture, he may also react to his own culture-for example, by laughingat it. -
Confucius & Confucianism the Essentials
Confucius and Confucianism Confucius & Confucianism The Essentials Lee Dian Rainey A John Wiley & Sons, Ltd., Publication This edition fi rst published 2010 © 2010 Lee Dian Rainey Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwell’s publishing program has been merged with Wiley’s global Scientifi c, Technical, and Medical business to form Wiley-Blackwell. Registered Offi ce John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom Editorial Offi ces 350 Main Street, Malden, MA 02148-5020, USA 9600 Garsington Road, Oxford, OX4 2DQ, UK The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK For details of our global editorial offi ces, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell. The right of Lee Dian Rainey to be identifi ed as the author of this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. -
Interality As a Key to Deciphering Guiguzi: a Challenge to Critics
Interality as a Key to Deciphering Guiguzi: A Challenge to Critics Hui Wu University of Texas at Tyler C. Jan Swearingen Texas A&M University AbStrACt This article applies interality as a hermeneutic to a reassessment of Chinese rhetorical practice influenced by Guiguzi, China’s earliest treatise on the art of persuasion. Continuing controversy in Western studies and translations surrounds both Chinese rhetoric and the rhetorical value of Guiguzi. Using an ancient model for persuasion allegedly exempli - fying the rhetorical principles in Guiguzi, this study proposes that Guigucian rhetoric requires critics to revise their understanding of relational rationality in several interalial interactions: among rhetorical contexts, as manifest in non-linear but nonetheless interrelated components of discourse, as reflected in an explicit awareness of change and space, and as an emphasis on human relationships in Master Guigu’s forms of logic and teaching of persuasion. KeyWordS Chinese rhetoric; Guiguzi; Persuasion; Logic; Dao rÉSUMÉ Cet article utilise l’intéralité comme herméneutique pour la révision des pratiques rhétoriques chinoises influencées par Guiguzi, à savoir par le traité le plus ancient de la Chine sur l’art de persuader. La controverse est évidente dans les travaux de recherche occidentaux et les traductions qui accompagnent la rhétorique chinoise, en particulier celle de Guiguzi. Par l’utilisation d’un modèle de persuasion ancien similaire aux modèles rhétoriques du Guiguzi, cet article oblige la critique littéraire à reconsidérer son raisonnement au sein de plusieurs échanges interaliés: dans les contextes rhétoriques, dans les parties de discours non-linéaires mais cependant reliées, dans la conscience explicite du changement et de l’espace, et le côté humain apparent dans la formation de la logique par le Maître Guigu, ainsi que sa façon d’enseigner l’art de la persuasion. -
Viewing the Han Empire from the Edge a Dissertation
VIEWING THE HAN EMPIRE FROM THE EDGE A DISSERTATION SUBMITTED TO THE DEPARTMENT OF HISTORY AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Meiyu Hsieh August 2011 © 2011 by Mei-Yu Hsieh. All Rights Reserved. Re-distributed by Stanford University under license with the author. This dissertation is online at: http://purl.stanford.edu/sv629rv4537 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Mark Lewis, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Matthew Sommer I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Richard Vinograd Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. An original signed hard copy of the signature page is on file in University Archives. iii iv Abstract This dissertation examines in the continental context the building and maintenance of the Han state, which existed in the Yellow and Yangtze Rivers regions roughly from the second century B.C.E. to the second century C.E. It surveys the trajectory that transformed the Han state from a regional polity confined to the Yellow and Yangtze Rivers regions to a trans-regional superpower, exerting its influence across East Eurasia. -
The Fragile Scholar
THE FRAGIL E SCHOLAR Power and Masculinity in Chinese Culture Song Geng f - I ^ f 4 I S f ± HONG KON G UNIVERSIT Y PRES S Hong Kon g University Pres s 14/F Hing Wai Centr e 7 Tin Wan Pray a Roa d Aberdeen Hong Kon g © Hong Kon g University Pres s 200 4 ISBN 96 2 20 9 620 4 All right s reserved . N o portio n o f thi s publicatio n ma y b e reproduce d o r transmitted i n an y for m o r b y an y means , electroni c o r mechanical , includin g photocopy, recording , o r an y informatio n storag e o r retrieva l system , withou t permission i n writing fro m th e publisher . Secure On-lin e Orderin g http://www.hkupress.org British Librar y Cataloguing-in-Publication Dat a A catalogu e recor d fo r thi s book i s available fro m th e Britis h Library . Printed an d bound b y Kings Time Printing Co. Ltd., i n Hong Kong , Chin a Hong Kon g Universit y Pres s i s honoured tha t X u Bing , whos e ar t explores the comple x themes o f language acros s cultures, has writte n the Press' s nam e i n hi s Squar e Wor d Calligraphy . Thi s signal s ou r commitment t o cross-cultural thinkin g an d the distinctiv e natur e o f our English-language book s published i n China . -
Readings of Chinese Poet Xue Tao Lu Yu University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2010 Readings Of Chinese Poet Xue Tao Lu Yu University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the East Asian Languages and Societies Commons Yu, Lu, "Readings Of Chinese Poet Xue Tao" (2010). Masters Theses 1911 - February 2014. 480. Retrieved from https://scholarworks.umass.edu/theses/480 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. READINGS OF CHINESE POET XUE TAO A Thesis Presented by LU YU Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirement for the degree of MASTER OF ARTS September 2010 Asian Languages and Literatures © Copyright by Lu Yu 2010 All Rights Reserved READINGS OF CHINESE POET XUE TAO A Thesis Presented By LU YU Approved as to style and content by: _________________________________ David Schneider, Chair __________________________________ Suet Ying Chiu, Member __________________________________ Donald E. Gjertson, Member _________________________________ Amanda Seaman, Program Director Asian Languages & Literatures Program _________________________________ Julie Candler Hayes, Chair Department of Languages, Literatures & Culture ACKNOWLEDGMENT I am thankful to all the professors who lent a hand to me on my thesis. I would like to thank my committee chair, Professor David Schneider. He was so kind to help me from the topic of the thesis, the content, to every detail, the format and so on. -
Theatrical and Fictional Lyricism in Early Qing Literature
Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Zhao, Yingzhi. 2014. Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274209 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature A dissertation presented by Yingzhi Zhao to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts May, 2014 ©2014 –Yingzhi Zhao All rights reserved. Professor Wai-yee Li Yingzhi Zhao Realm of Shadows and Dreams: Theatrical and Fictional Lyricism in Early Qing Literature Abstract Early twentieth-century Chinese literary critics create a model of literary development that highlights leading genres for each dynasty. For the Ming and the Qing dynasties, these are drama and fiction. This model relegates other genres of the period, especially poetry and lyric, to a second-class status, and accounts for their less visibility in scholarly research until today. The aim of my dissertation is not to reverse the hierarchy of genres, but to break the boundaries of genres, examining the ways in which the aesthetic sensibility connected to drama and fiction is transposed to other genres and renews their conventions. -
Guoxue Comics: Visualising Philosophical Concepts and Cultural Values Through Sequential Narratives
THE COMICS GRID Journal of comics scholarship Research How to Cite: Tan, X. 2019. Guoxue Comics: Visualising Philosophical Concepts and Cultural Values through Sequential Narratives. The Comics Grid: Journal of Comics Scholarship, 9(1): 11, pp. 1–18. DOI: https://doi. org/10.16995/cg.149 Published: 29 July 2019 Peer Review: This article has been peer reviewed through the double-blind process of The Comics Grid: Journal of Comics Scholarship, which is a journal published by the Open Library of Humanities. Copyright: © 2019 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Third-party content is included in articles for research and educational purposes only under Academic Fair Dealing/Fair Use. Unless otherwise stated all third-party content is copyright its original owners; all images of and references to characters and comic art presented on this site are ©, ® or ™ their respective owners. Open Access: The Comics Grid: Journal of Comics Scholarship is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Xiyuan Tan, ‘Guoxue Comics: Visualising Philosophical THE COMICS GRID Concepts and Cultural Values through Sequential Journal of comics scholarship Narratives’ (2019) 9(1): 11 The Comics Grid: Journal of Comics Scholarship. DOI: https://doi.org/10.16995/cg.149 RESEARCH Guoxue Comics: Visualising Philosophical Concepts and Cultural Values through Sequential Narratives Xiyuan Tan School of the Arts, English and Drama, Loughborough University, Loughborough, UK [email protected] Guoxue, often translated as ‘national learning’ or ‘sinology’, is one of the compulsory subjects that Chinese children and teenagers are required to study.