Daoism and Daoist Art
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Ps TOILETRY CASE SETS ACROSS LIFE and DEATH in EARLY CHINA (5 C. BCE-3 C. CE) by Sheri A. Lullo BA, University of Chicago
TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) by Sheri A. Lullo BA, University of Chicago, 1999 MA, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 Ps UNIVERSITY OF PITTSBURGH FACULTY OF ARTS & SCIENCES This dissertation was presented by Sheri A. Lullo It was defended on October 9, 2009 and approved by Anthony Barbieri-Low, Associate Professor, History Dept., UC Santa Barbara Karen M. Gerhart, Professor, History of Art and Architecture Bryan K. Hanks, Associate Professor, Anthropology Anne Weis, Associate Professor, History of Art and Architecture Dissertation Advisor: Katheryn M. Linduff, Professor, History of Art and Architecture ii Copyright © by Sheri A. Lullo 2009 iii TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) Sheri A. Lullo, PhD University of Pittsburgh, 2009 This dissertation is an exploration of the cultural biography of toiletry case sets in early China. It traces the multiple significances that toiletry items accrued as they moved from contexts of everyday life to those of ritualized death, and focuses on the Late Warring States Period (5th c. BCE) through the Han Dynasty (206 BCE-220 CE), when they first appeared in burials. Toiletry case sets are painted or inlaid lacquered boxes that were filled with a variety of tools for beautification, including combs, mirrors, cosmetic substances, tweezers, hairpins and a selection of personal items. Often overlooked as ordinary, non-ritual items placed in burials to comfort the deceased, these sets have received little scholarly attention beyond what they reveal about innovations in lacquer technologies. -
Reading Excavated Laozi: the Lens of Western Scholarship*
Cultural and Religious Studies, February 2020, Vol. 8, No. 2, 102-108 doi: 10.17265/2328-2177/2020.02.003 D D AV I D PUBLISHING Reading Excavated Laozi: The Lens of Western Scholarship* Ka-lai Chan Shandong University, Jinan, Shandong, China There has been an increasing interest in the Chinese excavated documents of western scholars. With different version of excavated Laozi, it attracts the attention of researchers. This paper examines the study of unearthed Laozi by western scholars by using Mawangtui and Guodia Laozi,attempts to give readers a basic picture of unearthed Laozi study in western academia.Since there is no way that I can hope to introduce all western studies of unearthed Laozi, this paper will restrict the presentation to just the following topic: Mawangtui Laozi, Guodian Laozi, “Tai Yi Sheng Shui”, “Wu Xing”, and Methodology. Keywords: Laozi, Excavated Laozi, Chinese Unearthed Documents Introduction The purpose of this article is to give a relatively comprehensive survey of western Sinologists’ studies of Laozi (老子) from the pre-Qin through Han periods. This idea comes from an article written by Martin Kern and he raises a question that deserves attention (Kern, 2019). He points out monolingualism and monoculturalism are the fundamental limitations of the current ancient Chinese studies in Mainland China. Too many Chinese scholars cannot master any foreign languages. Even if a translation works has been published, Chinese scholars have so far paid very little attention to them. Of course, many translation works also have mistranslations. I believe the problems he mentioned are common in Mainland China nowadays. -
The Evolution of Mathematics in Ancient China: from the Newly Discovered Shu and Suan Shu Shu Bamboo Texts to the Nine Chapters
The Evolution of Mathematics in Ancient China: From the Newly Discovered Shu and Suan shu shu Bamboo Texts to the Nine Chapters on the Art of Mathematics*,† by Joseph W. Dauben‡ The history of ancient Chinese mathematics and texts currently being conserved and studied at its applications has been greatly stimulated in Tsinghua University and Peking University in Beijing, the past few decades by remarkable archaeological the Yuelu Academy in Changsha, and the Hubei discoveries of texts from the pre-Qin and later Museum in Wuhan, it is possible to shed new light periods that for the first time make it possible to on the history of early mathematical thought and its study in detail mathematical material from the time applications in ancient China. Also discussed here are at which it was written. By examining the recent developments of new techniques and justifications Warring States, Qin, and Han bamboo mathematical given for the problems that were a significant part of the growing mathematical corpus, and which * © 2014 Joseph W. Dauben. Used with permission. eventually culminated in the comprehensive Nine † This article is based on a lecture presented in September of 2012 at the Fairbank Center for Chinese Studies at Har- Chapters on the Art of Mathematics. vard University, which was based on a lecture first given at National Taiwan Tsinghua University (Hsinchu, Taiwan) in the Spring of 2012. I am grateful to Thomas Lee of National Chiaotung University of Taiwan where I spent the academic Contents year 2012 as Visiting Research Professor at Chiaota’s Insti- tute for Humanities and Social Sciences, which provided sup- 1 Recent Archaeological Excavations: The Shu port for much of the research reported here, and to Shuchun and Suan shu shu ................ -
Patrick J. Hurley's Attempt to Unify China, 1944-1945
This dissertation has been microfilmed exactly as received 66-11 791 SMITH, Robert Thomas, 1938- ALONE IN CHINA; PATRICK J. HURLEY'S ATTEMPT TO UNIFY CHINA, 1944-1945. The University of Oklahoma, Ph.D., 1966 History, modern University Microfilms, Inc., Ann Arbor, Michigan C opyright by ROBERT THOMAS SMITH 1966 THE UNIVERSITY OF OKLAHCMA GRADUATE COLLEGE ALONE IN CHINA: PATRICK J . HURLEY'S ATTEMPT TO UNIFY CHINA, 1944-1945 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY ROBERT THCÎ-1AS SMITH Norman, Oklahoma 1966 ALŒE IN CHINA; PATRICK J . HURLEY'S ATTEMPT TO UNIFY CHINA, 1944-1945 APPP>Î BY 'c- l <• ,L? T\ . , A. c^-Ja ^v^ c c \ (LjJ LSSERTATION COMMITTEE ACKNOWLEDGMENT 1 wish to acknowledge the aid and assistance given by my major professor, Dr, Gilbert 0, Fite, Research Professor of History, I desire also to thank Professor Donald J, Berthrong who acted as co-director of my dissertation before circumstances made it impossible for him to continue in that capacity. To Professors Percy W, Buchanan, J, Carroll Moody, John W, Wood, and Russell D, Buhite, \^o read the manuscript and vdio each offered learned and constructive criticism , I shall always be grateful, 1 must also thank the staff of the Manuscripts Divi sion of the Bizzell Library \diose expert assistance greatly simplified the task of finding my way through the Patrick J, Hurley collection. Special thanks are due my wife vdio volun teered to type the manuscript and offered aid in all ways imaginable, and to my parents \dio must have wondered if I would ever find a job. -
Engineering an Empire: Carthage
Hi. I’m Peter Weller for the Name: _____________________ History Channel. Join me while we explore Engineering An Empire: Carthage. Carthage *Carthage is in modern day Tunisia near the capital city of Tunis in North Africa. *Carthage dominated the Mediterranean world for over 600 years. *Roots in Phoenicians…4th century BC Empire dominating the Mediterranean. *By 650 BC nobody messes with Carthage who were wealthy. (Population 300,000) *For two centuries Carthage dominated the Mediterranean. But a rival across the sea to the north was developing into a military power…Rome. Start @ 15:30 into film. 1. Why are Rome and Carthage in conflict over Sicily? *Rome saw Carthage as a spear pointed right at the heart of Rome that had to be taken out. *Punic Wars named after the Latin word Punici = Rome’s word for the Phoenicians. 2. How do the Romans acquire Sicily? 3. Who was Hamilcar Barca? 4. How was a Quinquereme different from a Trireme? 5. How did the Romans improve their navy? 6. In the battle over the Aegates, why were the outnumbered Romans able to defeat the Carthaginians? 7. How did this effect Hamilcar’s forces in Sicily? 8. What did Rome gain in the victory? *Rome required Carthage pay a huge tribute in attempt to cripple it. 9. Carthage turned to _______________ to amass wealth. 10. What happened to Hamilcar in the battle for Rome? 11. Who was Hannibal Barca? 12. Describe the force that Hannibal marched to Rome with in 218 BC: 13. How did the Gauls respond to Hannibal’s army after they crossed the Rhone? 14. -
The History of Military Divination in China1
EASTM 24 (2005): 15-43 The History of Military Divination in China1 Robin D.S. Yates [Robin D.S. Yates is James McGill Professor of History and East Asian Studies at McGill University, Chair of the Society for the Study of Early China and Edi- tor of Early China. He received his Ph.D. from Harvard University in 1980. He collaborated with Joseph Needham in writing Science and Civilisation in China, Volume 5, part 6, “Military Science and Technology” (1994) and is currently completing Volume 5, part 8, the third and final volume on the military in the Science and Civilisation in China series.] * * * Introduction The publication of Chen Songchang’s 陳 松 長 Mawangdui boshu “Xingde” yanjiu lungao 馬 王 堆 帛 書《刑 德》研 究 論 稿,2 in which the full transcrip- tions and analysis of the three versions (jia 甲, yi 乙, bing 丙) of the Xingde 刑 德 manuscripts found at Mawangdui in 1973 were presented to the scholarly world for the first time, was an important event for the study of the Mawangdui manuscripts and of Chinese military history. These hitherto neglected texts throw much light on one complex system of military divination and complement the numerous studies that have appeared over the past thirty years on the other philosophical, medical, and historical manuscripts found in the tomb. This paper will offer some preliminary reflections on the history of Chinese military divina- tion in general within the context of Chinese military practice. It will seek to demonstrate that, although ignored by most previous researchers on Chinese military studies (bingxue 兵 學), divination for military purposes (bingzhan 兵 占) was one of the fundamental features of warfare in pre-modern China. -
A Re-Evaluation of Pelliot Tibétain 1257: an Early Tibet- An-Chinese Glossary from Dunhuang1
A Re-evaluation of Pelliot tibétain 1257: An Early Tibet- an-Chinese Glossary from Dunhuang1 James B. Apple and Shinobu A. Apple Introduction elliot tibétain 1257 (hereafter, PT1257) is an early manuscript preserved from the ancient city-state of Dunhuang kept P among the materials of the Paul Pelliot collection conserved at the Bibliothéque Nationale de France in Paris, France. Digital images of the manuscript are found at the web site of Gallica Digital Library (http://gallica.bnf.fr) and the International Dunhuang Project (http:// idp.bl.uk/; hereafter, IDP). French scholars Marcelle Lalou (1939) and R.A. Stein (1983 [English translation 2010]) have previously dis- cussed in an abbreviated manner the content and characteristics of this manuscript. A more extensive discussion of PT1257 is found among Japanese Buddhologists and specialists in Dunhuang studies. Akira Fujieda (1966), Zuihō Yamaguchi (1975), and Noriaki Haka- maya (1984) have provided initial insights into the structure and con- tent of PT1257 while the work of Ryūtoku Kimura (1985) and Kōsho Akamatsu (1988) have furnished more detailed points of analysis that have contributed to our current understanding of this manu- script. Other scholarship related to PT1257 has suggested that the manuscript was from a Chinese monastery and that it was utilized to help Chinese scholars translate Tibetan. This paper re-evaluates this presumption based upon a close analysis of the material components of the manuscript, the scribal writing, its list of Buddhist scriptures, and its vocabulary. Our assessment argues that PT1257 was a copy of a document initiated and circulated by Tibetans, presumably among Chinese monasteries in Dunhuang, to learn the Chinese equivalents to Tibetan translation terminology that was already in use among Tibet- ans. -
Introduction
Notes Introduction 1. Hobsbawm 1990, 66. 2. Diamond 1998, 322–33. 3. Fairbank 1992, 44–45. 4. Fei Xiaotong 1989, 1–2. 5. Diamond 1998, 323, original emphasis. 6. Crossley 1999; Di Cosmo 1998; Purdue 2005a; Lavely and Wong 1998, 717. 7. Richards 2003, 112–47; Lattimore 1937; Pan Chia-lin and Taeuber 1952. 8. My usage of the term “geo-body” follows Thongchai 1994. 9. B. Anderson 1991, 86. 10. Purdue 2001, 304. 11. Dreyer 2006, 279–80; Fei Xiaotong 1981, 23–25. 12. Jiang Ping 1994, 16. 13. Morris-Suzuki 1998, 4; Duara 2003; Handler 1988, 6–9. 14. Duara 1995; Duara 2003. 15. Turner 1962, 3. 16. Adelman and Aron 1999, 816. 17. M. Anderson 1996, 4, Anderson’s italics. 18. Fitzgerald 1996a: 136. 19. Ibid., 107. 20. Tsu Jing 2005. 21. R. Wong 2006, 95. 22. Chatterjee (1986) was the first to theorize colonial nationalism as a “derivative discourse” of Western Orientalism. 23. Gladney 1994, 92–95; Harrell 1995a; Schein 2000. 24. Fei Xiaotong 1989, 1. 25. Cohen 1991, 114–25; Schwarcz 1986; Tu Wei-ming 1994. 26. Harrison 2000, 240–43, 83–85; Harrison 2001. 27. Harrison 2000, 83–85; Cohen 1991, 126. 186 • Notes 28. Duara 2003, 9–40. 29. See, for example, Lattimore 1940 and 1962; Forbes 1986; Goldstein 1989; Benson 1990; Lipman 1998; Millward 1998; Purdue 2005a; Mitter 2000; Atwood 2002; Tighe 2005; Reardon-Anderson 2005; Giersch 2006; Crossley, Siu, and Sutton 2006; Gladney 1991, 1994, and 1996; Harrell 1995a and 2001; Brown 1996 and 2004; Cheung Siu-woo 1995 and 2003; Schein 2000; Kulp 2000; Bulag 2002 and 2006; Rossabi 2004. -
Chinese Folk Art, Festivals, and Symbolism in Everyday Life
Chinese Folk Art, Festivals, and Symbolism in Everyday Life PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen with contributions by Ching-chih Lin, PhD candidate, History Department, UC Berkeley. Additional contributors: Elisa Ho, Leslie Kwang, Jill Girard. Funded by the Berkeley East Asia National Resource Center through its Title VI grant from the U.S. Department of Education. Special thanks to Ching-chih Lin, for his extraordinary contributions to this teaching guide and the Taipei Economic and Cultural Office in San Francisco for its generous print and electronic media contributions. Editor: Ira Jacknis Copyright © 2005. Phoebe A. Hearst Museum of Anthropology and the Regents of the University of California. All rights reserved. 103 Kroeber Hall. #3712, Berkeley CA 94720 Cover image: papercut, lion dance performance, 9–15927c All images with captions followed by catalog numbers in this guide are from the collections of the Phoebe A. Hearst Museum of Anthropology. All PAHMA objects from Beijing and Nanking are from the museum's Ilse Martin Fang Chinese Folklore Collection. The collection was assembled primarily in Beijing between 1941 and 1946, while Ms. Fang was a postdoctoral fellow at the Deutschland Institute working in folklore and women's studies. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY CHINA The People’s Republic of China is the third largest country in the world, after Russia and Canada. It is slightly larger than the United States and includes Hong Kong and Macau. China is located in East Asia. The capital city is Beijing, which is in the northeast part of the country. -
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(S): Eugene Yuejin Wang Source: the Art Bulletin, Vol
Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Author(s): Eugene Yuejin Wang Source: The Art Bulletin, Vol. 76, No. 3, (Sep., 1994), pp. 511-534 Published by: College Art Association Stable URL: http://www.jstor.org/stable/3046042 Accessed: 17/04/2008 11:17 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=caa. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We enable the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. http://www.jstor.org Mirror, Death, and Rhetoric: Reading Later Han Chinese Bronze Artifacts Eugene Yuejin Wang a 1 Jian (looking/mirror), stages of development of ancient ideograph (adapted from Zhongwendazzdian [Encyclopedic dictionary of the Chinese language], Taipei, 1982, vi, 9853) History as Mirror: Trope and Artifact people. -
Introduction
INTRODUCTION The wuxia film is the oldest genre in the Chinese cinema that has remained popular to the present day. Yet despite its longevity, its history has barely been told until fairly recently, as if there was some force denying that it ever existed. Indeed, the genre was as good as non-existent in China, its country of birth, for some fifty years, being proscribed over that time, while in Hong Kong, where it flowered, it was gen- erally derided by critics and largely neglected by film historians. In recent years, it has garnered a following not only among fans but serious scholars. David Bordwell, Zhang Zhen, David Desser and Leon Hunt have treated the wuxia film with the crit- ical respect that it deserves, addressing it in the contexts of larger studies of Hong Kong cinema (Bordwell), the Chinese cinema (Zhang), or the generic martial arts action film and the genre known as kung fu (Desser and Hunt).1 In China, Chen Mo and Jia Leilei have published specific histories, their books sharing the same title, ‘A History of the Chinese Wuxia Film’ , both issued in 2005.2 This book also offers a specific history of the wuxia film, the first in the English language to do so. It covers the evolution and expansion of the genre from its beginnings in the early Chinese cinema based in Shanghai to its transposition to the film industries in Hong Kong and Taiwan and its eventual shift back to the Mainland in its present phase of development. Subject and Terminology Before beginning this history, it is necessary first to settle the question ofterminology , in the process of which, the characteristics of the genre will also be outlined.