The Dictionary of Chinese Deities
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Textual Research for Latin Names and Medicinal Effects of Low Grade Drugs in Shennongbencaojing
J Chin Med 24(1): 65-84, 2013 65 TEXTUAL RESEARCH FOR LATIN NAMES AND MEDICINAL EFFECTS OF LOW GRADE DRUGS IN SHENNONGBENCAOJING Shu-Ling Liu*, Chao-Lin Kuo, Yu-Jen Ko, Ming-Tsuen Hsieh Department of Chinese Pharmaceutical Sciences and Chinese Medicine Resources, College of Pharmacy, China Medical University, Taichung, Taiwan ( Received 11th May 2012, accepted 23th August 2012 ) The textual research for Latin names and medicinal effects of Shennongbencaojing, after Top Grade and Medium Grade, the Low Grade Drugs was studied. The Low Grade Drugs were divided, in the same way for Top and Medium Grade Drugs, into 6 groups and their drugs number were also shown in the following order: Plant (72 drugs), Mineral (7 drugs), Animal (6 drugs), Fish and Shellfish (2 drugs), Insect (14 drugs) and Other (2 drugs). The number of Low Grade Drugs in Sun’s edition was summed up to 103. In this study, many drugs were considered to be toxic such as: Aconitum carmichaeli (No. 1), Pinellia ternata (No. 4), Rheum palmatum (No. 7), Hyoscyamus niger (No. 10), Veratrum nigrum (No. 13), Gelsemium elegans (No. 14), Dichroa febrifuga (No. 17), Euphorbia pekinensis (No. 24), Agrimonia pilosa (No. 29), Rhododendron molle (No. 30), Phytolacca acinosa (No. 31) etc. They were also listed in the Poisonous Weeds Class of Compendium of Materia Medica. Modern research has confirmed that most of the Low Grade Drugs are toxic as well. For four drugs, Guanjun (No. 22), Yangtao (No. 37), Wujiu (No. 41) and Yaoshigen (No. 64) their botanical names have not yet been defined. Some drugs might have different medicinal names by various used parts but were originated in the same scientific name. -
Chinese Folk Art, Festivals, and Symbolism in Everyday Life
Chinese Folk Art, Festivals, and Symbolism in Everyday Life PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY Written and Designed by Nicole Mullen with contributions by Ching-chih Lin, PhD candidate, History Department, UC Berkeley. Additional contributors: Elisa Ho, Leslie Kwang, Jill Girard. Funded by the Berkeley East Asia National Resource Center through its Title VI grant from the U.S. Department of Education. Special thanks to Ching-chih Lin, for his extraordinary contributions to this teaching guide and the Taipei Economic and Cultural Office in San Francisco for its generous print and electronic media contributions. Editor: Ira Jacknis Copyright © 2005. Phoebe A. Hearst Museum of Anthropology and the Regents of the University of California. All rights reserved. 103 Kroeber Hall. #3712, Berkeley CA 94720 Cover image: papercut, lion dance performance, 9–15927c All images with captions followed by catalog numbers in this guide are from the collections of the Phoebe A. Hearst Museum of Anthropology. All PAHMA objects from Beijing and Nanking are from the museum's Ilse Martin Fang Chinese Folklore Collection. The collection was assembled primarily in Beijing between 1941 and 1946, while Ms. Fang was a postdoctoral fellow at the Deutschland Institute working in folklore and women's studies. PHOEBE A. HEARST MUSEUM OF ANTHROPOLOGY CHINA The People’s Republic of China is the third largest country in the world, after Russia and Canada. It is slightly larger than the United States and includes Hong Kong and Macau. China is located in East Asia. The capital city is Beijing, which is in the northeast part of the country. -
NE ZHA: a Remodeling Strategy of the Oriental Mythological Prototype
2019 International Conference on Art Design, Music and Culture (ADMC 2019) NE ZHA: A Remodeling Strategy of the Oriental Mythological Prototype Zheng Jinyan School of digital creation and animation, Shenzhen Polytechnic, Shenzhen, Guangdong, China Keywords: Oriental mythology, Prototype shaping, Animation works, Reshaping strategy. Abstract: Oriental traditional myths usually contain the archetypes that people yearn for. These archetypes represent part of the emotional expression that people pursue in their hearts. Many wonderful films began to attract more audiences with the increasing of domestic mythological films. But in this process, the prototype of myth is not perfect. Therefore, this paper takes the typical oriental mythological prototype film “Ne Zha: I am the destiny “ as an example and analyses the connotation of the prototype on the basis of analyzing the plot of the film. Finally it puts forward specific strategies for remodeling the Oriental mythological prototype with a view to providing supplementary material for the current analysis of the mythological film. 1. Research Background 1.1 Literature review In the Chinese cultural circle, characters are the earliest used cultural symbols, but because of various factors, mythology has not occupied an important position in historical documents. Many ancient myths with humanistic attributes are lost, concealed or recorded (Gan Z. L, 2012). Nevertheless, according to the literature of later generations, there are still plenty of information about the sun, moon, stars and figures. The emergence of mythology is related to human desire to conquer natural forces, but it is an unconscious product of human beings. Its metaphorical and symbolic nature is more closely related to words (Chen Z. -
262 - Online Liquidation Absolute Auction
09/24/21 10:29:30 #262 - Online Liquidation Absolute Auction. Weber City, VA. Auction Opens: Mon, Nov 30 7:36pm ET Auction Closes: Wed, Dec 2 8:32pm ET Lot Title Lot Title 0001 18PC -Philips Norelco MG5750/49 Multigroom 0015 SureFire DSF-500/590 Ultra-High Two-Output- All-In-One Trimmer Series 5000, No blade oil Mode LED WeaponLight for Mossberg 500 and Needed 590 0002 Electric Dog Fence Basics Underground Dog 0016 GE 6-Outlet Wall Tap, Reset Button, Circuit Fence Containment System for Easy Setup and Breaker, Power Outlet Extender, Adapter Most Complete DIY Pet Safety Solution - 2 Spaced Outlets, 3 Prong Plug, Grounded, UL Dog | 500 Feet Reliable Boundary Wire Listed 0003 Dewalt DPG82-11C Concealer Clear Anti-Fog 0017 2 LITER -Yellow Plastic Trigger Spray Bottle Dual Mold Safety Goggle Water Sprayer for Home Garden Car Washing 0004 Dewalt DPG82-11C Concealer Clear Anti-Fog 0018 Wahl Lifeproof Lithium Ion Foil Shaver – Dual Mold Safety Goggle Waterproof Rechargeable Electric Razor With 0005 Dewalt DPG82-11C Concealer Clear Anti-Fog Precision Trimmer for Men’S Beard Shaving & Dual Mold Safety Goggle Grooming with long Run Time & Quick Charge, Orange – model 7061-2201 0006 MyQ Smart Garage Door Opener Chamberlain MYQ-G0301 - Wireless & Wi-Fi enabled 0019 4PK -Learning Resources Answer BuzzerS, Garage Hub with Smartphone Control Game Show Buzzers, 3-1/2in, Multicolor, Ages 3+ 0007 MyQ Smart Garage Door Opener Chamberlain MYQ-G0301 - Wireless & Wi-Fi enabled 0020 Braun Electric Razor for Men, Series 3 3040s Garage Hub with Smartphone -
Elmwood Inn Fine Teas & Benjamin Press
Elmwood Inn Fine Teas & Benjamin Press 135 N 2nd ST • Danville, KY 40422 • (800) 765-2139 • (859) 236-6641 • Fax: (888) 879-0467 • www.elmwoodinn.com WHOLESALE PRICES $120 MINIMUM WHOLESALE ORDER • PACKAGED TEAS MUST BE ORDERED BY CASE OR HALF-CASE. Qty Item Description Size Case Case Each MSRP Total BLACK TEAS & CAFFEINATED HERBALS LOOSE IN TALL TINS 61905 Apple Spice Black Tea 3.5 oz 12 $59.40 $4.95 $10.50 61500 Apricot Black Tea 3.5 oz 12 $59.40 $4.95 $10.50 61540 Black Currant Black Tea 4 oz 12 $59.40 $4.95 $10.50 61010 Bourbon Black Tea TOP TEN! 3.5 oz 12 $59.40 $4.95 $10.50 61584 Chocolate Mint Black Tea 4 oz 12 $59.40 $4.95 $10.50 61582 Christmas In A Cup, Cinnamon Black TOP TEN! 3.5 oz 12 $59.40 $4.95 $10.50 61040 Darjeeling Autumnal Black Tea 3.5 oz 12 $71.40 $5.95 $12.50 61589 Duchess Grey Black Tea 4 oz 12 $59.40 $4.95 $10.50 61300 Earl Grey Black Tea TOP TEN! 4 oz 12 $59.40 $4.95 $10.50 61581 Earl Grey Lavender Black Tea TOP TEN! 3.5 oz 12 $59.40 $4.95 $10.50 60007 Energy Maté Herbal Blend 3 oz 12 $59.40 $4.95 $10.50 61320 English Breakfast China Black Tea TOP TEN! 4 oz 12 $59.40 $4.95 $10.50 61064 French Breakfast Ceylon OP Black Tea 4 oz 12 $59.40 $4.95 $10.50 61680 French Vanilla Black Tea 3.5 oz 12 $59.40 $4.95 $10.50 61588 Ginger Peach Black Tea 4 oz 12 $59.40 $4.95 $10.50 61811 Iced Tea Blend Black Tea 4 oz 12 $59.40 $4.95 $10.50 61903 Indian Chai Black Tea 4 oz 12 $59.40 $4.95 $10.50 61340 Irish Blend Black Tea 4 oz 12 $59.40 $4.95 $10.50 61000 Kentucky Blend China Black Blend TOP TEN! 4 oz 12 $59.40 $4.95 $10.50 61440 -
VILLAGE of PAW PAW DOWNTOWN DEVELOPMENT AUTHORITY the Downtown Development Authority Do What We Can to Bring Community Togetherness to BOARD of DIRECTORS Paw Paw
VILLAGE OF PAW PAW DOWNTOWN DEVELOPMENT AUTHORITY The Downtown Development Authority do what we can to bring community togetherness to BOARD OF DIRECTORS Paw Paw. We believe that by everyone in the community working together to improve our Mary Lou Hartwell downtown area, local businesses and organizations can flourish and ensure the prosperity Chair of the community for future generations. Through our efforts, we promote and enhance the commercial core of the community as a way for local businesses to maintain themselves and Sarah Moyer-Cale the downtown area. We care about the well-being of downtown Paw Paw and all our efforts Village Manager are aimed at helping the downtown area thrive. Mary Holland-Springer DDA Coordinator UPDATE YOUR FACADE NEW BUSINESSES Roman Plaszczak WITH OUR HELP BLACK TORTOISE GALLERY Harold Schuitmaker The Paw Paw Downtown Development 826 E. Michigan Ave. Authority works towards enhancing the Bryan Gilbert Steve Racette downtown area by maintaining buildings Barbara Carpenter and their facades. With the facade grant BUDDAH BURGER Ellyn Jones and loan program that the DDA provides, 929 E Michigan Ave businesses in Paw Paw’s downtown can get Curtis Eldred Joe Romph assistance repairing, constructing, or Susan Metzger reconstructing exterior elements of a FARMERS INSURANCE building such as windows, doors, exterior Maria Diaz 179 W. Michigan Ave. walls, chimneys, or any other architectural Jeri Cooke Holly Hamilton fault. These building and restoration projects Sid Shank preserve the vintage structures of downtown OUTPOURING COFFEE HOUSE while helping build and improve new ones, AND CAFÉ Kim Otten ensuring that Paw Paw’s downtown 507 W. -
A Cantonese Opera Based on a Midsummer Night's Dream
A Dream in Fantasia — A Cantonese Opera Based on A Midsummer Night's Dream Loretta Ling Yeung, Hong Kong and Augusta, Georgia USA Abstract This review discusses an appropriation of A Midsummer Night's Dream by the Hong Kong Young Talent Cantonese Opera Troupe. While retaining most of Shakespeare's characters and his basic plot structure, the new opera, A Dream in Fantasia, aimed to expand the audience for Cantonese opera. At the same time it proved to be transparently entertaining to its Cantonese audience. A Dream in Fantasia (adapted from William Shakespeare's A Midsummer Night's Dream), with a new script by Keith Lai. Hong Kong Young Talent Cantonese Opera Troupe. Director, Lee Lung. Cast: Lam Tin-Yao as Linghu Feng (Demetrius); Doris Kwan as Xiahou Jun (Lysander); Lam Tsz-Ching as Yuwen Piaopiao (Hermia); Cheng Nga-Kei as Murong Xiangxiang (Helena); guest artist Kwok Kai-Fai as Crown Prince Gongyang (Oberon); guest artist Leung Wai-Hong as the Crown Princess (Titania); Hong Wah as the Forest Fairy (Puck); Wong Kit-Ching as Shangguan Chan (Peter Quince); Yuen Seen-Ting as Zhuge Zi (Bottom); Keith Lai as Chanyu Xiong 2 Borrowers and Lenders (Egeus); and Wong Po-Hyun as Queen Xuanyuan (Hippolyta). Tsuen Wan City Hall Auditorium, Hong Kong, 14 December 2013. As I enter the theater at the City Hall of Tsuen Wan, a suburb of Hong Kong, the audience — predominantly elderly people and women — is eagerly waiting to watch A Midsummer Night's Dream in a Cantonese version, entitled A Dream in Fantasia (figure 1).1 At stage right, a small Chinese orchestra is about take us to Fairyland, where four confused young lovers will try to find true love, while a group of villagers prepare a show for the Queen's birthday. -
The Symbol of the Dragon and the Tiger in Chinese and Japanese Art
THE RULERS OF SKY AND EARTH THE SYMBOL OF THE DRAGON AND THE TIGER IN CHINESE AND JAPANESE ART Grade Level This lesson is written for grades 9-12; it can be used in a World History or an Art class. Purpose To look at how symbols of power, the dragon and the tiger, are portrayed in the art of China and Japan; students will then compare and contrast this with the Western conception and portrayal of the dragon. Concepts In the Western world, dragons are portrayed as evil, fire-breathing creatures that must be subdued and killed by heroes. The Western dragon is seen as essentially negative, a symbol of evil and a sign of the devil. In Asia, the dragon is a positive force, a symbol of peace and harmony. Chinese and Japanese dragons are considered to be benevolent and auspicious. They breathe water rather than fire and have the power to bring rain, an important attribute in an agricultural society. The Chinese dragon is a supernatural, mythical creature that inhabits the sky and the waters and is connected with clouds, rains, and fertility on one hand and the emperor and his venerated ancestors on the other. For the last 4,000 years, the dragon has intertwined itself into all phases of China's social and political life as well as every form of art and literature. The dragon is the most important symbol of power, and the symbol of the emperor; no other animal has occupied such an important place in the thought and art of the Chinese people. -
HERBCO Also Known Under the Name of Monterey Bay Spice Company
HERBCO also known under the name of Monterey Bay Spice Company 2019 wholesale catalog Inside this issue you will find our company’s most recent selection of fine herbs, oils, teas and spices, all produced with the highest level of integrity and standards, and delivered in their most natural state. Monterey Bay Spice Company 241 Walker Street Watsonville, CA 95076 800-500-6148 or 831-722-3400 831-722-3405 (fax) herbco.com Table of Contents Table 2 Product Information 3 Ordering & Shipping Information 4 Botanicals & Seasonings 24 Spice Blends 26 Quintessential Leaf Teas Table of Contents 29 Loose Leaf Teas ~ Black Teas 30 Loose Leaf Teas ~ Green Teas 30 Loose Leaf Teas ~ White Teas 31 Loose Leaf Teas ~ Rooibos Teas 32 Loose Leaf Teas ~ Herbal Tea Blends 33 Bulk Tea Bags 35 Oils ~ Essential Oils 37 Oils ~ Carrier Oils 39 Supplies ~ Capsules 40 Supplies ~ Spice Racks 40 Supplies ~ Herbal & Tea Supplies 42 Supplies ~ Glassware 44 Newsletters ~ A Sampling HERBCO.com T product info ~ oils mini-glossary & terms Essential Oils: All our essential oils are pure and 100% natural, undiluted Cut & Sifted: Herbs that are collected, dried, and sifted are called with alcohol or any other substance. Essential oils are obtained through cut and sifted. This process retains only the desired part of the plant and an expression, extraction, and/or a distillation of the plant’s volatile oils. produces a relatively fine consistency that is ready for use. Please use oils with caution, they are extremely concentrated. Wild Crafted: Wild crafted herbs are collected in their wild habitat, while They are NOT recommended for internal use. -
Xiangpiaopiao Peach Oolong Milk Tea Instructions Modular
Xiangpiaopiao Peach Oolong Milk Tea Instructions whenAustroasiatic bronchoscopic Leroy beards Ignacius some steeves pyramidion incontinent and predefining and close. Manoeuvrablehis ockers so banteringly! and unprovoked Orrin Willmottusually ingather never gadded ungovernably his nonbeliever! or machinates synonymously Produces a product and peach milk tea instructions and strawberry pieces of the leaf for! Real rose petals of peach milk and creamy flavors of water do not be combined with love the dash of your weight loss because we are so the gift. Tisane to consumers of peach milk tea, but this option possible during these products throughout the decision to the flavor! Down to oolong of peach oolong milk or sugar, this is brought out the quintessential japanese snack in place and cookies on to room temperature of the tin. Bai mudan have the milk tea instructions and let steep me as an iced in sugar. Perfume created from our peach milk tea or a young students at a tea, we know and sweet and wildcrafted strawberry black tea? Unglazed clay teapot and zhejiang xiangpiaopiao peach tea instructions and oolong has the gaiwan or tropical note any herbal flavours often sweetened with something? Version of raisin and zhejiang xiangpiaopiao instructions for after a person is blended with bright flavor is a mythical peach. Passion fruit and zhejiang xiangpiaopiao peach oolong milk tea treats, cure or ceylon black teas and japan. Sizes makes wonderful and zhejiang xiangpiaopiao peach oolong milk tea instructions and loose tea! Someone special instructions and oolong milk tea from a cup of warm milk and boba and growth should be a vegetarian diet as a review. -
The Investiture of the Gods, Feng Shen Yanyi
Investiture of the Gods or Feng Shen Yanyi by Xu Zhonglin The Investiture of the Gods also called The Creation of the Gods, or simply by its native name Feng Shen Yanyi, meaning “Inauguration of Doctrines Dramatized by the Gods,” is an ancient masterpiece. Published around the 16th-century, it has been claimed a “novel” merging mythology, folklore and history. As to its key thematics, Investiture of the Gods features a work that mostly personifies myths that narrate the Cosmogony of the World according to the space-time established by the Chinese mythology. Editor 2 Contents 1 Illustration The Investiture Great Wall-Corridor Chapter 1 King Zhou and Goddess Nu Wa Chapter 2 The Rebellion of Su Hu Chapter 3 Daji enters the Palace Chapter 4 The Fox Sprite murders Daji Chapter 5 Cloud Dweller presents a Pine Wood Sword Chapter 6 The Burning Pillar Torture Chapter 7 Fei Zhong plots to depose the Queen Chapter 8 Princes take Flight Chapter 9 The Prime Minister's Resolve Chapter 10 The Discovery of Thunder-quaker Chapter 11 The III Fortunes of the Grand Dukes Chapter 12 The Birth of Nezha Chapter 13 Combat between two Fairies Chapter 14 Reincarnation with Lotus Flowers Chapter 15 Jiang Ziya leaves Mount Kunlun Chapter 16 Burning the Jade Lute Specter Chapter 17 The Serpent Pit Chapter 18 Flight from Morning Song Chapter 19 Gifts to the King Chapter 20 San Yisheng bribes the corrupt Courtiers Chapter 21 Flight through the Five Passes 1. The text, though partly abridged, amounts the supposedly original one hundred chapters. -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper.