The Evolution of Mathematics in Ancient China: from the Newly Discovered Shu and Suan Shu Shu Bamboo Texts to the Nine Chapters
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The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Quantification and Predication in Mandarin Chinese: a Case Study of Dou
University of Pennsylvania ScholarlyCommons IRCS Technical Reports Series Institute for Research in Cognitive Science December 1996 Quantification and Predication in Mandarin Chinese: A Case Study of Dou Shi-Zhe Huang University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/ircs_reports Huang, Shi-Zhe, "Quantification and Predication in Mandarin Chinese: A Case Study of Dou" (1996). IRCS Technical Reports Series. 114. https://repository.upenn.edu/ircs_reports/114 University of Pennsylvania Institute for Research in Cognitive Science Technical Report No. IRCS-96-36. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ircs_reports/114 For more information, please contact [email protected]. Quantification and Predication in Mandarin Chinese: A Case Study of Dou Abstract In the more recent generalized quantifier theory, 'every' is defined as a elationr between two sets such that the first set is a subset of the second set (Cooper (1987), anv Benthem (1986)). We argue in this dissertation that the formal definition of e' very' ought to reflect our intuition that this quantifier is always associated with a pairing. For instance, 'Every student left' means that for every student there is an event (Davidson (1966), Kroch (1974), Mourelatos (1978), Bach (1986)) such that the student left in that event. We propose that the formal translation of EVERY be augmented by relating its two arguments via a skolem function. A skolem function links two variables by making the choice of a value for one variable depend on the choice of a value for the other. This definition of EVERY, after which 'every' and its Chinese counterpart 'mei' can be modeled, can help us explain the co-occurrence pattern between 'mei' and the adverb 'dou'. -
Michael Nylan
148 EASTM 17 (2000) Sun Xiaochun and Jacob Kistemaker, The Chinese Sky during the Han: Constel- lating Stars and Society. Leiden: Brill, 1997. 240 pages, 8 tables, 3 fold-out maps. Michael Nylan [Michael Nylan currently teaches at Bryn Mawr College. At present, her re- search focuses on three major areas: (1) the Five Classics and their reception; (2) domestic life in Warring States through Nanbeichao, with particular atten- tion both to material culture and to definitions of pleasure; and (3) the role of textuality, written and oral, in the production and transmission of traditions.] This work by Sun and Kistemaker would ascertain by Fourier analysis the positional astronomy of the Chinese sky during Han and then present "the cultural background" behind the constellations' names (pp. 9, 11, 95). The book in conse- quence divides into two parts, the first highly technical and the second of greater potential interest to the non-specialist, whose conceptual fit is less than ideal. After a brief general introduction to the Chinese sky, the authors undertake to date the core of the received text of the Shishi xingjing (Mr. Shi's Star Classic) to the first half of the first century BC, though some later material has been interpolated (p. 102). The authors then build a plausible case that the Star Classic probably reflects careful observations made in connection with the replacement of the Sifen calendar by the Taichu calendar in 104 BC (the first to require the armillary sphere in addition to the gnomon and water clock), possibly those made by Xianyu Wanren's group of twenty-two astronomers in the years 78-76 BC. -
Hawai'i Reader In
Traditional Chinese Culture Edited by Victor H. Mair Nancy S. Steinhardt and Paul R. Goldin University of Hawai'i Press Honolulu 34 | Cao Pi, "A Discourse on Literature" CAO PI (187-226) was the second son of the formidable military dictator Cao Cao (155-220), whose story is told in Romance of the Three Kingdoms fSanguoyanyi'), and the elder brother of the poet Cao Zhi (192-232). He ended the puppet rule of the last Eastern Han emperor and founded the Wei dynasty in 220; thus he is also known as Emperor Wen of the Wei. Like his father and brother, Cao Pi was an accomplished writer and poet. His "Discourse on Literature" (Lun wen) survives from a critical work entided A Treatise on the Classics (Dianlun), of which only some frag- ments are extant. One of the most notable things about this essay is Cao Pi's use of the notion of qi, breath or vital force, as a concept of literary criticism that has had an immense influence on classical Chinese literary thought. "A Discourse on Literature" is itself a beautiful literary composition. It is particularly touch- ing because we see in it a writer who was secretly anxious and insecure about the value of his work and the uncertain possibility of immortal fame. A great deal of the first part of the essay is devoted to the reasoning that one's literary talent is an inherent quality that cannot be learned or obtained by hard efforts (li qiang); in the second part of the essay, he claims that a person may achieve literary immortality by exerting himself (qiang li). -
Livret Des Résumés Booklet of Abstracts
34èmes Journées de Linguistique d’Asie Orientale JLAO34 34th Paris Meeting on East Asian Linguistics 7–9 juillet 2021 / July, 7th–9th 2021 Colloque en ligne / Online Conference LIVRET DES RÉSUMÉS BOOKLET OF ABSTRACTS Comité d’organisation/Organizing committee Raoul BLIN, Ludovica LENA, Xin LI, Lin XIAO [email protected] *** Table des matières / Table of contents *** Van Hiep NGUYEN (Keynote speaker): On the study of grammar in Vietnam Julien ANTUNES: Description et analyse de l’accent des composés de type NOM-GENITIF-NOM en japonais moderne Giorgio Francesco ARCODIA: On ‘structural particles’ in Sinitic languages: typology and diachrony Huba BARTOS: Mandarin Chinese post-nuclear glides under -er suffixation Bianca BASCIANO: Degree achievements in Mandarin Chinese: A comparison between 加 jiā+ADJ and 弄 nòng+ADJ verbs Etienne BAUDEL: Chinese and Sino-Japanese lexical items in the Hachijō language of Japan Françoise BOTTERO: Xu Shen’s graphic analysis revisited Tsan Tsai CHAN: Cartographic fieldwork on sentence-final particles – Three challenges and some ways around them Hanzhu CHEN & Meng CHENG: Corrélation entre l’absence d’article et la divergence lexicale Shunting CHEN, Yiming LIANG & Pascal AMSILI: Chinese Inter-clausal Anaphora in Conditionals: A Linear Regression Study Zhuo CHEN: Differentiating two types of Mandarin unconditionals: Their internal and external syntax Katia CHIRKOVA: Aspect, Evidentiality, and Modality in Shuhi Anastasia DURYMANOVA: Nouns and verbs’ syntactic shift: some evidences against Old Chinese parts-of- speech -
The Sacrality of the Mountain the Sacrality of the Mountain
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 12-2014 The aS crality of The ounM tain Manuel Rivera Espinoza University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian History Commons, Asian Studies Commons, Comparative Philosophy Commons, History of Religions of Eastern Origins Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Rivera Espinoza, Manuel, "The aS crality of The ounM tain" (2014). Theses and Dissertations. 2072. http://scholarworks.uark.edu/etd/2072 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. The Sacrality of the Mountain The Sacrality of the Mountain A thesis submitted in partial fulfillment of the requirements of the degree of Master of Arts in History by Manuel Rivera Espinoza Universidad de Chile Bachelor in History, 2008 December 2014 University of Arkansas This thesis is approved for recommendation of the Graduate Council. _______________________________ Dr. Rembrandt Wolpert Thesis Director _______________________________ _______________________________ Dr. Liang Cai Dr. Elizabeth Markham Committee Member Committee Member Abstract In this thesis I explore the conception of the mountain as a “sacred space” based on the definition provided by Mircea Eliade -
Archimedes and Liu Hui on Circles and Spheres Joseph W
www.ontologia.net/studies Ontology Studies 10, 2010 21-38 Archimedes and Liu Hui on Circles and Spheres Joseph W. Dauben Department of History Herbert H. Lehman College and Ph.D. Program in History The Graduate Center The City University of New York Reception date / Fecha de recepción: 27-05-2009 Acceptation date / Fecha de aceptación: 22-06-2009 Abstract This article describes the mystery of a long lost codex of Archimedes that resurfaced briefly at the turn of the last century by Johan Ludwig Heiberg. Long enough for the Danish historian of mathematics Heiberg to identify, photograph and eventually transcribe “The Method” and several other works by Archimedes of considerable mathematical interest. In 1879 Heiberg completed his dissertation, Quaestiones Archimedeae, devoted to Archimedes’ life, works, and transmission of his texts. Keywords: Archimedes, Ephodos, Method, Johan Ludwig Heiberg. Resumen. Arquímedes y Hui Liu en torno a círculos y esferas. Este artículo describe el misterio de un códice de Arquímedes perdido hace mucho tiempo que reapareció brevemente a principios del siglo pasado de la mano de Johan Ludwig Heiberg. Tiempo suficiente para que el historiador danés de las matemáticas Heiberg pudiese identificar, fotografiar y, finalmente, transcribir “El Método” y varias otras obras de Arquímedes de interés matemático considerable. En 1879 Heiberg completó su tesis doctoral, Quaestiones Archimedeae, dedicado a la vida de Arquímedes, las obras, y la transmisión de sus textos. Palabras clave: Arquímedes, ephodos, método, Johan Ludwig Heiberg. This story begins with a mystery—the mystery of a long lost codex of Archimedes that resurfaced briefly at the turn of the last century, long enough for the Danish historian of mathematics Johan Ludwig Heiberg to identify, photograph and eventually transcribe “The Method” and several other works by Archimedes of considerable mathematical 22 Ontology Studies 10, 2010 Joseph W. -
Papers Presented All Over World Inc
THE GREAT WALL OF CHINA: The World’s Greatest Boundary Monument! John F. Brock, Australia Keywords: Ancient China, surveyors, Pei Xiu, Liu Hui, The Haidao Suanjing, Great Wall(s) of China, Greatest Boundary Monument. ”… in the endeavors of mathematical surveying, China’s accomplishments exceeded those realized in the West by about one thousand years.” Frank Swetz – last line in The Sea Island Mathematical Manual: Surveying and Mathematics in Ancient China. ABSTRACT It is said that the Great Wall of China is the only manmade structure on Earth which is visible from space (not from the Moon)! The only natural feature similarly identifiable from the outer reaches past our atmospheric zone has been named as Australia’s Great Barrier Reef. This Fig. 1 The moon from The Great Wall instead of natural wonder of the sea is vice versa which cannot actually occur !!! continuous while the Great Wall of China is actually made up of a series of castellated walls mainly erected along ridge lines causing major variations in the levels of its trafficable upper surface. Some of the barriers built are not formed from stone but from rammed earth mounds. The purpose for these walls was primarily to facilitate protection from hostile adjoining tribes and marauding hordes of enemy armies intent on looting and pillaging the coffers of its neighbouring wealthier Chinese Dynasty of the time. As the need for larger numbers of military troops became required to defeat the stronger opponents, which may sometimes have formed alliances, the more astute provincial rulers saw a similar advantage in the unification of the disparate Chinese Provinces particularly during the Ming Dynasty (1368-1644). -
Daoism and Daoist Art
Heilbrunn Timeline of Art History Daoism and Daoist Art Works of Art (19) Essay Indigenous to China, Daoism arose as a secular school of thought with a strong metaphysical foundation around 500 B.C., during a time when fundamental spiritual ideas were emerging in both the East and the West. Two core texts form the basis of Daoism: the Laozi and the Zhuangzi, attributed to the two eponymous masters, whose historical identity, like the circumstances surrounding the compilation of their texts, remains uncertain. The Laozi—also called the Daodejing, or Scripture of the Way and Virtue—has been understood as a set of instructions for virtuous rulership or for self- cultivation. It stresses the concept of nonaction or noninterference with the natural order of things. Dao, usually translated as the Way, may be understood as the path to achieving a state of enlightenment resulting in longevity or even immortality. But Dao, as something ineffable, shapeless, and conceived of as an infinite void, may also be understood as the unfathomable origin of the world and as the progenitor of the dualistic forces yin and yang. Yin, associated with shade, water, west, and the tiger, and yang, associated with light, fire, east, and the dragon, are the two alternating phases of cosmic energy; their dynamic balance brings cosmic harmony. Over time, Daoism developed into an organized religion—largely in response to the institutional structure of Buddhism—with an ever-growing canon of texts and pantheon of gods, and a significant number of schools with often distinctly different ideas and approaches. At times, some of these schools were also politically active. -
Table of Contents
Table of Contents Prologue 5 Introduction – The Great Periods 9 Part One: The Feudal Period Chapter I: The Five Classical Books 17 1. Introduction 17 2. The Classic of Spring and Autumn Annals 21 3. The Classic of Historical Documents 25 a. The Legendary Emperors: Yao and Shun 29 b. The Xia Dynasty 34 c. The Shang Dynasty 37 d. The Zhou Dynasty 43 e. Some Considerations on the Classic of Historical Documents 52 4. The Classic of Changes 57 5. The Classic of Rites 61 6. The Classic-Book of Songs 68 Chapter II: Confucius and Mencius 89 1. The Heritage of Confucius 89 a. The Five Classical Books and Confucius 89 b. A Profile of Confucius 92 2. The Heritage of Mencius 101 a. The Example of Emperor Shun 102 b. The Family: School of Humanity 108 c. Human Nature 112 Chapter III: Taoist Philosophy 117 1. Lao Tzu 117 1 2. Chuang Tzu 127 Chapter IV: The Legalist School 139 1. The Lord of Shang 139 2. Xun Zi 143 3. Han Fei Zi 149 Part Two: The Imperial Period Chapter V: The Unification of the Empire 153 1. Fourteen Years of the Qin Dynasty 153 2. Four Hundred Years of the Han Dynasty 156 a. The Confucian Influence on the Empire 156 b. The Life of the People 161 c. Taoism as a Religion 171 Chapter VI: The Influence of Buddhism 177 1. Historical Context 177 2. The Doctrine of Buddha 184 3. The First Discourse 187 4. The Smaller and the Greater Vehicles 189 5. -
Picturing Or Diagramming the Universe
PICTURING OR DIAGRAMMING THE UNIVERSE Wu Hung1 This paper is a broad speculation on image-making from the late East- ern Zhou to the Han. The kinds of images I want to consider include pictorial motifs and compositions (which are conventional subjects of art history) as well as abstract signs and patterns (which usually es- cape art historians’ attention). My main thesis is that during this pe- riod, not one, but a number of systems developed side by side to sup- ply different types of images. A single “subject matter” could thus be rendered in different visual presentations that operated as different languages and interacted in an increasingly complex visual culture. Having laid down this basic claim, I want to focus on one such “subject matter”—the universe—defined as an all-inclusive entity, encompassing all things—heavens, earth, and all that is in them—as well as time and space. Based on this definition the universe means an absolute interiority, a closed system that has everything inside and nothing outside. It is easy to understand why this interiority was imag- ined in terms of architecture in various ancient cultures. Such imagin- ings, in turn, stimulated the interest in fashioning a building as a microcosmic architectural representation of the entire cosmic order. Two kinds of microcosmic buildings were pursued through diver- gent cultural practices in China from the Eastern Zhou to Han. One of these was an idealized ritual structure known as Mingtang ĄŠ, translated into English as Bright Hall or the Hall of Light. Fig. 1 a–b shows the remaining foundation of the Bright Hall constructed by Wang Mang Ǟʜ in 4 AD. -
Early Chinese Cosmology and Its Ritual Response K.E
Rel. 307: Early Chinese cosmology and its ritual response K.E. Brashier (ETC 203) Fall 2010 Office hours: M 2-4, W 8-9 俯盡鑒於有形 Looking down, I exhaust my investigation because there are so many forms around me, 仰蔽視於所蓋 But when I look up, my vision is impeded by the cover of heaven. 游萬物⽽極思 So I wander among the myriad things and thereby take my thoughts to their limit; 故⼀⾔于天外 Then I can say a few words about what lay beyond heaven. – Chenggong Sui 成公綏 (231-73) Think for a moment about how we get knowledge. It can consist of direct experience itself. It can be taught to us through books and teachers. It can be intuited through meditation. It can be revealed to us through gods. Additionally as Chenggong Sui here argues, it can be extrapolated, and in his opinion when it comes to exploring the cosmos, extrapolation is indeed the only viable conduit. We first examine the little things near us, then deduce a pattern and finally extend that pattern to things far away. Chenggong Sui sets forth both the message and the medium for this course on early Chinese cosmology. His message is the all-encompassing pattern that ties together the annual seasons, the bodily organs, the government bureaucracy, the circumpolar constellations. We will explore that pattern and see how – and more importantly, why – it fits together into a comprehensive and comprehensible system. His medium is extrapolation, is looking at the small and specializing at the near-at-hand until he can trace that pattern outward.