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Ps TOILETRY CASE SETS ACROSS LIFE and DEATH in EARLY CHINA (5 C. BCE-3 C. CE) by Sheri A. Lullo BA, University of Chicago
TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) by Sheri A. Lullo BA, University of Chicago, 1999 MA, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 Ps UNIVERSITY OF PITTSBURGH FACULTY OF ARTS & SCIENCES This dissertation was presented by Sheri A. Lullo It was defended on October 9, 2009 and approved by Anthony Barbieri-Low, Associate Professor, History Dept., UC Santa Barbara Karen M. Gerhart, Professor, History of Art and Architecture Bryan K. Hanks, Associate Professor, Anthropology Anne Weis, Associate Professor, History of Art and Architecture Dissertation Advisor: Katheryn M. Linduff, Professor, History of Art and Architecture ii Copyright © by Sheri A. Lullo 2009 iii TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) Sheri A. Lullo, PhD University of Pittsburgh, 2009 This dissertation is an exploration of the cultural biography of toiletry case sets in early China. It traces the multiple significances that toiletry items accrued as they moved from contexts of everyday life to those of ritualized death, and focuses on the Late Warring States Period (5th c. BCE) through the Han Dynasty (206 BCE-220 CE), when they first appeared in burials. Toiletry case sets are painted or inlaid lacquered boxes that were filled with a variety of tools for beautification, including combs, mirrors, cosmetic substances, tweezers, hairpins and a selection of personal items. Often overlooked as ordinary, non-ritual items placed in burials to comfort the deceased, these sets have received little scholarly attention beyond what they reveal about innovations in lacquer technologies. -
The Evolution of Mathematics in Ancient China: from the Newly Discovered Shu and Suan Shu Shu Bamboo Texts to the Nine Chapters
The Evolution of Mathematics in Ancient China: From the Newly Discovered Shu and Suan shu shu Bamboo Texts to the Nine Chapters on the Art of Mathematics*,† by Joseph W. Dauben‡ The history of ancient Chinese mathematics and texts currently being conserved and studied at its applications has been greatly stimulated in Tsinghua University and Peking University in Beijing, the past few decades by remarkable archaeological the Yuelu Academy in Changsha, and the Hubei discoveries of texts from the pre-Qin and later Museum in Wuhan, it is possible to shed new light periods that for the first time make it possible to on the history of early mathematical thought and its study in detail mathematical material from the time applications in ancient China. Also discussed here are at which it was written. By examining the recent developments of new techniques and justifications Warring States, Qin, and Han bamboo mathematical given for the problems that were a significant part of the growing mathematical corpus, and which * © 2014 Joseph W. Dauben. Used with permission. eventually culminated in the comprehensive Nine † This article is based on a lecture presented in September of 2012 at the Fairbank Center for Chinese Studies at Har- Chapters on the Art of Mathematics. vard University, which was based on a lecture first given at National Taiwan Tsinghua University (Hsinchu, Taiwan) in the Spring of 2012. I am grateful to Thomas Lee of National Chiaotung University of Taiwan where I spent the academic Contents year 2012 as Visiting Research Professor at Chiaota’s Insti- tute for Humanities and Social Sciences, which provided sup- 1 Recent Archaeological Excavations: The Shu port for much of the research reported here, and to Shuchun and Suan shu shu ................ -
Michael Nylan
148 EASTM 17 (2000) Sun Xiaochun and Jacob Kistemaker, The Chinese Sky during the Han: Constel- lating Stars and Society. Leiden: Brill, 1997. 240 pages, 8 tables, 3 fold-out maps. Michael Nylan [Michael Nylan currently teaches at Bryn Mawr College. At present, her re- search focuses on three major areas: (1) the Five Classics and their reception; (2) domestic life in Warring States through Nanbeichao, with particular atten- tion both to material culture and to definitions of pleasure; and (3) the role of textuality, written and oral, in the production and transmission of traditions.] This work by Sun and Kistemaker would ascertain by Fourier analysis the positional astronomy of the Chinese sky during Han and then present "the cultural background" behind the constellations' names (pp. 9, 11, 95). The book in conse- quence divides into two parts, the first highly technical and the second of greater potential interest to the non-specialist, whose conceptual fit is less than ideal. After a brief general introduction to the Chinese sky, the authors undertake to date the core of the received text of the Shishi xingjing (Mr. Shi's Star Classic) to the first half of the first century BC, though some later material has been interpolated (p. 102). The authors then build a plausible case that the Star Classic probably reflects careful observations made in connection with the replacement of the Sifen calendar by the Taichu calendar in 104 BC (the first to require the armillary sphere in addition to the gnomon and water clock), possibly those made by Xianyu Wanren's group of twenty-two astronomers in the years 78-76 BC. -
The Sacrality of the Mountain the Sacrality of the Mountain
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 12-2014 The aS crality of The ounM tain Manuel Rivera Espinoza University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian History Commons, Asian Studies Commons, Comparative Philosophy Commons, History of Religions of Eastern Origins Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Rivera Espinoza, Manuel, "The aS crality of The ounM tain" (2014). Theses and Dissertations. 2072. http://scholarworks.uark.edu/etd/2072 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. The Sacrality of the Mountain The Sacrality of the Mountain A thesis submitted in partial fulfillment of the requirements of the degree of Master of Arts in History by Manuel Rivera Espinoza Universidad de Chile Bachelor in History, 2008 December 2014 University of Arkansas This thesis is approved for recommendation of the Graduate Council. _______________________________ Dr. Rembrandt Wolpert Thesis Director _______________________________ _______________________________ Dr. Liang Cai Dr. Elizabeth Markham Committee Member Committee Member Abstract In this thesis I explore the conception of the mountain as a “sacred space” based on the definition provided by Mircea Eliade -
“I Write Therefore I Am”: Scribes, Literacy, and Identity in Early China
“I write therefore I am”: Scribes, Literacy, and Identity in Early China Armin Selbitschka NYU Shanghai [email protected] Accepted for publication in Harvard Journal of Asiatic Studies 78.2 (2018). In a recently published article on literacy and identity, Elizabeth Birr Moje and Alan Luke distinguish five “metaphors for identity in history and contemporary research.” More importantly, though, the authors reviewed a tremendous amount of sociological and social-psychological literature in order to demonstrate how scholarship has increasingly related different conceptions of identity and the self to literacy. Accordingly, “texts and the literate practices that accompany them not only reflect but may also produce the self. Moreover, some have also argued that texts can be used as tools for enacting identities in social settings.”1 In view of the fact that a significant number of Chinese individuals living during the fifth through first centuries BCE were buried with manuscripts, such arguments seem pertinent for early Chinese society as well. What does it say about the self-concept of a person when his or her ability to write and / or read assumed a prominent role in funerary rites? This is the main question this article is going to pursue. Research on literacy in the field of Early China studies has gained some momentum with the release of a volume edited by Li Feng and David Prager Branner,2 yet the issue of identity has so far not been raised in this context. This article will therefore first discuss evidence of literacy and the skill of writing that are found in Chinese literary and archaeological sources of the late pre- imperial and early imperial period. -
Picturing Or Diagramming the Universe
PICTURING OR DIAGRAMMING THE UNIVERSE Wu Hung1 This paper is a broad speculation on image-making from the late East- ern Zhou to the Han. The kinds of images I want to consider include pictorial motifs and compositions (which are conventional subjects of art history) as well as abstract signs and patterns (which usually es- cape art historians’ attention). My main thesis is that during this pe- riod, not one, but a number of systems developed side by side to sup- ply different types of images. A single “subject matter” could thus be rendered in different visual presentations that operated as different languages and interacted in an increasingly complex visual culture. Having laid down this basic claim, I want to focus on one such “subject matter”—the universe—defined as an all-inclusive entity, encompassing all things—heavens, earth, and all that is in them—as well as time and space. Based on this definition the universe means an absolute interiority, a closed system that has everything inside and nothing outside. It is easy to understand why this interiority was imag- ined in terms of architecture in various ancient cultures. Such imagin- ings, in turn, stimulated the interest in fashioning a building as a microcosmic architectural representation of the entire cosmic order. Two kinds of microcosmic buildings were pursued through diver- gent cultural practices in China from the Eastern Zhou to Han. One of these was an idealized ritual structure known as Mingtang ĄŠ, translated into English as Bright Hall or the Hall of Light. Fig. 1 a–b shows the remaining foundation of the Bright Hall constructed by Wang Mang Ǟʜ in 4 AD. -
Early Chinese Cosmology and Its Ritual Response K.E
Rel. 307: Early Chinese cosmology and its ritual response K.E. Brashier (ETC 203) Fall 2010 Office hours: M 2-4, W 8-9 俯盡鑒於有形 Looking down, I exhaust my investigation because there are so many forms around me, 仰蔽視於所蓋 But when I look up, my vision is impeded by the cover of heaven. 游萬物⽽極思 So I wander among the myriad things and thereby take my thoughts to their limit; 故⼀⾔于天外 Then I can say a few words about what lay beyond heaven. – Chenggong Sui 成公綏 (231-73) Think for a moment about how we get knowledge. It can consist of direct experience itself. It can be taught to us through books and teachers. It can be intuited through meditation. It can be revealed to us through gods. Additionally as Chenggong Sui here argues, it can be extrapolated, and in his opinion when it comes to exploring the cosmos, extrapolation is indeed the only viable conduit. We first examine the little things near us, then deduce a pattern and finally extend that pattern to things far away. Chenggong Sui sets forth both the message and the medium for this course on early Chinese cosmology. His message is the all-encompassing pattern that ties together the annual seasons, the bodily organs, the government bureaucracy, the circumpolar constellations. We will explore that pattern and see how – and more importantly, why – it fits together into a comprehensive and comprehensible system. His medium is extrapolation, is looking at the small and specializing at the near-at-hand until he can trace that pattern outward. -
MONUMENTA SERICA Journal of Oriental Studies
MONUMENTA SERICA Journal of Oriental Studies Vol. LVI, 2008 Editor-in-Chief: ROMAN MALEK, S.V.D. Members of the Monumenta Serica Institute (all S.V.D.): JACQUES KUEPERS – LEO LEEB – ROMAN MALEK – WILHELM K. MÜLLER – ARNOLD SPRENGER – ZBIGNIEW WESOŁOWSKI Advisors: NOEL BARNARD (Canberra) – J. CHIAO WEI (Trier) – HERBERT FRANKE (München) – VINCENT GOOSSAERT (Paris) – NICOLAS KOSS, O.S.B. (Taibei) – SUSAN NAQUIN (Princeton) – REN DAYUAN (Beijing) – HELWIG SCHMIDT-GLINTZER (Wolfenbüttel) – NICOLAS STANDAERT, S.J. (Leuven) Monumenta Serica Institute – Sankt Augustin 2008 Editorial Office Monumenta Serica Institute, Arnold-Janssen-Str. 20 53757 Sankt Augustin, Germany Tel.: (+49) (0) 2241 237 431 • Fax: (+49) (0) 2241 237 486 E-mail: [email protected] • http://www.monumenta-serica.de Redactors: BARBARA HOSTER, DIRK KUHLMANN, ROMAN MALEK Manuscripts of articles, reviews (typewritten and on floppy-disks, see Information for Authors), exchange copies, and subscription orders should be sent to the Editorial Office __________ Taipei Office Monumenta Serica Sinological Research Center 天主教輔仁大學學術研究院 華裔學志漢學研究中心 Fu Jen Catholic University, Hsinchuang 24205, Taipei Hsien E-mail: [email protected] • http://www.mssrc.fju.edu.tw Director: ZBIGNIEW WESOŁOWSKI, S.V.D. ISSN 0254-9948 Monumenta Serica: Journal of Oriental Studies © 2008. All rights reserved by Monumenta Serica Institute, Arnold-Janssen-Str. 20, 53757 Sankt Augustin, Germany Set by the Authors and the Editorial Office, Monumenta Serica Institute. Technical assistance: JOZEF BIŠTUŤ, S.V.D. Printed by DRUCKEREI FRANZ SCHMITT, Siegburg Distribution – Orders – Subscriptions: STEYLER VERLAG, P.O. Box 2460, 41311 Nettetal, Germany Fax: (+49) (0) 2157 120 222; E-mail: [email protected] www.monumenta-serica.de EBSCO Subscription Services, Standing Order Department P.O. -
Concubinage Was a Deeply Entrenched Social Institution in The
Hsiang Lectures on Chinese Poetry Volume 5 Grace S. Fong Editor Chris Byrne Editorial Assistant Centre for East Asian Research McGill University Copyright © 2010 by Centre for East Asian Research, McGill University 3434 McTavish Street McGill University Montreal, Quebec, Canada H3A 1X9 Calligraphy by: Han Zhenhu For additional copies please send request to: Hsiang Lectures on Chinese Poetry Centre for East Asian Research McGill University 3434 McTavish Street Montreal, Quebec Canada H3A 1X9 A contribution of $5 towards postage and handling will be appreciated. This volume is printed on acid-free paper. Lost in Tradition: The Classic of Poetry We Did Not Know Martin Kern Princeton University Prelude Like no other poetic text in world literature, the Shijing 詩經, or Classic of Poetry, has a continuous history of some twenty-five centuries of reciting, singing, reading, teaching, memorizing, printing, quoting, and interpreting. True to Goethe’s definition of a classic, it is a text forever inexhaustible in its meaning. At the end of the Chinese empire, however, the text could barely carry the weight of its own commentarial tradition. When this weight was finally removed in the wake of May Fourth, little seemed left: a body of archaic, bombastic court hymns next to simple, formulaic songs that purportedly express—in however monotonous a fashion—the sentiments of commoners some time before Confucius. One may find these songs charm- ing and innocent, folk songs in Herder’s sense of song as the simple—and simple-minded—original language when civilization was still a child. But today, few lovers of poetry will read them for pleasure or inspiration. -
A Study of the Warring States Graphs: Structural Discrepancies Between the Chu Area and Qin State
A STUDY OF THE WARRING STATES GRAPHS: STRUCTURAL DISCREPANCIES BETWEEN THE CHU AREA AND QIN STATE by YUKIKO NAGAKURA B.A., University of Alberta, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Asian Studies) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 2000 © Yukiko Nagakura, 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The University of British Columbia Vancouver, Canada Date /OsJ. J.0 ^OnS) DE-6 (2/88) Abstract Chinese graphical forms of the Warring States period have traditionally been characterized as varying by region. This thesis investigates discrepancies observable in the scripts of the Warring States Chu and Qin regions, as extant in inscriptions and epigraphy on a variety of media. With the postulate that the Warring States graphical forms were part of a continuous evolution of guwen from the Shang period to the Script Reform that followed the Qin Unification, these discrepancies are treated as the accumulations of a common diachronic process. To define this process, the two-step formation of semanto-phonetic graphs is adopted as jiajie augmented with semantic determiners, and evolutionary modifications tending to induce graphical divergence are classified for simple and multi-element graphs, based on the work of Boodberg, Boltz, Chen, Qiu, He, Gao and others. -
Terrestrial and Celestial Transformations in Zhou and Early-Imperial China
SINO-PLATONIC PAPERS Number 192 September, 2009 In and Outside the Square: The Sky and the Power of Belief in Ancient China and the World, c. 4500 BC – AD 200 Volume III: Terrestrial and Celestial Transformations in Zhou and Early-Imperial China by John C. Didier Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. -
The Ancient Eurasian World and the Celestial Pivot
SINO-PLATONIC PAPERS Number 192 September, 2009 In and Outside the Square: The Sky and the Power of Belief in Ancient China and the World, c. 4500 BC – AD 200 Volume I: The Ancient Eurasian World and the Celestial Pivot by John C. Didier Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies.