“I Write Therefore I Am”: Scribes, Literacy, and Identity in Early China

Total Page:16

File Type:pdf, Size:1020Kb

“I Write Therefore I Am”: Scribes, Literacy, and Identity in Early China “I write therefore I am”: Scribes, Literacy, and Identity in Early China Armin Selbitschka NYU Shanghai [email protected] Accepted for publication in Harvard Journal of Asiatic Studies 78.2 (2018). In a recently published article on literacy and identity, Elizabeth Birr Moje and Alan Luke distinguish five “metaphors for identity in history and contemporary research.” More importantly, though, the authors reviewed a tremendous amount of sociological and social-psychological literature in order to demonstrate how scholarship has increasingly related different conceptions of identity and the self to literacy. Accordingly, “texts and the literate practices that accompany them not only reflect but may also produce the self. Moreover, some have also argued that texts can be used as tools for enacting identities in social settings.”1 In view of the fact that a significant number of Chinese individuals living during the fifth through first centuries BCE were buried with manuscripts, such arguments seem pertinent for early Chinese society as well. What does it say about the self-concept of a person when his or her ability to write and / or read assumed a prominent role in funerary rites? This is the main question this article is going to pursue. Research on literacy in the field of Early China studies has gained some momentum with the release of a volume edited by Li Feng and David Prager Branner,2 yet the issue of identity has so far not been raised in this context. This article will therefore first discuss evidence of literacy and the skill of writing that are found in Chinese literary and archaeological sources of the late pre- imperial and early imperial period. It will then proceed to an in-depth analysis of the training and Acknowledments: I would like to thank Michael Loewe, Charles Sanft, Paul Goldin, Mick Hunter, Hans van Ess, Maria Khayutina, Joachim Gentz, Matthias Richter, Barend ter Haar, Wolfgang Behr, Martin Kern, Michael Puett, Lillian Lan-ying Tseng, Duane Corpis, and John Kieschnick for valuable suggestions on earlier drafts of this article. I am also grateful to Melissa J. Brown and the anonymous Harvard Journal of Asiatic Studies reviewers for their corrections and recommendations for improvement. They were greatly appreciated. 1 Elizabeth Birr Moje and Allan Luke with Bronwyn Davies and Brian Street, “Literacy and Identity: Examining the Metaphors in History and Contemporary Research,” Reading Research Quarterly 44.4 (2009): 415-37, esp. 416. I have also benefited from two online bibliographies; see Barend ter Haar, “Literacy, Writing and Education in Chinese Culture,” http://faculty.orinst.ox.ac.uk/terhaar/literacy.htm, and Wolfgang Behr, “Writing, Literacy, and Orality in Ancient China,” http://faculty.orinst.ox.ac.uk/terhaar/bib-projet.PDF (both last accessed on December 26, 2015). 2 Li Feng and David Prager Branner eds., Writing & Literacy in Early China: Studies from the Columbia Early China Seminar (Seattle and London: University of Washington Press, 2011). 2 work of late pre-imperial and early imperial scribes that draws on information provided by manuscripts excavated from tombs and settlements sites as well as transmitted sources. In a third step I identify some Chinese tomb occupants as literate beings by relating writing paraphernalia yielded by their tombs to various kinds of manuscripts that were also buried with them.3 Finally, sociological and anthropological explanations of identity will help to demonstrate that among such archaeologically verified writers, scribes, as a distinct group, assumed a special position. I am not only going to argue that the actual ability to write is palpable through certain kinds of texts that were associated with writing paraphernalia, but that the ability to write was a crucial aspect of the self-representation of shǐ 史, “scribes.”4 LITERACY AND WRITING IN ANCIENT CHINA In acquainting readers with his preferred definition of literacy, William V. Harris cites a UNESCO report on world literacy dating from 1977, according to which a person counts as illiterate when she / he “’cannot with understanding both read and write a short simple statement on [her /] his everyday life.’”5 Li and Branner oppose a straightforward equation of mere writing and reading skills, arguing more generally that literacy is “a phenomenon possessing multiple social extensions and serving multiple contexts within which it is meaningful and by which it can be measured.”6 On a more theoretical level, Walter Ong famously understood writing as the technologization of oral communication in the sense that the written word only conveys the content of spoken exchanges.7 Jan Assmann’s “cultural memory” concept transferred this perception into a broader 3 See, for instance, Marc Kalinowski, “Bibliothèques et archives funéraires de la Chine ancienne,” Comptes-rendus des séances de l'Académiedes Inscriptions et Belles-Lettres 147.2 (2003): 889-927; Enno Giele, “Early Chinese Manuscripts, Including Addenda and Corrigenda to ‘New Sources of Early Chinese History: An Introduction to the Reading of Inscriptions and Manuscripts’,” Early China 23-24 (1998-1999): 247-337, esp. 306-28; and Enno Giele, “Database of Early Chinese Manuscripts,” http://www.dartmouth.edu/~earlychina/research-resources/databases/early- chinese-manuscripts.html (last accessed on December 26, 2015); Paul R. Goldin “Ancient Chinese Manuscripts: Bibliography of Materials in Western Languages,” http://www.sas.upenn.edu/ealc/paul-r-goldin (see headline “Resources;” last accessed on December 26, 2015). 4 A similar point was made for a scribe of the Twelfth Dynasty (1938-1756 BCE) in ancient Egypt; see R. B. Parkinson, Reading Ancient Egyptian Poetry: Among Other Histories (Chichester: Wiley-Blackwell, 2009), pp. 127-37. 5 William V. Harris, Ancient Literacy (Cambridge, MA, and London: Harvard University Press, 1989), 3. 6 Li and Branner, Writing & Literacy, p. 5. 7 Walter J. Ong, Orality and Literacy: The Technologizing of the Word. 30th Anniversary Edition with Additional Chapters by John Hartley (London, New York: Routledge, 2012), pp. 77-79. John Hartley, however, cautioned that orality does not take precedence over literacy, but that both modes of communication coexist; see his “After Ongism,” in Ong, Orality and Literacy, pp. 205-21, here 216. 3 historical context. Writing, he argued, is essential for any given culture to develop a collective memory (i.e. a collective identity) over time as texts are necessary to store and conserve relevant information. 8 Following Assmann’s line of reasoning, the emergence of a literate élite that maintained itself by writing and texts – in other words, the establishment of a central bureaucracy in ancient China – was both a reflection of and a driving force behind this hunger for collective memory.9 In short, ancient literacy and the importance of writing are quite complicated subjects. With regard to a single individual, literacy may very well be conceived as the ability to write and read short notes as William Harris remarked. Viewed from a broader perspective it is, however, easy to see that “simple statements” on personal daily experiences would not have sufficed to sustain complex late pre-imperial and early imperial Chinese societies. It is only prudent, then, not to fixate on a universally acceptable definition, but to acknowledge the fact that different degrees of literacy must be discerned. Harris, again, led the way by demarcating “scribal literacy” from “craftsman’s literacy.” The former denotes a group of specially trained writers who fulfilled essential duties in state administration, whereas the latter describes the extent of writing skills of artisans who were 8 Jan Assmann, Das kulturelle Gedächtnis: Schrift, Erinnerung und politische Identität in frühen Hochkulturen (München: Verlag C.H. Beck, 2007), p. 19. See also Poo Mu-chou, In Search of Personal Welfare: A View of Ancient Chinese Religion (Albany: State University of New York Press, 1998), pp. 179-80; Michael Nylan, “Calligraphy, the Sacred Text and Test of Culture,” in Character & Context in Chinese Calligraphy, eds. Cary Y. Liu, Dora C.Y. Ching, and Judith G. Smith (Princeton: Princeton University Art Museum, 1999), pp. 16-77, here 42; Elzbieta Halas, “The Past in the Present: Lessons on Semiotics of History from George H. Mead and Boris A. Uspensky,” Symbolic Interaction 36.1 (2013): 60-77, here 68. 9 Jack Goody and Ian Watt, “The Consequences of Literacy,” Comparative Studies in Society and History 5.3 (1963): 304-45, here 314; also see Christopher Leigh Connery, The Empire of the Text: Writing and Authority in Early Imperial China (Lanham, Boulder, New York, and Oxford: Rowman & Littlefield Publishers, 1998), esp. pp. 1, 11, 42, 44-45 (critically reviewed by Martin Kern in China Review International 7.2 (2000): 420-25); Mark Edward Lewis, Writing and Authority in Early China (Albany: State University of New York Press, 1999), esp. pp. 13-51 (extensively reviewed by Martin Kern, “Writing and Authority,” China Review International 7.2 (2000): 336-76; Michael Nylan, “Textual Authority in Pre-Han and Han,” Early China 25 (2000): 205-58); Poo, Personal Welfare, pp. 179-80; Nylan, “Calligraphy,” p. 19; Michael Nylan, “Toward an Archaeology of Writing: Text, Ritual, and the Culture of Public Display in the Classical Period (475 B.C.E.-220 C.E.),” in Text and Ritual in Early China, ed. Martin Kern (Seattle and London: University of Washington Press, 2007), pp. 3-49, here 7-8; Wang Aihe, Cosmology and Political Culture in Early China (Cambridge: Cambridge University Press, 2000), p. 105. For a brief outline of the role of early imperial scribes (shǐ), see Robin D.S. Yates, “Introduction: The Empire of Scribes,” in Birth of an Empire: The State of Qin Revisited, eds. Yuri Pines, Lothar von Falkenhausen, Gideon Shelach and Robin D.S. Yates (Berkeley, London: University of California Press, 2014), p. 145. For a critical assessment of Goody and Watt’s arguments, see John Halverson, “Goody and the Implosion of the Literacy Thesis,” Man, N.S., 27.2 (1992): 301-17.
Recommended publications
  • The Textiles of the Han Dynasty & Their Relationship with Society
    The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33
    [Show full text]
  • Ps TOILETRY CASE SETS ACROSS LIFE and DEATH in EARLY CHINA (5 C. BCE-3 C. CE) by Sheri A. Lullo BA, University of Chicago
    TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) by Sheri A. Lullo BA, University of Chicago, 1999 MA, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 Ps UNIVERSITY OF PITTSBURGH FACULTY OF ARTS & SCIENCES This dissertation was presented by Sheri A. Lullo It was defended on October 9, 2009 and approved by Anthony Barbieri-Low, Associate Professor, History Dept., UC Santa Barbara Karen M. Gerhart, Professor, History of Art and Architecture Bryan K. Hanks, Associate Professor, Anthropology Anne Weis, Associate Professor, History of Art and Architecture Dissertation Advisor: Katheryn M. Linduff, Professor, History of Art and Architecture ii Copyright © by Sheri A. Lullo 2009 iii TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) Sheri A. Lullo, PhD University of Pittsburgh, 2009 This dissertation is an exploration of the cultural biography of toiletry case sets in early China. It traces the multiple significances that toiletry items accrued as they moved from contexts of everyday life to those of ritualized death, and focuses on the Late Warring States Period (5th c. BCE) through the Han Dynasty (206 BCE-220 CE), when they first appeared in burials. Toiletry case sets are painted or inlaid lacquered boxes that were filled with a variety of tools for beautification, including combs, mirrors, cosmetic substances, tweezers, hairpins and a selection of personal items. Often overlooked as ordinary, non-ritual items placed in burials to comfort the deceased, these sets have received little scholarly attention beyond what they reveal about innovations in lacquer technologies.
    [Show full text]
  • Historical Study on the Relation Between Ancient Chinese Cuju and Modern Football
    2018 4th International Conference on Innovative Development of E-commerce and Logistics (ICIDEL 2018) Historical Study on the Relation between Ancient Chinese Cuju and Modern Football Xiaoxue Liu1, Yanfen Zhang2, and Xuezhi Ma3 1Department of Physical Education, China University of Geosciences, Xueyuan Road, Haidian District, Beijing, P. R. China 2Department of Life Sciences; Xinxiang University, Xinxiang Henan Province, Eastern Section of Hua Lan Road, Hongqi District, Xinxiang City, Henan, China 3Beijing Sport University Wushu School, Information Road, Haidian District, Beijing, China [email protected], [email protected], [email protected] Keywords: Ancient Chinese Cuju, Modern Football, Relationship, Development, The Same Origin Abstract: This paper studies on the origin and development of Chinese Cuju through document retrieval. Born in the period of Dongyi civilization, Chinese Cuju began to take shape during the Spring and Autumn and Warring States Period, and gradually flourished during the Qin, Han, Tang and Song dynasties. Through the economic and cultural exchange between China and the West in the past ages, Cuju was introduced into Europe when Mongol expedited westward in Yuan Dynasty. Finally, it has become the modern football, which originated from ancient Chinese Cuju and developed from European competition rules and now is widely accepted and popular in the world. 1. The Cultural Background of the Study On July 15th, 2004, Mr. Blatter, the president of FIFA (Fédération Internationale de Football Association) officially announced in the 3rd session of Soccerex Fair, that football originated in Zibo, the capital of Qi State during the Spring and Autumn Period of ancient China. Cuju (ancient football game) began in China, while modern football (eleven -player game) originated in England.
    [Show full text]
  • The Web That Has No Weaver
    THE WEB THAT HAS NO WEAVER Understanding Chinese Medicine “The Web That Has No Weaver opens the great door of understanding to the profoundness of Chinese medicine.” —People’s Daily, Beijing, China “The Web That Has No Weaver with its manifold merits … is a successful introduction to Chinese medicine. We recommend it to our colleagues in China.” —Chinese Journal of Integrated Traditional and Chinese Medicine, Beijing, China “Ted Kaptchuk’s book [has] something for practically everyone . Kaptchuk, himself an extraordinary combination of elements, is a thinker whose writing is more accessible than that of Joseph Needham or Manfred Porkert with no less scholarship. There is more here to think about, chew over, ponder or reflect upon than you are liable to find elsewhere. This may sound like a rave review: it is.” —Journal of Traditional Acupuncture “The Web That Has No Weaver is an encyclopedia of how to tell from the Eastern perspective ‘what is wrong.’” —Larry Dossey, author of Space, Time, and Medicine “Valuable as a compendium of traditional Chinese medical doctrine.” —Joseph Needham, author of Science and Civilization in China “The only approximation for authenticity is The Barefoot Doctor’s Manual, and this will take readers much further.” —The Kirkus Reviews “Kaptchuk has become a lyricist for the art of healing. And the more he tells us about traditional Chinese medicine, the more clearly we see the link between philosophy, art, and the physician’s craft.” —Houston Chronicle “Ted Kaptchuk’s book was inspirational in the development of my acupuncture practice and gave me a deep understanding of traditional Chinese medicine.
    [Show full text]
  • Local Authority in the Han Dynasty: Focus on the Sanlao
    Local Authority in the Han Dynasty: Focus on the Sanlao Jiandong CHEN 㱩ڎ暒 School of International Studies Faculty of Arts and Social Sciences University of Technology Sydney Australia A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Technology Sydney Sydney, Australia 2018 Certificate of Original Authorship I certify that the work in this thesis has not previously been submitted for a degree nor has it been submitted as part of requirements for a degree except as fully acknowledged within the text. I also certify that the thesis has been written by me. Any help that I have received in my research work and the preparation of the thesis itself has been acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This thesis is the result of a research candidature conducted with another University as part of a collaborative Doctoral degree. Production Note: Signature of Student: Signature removed prior to publication. Date: 30/10/2018 ii Acknowledgements The completion of the thesis would not have been possible without the help and support of many people. Firstly, I would like to express my sincere gratitude to my supervisor, Associate Professor Jingqing Yang for his continuous support during my PhD study. Many thanks for providing me with the opportunity to study at the University of Technology Sydney. His patience, motivation and immense knowledge guided me throughout the time of my research. I cannot imagine having a better supervisor and mentor for my PhD study. Besides my supervisor, I would like to thank the rest of my thesis committee: Associate Professor Chongyi Feng and Associate Professor Shirley Chan, for their insightful comments and encouragement; and also for their challenging questions which incited me to widen my research and view things from various perspectives.
    [Show full text]
  • Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
    DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243).
    [Show full text]
  • Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas
    IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 21, Issue11, Ver. 6 (Nov. 2016) PP 39-46 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Mythical Image of “Queen Mother of the West” and Metaphysical Concept of Chinese Jade Worship in Classic of Mountains and Seas Juan Wu1 (School of Foreign Language,Beijing Institute of Technology, China) Abstract: This paper focuses on the mythological image, the Queen Mother of the West in Classic of Mountains and Seas, to explore the hiding history and mental reality behind the fantastic literary images, to unveil the origin of jade worship, which plays an significant role in the 8000-year-old history of Eastern Asian jade culture, to elucidate the genetic mechanism of the jade worship budded in the Shang and Zhou dynasties, so that we can have an overview of the tremendous influence it has on Chinese civilization, and illustrate its psychological role in molding the national jade worship and promoting the economic value of jade business. Key words: Mythical Image, Mythological Concept, Jade Worship, Classic of Mountains and Seas I. WHITE JADE RING AND QUEEN MOTHER OF THE WEST As for the foundation and succession myths of early Chinese dynasties, Allan holds that “Ancient Chinese literature contains few myths in the traditional sense of stories of the supernatural but much history” (Allan, 1981: ix) and “history, as it appears in the major texts from the classical period of early China (fifth-first centuries B.C.),has come to function like myth” (Allan, 1981: 10). While “the problem of myth for Western philosophers is a problem of interpreting the meaning of myths and the phenomenon of myth-making” as Allan remarks, “the problem of myth for the sinologist is one of finding any myths to interpret and of explaining why there are so few.” (Allen, 1991: 19) To decode why white jade enjoys a prominent position in the Chinese culture, the underlying conceptual structure and unique culture genes should be investigated.
    [Show full text]
  • Sketching out Portents Classification and Logic in the Monographs of Han Official Historiography
    Sketching out Portents Classification and Logic in the Monographs of Han Official Historiography Grégoire Espesset In ancient China, portentology was a “science” in its own right, a specialised field of knowledge developed by rational individuals who endeavoured to fathom the concealed mechanisms at work beneath the spectacles of history and the world at large. This paper focuses on the nomenclature of portents (observed phenomena interpreted as auspicious or inauspicious signs) displayed in the chapters of the Han era official historiography known as the “monographs” – or “treatises” – on celestial phenomena and the Five Agents, examining the pre- and early imperial sources of this typology and its under- lying classificatory principles, and assessing how these matters have been dealt with by modern scholarship. In China as elsewhere in the ancient world, the lore of portents or prodigies – prognostication based on unusual phenomena interpreted as auspicious or, more often, inauspicious signs – has played an important role from the earliest times, mediated by a wide array of techniques, specialists, traditions and representations.1 This paper endeavours to shed some light on the Chinese official typology and nomenclature of portents during the Han 漢 era (206 BCE ‒ 220 CE) of the First Empire.2 Elaborating upon, and nuancing, previous work by B. J. Mansvelt Beck (The Treatises of Later Han, 1990), Aihe Wang (Cosmology and Political Culture in Early China, 2000) and David Pankenier (Astrology and Cosmology in Early China, 2013), it does not claim to change radically our general knowledge of the relevant primary sources. Its focus is on the portents classification displayed in the official historiography of the period under consideration and the underlying logic, if any, that informs this classification.
    [Show full text]
  • TCM OBGYN – Historical Development IntegraVe Women’S Health Program Introduction
    TCM OBGYN – Historical Development Integrave Women’s Health Program Introduction • TCM OBGYN has a rich history of development spanning approximately the last 2,000 years • Much of the focus has been centered around concepon, pregnancy, and postpartum care • A wealth of knowledge have been documented in the “Classics” The Essential Beginning • The Earliest - 216 AD, Dr Zhang Zhong Jing 张仲景, <Jin Gui Yao Lue – Essenal Prescripons of the Golden Cabinet ⾦匮要略>, 3 Chapters 20-22 on Pulse, Paerns, and Treatments of Diseases in Pregnancy, Postpartum Disease, and Miscellaneous Gynecological Diseases. To Now - Zhong Yi Fu Chan Ke Xue 中医妇产 科学 “TCM Science of OBGYN” • First Edion Published in 2001 and Second Edion Published in 2011 by People’s Medical Publishing House Co. • Editors are Dr. Liu, Min Ru 刘敏 如, and Dr. Tan, Wan Xin 谭万信, and wrien by over 73 well known TCM OBGYN doctors. • Most comprehensive text and the most widely used for TCM and Integrave OBGYN. Study Approach to the History and Development of TCM OBGYN • Since most informaon in clinical medicine has been preserved and documented in the “Classics” books, our approach is to gain understanding and appreciaon of these ”Classics” through a chronological process. • There are countless books that have contributed to this field. In this lecture, we will focus on ones that have greater impact on the development of TCM OBGYN. Shan Shui Jing 山水經 Book of Mountains and Seas • Mulple unknown authors, 476-221 BC, Warring States • It contains descripons of geological features, locaons, medicines, and animals. • The earliest text that described of medicinal plants to treat inferlity.
    [Show full text]
  • Three Kingdoms Unveiling the Story: List of Works
    Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated
    [Show full text]
  • A Tricky Game: a Re-Evaluation of Liubo 六博 Based on Archaeological and Textual Evidence*
    A TRICKY GAME: A RE-EVALUATION OF LIUBO 六博 BASED ON ARCHAEOLOGICAL AND TEXTUAL EVIDENCE* ARMIN SELBITSCHKA 1 Introduction In the past, scholarship has barely acknowledged the entertaining qualities of the ancient Chinese board game liubo 六博. Instead, the main focus has been on its occult properties for close to a century.1 This is due to the idiosyncratic TLV pattern that adorns the surfaces of liubo game boards.2 Since the early 20th century, authors have disagreed on whether __________________________ * Work on this article has been facilitated by a short-term research grant of the “LMU-UCB Research in the Humanities” program at the University of California at Berkeley. I am grateful to Mark Csikszentmihalyi for his generous support and hospitality during four wonderful weeks at UC Berkeley in the spring of 2012. I am also indebted to Michael Loewe, Keith Knapp, Roel Sterckx, and the anonymous Oriens Extremus reviewer for their valuable comments on earlier drafts of this article. I am also grateful to Martin Hanke for his careful final editing. Any remaining mistakes are, of course, my own responsibility. 1 Most recently, for instance, Chiang 2012; von Falkenhausen 2006, 316; Field 2008, 95–97; Juliano 2005; Li Ling 2000, 22; Mackenzie 2004; Major 1999, 127; Raphals 2013, 137, 344– 346; Tseng 2011, 55–59; M. C. Wang 2006, esp. 24–28; Zheng 2012, 73, 74. For a more cau- tious assessment, see Bower 2005. For a notable exception, see Wu 1987. 2 Rather than being an acronym as one might suspect at first glance, the letters TLV describe the shape of the individual elements of the pattern.
    [Show full text]
  • Some Reflections on the Study of “East Asian Confucianisms”: Its Rationale and Its Problematiques
    Some Reflections on the Study of “East Asian Confucianisms”: Its Rationale and Its Problematiques Chun-chieh Huang Distinguished Professor of History National Taiwan University Research Fellow, Academia Sinica [Abstract] The purpose of this article is not to repeat the cliché that Confucianism is the sine qua non in East Asian civilization, but that a paradigm of “East Asian Confucianisms” can open up a brand new vista for the study of Confucian traditions in East Asia. What I am trying to argue in the essay is that we have to get out of the grotto of “national learning,” which takes state-centrism as the basis of Confucianism. Instead, we have to consider the development of Confucianism in a broader East Asian perspective. By contextualizing Confucianism in East Asian cultures and societies, we find ourselves in a better position to appreciate the diversity and variety of the problematiques of East Asian Confucian traditions. Concretely, this essay offers an explanation of how legitimate studying “East Asian Confucianisms” is, and how promising it is as new research. Section One explains Tsuda Sôkichi’s (津田左右吉, 1873-1961) doubts on the validity of the notion of “East Asian Civilization.” Section Two confirms “East Asian Confucianisms” as a valid new field of study, with rich and distinct “unity in diversity.” Section Three, on “The Problematique,” goes on to explain that seeing Confucianism in the wide perspective of East Asia opens up a novel vista for future investigation with new questions hitherto unknown. Section Four summarizes
    [Show full text]