Early Chinese Cosmology and Its Ritual Response K.E
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The Evolution of Mathematics in Ancient China: from the Newly Discovered Shu and Suan Shu Shu Bamboo Texts to the Nine Chapters
The Evolution of Mathematics in Ancient China: From the Newly Discovered Shu and Suan shu shu Bamboo Texts to the Nine Chapters on the Art of Mathematics*,† by Joseph W. Dauben‡ The history of ancient Chinese mathematics and texts currently being conserved and studied at its applications has been greatly stimulated in Tsinghua University and Peking University in Beijing, the past few decades by remarkable archaeological the Yuelu Academy in Changsha, and the Hubei discoveries of texts from the pre-Qin and later Museum in Wuhan, it is possible to shed new light periods that for the first time make it possible to on the history of early mathematical thought and its study in detail mathematical material from the time applications in ancient China. Also discussed here are at which it was written. By examining the recent developments of new techniques and justifications Warring States, Qin, and Han bamboo mathematical given for the problems that were a significant part of the growing mathematical corpus, and which * © 2014 Joseph W. Dauben. Used with permission. eventually culminated in the comprehensive Nine † This article is based on a lecture presented in September of 2012 at the Fairbank Center for Chinese Studies at Har- Chapters on the Art of Mathematics. vard University, which was based on a lecture first given at National Taiwan Tsinghua University (Hsinchu, Taiwan) in the Spring of 2012. I am grateful to Thomas Lee of National Chiaotung University of Taiwan where I spent the academic Contents year 2012 as Visiting Research Professor at Chiaota’s Insti- tute for Humanities and Social Sciences, which provided sup- 1 Recent Archaeological Excavations: The Shu port for much of the research reported here, and to Shuchun and Suan shu shu ................ -
Michael Nylan
148 EASTM 17 (2000) Sun Xiaochun and Jacob Kistemaker, The Chinese Sky during the Han: Constel- lating Stars and Society. Leiden: Brill, 1997. 240 pages, 8 tables, 3 fold-out maps. Michael Nylan [Michael Nylan currently teaches at Bryn Mawr College. At present, her re- search focuses on three major areas: (1) the Five Classics and their reception; (2) domestic life in Warring States through Nanbeichao, with particular atten- tion both to material culture and to definitions of pleasure; and (3) the role of textuality, written and oral, in the production and transmission of traditions.] This work by Sun and Kistemaker would ascertain by Fourier analysis the positional astronomy of the Chinese sky during Han and then present "the cultural background" behind the constellations' names (pp. 9, 11, 95). The book in conse- quence divides into two parts, the first highly technical and the second of greater potential interest to the non-specialist, whose conceptual fit is less than ideal. After a brief general introduction to the Chinese sky, the authors undertake to date the core of the received text of the Shishi xingjing (Mr. Shi's Star Classic) to the first half of the first century BC, though some later material has been interpolated (p. 102). The authors then build a plausible case that the Star Classic probably reflects careful observations made in connection with the replacement of the Sifen calendar by the Taichu calendar in 104 BC (the first to require the armillary sphere in addition to the gnomon and water clock), possibly those made by Xianyu Wanren's group of twenty-two astronomers in the years 78-76 BC. -
The Sacrality of the Mountain the Sacrality of the Mountain
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 12-2014 The aS crality of The ounM tain Manuel Rivera Espinoza University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian History Commons, Asian Studies Commons, Comparative Philosophy Commons, History of Religions of Eastern Origins Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Rivera Espinoza, Manuel, "The aS crality of The ounM tain" (2014). Theses and Dissertations. 2072. http://scholarworks.uark.edu/etd/2072 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. The Sacrality of the Mountain The Sacrality of the Mountain A thesis submitted in partial fulfillment of the requirements of the degree of Master of Arts in History by Manuel Rivera Espinoza Universidad de Chile Bachelor in History, 2008 December 2014 University of Arkansas This thesis is approved for recommendation of the Graduate Council. _______________________________ Dr. Rembrandt Wolpert Thesis Director _______________________________ _______________________________ Dr. Liang Cai Dr. Elizabeth Markham Committee Member Committee Member Abstract In this thesis I explore the conception of the mountain as a “sacred space” based on the definition provided by Mircea Eliade -
Shijing and Han Yuefu
SONGS THAT TOUCH OUR SOUL A COMPARATIVE STUDY OF FOLK SONGS IN TWO CHINESE CLASSICS: SHIJING AND HAN YUEFU by Yumei Wang A thesis submitted in conformity with the requirements for the degree of Master of Art Graduate Department of the East Asian Studies University of Toronto © Yumei Wang 2012 SONGS THAT TOUCH OUR SOUL A COMPARATIVE STUDY OF FOLK SONGS IN TWO CHINESE CLASSICS: SHIJING AND HAN YUEFU Yumei Wang Master of Art Graduate Department of the East Asian Studies University of Toronto 2012 Abstract The subject of my thesis is the comparative study of classical Chinese folk songs. Based on Jeffrey Wainwright, George Lansing Raymond, and Liu Xie’s theories, this study was conducted from four perspectives: theme, content, prosody structure and aesthetic features. The purposes of my thesis are to trace the originality of 160 folk songs in Shijing and 47 folk songs in Han yuefu , to illuminate the origin of Chinese folk songs and to demonstrate the secularism reflected in Chinese folk songs. My research makes contribution to the following four areas: it explores the relation between folk songs in Shijing and Han yuefu and compares the similarities and differences between them ; it reveals the poetic kinship between Shijing and Han yuefu; it evaluates the significance of the common people’s compositions; and it displays the unique artistic value and cultural influence of Chinese early folk songs. ii Acknowledgments I would like to express my sincere gratitude to my supervisor Professor Graham Sanders for his supervision, inspirations, and encouragements during my two years M.A study in the Department of East Asian Studies at University of Toronto. -
Picturing Or Diagramming the Universe
PICTURING OR DIAGRAMMING THE UNIVERSE Wu Hung1 This paper is a broad speculation on image-making from the late East- ern Zhou to the Han. The kinds of images I want to consider include pictorial motifs and compositions (which are conventional subjects of art history) as well as abstract signs and patterns (which usually es- cape art historians’ attention). My main thesis is that during this pe- riod, not one, but a number of systems developed side by side to sup- ply different types of images. A single “subject matter” could thus be rendered in different visual presentations that operated as different languages and interacted in an increasingly complex visual culture. Having laid down this basic claim, I want to focus on one such “subject matter”—the universe—defined as an all-inclusive entity, encompassing all things—heavens, earth, and all that is in them—as well as time and space. Based on this definition the universe means an absolute interiority, a closed system that has everything inside and nothing outside. It is easy to understand why this interiority was imag- ined in terms of architecture in various ancient cultures. Such imagin- ings, in turn, stimulated the interest in fashioning a building as a microcosmic architectural representation of the entire cosmic order. Two kinds of microcosmic buildings were pursued through diver- gent cultural practices in China from the Eastern Zhou to Han. One of these was an idealized ritual structure known as Mingtang ĄŠ, translated into English as Bright Hall or the Hall of Light. Fig. 1 a–b shows the remaining foundation of the Bright Hall constructed by Wang Mang Ǟʜ in 4 AD. -
MONUMENTA SERICA Journal of Oriental Studies
MONUMENTA SERICA Journal of Oriental Studies Vol. LVI, 2008 Editor-in-Chief: ROMAN MALEK, S.V.D. Members of the Monumenta Serica Institute (all S.V.D.): JACQUES KUEPERS – LEO LEEB – ROMAN MALEK – WILHELM K. MÜLLER – ARNOLD SPRENGER – ZBIGNIEW WESOŁOWSKI Advisors: NOEL BARNARD (Canberra) – J. CHIAO WEI (Trier) – HERBERT FRANKE (München) – VINCENT GOOSSAERT (Paris) – NICOLAS KOSS, O.S.B. (Taibei) – SUSAN NAQUIN (Princeton) – REN DAYUAN (Beijing) – HELWIG SCHMIDT-GLINTZER (Wolfenbüttel) – NICOLAS STANDAERT, S.J. (Leuven) Monumenta Serica Institute – Sankt Augustin 2008 Editorial Office Monumenta Serica Institute, Arnold-Janssen-Str. 20 53757 Sankt Augustin, Germany Tel.: (+49) (0) 2241 237 431 • Fax: (+49) (0) 2241 237 486 E-mail: [email protected] • http://www.monumenta-serica.de Redactors: BARBARA HOSTER, DIRK KUHLMANN, ROMAN MALEK Manuscripts of articles, reviews (typewritten and on floppy-disks, see Information for Authors), exchange copies, and subscription orders should be sent to the Editorial Office __________ Taipei Office Monumenta Serica Sinological Research Center 天主教輔仁大學學術研究院 華裔學志漢學研究中心 Fu Jen Catholic University, Hsinchuang 24205, Taipei Hsien E-mail: [email protected] • http://www.mssrc.fju.edu.tw Director: ZBIGNIEW WESOŁOWSKI, S.V.D. ISSN 0254-9948 Monumenta Serica: Journal of Oriental Studies © 2008. All rights reserved by Monumenta Serica Institute, Arnold-Janssen-Str. 20, 53757 Sankt Augustin, Germany Set by the Authors and the Editorial Office, Monumenta Serica Institute. Technical assistance: JOZEF BIŠTUŤ, S.V.D. Printed by DRUCKEREI FRANZ SCHMITT, Siegburg Distribution – Orders – Subscriptions: STEYLER VERLAG, P.O. Box 2460, 41311 Nettetal, Germany Fax: (+49) (0) 2157 120 222; E-mail: [email protected] www.monumenta-serica.de EBSCO Subscription Services, Standing Order Department P.O. -
The Qin/Han Unification of China Course Description in Geography
Hum 231 Spring 2018 The Qin/Han Unification of China Course description In geography and cultural advances, the Qin and Han dynasties surpassed their predecessors, and together they number among the world’s greatest empires. This course examines their heritage through a selection of primary texts including the Confucian Analects, the enigmatic Dao de Jing, the cosmological Book of Changes, and the historical narrative tradition of Sima Qian’s Shi Ji. It samples cultural expression ranging from the poetic discourse of rhapsodies and pentasyllabic verse to the religious endeavors manifested in funerary artifacts. Alongside textual studies, this course explores the Han’s physical remains, including the ruins of its capitals, the Wu Liang shrine, and its important tombs. The Qin/Han portrays itself as a territorial, political, and cultural unifier, and it sets the benchmark against which all later dynasties must measure themselves. Course requirements 1. Reading and pondering all assigned readings before conferences. This will include regularly writing reading responses, discussion questions, poetic analyses, visual exploratories, and the like. 2. Attending all conferences, including regular, active and substantive conference participation. 3. Attending all lectures (which also means keeping 10:00-10:50 a.m. open on Wednesdays and Fridays for additional lectures or activities). All lectures meet in Biology 19, 10:00-10:50. 4. Three short (5-7 pages) analytical papers; deadlines & format will be set by conference leaders. 5. One group project; parameters to be established by individual conference leaders. Faculty Ken Brashier Conference leader ETC 203 x 7377 Alexei Ditter Lecturer E 114 x 7348 Jing Jiang Chair E 119 x 7376 Tiffany Lee Lecturer Lib 323 x 7824 Lara Netting Conference leader VOL 124 x 4848 Hyong Rhew Conference leader E 122 x 7392 Required texts Lewis, Mark E. -
Divination and Autonomy:New Perspectives From
jocp_1623 124..141 lisa raphals DIVINATION AND AUTONOMY: NEW PERSPECTIVES FROM EXCAVATED TEXTS History is written by the victors. Much of the philosophical discussion of excavated texts has centered on the Guodian and Shanghai Museum texts, which augment or comment on the texts of the received tradition. This perspective omits the counterparts and com- petitors of the Warring States philosophers: the technical experts. The technical expertise traditions (medicine, the mantic arts, and astrocalendrics) were the counterparts and competitors of the phi- losophers, and far outnumber them in the perhaps narrow context of tomb texts. Both the received tradition and excavated texts attest to contact and competition between mantic experts and the “schoolmen” asso- ciated with Masters texts. Both livelihoods relied on literacy and specialist expertise. Both claimed access to divine knowledge and authority. Their competition thus involved career choice, patronage, students, and the status of modes of knowledge. In addition, it is now widely agreed that the bases of cosmological speculation first appeared in the ideas and methods of Warring States technical specialists, whose terms and techniques were later incorpo- rated into the yin-yang and Five-phase theories of Han cosmol- ogy. This view was first argued by Angus Graham some twenty years ago, and third-century excavated texts on these technical arts have reinforced it by supplementing the sparser record in the received tradition.1 In particular, technical experts were responsible for several developments that contributed to systematic thought and cosmology. These include (i) interest in symmetry, already visible in the oracle bone inscriptions; (ii) the articulation of a yin-yang polarity, abstracted as patterns of change, represented by numbers. -
The Author's Two Bodies: the Death of Qu Yuan and the Birth of Chuci Zhangju
_full_journalsubtitle: International Journal of Chinese Studies/Revue Internationale de Sinologie _full_abbrevjournaltitle: TPAO _full_ppubnumber: ISSN 0082-5433 (print version) _full_epubnumber: ISSN 1568-5322 (online version) _full_issue: 3-4_full_issuetitle: 0 _full_alt_author_running_head (neem stramien J2 voor dit article en vul alleen 0 in hierna): Heng Du _full_alt_articletitle_deel (kopregel rechts, hier invullen): The Author’s Two Bodies _full_is_advance_article: 0 _full_article_language: en indien anders: engelse articletitle: 0 _full_alt_articletitle_toc: 0 T’OUNG PAO The Author’s Two Bodies T’oung Pao 105 (2019) 259-314 www.brill.com/tpao 259 The Author’s Two Bodies: The Death of Qu Yuan and the Birth of Chuci zhangju 楚辭章句 Heng Du University of Arizona A corpse from the sea has summoned me home now; Though dead, it speaks with a living voice.1 Theognis 1229-30 Was Qu Yuan 屈原 (trad. 343-290 BCE) a historical individual? If not, how did he nevertheless become the ancestral author of one of China’s oldest poetic forms? The passage below, I suggest, contains the genesis moment of Qu Yuan the author. This early eulogy describes a Qu Yuan metamorphosing and bifurcating. According to the version found in Shiji 史記, After sinking in sordid mud, [Qu Yuan] left behind his molted shell in muddled filth to be borne aloft beyond dust, unfettered by the grime of his time, gleaming as one mud cannot sully. In commending this intention, it is apt even to match its brilliance with the sun and the moon. 濯淖汙泥之中,蟬蛻於濁穢,以浮游塵埃之外,不獲世之滋垢,皭然泥而不滓 者也。推此志也,雖與日月爭光可也。 2 1) ἤδη γάρ με κέκληκε θαλάσσιος οἴκαδε νεκρός, τεθνηκὼς ζωῷ φθεγγόμενος στόματι, as translated by Douglas E. -
A Study of the Warring States Graphs: Structural Discrepancies Between the Chu Area and Qin State
A STUDY OF THE WARRING STATES GRAPHS: STRUCTURAL DISCREPANCIES BETWEEN THE CHU AREA AND QIN STATE by YUKIKO NAGAKURA B.A., University of Alberta, 1995 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Asian Studies) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 2000 © Yukiko Nagakura, 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. The University of British Columbia Vancouver, Canada Date /OsJ. J.0 ^OnS) DE-6 (2/88) Abstract Chinese graphical forms of the Warring States period have traditionally been characterized as varying by region. This thesis investigates discrepancies observable in the scripts of the Warring States Chu and Qin regions, as extant in inscriptions and epigraphy on a variety of media. With the postulate that the Warring States graphical forms were part of a continuous evolution of guwen from the Shang period to the Script Reform that followed the Qin Unification, these discrepancies are treated as the accumulations of a common diachronic process. To define this process, the two-step formation of semanto-phonetic graphs is adopted as jiajie augmented with semantic determiners, and evolutionary modifications tending to induce graphical divergence are classified for simple and multi-element graphs, based on the work of Boodberg, Boltz, Chen, Qiu, He, Gao and others. -
Yuan Hongdao's Shanhu Lin and the Revival of Chan Buddhism in the Wanli Period
Strolling in "Coral Grove": Yuan Hongdao's Shan Hu Lin and the Revival of Chan Buddhism in the Wanli Period (1573-1620) Item Type text; Electronic Thesis Authors Zi, Xin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 04/10/2021 13:59:34 Link to Item http://hdl.handle.net/10150/293625 STROLLING IN “CORAL GROVE”: YUAN HONGDAO’S SHANHU LIN AND THE REVIVAL OF CHAN BUDDHISM IN THE WANLI PERIOD (1573-1620) By Xin Zi ____________________________ Copyright © Xin Zi 2013 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2013 2 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the copyright holder. SIGNED: Xin Zi APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: 05/07/2013 Jiang Wu Date Associate Professor Department of East Asian Studies 3 ACKNOWLEDGEMENTS First and foremost, I would like to thank Professor Jiang Wu for the inspiration and precious photocopies to begin and continue this thesis on the Shan hu lin—an interesting and important work recording a famous man of letters of the late Ming China, Yuan Hongdao’s personal thoughts on Chan meditation and cultivation of the mind. -
A Scholarly Review of Chinese Studies in North America
A Scholarly Review of Chinese Studies in North America 北美中国研究综述 Edited by Haihui Zhang Zhaohui Xue Shuyong Jiang Gary Lance Lugar ASIA PAST & PRESENT Published by the Association for Asian Studies, Inc. Asia Past & Present: New Research from AAS, Number 11 Literature: Early China Martin Kern Definition of the Field Since the 1970s, the study of early China has experienced impressive growth in North America, especially the United States but to a lesser extent also Canada. Thirty years ago few of the major institutions had specialists for early China, and those in the field were mostly focused on transmitted texts. By now the situation has completely changed. Scholars of early China occupy positions around the country, and few institutions have two or more such specialists on their faculty. Moreover, the field maintains its own journal, Early China, which was founded in 1975 as the annual publication of the Society for the Study of Early China. In addition, the Society publishes the Early China Special Monograph Series and maintains the highly informative Early China website.1 In the development of the early China field, much of the attention has shifted to the study of bronze inscriptions and excavated manuscripts, and here especially to the study of early history, intellectual history, and religion. As is often the case for ancient civilizations, these fields are closely interrelated, and literature is closely connected to all of them; strictly speaking, there is no defined field of “early Chinese literature” that could be separated from the study of Chinese antiquity altogether. It lies in the nature of ancient societies that they require integrated, interdisciplinary research instead of isolated approaches guided by modern categories such as “history,” “religion,” or “literature.” However, in the present survey, I nevertheless attempt to isolate “literature” (in the more narrow sense) from the other subfields in the study of early China (history, philosophy, religion, etc.) that are dealt with in other parts of the present book.