Les Principes De Gouvernance De La Chine Ancienne(1)--360
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Ps TOILETRY CASE SETS ACROSS LIFE and DEATH in EARLY CHINA (5 C. BCE-3 C. CE) by Sheri A. Lullo BA, University of Chicago
TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) by Sheri A. Lullo BA, University of Chicago, 1999 MA, University of Pittsburgh, 2003 Submitted to the Graduate Faculty of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 Ps UNIVERSITY OF PITTSBURGH FACULTY OF ARTS & SCIENCES This dissertation was presented by Sheri A. Lullo It was defended on October 9, 2009 and approved by Anthony Barbieri-Low, Associate Professor, History Dept., UC Santa Barbara Karen M. Gerhart, Professor, History of Art and Architecture Bryan K. Hanks, Associate Professor, Anthropology Anne Weis, Associate Professor, History of Art and Architecture Dissertation Advisor: Katheryn M. Linduff, Professor, History of Art and Architecture ii Copyright © by Sheri A. Lullo 2009 iii TOILETRY CASE SETS ACROSS LIFE AND DEATH IN EARLY CHINA (5th c. BCE-3rd c. CE) Sheri A. Lullo, PhD University of Pittsburgh, 2009 This dissertation is an exploration of the cultural biography of toiletry case sets in early China. It traces the multiple significances that toiletry items accrued as they moved from contexts of everyday life to those of ritualized death, and focuses on the Late Warring States Period (5th c. BCE) through the Han Dynasty (206 BCE-220 CE), when they first appeared in burials. Toiletry case sets are painted or inlaid lacquered boxes that were filled with a variety of tools for beautification, including combs, mirrors, cosmetic substances, tweezers, hairpins and a selection of personal items. Often overlooked as ordinary, non-ritual items placed in burials to comfort the deceased, these sets have received little scholarly attention beyond what they reveal about innovations in lacquer technologies. -
Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240P
DOCUMENT RESUME ED 385 489 SO 025 360 AUTHOR Yu-ning, Li, Ed. TITLE Images of Women in Chinese Literature. Volume 1. REPORT NO ISBN-1-880938-008 PUB DATE 94 NOTE 240p. AVAILABLE FROM Johnson & Associates, 257 East South St., Franklin, IN 46131-2422 (paperback: $25; clothbound: ISBN-1-880938-008, $39; shipping: $3 first copy, $0.50 each additional copy). PUB TYPE Books (010) Reports Descriptive (141) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *Chinese Culture; *Cultural Images; Females; Folk Culture; Foreign Countries; Legends; Mythology; Role Perception; Sexism in Language; Sex Role; *Sex Stereotypes; Sexual Identity; *Womens Studies; World History; *World Literature IDENTIFIERS *Asian Culture; China; '`Chinese Literature ABSTRACT This book examines the ways in which Chinese literature offers a vast array of prospects, new interpretations, new fields of study, and new themes for the study of women. As a result of the global movement toward greater recognition of gender equality and human dignity, the study of women as portrayed in Chinese literature has a long and rich history. A single volume cannot cover the enormous field but offers volume is a starting point for further research. Several renowned Chinese writers and researchers contributed to the book. The volume includes the following: (1) Introduction (Li Yu- Wing);(2) Concepts of Redemption and Fall through Woman as Reflected in Chinese Literature (Tsung Su);(3) The Poems of Li Qingzhao (1084-1141) (Kai-yu Hsu); (4) Images of Women in Yuan Drama (Fan Pen Chen);(5) The Vanguards--The Truncated Stage (The Women of Lu Yin, Bing Xin, and Ding Ling) (Liu Nienling); (6) New Woman vs. -
Daoism and Daoist Art
Heilbrunn Timeline of Art History Daoism and Daoist Art Works of Art (19) Essay Indigenous to China, Daoism arose as a secular school of thought with a strong metaphysical foundation around 500 B.C., during a time when fundamental spiritual ideas were emerging in both the East and the West. Two core texts form the basis of Daoism: the Laozi and the Zhuangzi, attributed to the two eponymous masters, whose historical identity, like the circumstances surrounding the compilation of their texts, remains uncertain. The Laozi—also called the Daodejing, or Scripture of the Way and Virtue—has been understood as a set of instructions for virtuous rulership or for self- cultivation. It stresses the concept of nonaction or noninterference with the natural order of things. Dao, usually translated as the Way, may be understood as the path to achieving a state of enlightenment resulting in longevity or even immortality. But Dao, as something ineffable, shapeless, and conceived of as an infinite void, may also be understood as the unfathomable origin of the world and as the progenitor of the dualistic forces yin and yang. Yin, associated with shade, water, west, and the tiger, and yang, associated with light, fire, east, and the dragon, are the two alternating phases of cosmic energy; their dynamic balance brings cosmic harmony. Over time, Daoism developed into an organized religion—largely in response to the institutional structure of Buddhism—with an ever-growing canon of texts and pantheon of gods, and a significant number of schools with often distinctly different ideas and approaches. At times, some of these schools were also politically active. -
THE GREAT ERA of ART COLLECTING in CHINA Emperor Taizong and His Followers
BBognaogna ŁakomskaŁakomska Academy of Fine Arts, Gdansk The State Ethnographic Museum in Warsaw Polish Institute of World Art Studies THE GREAT ERA OF ART COLLECTING IN CHINA Emperor Taizong and his followers n 618 AD when the Tang dynasty was founded, the Imperial Storehouse had merely three hundred scrolls, but all of them were regarded as treasures Ihanded down from the Sui dynasty.1) This small collection, however, only began to grow when on the throne sat Emperor Taizong 太宗 (626 – 649 AD) – one of the greatest art collectors of all times. An excellent scholar and calligra- pher, interested in art himself, Taizong almost fanatically began to buy art from private individuals.2) As a result, by the year 632 AD in the imperial collection there were already over 1,500 scrolls of calligraphy.3) The Imperial Storehouse was much more than simply a repository for art works. It was an exclusive institution uniting excellent intellectuals, artists and capable officials, who also were outstanding experts in art. Its core constituted a counsel of three authorities: Yu Shinan 虞世南 (558 – 638 AD) – once Emperor Taizong’s teacher of calligraphy; Wei Zheng 魏徵 (580 – 643 AD) – a brilliant officer and the emperor’s adviser; and Chu Suiliang 褚遂良 (597 – 658 AD) – 1) Acker (1979: 127). 2) In sponsored by the Emperor Huizong 徽宗 (1100 – 1126) the Xuanhe Huapu宣和画谱 (Catalogue of Paintings of the Xuanhe Emperor [Huizong]), there is a following description of Emperor Taizong as an artist as well as a patron of art: “…Taizong was good at fei bai飞白 (fl ying white) and gave some of his pieces in it to his top offi cials. -
The Hundred Surnames: a Pinyin Index
names collated:Chinese personal names and 100 surnames.qxd 29/09/2006 12:59 Page 3 The hundred surnames: a Pinyin index Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Pinyin Hanzi (simplified) Wade Giles Other forms Well-known names Ai Ai Ai Zidong Cong Ts’ung Zong Cong Zhen Ai Ai Ai Songgu Cui Ts’ui Cui Jian, Cui Yanhui An An An Lushan Da Ta Da Zhongguang Ao Ao Ao Taosun, Ao Jigong Dai Tai Dai De, Dai Zhen Ba Pa Ba Su Dang Tang Dang Jin, Dang Huaiying Bai Pai Bai Juyi, Bai Yunqian Deng Teng Tang, Deng Xiaoping, Bai Pai Bai Qian, Bai Ziting Thien Deng Shiru Baili Paili Baili Song Di Ti Di Xi Ban Pan Ban Gu, Ban Chao Diao Tiao Diao Baoming, Bao Pao Bao Zheng, Bao Shichen Diao Daigao Bao Pao Bao Jingyan, Bao Zhao Ding Ting Ding Yunpeng, Ding Qian Bao Pao Bao Xian Diwu Tiwu Diwu Tai, Diwu Juren Bei Pei Bei Yiyuan, Bei Qiong Dong Tung Dong Lianghui Ben Pen Ben Sheng Dong Tung Dong Zhongshu, Bi Pi Bi Sheng, Bi Ruan, Bi Zhu Dong Jianhua Bian Pien Bian Hua, Bian Wenyu Dongfang Tungfang Dongfang Shuo Bian Pien Bian Gong Dongguo Tungkuo Dongguo Yannian Bie Pieh Bie Zhijie Dongmen Tungmen Dongmen Guifu Bing Ping Bing Yu, Bing Yuan Dou Tou Dou Tao Bo Po Bo Lin Dou Tou Dou Wei, Dou Mo, Bo Po Bo Yu, Bo Shaozhi Dou Xian Bu Pu Bu Tianzhang, Bu Shang Du Tu Du Shi, Du Fu, Du Mu Bu Pu Bu Liang Du Tu Du Yu Cai Ts’ai Chai, Cai Lun, Cai Wenji, Cai Ze Du Tu Du Xia Chua, Du Tu Du Qiong Choy Duan Tuan Duan Yucai Cang Ts’ang Cang Xie Duangan Tuankan Duangan Tong Cao Ts’ao Tso, Tow Cao Cao, Cao Xueqin, Duanmu Tuanmu Duanmu Guohu Cao Kun E O E -
Oxford Handbooks Online
Literary Learning: Encyclopedias and Epitomes Oxford Handbooks Online Literary Learning: Encyclopedias and Epitomes Xiaofei Tian The Oxford Handbook of Classical Chinese Literature Edited by Wiebke Denecke, Wai-Yee Li, and Xiaofei Tian Print Publication Date: May 2017 Subject: Classical Studies, Ancient Prose Literature Online Publication Date: Apr 2017 DOI: 10.1093/oxfordhb/9780199356591.013.10 Abstract and Keywords This chapter discusses two major ways of organizing and disseminating knowledge in premodern China, namely, compiling an encyclopedia and making an epitome. An encyclopedia, leishu, consists of extracts taken from a variety of earlier works and classified under different categories. It is supposed to present an organized system of knowledge of the world, reflecting an orderly universe in its comprehensive, structured arrangement of ideas, concepts, and things. The imperial commissioning of a large-scale encyclopedia is also a way of demonstrating the state’s cultural power and political legitimacy. An epitome (chao or shuchao) is usually based on either one work or one type of work; it includes what are considered key passages from a work, and sometimes summarizes or paraphrases the content of a work. The making and circulating of encyclopedia and epitome raise important questions about what, and how, people read in medieval Chinese society. Keywords: encyclopedia (leishu), epitome (chao/shuchao), epitome-making (chaoshu), knowledge organization, knowledge transmission, history of reading, history of the book Lazy King and Fatigued Prince IN Chinese antiquity, reading was a rare and cumbersome activity. It was a privilege of the ruling class, and yet a ruler might not always have the time or patience to engage in it. -
My Tomb Will Be Opened in Eight Hundred Years╎: a New Way Of
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College History of Art Faculty Research and Scholarship History of Art 2012 'My Tomb Will Be Opened in Eight Hundred Years’: A New Way of Seeing the Afterlife in Six Dynasties China Jie Shi Bryn Mawr College, [email protected] Follow this and additional works at: https://repository.brynmawr.edu/hart_pubs Part of the History of Art, Architecture, and Archaeology Commons Let us know how access to this document benefits ou.y Custom Citation Shi, Jie. 2012. "‘My Tomb Will Be Opened in Eight Hundred Years’: A New Way of Seeing the Afterlife in Six Dynasties China." Harvard Journal of Asiatic Studies 72.2: 117–157. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. https://repository.brynmawr.edu/hart_pubs/82 For more information, please contact [email protected]. Shi, Jie. 2012. "‘My Tomb Will Be Opened in Eight Hundred Years’: Another View of the Afterlife in the Six Dynasties China." Harvard Journal of Asiatic Studies 72.2: 117–157. http://doi.org/10.1353/jas.2012.0027 “My Tomb Will Be Opened in Eight Hundred Years”: A New Way of Seeing the Afterlife in Six Dynasties China Jie Shi, University of Chicago Abstract: Jie Shi analyzes the sixth-century epitaph of Prince Shedi Huiluo as both a funerary text and a burial object in order to show that the means of achieving posthumous immortality radically changed during the Six Dynasties. Whereas the Han-dynasty vision of an immortal afterlife counted mainly on the imperishability of the tomb itself, Shedi’s epitaph predicted that the tomb housing it would eventually be ruined. -
Remaking History: the Shu and Wu Perspectives in the Three Kingdoms Period
Remaking History: The Shu and Wu Perspectives in the Three Kingdoms Period XIAOFEI TIAN HARVARD UNIVERSITY Of the three powers—Wei, Shu, and Wu—that divided China for the better part of the third century, Wei has received the most attention in the standard literary historical accounts. In a typical book of Chinese literary history in any language, little, if anything, is said about Wu and Shu. This article argues that the consider- ation of the literary production of Shu and Wu is crucial to a fuller picture of the cultural dynamics of the Three Kingdoms period. The three states competed with one another for the claim to political legitimacy and cultural supremacy, and Wu in particular was in a position to contend with Wei in its cultural undertakings, notably in the areas of history writing and ritual music. This article begins with an overview of Shu and Wu literary production, and moves on to a more detailed discussion of Wu’s cultural projects, both of which were intended to assert Wu’s legitimacy and cultural power vis-à-vis Wei and Shu’s claims to cultural and polit- ical orthodoxy. Ultimately, this article implicitly asks the question of how to write literary history when there is scant material from the period under question, and suggests that we perform textual excavations and make use of what we have to try and reconstruct, as best as we can, what once was. A good literary history of the Chinese medieval period, the age of manuscript culture and that of heavy textual losses and transfigurations, should be written with the awareness of the incomplete and imperfect nature of the data we do have, and incorporate the phenomenon of textual losses and transfigurations as well as some reflections on the underlying reasons into its narrative and critical inquiry. -
Report Title - P
Report Title - p. 1 of 410 Report Title A guide to Oriental classics. Prepared by the staff of the Oriental studies program, Columbia College and ed. by Wm. Theodore de Bary and Ainslie T. Embree. (New York, N.Y. : Columbia University Press, 1964). A plan for the prince : the Ming-i tai-fang lu of Huang Tsung-hsi. Translated and explained by William Theodore de Bary. (New York, N.Y. : Columbia University, 1953). Diss. Columbia Univ., 1953. [Huang, Zongxi. Ming yi dai fang lu]. A select list of books on the civilizations of the Orient. Ed. by W.A.C.H. Dobson. (Oxford : Clarendon Press, 1955). [WC] A source book in Chinese philosophy. Transl. and compiled by Wing-tsit Chan. (Princeton, N.J. : Princeton University Press, 1963). A, Xiu. Pfauenprinzessin und Prinz : nach einem Volksepos des Tai-Volkes. [Übersetzt von Eva Müller]. (Peking : Verlag für fremdsprachige Literatur, 1961). [Zhao shu tun he nan ruo na]. [Mul] A, Ying. Eluosi he Sulian wen xue zai Zhongguo. (1956). In : A Ying quan ji ; vol. 2. [Russian and Soviet literature in China]. [Gam2] A, Ying. Yibusheng di zuo pin zai Zhongguo. In : Wen xue cong bao ; no 17 (1956). [Ibsens Werke in China]. [Ibs115] Abegg, Lily. China und Vietnam. (Einsiedeln : Benziger, 1967). (Offene Wege ; 6). [WC] Abegg, Lily. Im neuen China. (Zürich ; Freiburg i.B. : Atlantis Verlag, 1957). [Reise unter der Organisation von Intourist von Hong Kong nach Guangzhou, Beijing, Xian, Chongqing, Wuhan, Mandschurei, Lanzhou bis Tianjin]. [Cla] Abegg, Lily. Vom Reich der Mitte zu Mao Tse-tung. (Luzern ; Frankfurt a.M. : Bucher, 1966). -
4Th International Conference on Energy and Environmental Protection
4th International Conference on Energy and Environmental Protection (ICEEP 2015) Shenzhen, China 2 – 4 June 2015 Volume 1 of 7 ISBN: 978-1-5108-3756-0 Printed from e-media with permission by: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 Some format issues inherent in the e-media version may also appear in this print version. Copyright© (2015) by DEStech Publications, Inc. All rights reserved. Printed by Curran Associates, Inc. (2017) For permission requests, please contact DEStech Publications, Inc. at the address below. DEStech Publications, Inc. 439 North Duke Street Lancaster PA 17602-4967 USA Phone: (717) 290-1660 Fax: (717) 509-6100 [email protected] Additional copies of this publication are available from: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 USA Phone: 845-758-0400 Fax: 845-758-2633 Email: [email protected] Web: www.proceedings.com Table of Contents Preface Committees The Design of the Multisensor Monitoring Device Based on STM32F103RB and GPS for the Elderly . 1 CHAO WANG and PENGCHENG LIU The Simulation of the Underground Pressure about the Gob-side Entry Retaining . .7 JIANJUN SHI and QIFENG ZHAO Study on the Properties of Hot Spot-resistant Components . 12 XIANGSAI FENG, HONGQIAO QIAO, HAILEI ZHANG, YINBIN TANG, CHONG WANG, CHUANMING XU and XINKAN ZHAO Variable Frequency Control Simulation for Ground Source Heat Pump System Based on TRNSYS . 16 HUI LI and HAOGANG YANG The Impact of Changes in Industrial Structure of the Yangtze River Economic Zone on Energy Consumption . 21 GUIYAN SUN and CHUANSHENG WANG Frequency Control Strategy of Islanding Microgrid Based on Capacity Detection of Battery. -
The Romance of the Three Kingdoms Podcast. This Is Episode 137. Last
Welcome to the Romance of the Three Kingdoms Podcast. This is episode 137. Last time, the Wei emperor Cao Rui had died, and his 8-year-old son, Cao Fang (1), ascended to the throne. Being 8, he needed some adults to help him manage things. Those adults were Sima Yi and Cao Shuang, the son of Sima Yi’s former colleague and sometimes-frenemy Cao Zhen. Things started out well enough between Sima Yi and Cao Shuang, until somebody reminded Cao Shuang how Sima Yi had showed up his late father time after time, though really, it was his father who usually did the heavy lifting in humiliating himself. In any case, Cao Shuang decided to elbow Sima Yi out of the way, and he did so in a very cloak-and-dagger way. He convinced the emperor to promote Sima Yi to imperial guardian, a lofty title that just so happened to carry zero military authority. So Cao Shuang, as regent, hoarded command of the army, and with that came total control of the court. In response, Sima Yi, well, just decided to stay home on account of umm illness. And his two … … sons also retreated from public life, settling into private lives of leisure instead. So now Cao Shuang, with a firm grasp on control of the court, spent his days drinking and making merry with his entourage. Their clothing and daily wares were the equal of those used by the court. Whenever a tribute of exotic curios arrived for the emperor, Cao Shuang skimmed the best for himself before sending the rest to the emperor. -
Humor in Ancient Chinese Philosophy Author(S): Christoph Harbsmeier Source: Philosophy East and West, Vol
Humor in Ancient Chinese Philosophy Author(s): Christoph Harbsmeier Source: Philosophy East and West, Vol. 39, No. 3, Philosophy and Humor (Jul., 1989), pp. 289- 310 Published by: University of Hawai'i Press Stable URL: http://www.jstor.org/stable/1399450 Accessed: 08/08/2010 22:41 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=uhp. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Hawai'i Press is collaborating with JSTOR to digitize, preserve and extend access to Philosophy East and West. http://www.jstor.org Christoph Harbsmeier Humor in ancient Chinese philosophy Man has been defined as the laughinganimal.1 He not only belongs to his culture, he may also react to his own culture-for example, by laughingat it.