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ABSTRACT – RC 6 Religion, Faith and the Craft: Social Practices In
ABSTRACT – RC 6 Religion, Faith and the Craft: Social Practices in Dealing with Life Crisis Dr. Anannya Gogoi Assistant Professor Department of Sociology Dibrugarh University Phone: 9435057396 Email: [email protected] LMI - 3198 Abstract: Social Anthropology and Social Psychology have fruitfully attempted to observe and interpret the relationship and interdependency between religion on the one hand and the community and society on the other. Emile Durkheim, James Frazer, Bronislaw Malinowski and Carl Jung are the few names that have contributed immensely to the study of the role of religion in shaping the belief systems of people in a given society. In different social context the definition and the significance of religion have varied. Nevertheless religion as a system of belief has always been an important social institution. However science and rationality are often considered polar opposite of a few of these belief systems and faith in the modern society. The rising visibility of incidences of witchcraft and ‘black magic’ in the North Easternstates of India as well as other societies has posed a challenge in bringing social order and spreading modern education and literacy. The current discussion is a narrative of certain practices such as magic, witchcraft, faith healing and counseling in religious tenets that are followed by the people during crisis. The paper tries to look at these practices from a socio- psychological approach. I would 1 like to do thisby narrating and interpreting the practices and their significance as a system of belief and faith. The Changing Gender roles in early Christianity Melissa. C. Remedios M.Phil Christ University Bangalore Email: [email protected] Membership: Awaited Abstract: The paper intends to study how religion influences women in their gender makeup and the roles they played in the larger society. -
Artists' Statement on Growing Political and Religious Intolerance
ISSN (Online) - 2349-8846 Artists' Statement on Growing Political and Religious Intolerance SAHMAT Vol. 50, Issue No. 44, 31 Oct, 2015 The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. We will never forget the battle we fought for our pre-eminent artist MF Husain who was hounded out of the country and died in exile. We remember the rightwing invasion and dismantling of freedoms in one of the country’s best known art schools in Baroda. We witness the present government’s appointment of grossly unqualified persons to the FTII Society and its disregard of the ongoing strike by the students of this leading Institute. We see a writer like Perumal Murugan being intimidated into declaring his death as a writer, a matter of dire shame in any society. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
Why I Became a Hindu
Why I became a Hindu Parama Karuna Devi published by Jagannatha Vallabha Vedic Research Center Copyright © 2018 Parama Karuna Devi All rights reserved Title ID: 8916295 ISBN-13: 978-1724611147 ISBN-10: 1724611143 published by: Jagannatha Vallabha Vedic Research Center Website: www.jagannathavallabha.com Anyone wishing to submit questions, observations, objections or further information, useful in improving the contents of this book, is welcome to contact the author: E-mail: [email protected] phone: +91 (India) 94373 00906 Please note: direct contact data such as email and phone numbers may change due to events of force majeure, so please keep an eye on the updated information on the website. Table of contents Preface 7 My work 9 My experience 12 Why Hinduism is better 18 Fundamental teachings of Hinduism 21 A definition of Hinduism 29 The problem of castes 31 The importance of Bhakti 34 The need for a Guru 39 Can someone become a Hindu? 43 Historical examples 45 Hinduism in the world 52 Conversions in modern times 56 Individuals who embraced Hindu beliefs 61 Hindu revival 68 Dayananda Saraswati and Arya Samaj 73 Shraddhananda Swami 75 Sarla Bedi 75 Pandurang Shastri Athavale 75 Chattampi Swamikal 76 Narayana Guru 77 Navajyothi Sree Karunakara Guru 78 Swami Bhoomananda Tirtha 79 Ramakrishna Paramahamsa 79 Sarada Devi 80 Golap Ma 81 Rama Tirtha Swami 81 Niranjanananda Swami 81 Vireshwarananda Swami 82 Rudrananda Swami 82 Swahananda Swami 82 Narayanananda Swami 83 Vivekananda Swami and Ramakrishna Math 83 Sister Nivedita -
DP11 Éclaté Upadhyay
FESTIVAL D’AUTOMNE À PARIS 2011 15 SEPTEMBRE – 31 DÉCEMBRE 40 e EDITION DOSSIER DE PRESSE Hema Upadhyay Festival d’Automne à Paris 156 rue de Rivoli – 75001 Paris Renseignements et réservations : 01 53 45 17 17 www.festival-automne.com Sommaire Šejla Kamerić & Anri Sala 1395 Days without Red Un film d’Anri Sala Le Club Marbeuf / Cinéma 4 au 9 octobre Centre Pompidou / Projection avec orchestre 7 et 8 octobre Hema Upadhyay Moderniznation Espace Topographie de l’art 17 septembre au 30 octobre Raqs Media Collective Reading Light Espace Oscar Niemeyer 5 octobre au 4 novembre Zuleikha et Manish Chaudhari / Raqs Media Collective Seen at Secundrabagh Le CENTQUATRE 6 au 9 octobre Hema Upadhyay est née en 1972 à Baroda et vit aujourd’hui à Bombay. Elle développe depuis le début des années 1990 une œuvre qui articule expérience personnelle et histoire collective, reflétant les grandes mutations que connaît la société indienne contemporaine. Ses parents ayant émigré du Pakistan vers l’Inde et elle-même de Baroda à Bombay, Hema Upadhyay s’est très tôt intéressée aux Hema Upadhyay phénomènes de migration. Mais si elle parle de l’Inde d’aujourd’hui, elle reste consciente du caractère universel de sa réflexion, alors que s’accentuent phénomènes de migration et déplacements de populations. Sa relation à Moderniznation Bombay reste centrale depuis les séries de peintures Visitors ou I have the feeling that I belong (2000), dans lesquelles elle rend compte Concept, Hema Upadhyay à la fois d’une fascination, d’un sentiment d’exclusion puis finalement d’appartenance à Festival d’Automne à Paris la grande métropole. -
3.Hindu Websites Sorted Country Wise
Hindu Websites sorted Country wise Sl. Reference Country Broad catergory Website Address Description No. 1 Afghanistan Dynasty http://en.wikipedia.org/wiki/Hindushahi Hindu Shahi Dynasty Afghanistan, Pakistan 2 Afghanistan Dynasty http://en.wikipedia.org/wiki/Jayapala King Jayapala -Hindu Shahi Dynasty Afghanistan, Pakistan 3 Afghanistan Dynasty http://www.afghanhindu.com/history.asp The Hindu Shahi Dynasty (870 C.E. - 1015 C.E.) 4 Afghanistan History http://hindutemples- Hindu Roots of Afghanistan whthappendtothem.blogspot.com/ (Gandhar pradesh) 5 Afghanistan History http://www.hindunet.org/hindu_history/mode Hindu Kush rn/hindu_kush.html 6 Afghanistan Information http://afghanhindu.wordpress.com/ Afghan Hindus 7 Afghanistan Information http://afghanhindusandsikhs.yuku.com/ Hindus of Afaganistan 8 Afghanistan Information http://www.afghanhindu.com/vedic.asp Afghanistan and It's Vedic Culture 9 Afghanistan Information http://www.afghanhindu.de.vu/ Hindus of Afaganistan 10 Afghanistan Organisation http://www.afghanhindu.info/ Afghan Hindus 11 Afghanistan Organisation http://www.asamai.com/ Afghan Hindu Asociation 12 Afghanistan Temple http://en.wikipedia.org/wiki/Hindu_Temples_ Hindu Temples of Kabul of_Kabul 13 Afghanistan Temples Database http://www.athithy.com/index.php?module=p Hindu Temples of Afaganistan luspoints&id=851&action=pluspoint&title=H indu%20Temples%20in%20Afghanistan%20. html 14 Argentina Ayurveda http://www.augurhostel.com/ Augur Hostel Yoga & Ayurveda 15 Argentina Festival http://www.indembarg.org.ar/en/ Festival of -
2.Hindu Websites Sorted Category Wise
Hindu Websites sorted Category wise Sl. No. Broad catergory Website Address Description Reference Country 1 Archaelogy http://aryaculture.tripod.com/vedicdharma/id10. India's Cultural Link with Ancient Mexico html America 2 Archaelogy http://en.wikipedia.org/wiki/Harappa Harappa Civilisation India 3 Archaelogy http://en.wikipedia.org/wiki/Indus_Valley_Civil Indus Valley Civilisation India ization 4 Archaelogy http://en.wikipedia.org/wiki/Kiradu_temples Kiradu Barmer Temples India 5 Archaelogy http://en.wikipedia.org/wiki/Mohenjo_Daro Mohenjo_Daro Civilisation India 6 Archaelogy http://en.wikipedia.org/wiki/Nalanda Nalanda University India 7 Archaelogy http://en.wikipedia.org/wiki/Taxila Takshashila University Pakistan 8 Archaelogy http://selians.blogspot.in/2010/01/ganesha- Ganesha, ‘lingga yoni’ found at newly Indonesia lingga-yoni-found-at-newly.html discovered site 9 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Ancient Idol of Lord Vishnu found Russia om/2012/05/27/ancient-idol-of-lord-vishnu- during excavation in an old village in found-during-excavation-in-an-old-village-in- Russia’s Volga Region russias-volga-region/ 10 Archaelogy http://vedicarcheologicaldiscoveries.wordpress.c Mahendraparvata, 1,200-Year-Old Cambodia om/2013/06/15/mahendraparvata-1200-year- Lost Medieval City In Cambodia, old-lost-medieval-city-in-cambodia-unearthed- Unearthed By Archaeologists 11 Archaelogy http://wikimapia.org/7359843/Takshashila- Takshashila University Pakistan Taxila 12 Archaelogy http://www.agamahindu.com/vietnam-hindu- Vietnam -
January 2016 Vol 7, Issue 1 Chicago Edition Email: Editorasiatimes
www.Asia Times.US Chicago Edition Email: [email protected] January 2016 Vol 7, Issue 1 HAPPY NEW YEAR 2016 January 2016 www.Asia Times . US PAGE 2 Hyderabadi Film Stars in Chicago “Hyderabad is Known Globally for Its Hilarious Comedy Films, Not Merely for Biryani”-Mast Ali, Aziz Naser, and Other Hyderabad Film Stars of Hyderabad Film Industry in a Industry is cur- Press Conference in Chicago rently undergoing a metamorphosis; it is no longer con- Asian Media USA © fining itself to mak- Chicago IL: “The Hyderabad Film In- ing small budget dustry, even though only about 10 years films for its niche old, has churned out a series of comedy market. Instead, blockbusters and gained popularity not it is focusing on only in Andhra Pradesh and different producing typical parts of India but also among the large Bollywood films, Diaspora in the Middle-East and the US, which are rich in thanks to the Internet and DVDs”, said terms of exquisite Mast Ali, a. k. a. Saleem Pheku, the king quality, pan-India of comedy, who acted in over 20 high appeal, and high- impact making films in different lan- end technology”, guages and brought laurels to Hyderabad, said Aziz Naser, at a Press Conference held on December a. k. a. Jahangeer, 23, 2015,: 5.30 PM at Mysore Woodlands, another equally Devon Ave, Chicago. The Press Confer- popular and pow- ence was attended by a huge number of erful star. representatives from the Print, Electronic, culture of Hyderabad, focus mainly on trailer of the upcoming Hyderabadi and Internet Media. -
BY Rajesh Punj They May Not Have Been Born Here, They May Not
‘All in the same boat’ in mixed media by Subodh Gupta. 8 THEY MAY NOT HAVE BEEN BORN HERE, THEY MAY NOT BELONG HERE Live. BUT THIS IS HOME AS THEIR HEART BEatS HERE AND SO DOES THEIR ART. RAJESH PUNJ SEES THE CITIES OF DELHI, MUMBAI, Love. LAHORE, DHAKA AND KERALA THROUGH THE EYES OF EIGHT LEADING CONTEMPORARY ARTISTS. Looking at Mumbai landscape, Art. Hema Upadhyay created ‘Think left, Drawing inspiration from Lahore, Think right, Think low, Think tight’. Mariyam Arif’s work ‘Flight in Reflection II’. ARIYAM ARIF M cityscape always leaves an indelible imprint of itself upon the practices of its inhabitants. Y OF S Acting as the architectonic cradle for the crowd, the modern city expands and contracts like a living organ—cajoling and inspiring its inhabitants in equal measure. And for those artists residing in the city, once they have sucked in the energy of the crowd, inhaled the industrious L A atmosphere, and indulged in make-shift cuisine; they are open to all kinds of magnificent ER & WIRTH; COURTE S experiences that shape and shift their art in equal measure. Finding inspiration in almost every EE & LA AU J H detail of life in a city, eight artists who eat, love and breathe art speak of it. HATTER C Sahej Rahal’s work ‘Clarion II’, 2013 in wood, plastic, L AND coated iron, polyester fur, and condensed PVC. RAHA J AHE GUTIÉRREZ/ SUBODH GUPTA AND S É LUI S EMA UPADHYAY; S H BY RAJESH PUNJ FROM TOP: FROM TOP: JO 00 SEPTEMBER 2014 TRAVEL+LEISURE TRAVEL+LEISURE SEPTEMBER 2014 00 “ALL THEMES OF LIFE AND EMOTIONS PLAY OUT HERE IN FULL VOLUME” → Mumbai’s iconic Chhatrapati Shivaji Terminus proved as an inspiration for artist Jitish Kallat’s 2006-2007 Rickshawpolis paintings. -
1.Hindu Websites Sorted Alphabetically
Hindu Websites sorted Alphabetically Sl. No. Website Address Description Broad catergory Reference Country 1 http://18shaktipeetasofdevi.blogspot.com/ 18 Shakti Peethas Goddess India 2 http://18shaktipeetasofdevi.blogspot.in/ 18 Shakti Peethas Goddess India 3 http://199.59.148.11/Gurudev_English Swami Ramakrishnanada Leader- Spiritual India 4 http://330milliongods.blogspot.in/ A Bouquet of Rose Flowers to My Lord India Lord Ganesh Ji 5 http://41.212.34.21/ The Hindu Council of Kenya (HCK) Organisation Kenya 6 http://63nayanar.blogspot.in/ 63 Nayanar Lord India 7 http://75.126.84.8/ayurveda/ Jiva Institute Ayurveda India 8 http://8000drumsoftheprophecy.org/ ISKCON Payers Bhajan Brazil 9 http://aalayam.co.nz/ Ayalam NZ Hindu Temple Society Organisation New Zealand 10 http://aalayamkanden.blogspot.com/2010/11/s Sri Lakshmi Kubera Temple, Temple India ri-lakshmi-kubera-temple.html Rathinamangalam 11 http://aalayamkanden.blogspot.in/ Journey of lesser known temples in Temples Database India India 12 http://aalayamkanden.blogspot.in/2010/10/bra Brahmapureeswarar Temple, Temple India hmapureeswarar-temple-tirupattur.html Tirupattur 13 http://accidentalhindu.blogspot.in/ Hinduism Information Information Trinidad & Tobago 14 http://acharya.iitm.ac.in/sanskrit/tutor.php Acharya Learn Sanskrit through self Sanskrit Education India study 15 http://acharyakishorekunal.blogspot.in/ Acharya Kishore Kunal, Bihar Information India Mahavir Mandir Trust (BMMT) 16 http://acm.org.sg/resource_docs/214_Ramayan An international Conference on Conference Singapore -
CAMEO Conflict and Mediation Event Observations Event and Actor Codebook
CAMEO Conflict and Mediation Event Observations Event and Actor Codebook Event Data Project Department of Political Science Pennsylvania State University Pond Laboratory University Park, PA 16802 http://eventdata.psu.edu/ Philip A. Schrodt (Project Director): < schrodt@psu:edu > (+1)814.863.8978 Version: 1.1b3 March 2012 Contents 1 Introduction 1 1.0.1 Events . .1 1.0.2 Actors . .4 2 VERB CODEBOOK 6 2.1 MAKE PUBLIC STATEMENT . .6 2.2 APPEAL . .9 2.3 EXPRESS INTENT TO COOPERATE . 18 2.4 CONSULT . 28 2.5 ENGAGE IN DIPLOMATIC COOPERATION . 31 2.6 ENGAGE IN MATERIAL COOPERATION . 33 2.7 PROVIDE AID . 35 2.8 YIELD . 37 2.9 INVESTIGATE . 43 2.10 DEMAND . 45 2.11 DISAPPROVE . 52 2.12 REJECT . 55 2.13 THREATEN . 61 2.14 PROTEST . 66 2.15 EXHIBIT MILITARY POSTURE . 73 2.16 REDUCE RELATIONS . 74 2.17 COERCE . 77 2.18 ASSAULT . 80 2.19 FIGHT . 84 2.20 ENGAGE IN UNCONVENTIONAL MASS VIOLENCE . 87 3 ACTOR CODEBOOK 89 3.1 HIERARCHICAL RULES OF CODING . 90 3.1.1 Domestic or International? . 91 3.1.2 Domestic Region . 91 3.1.3 Primary Role Code . 91 3.1.4 Party or Speciality (Primary Role Code) . 94 3.1.5 Ethnicity and Religion . 94 3.1.6 Secondary Role Code (and/or Tertiary) . 94 3.1.7 Specialty (Secondary Role Code) . 95 3.1.8 Organization Code . 95 3.1.9 International Codes . 95 i CONTENTS ii 3.2 OTHER RULES AND FORMATS . 102 3.2.1 Date Restrictions . 102 3.2.2 Actors and Agents . -
A Gift for Khoj Edition III
a gift for khoj edition III 18 artists have contributed 5 original signed artworks as a gift for khoj 5 unique portfolios with 18 original artworks are available*. DETAILS OF DONATION The drawing/painting portfolio can be booked on a 50% advance donation. It will be shipped against full payment. Shipping costs will be extra. All donations are exempt from Income Tax under 80G (5) (VI) of the Income Tax Act, 1961. ALL PROCEEDS WILL GO TOWARDS Acquring & refurbishing the Khoj buildings in Khirkhee. Developing a corpus fund for KHOJ which will allow KHOJ to function independently in the long term. FOR BOOkiNG PLEASE CONTACT Email: [email protected] / [email protected] Phone: +91 11 29545274 / +91 11 65655873 Mobile: +91 9810327436 / +91 9871308043 *The portfolio of original artworks may not be sold until December 31, 2013 Adip Dutta Aditya Pande Archana Hande Ashim Purkayastha Debnath Basu Gargi Raina Hema Upadhyay Imran Qureshi contributing artists Jagannath Panda Madhvi Parekh Manisha Parekh Manu Parekh Prajakta Potnis Paula Sengupta Reena Saini Kallat Rohini Devasher Sarnath Banerjee Vasudha Thozhur Adip Dutta Drawings from Khasta Katha, adapted from plebian, salacious literature brush & ink on paper, silk screen | 12” x 9” | 2011 Adip Dutta was born in 1970. He received a Bachelor’s and Master degree from Rabindra Bharati University, Kolkata. He is currently a member of Faculty of Visual Arts at Rabindra Bharati University, Kolkata. He also received the Rabindra Bharati Annual Exhibition Award for Sculpture (1998, 2000) and the Charles Wallace Scholarship (2002). His public installation Celestial Angels was installed in New Delhi at IGI Airport Metro Link (2010).