January 2016 Vol 7, Issue 1 Chicago Edition Email: Editorasiatimes
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Copyright by Kristen Dawn Rudisill 2007
Copyright by Kristen Dawn Rudisill 2007 The Dissertation Committee for Kristen Dawn Rudisill certifies that this is the approved version of the following dissertation: BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT Committee: ______________________________ Kathryn Hansen, Co-Supervisor ______________________________ Martha Selby, Co-Supervisor ______________________________ Ward Keeler ______________________________ Kamran Ali ______________________________ Charlotte Canning BRAHMIN HUMOR: CHENNAI’S SABHA THEATER AND THE CREATION OF MIDDLE-CLASS INDIAN TASTE FROM THE 1950S TO THE PRESENT by Kristen Dawn Rudisill, B.A.; A.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2007 For Justin and Elijah who taught me the meaning of apu, pācam, kātal, and tuai ACKNOWLEDGMENTS I came to this project through one of the intellectual and personal journeys that we all take, and the number of people who have encouraged and influenced me make it too difficult to name them all. Here I will acknowledge just a few of those who helped make this dissertation what it is, though of course I take full credit for all of its failings. I first got interested in India as a religion major at Bryn Mawr College (and Haverford) and classes I took with two wonderful men who ended up advising my undergraduate thesis on the epic Ramayana: Michael Sells and Steven Hopkins. Dr. Sells introduced me to Wendy Doniger’s work, and like so many others, I went to the University of Chicago Divinity School to study with her, and her warmth compensated for the Chicago cold. -
Volume 1 on Stage/ Off Stage
lives of the women Volume 1 On Stage/ Off Stage Edited by Jerry Pinto Sophia Institute of Social Communications Media Supported by the Laura and Luigi Dallapiccola Foundation Published by the Sophia Institute of Social Communications Media, Sophia Shree B K Somani Memorial Polytechnic, Bhulabhai Desai Road, Mumbai 400 026 All rights reserved Designed by Rohan Gupta be.net/rohangupta Printed by Aniruddh Arts, Mumbai Contents Preface i Acknowledgments iii Shanta Gokhale 1 Nadira Babbar 39 Jhelum Paranjape 67 Dolly Thakore 91 Preface We’ve heard it said that a woman’s work is never done. What they do not say is that women’s lives are also largely unrecorded. Women, and the work they do, slip through memory’s net leaving large gaps in our collective consciousness about challenges faced and mastered, discoveries made and celebrated, collaborations forged and valued. Combating this pervasive amnesia is not an easy task. This book is a beginning in another direction, an attempt to try and construct the professional lives of four of Mumbai’s women (where the discussion has ventured into the personal lives of these women, it has only been in relation to the professional or to their public images). And who better to attempt this construction than young people on the verge of building their own professional lives? In learning about the lives of inspiring professionals, we hoped our students would learn about navigating a world they were about to enter and also perhaps have an opportunity to reflect a little and learn about themselves. So four groups of students of the post-graduate diploma in Social Communications Media, SCMSophia’s class of 2014 set out to choose the women whose lives they wanted to follow and then went out to create stereoscopic views of them. -
Unit I Advertising Chapter1: Role of Advertising Lesson 1: Definition, Introduction to Advertising and Its History
UNIT I ADVERTISING LESSON 1: CHAPTER1: DEFINITION, INTRODUCTION ROLE OF ADVERTISING TO ADVERTISING AND ITS HISTORY Objective Advertising puts across the message in a convincing way, and ADVERTISING AND PROMOTIONS Students by the end of this lesson I expect you to be clear with guides us to take action-buy these products repeatedly. what is advertising and how it has evolved over a period of Now Let’s first understand the definition of advertising. time. The word advertising has its origin from a Latin word The World of Advertising ‘advertire’ which means to turn to. In this first lesson we will start with the discussion on the so- The dictionary meaning of the word is ‘to announce publicly called the glamour’s world and that is advertising where our or to give public notice.’ main focus will be on what is’ advertising? What are its American Marketing association has defined advertising as “any important dimensions? (The standard definition of ad- paid form of non-personal presentation and promotion of vertising includes six elements.) ideas, goods and services by an identified sponsor.” To start with tell me what do you understand from advertising. Advertising is a paid form of communication, although some As all of you would have noticed that, whenever you are forms of advertising, such as public service announcements watching any channel or coming from your home they’re too (PSAs), are donated space and time. many advertisement, but have you ever thought why it is being done? If no, then start thinking and if yes then lets discuss. -
Current Affairs and Events
CURRENT AFFAIRS OF NOVEMBER 2018 NATIONAL CURRENT AFFAIRS AND EVENTS Name the chairman of Information Technology major Wipro and also a philanthropist who was bestowed with the highest French civilian distinction Chevalier de la Legion d’Honneur (Knight of the Legion of Honour)? The award was bestowed on him for his outstanding contribution in Azim Premji developing the information technology industry in India, his economic outreach in France, and his laudable contribution to society as a philanthropist through the Azim Premji Foundation and Azim Premji University. Who has been appointed as the new Chairman of Union Public Service Commission (UPSC)? Arvind Saxena The term of his appointment will be till 07.08.2020 when he attains the age of 65 years or till further orders whichever is earlier. Who has been appointed as the Chairman of National Skill Development Corporation (NSDC) by the Ministry of Skill Development and Entrepreneurship? A M Naik Currently he is the Group Chairman of India’s biggest engineering and construction conglomerate – Larsen & Toubro Limited (L&T). Mohammed Aziz who passed away recently belonged to which field? He has done playback singing for actors such as Amitabh Bachchan, Music Govinda, Rishi Kapoor, Mithun Chakraborty and several others. Who was appointed as Chairperson of the Atomic Energy Regulatory Board Nageshwara Rao (AERB)? Guntur National Projects Which CPSU has been conferred with the status of Miniratna : Category –I Construction by the Government of India in November 2018? Corporation Limited (NPCC) Who has been appointed as the new Chief Election Commissioner Sunil Arora succeeding O P Rawat who retired on November 24? The 49th International Film Festival of India (IFFI) was held in which Goa state? Which film won the coveted Golden Peacock Award at the 49th Donbass International Film Festival of India (IFFI)? Contributed by : www.playquiz2win.com The director of the film was Sergei Loznitsa. -
Artists' Statement on Growing Political and Religious Intolerance
ISSN (Online) - 2349-8846 Artists' Statement on Growing Political and Religious Intolerance SAHMAT Vol. 50, Issue No. 44, 31 Oct, 2015 The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. The artist community of India stands in firm solidarity with the actions of our writers who have relinquished awards and positions, and spoken up in protest against the alarming rise of intolerance in the country. We condemn and mourn the murders of MM Kalburgi, Narendra Dabholkar and Govind Pansare, rationalists and free thinkers whose voices have been silenced by rightwing dogmatists but whose “presence” must ignite our resistance to the conditions of hate being generated around us. We will never forget the battle we fought for our pre-eminent artist MF Husain who was hounded out of the country and died in exile. We remember the rightwing invasion and dismantling of freedoms in one of the country’s best known art schools in Baroda. We witness the present government’s appointment of grossly unqualified persons to the FTII Society and its disregard of the ongoing strike by the students of this leading Institute. We see a writer like Perumal Murugan being intimidated into declaring his death as a writer, a matter of dire shame in any society. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
Pakistan Connection Diasporas @ BBC World Service Audience
Pakistan Connection Diasporas @ BBC World Service Audience Research Report Authors: Marie Gillespie, Sadaf Rivzi, Matilda Andersson, Pippa Virdee, Lucy Michael, Sophie West A BBC World Service / Open University Research Partnership 1 Foreword What does a shop owner in Bradford have in common with a graduate from Princeton USA, a construction worker in Bahrain and a banker in the City of London? All are users of the bbcurdu.com website, and all are part of the global Pakistani diaspora. The term diaspora is used to describe the global dispersion of migrant groups of various kinds. Diasporas are of growing economic, political and cultural significance. In a world where migration, geopolitical dynamics, communication technologies and transport links are continually changing, it is clear that culture and geography no longer map neatly onto one another. Understanding diaspora groups inside and outside its base at Bush House, London, is ever more important for the BBC World Service, too. Diaspora audiences are increasingly influencing the way the BBC conceives and delivers output. For example, over 60% of the weekly users of bbcurdu.com are accessing the site from outside the subcontinent, and this proportion is rising. The same trend has been observed for other BBC language websites. (See BBC World Agenda, September 2008.) The research presented here is based on a unique partnership between BBC World Service Marketing Communication and Audiences (MC&A) and The Open University. It was funded primarily by MC&A but it was also generously supported by the Arts and Humanities Research Council (AHRC) though the Diasporas, Migration and Identities Research Programme, which funded a project entitled ‘Tuning In: Diasporic Contact Zones at BBC World Service’ (Grant Award reference AH/ES58693/1). -
DP11 Éclaté Upadhyay
FESTIVAL D’AUTOMNE À PARIS 2011 15 SEPTEMBRE – 31 DÉCEMBRE 40 e EDITION DOSSIER DE PRESSE Hema Upadhyay Festival d’Automne à Paris 156 rue de Rivoli – 75001 Paris Renseignements et réservations : 01 53 45 17 17 www.festival-automne.com Sommaire Šejla Kamerić & Anri Sala 1395 Days without Red Un film d’Anri Sala Le Club Marbeuf / Cinéma 4 au 9 octobre Centre Pompidou / Projection avec orchestre 7 et 8 octobre Hema Upadhyay Moderniznation Espace Topographie de l’art 17 septembre au 30 octobre Raqs Media Collective Reading Light Espace Oscar Niemeyer 5 octobre au 4 novembre Zuleikha et Manish Chaudhari / Raqs Media Collective Seen at Secundrabagh Le CENTQUATRE 6 au 9 octobre Hema Upadhyay est née en 1972 à Baroda et vit aujourd’hui à Bombay. Elle développe depuis le début des années 1990 une œuvre qui articule expérience personnelle et histoire collective, reflétant les grandes mutations que connaît la société indienne contemporaine. Ses parents ayant émigré du Pakistan vers l’Inde et elle-même de Baroda à Bombay, Hema Upadhyay s’est très tôt intéressée aux Hema Upadhyay phénomènes de migration. Mais si elle parle de l’Inde d’aujourd’hui, elle reste consciente du caractère universel de sa réflexion, alors que s’accentuent phénomènes de migration et déplacements de populations. Sa relation à Moderniznation Bombay reste centrale depuis les séries de peintures Visitors ou I have the feeling that I belong (2000), dans lesquelles elle rend compte Concept, Hema Upadhyay à la fois d’une fascination, d’un sentiment d’exclusion puis finalement d’appartenance à Festival d’Automne à Paris la grande métropole. -
Indian Proverbs
HINDI (INDIAN) PROVERBS http://en.wikiquote.org/wiki/Indian_proverbs A • Ati shahaana tyaacha bail rikaama (Marathi) • आग राम ेशरी आिि बंब सोम ेशरी - Aag Rameshwari Aanee Bamb Someshwari (Marathi) o Literal: Fire in Rameshwar (city at southern tip of India) and firefighting in Someshwar (city in North India) o Translation: The problem is one thing and the solution is given for something else. o Bengali equivalent: েেেে কটা? না পিু িিেেি খােোা। Chhele koTa? na puRiye khabO. • , । - age rUp nehari, pore guN bichari. (Bengali) o Literal: Looks attracts first, quality qualifies later. • (Malayalam) o Literal: The other side will be green when you are in this side o Translation: The grass is always greener on the other side. • । - Ati sannyasite gajon nosto. (Bengali) unthon se mor marvane(hindi) • o Literal: Too many cooks spoil the broth. o Maithili equivalent: जयादे जोगी मठ उजाड। • Aanakaaryam Pareyumbol Aano htrChenakkaryam? (Malayalam) o Literal: When you are discussing about elephant don't talk about yam matters. o Translation: Do not bring up small issues during major problems. • आपनॊ गूरॊ गूरॊ ,दोसरा के गूरॊ समाठॊ लॆ कॆ हूरॊ (Angika) o Literal: Boils on one's own body is considered as painful while those on others are deemed painless. o Translation: One can not understand and realise the pain of others. • Aasmaan se giray, khajoor mein atke (Hindi) o Literal: Fell from the sky, got stuck in a date palm. o Translation: From the frying pan into the fire. o Marathi equivalent: Aagitun fufaatyaat. • Anni vunna aaku anigi manigi vuntae aemi laeni aaku yegiri yegiri padithi(Telugu) o Literal: Fully served leaf (used to serve food) sticks to the ground whereas empty leaf flies all over. -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958. -
Tints of Tourism 6 Managing Editor Akul Tripathi Mrs
MORPARIA’S PAGE E-mail: [email protected] Contents AUGUST 2015 VOL.19/1 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ THEME: Morparia’s page 2 Alternative Tourism The tourist flood 5 V. Gangadhar Tints of tourism 6 Managing Editor Akul Tripathi Mrs. Sucharita R. Hegde Yours medically, India 8 S. Saraswathi Border tourism is here! 10 Editor Brig. Suresh Chandra Sharma (retd.) Anuradha Dhareshwar Touring a slum 12 Disha Shetty Assistant Editor The legacy of heritage tourism 14 E.Vijayalakshmi Rajan Usha Hariprasad 6 Tourists in search of the ‘self’ (not selfie) 17 Rena Pathak Design Travel for a cause 19 H. V. Shiv Shankar Dr. Julie Richards A taste of real India 21 Marketing Dr. Mir Sofique Mahesh Kanojia Know India Better Wellness Abodes 23 OIOP Clubs Co-ordinator Gustasp and Jeroo Irani Vaibhav Palkar Gently flows the Cauvery 33 E. Vijayalakshmi Rajan Subscription In-Charge A surfing paradise called Mahabs 39 Nagesh Bangera 23 Liz Thottan Features The triumph of Beno Zephine 42 Meera Krishnankutty Advisory Board A report card of the Modi government 45 Sucharita Hegde P.M. Kamath Justice S. Radhakrishnan A labour of love 47 Venkat R. Chary Vithal C. Nadkarni Cultural Kaleidoscope What does the mangalsutra signify? 49 Printed & Published by Shoma A. Chatterji Mrs. Sucharita R. Hegde for Chhau – behind the mask 50 One India One People Foundation, Dr. Kanak Rele Mahalaxmi Chambers, 4th floor, 22, Bhulabhai Desai Road, Column 52 Nature watch : Bittu Sahgal Mumbai - 400 026 42 In focus : C.V. Aravind Tel: 022-2353 4400 Beno Zephine Young India 54 Fax: 022-2351 7544 e-mail: [email protected] Great Indians 56 [email protected] Printed at: Graphtone (India) Pvt.