Ravid Sy Syms Professor of Finance, Sy Syms School of Business, Yeshiva University
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Aliyah and Settlement Process?
Jewish Women in Pre-State Israel HBI SERIES ON JEWISH WOMEN Shulamit Reinharz, General Editor Joyce Antler, Associate Editor Sylvia Barack Fishman, Associate Editor The HBI Series on Jewish Women, created by the Hadassah-Brandeis Institute, pub- lishes a wide range of books by and about Jewish women in diverse contexts and time periods. Of interest to scholars and the educated public, the HBI Series on Jewish Women fills major gaps in Jewish Studies and in Women and Gender Studies as well as their intersection. For the complete list of books that are available in this series, please see www.upne.com and www.upne.com/series/BSJW.html. Ruth Kark, Margalit Shilo, and Galit Hasan-Rokem, editors, Jewish Women in Pre-State Israel: Life History, Politics, and Culture Tova Hartman, Feminism Encounters Traditional Judaism: Resistance and Accommodation Anne Lapidus Lerner, Eternally Eve: Images of Eve in the Hebrew Bible, Midrash, and Modern Jewish Poetry Margalit Shilo, Princess or Prisoner? Jewish Women in Jerusalem, 1840–1914 Marcia Falk, translator, The Song of Songs: Love Lyrics from the Bible Sylvia Barack Fishman, Double or Nothing? Jewish Families and Mixed Marriage Avraham Grossman, Pious and Rebellious: Jewish Women in Medieval Europe Iris Parush, Reading Jewish Women: Marginality and Modernization in Nineteenth-Century Eastern European Jewish Society Shulamit Reinharz and Mark A. Raider, editors, American Jewish Women and the Zionist Enterprise Tamar Ross, Expanding the Palace of Torah: Orthodoxy and Feminism Farideh Goldin, Wedding Song: Memoirs of an Iranian Jewish Woman Elizabeth Wyner Mark, editor, The Covenant of Circumcision: New Perspectives on an Ancient Jewish Rite Rochelle L. -
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1). -
Why Hollywood Isn't As Liberal As We Think and Why It Matters
Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically. -
Introduction
Notes Introduction 1. The exact Hebrew name for this affair is the “Yemenite children Affair.” I use the word babies instead of children since at least two thirds of the kidnapped were in fact infants. 2. 1,053 complaints were submitted to all three commissions combined (1033 complaints of disappearances from camps and hospitals in Israel, and 20 from camp Hashed in Yemen). Rabbi Meshulam’s organization claimed to have information about 1,700 babies kidnapped prior to 1952 (450 of them from other Mizrahi ethnic groups) and about 4,500 babies kidnapped prior to 1956. These figures were neither discredited nor vali- dated by the last commission (Shoshi Zaid, The Child is Gone [Jerusalem: Geffen Books, 2001], 19–22). 3. During the immigrants’ stay in transit and absorption camps, the babies were taken to stone structures called baby houses. Mothers were allowed entry only a few times each day to nurse their babies. 4. See, for instance, the testimony of Naomi Gavra in Tzipi Talmor’s film Down a One Way Road (1997) and the testimony of Shoshana Farhi on the show Uvda (1996). 5. The transit camp Hashed in Yemen housed most of the immigrants before the flight to Israel. 6. This story is based on my interview with the Ovadiya family for a story I wrote for the newspaper Shishi in 1994 and a subsequent interview for the show Uvda in 1996. I should also note that this story as well as my aunt’s story does not represent the typical kidnapping scenario. 7. The Hebrew term “Sephardic” means “from Spain.” 8. -
Israel in the Occupied Territories Since 1967
SUBSCRIBE NOW AND RECEIVE CRISIS AND LEVIATHAN* FREE! “The Independent Review does not accept “The Independent Review is pronouncements of government officials nor the excellent.” conventional wisdom at face value.” —GARY BECKER, Noble Laureate —JOHN R. MACARTHUR, Publisher, Harper’s in Economic Sciences Subscribe to The Independent Review and receive a free book of your choice* such as the 25th Anniversary Edition of Crisis and Leviathan: Critical Episodes in the Growth of American Government, by Founding Editor Robert Higgs. This quarterly journal, guided by co-editors Christopher J. Coyne, and Michael C. Munger, and Robert M. Whaples offers leading-edge insights on today’s most critical issues in economics, healthcare, education, law, history, political science, philosophy, and sociology. Thought-provoking and educational, The Independent Review is blazing the way toward informed debate! Student? Educator? Journalist? Business or civic leader? Engaged citizen? This journal is for YOU! *Order today for more FREE book options Perfect for students or anyone on the go! The Independent Review is available on mobile devices or tablets: iOS devices, Amazon Kindle Fire, or Android through Magzter. INDEPENDENT INSTITUTE, 100 SWAN WAY, OAKLAND, CA 94621 • 800-927-8733 • [email protected] PROMO CODE IRA1703 The Last Colonialist: Israel in the Occupied Territories since 1967 ✦ RAFAEL REUVENY ith almost prophetic accuracy, Naguib Azoury, a Maronite Ottoman bu- reaucrat turned Arab patriot, wrote in 1905: “Two important phenom- W ena, of the same nature but opposed . are emerging at this moment in Asiatic Turkey. They are the awakening of the Arab nation and the latent effort of the Jews to reconstitute on a very large scale the ancient kingdom of Israel. -
URGENT! PLEASE DELIVER Published by Access Intelligence, LLC, Tel: 301-354-2101
URGENT! PLEASE DELIVER www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 5 Pages Today Friday — May 15, 2009 Volume 20 / No. 092 Get It Right: Former FCC Heads Weigh In on Broadband Policy No matter where they sit on the political spectrum, panelists at Free Press’ “Changing Media” Summit in DC agreed that the country’s broadband policy is a big deal. Putting together the plan, on which the FCC is taking comments until June 8, is another matter. “National broadband policy should be in the office of the President, not at the FCC,” former FCC chmn Michael Powell said. His reasoning is that broadband will be key in solving national problems—health care, the economy, etc. Powell, a Republican and Bush nominee, argued that the previous administration never committed to a broadband policy. “I’m much more encouraged that our current president speaks of it, but I think it being developed inside a regulatory agency is fundamentally a mistake,” he said, complaining that the FCC is saddled with a severe amount of regulatory restraint. Another former FCC chmn at the summit, Clinton appointee Reed Hundt, also stressed the signifi cance of upcoming broadband decisions. “In my view, the biggest single impact on future communications in America consist of the choice made by Commerce and the Dept of Agriculture on spending of the broadband stimulus,” he said. Meanwhile, Hundt called a myth the notion that the $7.2bln in funds provided for broadband stimulus are insuf- fi cient. If the money is divided into tiny little grants with no coordinated purpose, then no, it doesn’t go far, he said—but done right, “this is more than enough to completely alter the structure of broadband in America for 50 years.” For ex- ample, if used for loan guarantees, the $7.2bln would represent $70bln, which would mean $140bln in new cap ex, he said. -
Signature Redacted
Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content. -
9781474451185 Matzpen Intro
MATZPEN A History of Israeli Dissidence Lutz Fiedler Translated by Jake Schneider 66642_Fiedler.indd642_Fiedler.indd i 331/03/211/03/21 44:35:35 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com Original version © Vandenhoeck & Ruprecht GmbH & Co. KG, 2017 English translation © Jake Schneider, 2020 Edinburgh University Press Ltd Th e Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/15 Adobe Garamond by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 5116 1 (hardback) ISBN 978 1 4744 5118 5 (webready PDF) ISBN 978 1 4744 5119 2 (epub) Th e right of Lutz Fiedler to be identifi ed as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Originally published in German as Matzpen. Eine andere israelische Geschichte (Göttingen, Germany: Vandenhoeck & Ruprecht, 2017) Th e translation of this work was funded by Geisteswissenschaften International – Translation Funding for Work in the Humanities and Social Sciences from Germany, a joint initiative of the Fritz Th yssen Foundation, the German Federal Foreign Offi ce, the collecting society VG WORT and the Börsenverein des Deutschen Buchhandels (German Publishers & Booksellers Association). -
IMAGINING INDEPENDENCE PARK by Oren Segal a Dissertation
IMAGINING INDEPENDENCE PARK by Oren Segal A dissertation submitted in partial fulfillment Of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) In the University of Michigan 2012 Doctoral Committee: Associate Professor Shachar M Pinsker, Chair Professor David M. Halperin Associate Professor Carol Bardenstein Assistant Professor Maya Barzilai “Doing it in the park, Doing it after Dark, oh, yeah” The Blackbyrds, “Rock Creek Park,” City Life (Fantasy Records, 1975) © Oren Segal All rights reserved 2012 In memory of Nir Katz and Liz Troubishi ii Acknowledgements Most of all, I would like to thank my committee members: Shachar Pinsker, David Halperin, Carol Bardenstein, and Maya Barzilai. They are more than teachers to me, but mentors whose kindness and wisdom will guide me wherever I go. I feel fortunate to have them in my life. I would also like to thank other professors, members of the Jean and Samuel Frankel Center for Judaic Studies at the University of Michigan, who were and are part of my academic and personal live: Anita Norich, Deborah Dash Moore, Julian Levinson, Mikhail Krutikov, and Ruth Tsoffar. I also wish to thank my friends and graduate student colleagues who took part in the Frankel Center’s Reading Group: David Schlitt, Ronit Stahl, Nicholas Block, Daniel Mintz, Jessica Evans, Sonia Isard, Katie Rosenblatt, and especially Benjamin Pollack. I am grateful for funding received from the Frankel Center throughout my six years in Ann Arbor; without the center’s support, this study would have not been possible. I would also like to thank the center’s staff for their help. -
“We Can't Even Play Ourselves”: Mixed-Race Actresses in the Early
“WE CAN’T EVEN PLAY OURSELVES”: MIXED-RACE ACTRESSES IN THE EARLY TWENTY-FIRST CENTURY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES AUGUST 2017 By Valerie M. Lo Dissertation Committee: Robert Perkinson, Chairperson Mari Yoshihara Jonna Eagle Konrad Ng Jonathan Okamura Keywords: Mixed race, Ambiguity, Post-Racial, Color-blind, Film ACKNOWLEDGEMENTS This project has been a test of my resiliency and grew from my desire to add a small contribution to the ongoing discussion of mixed race representations in film and television. Many people have come into my life in the last several years and encouraged my studies, talked excitedly with me, and subtly (or blatantly) pushed me to continue when I thought the road ahead looked too ominous. In 2005, at San Francisco State University’s Asian American Studies banquet, my Master’s thesis chair, Wei Ming Dariotis, remarked that a PhD was in the stars for me. Those words stayed close to me during my graduate work at the University of Hawai'i. My first teaching assistantship with Isabelle Peluad at San Francisco State University in Asian American Literature showed me exactly what I wanted to immerse myself in for the rest of my life. Graduate courses with Russell Jeung and Madeline Hsu reaffirmed my desire to work within the field of Asian American Studies and continue on to a doctorate program. My coursework in American Studies was rigorous and pushed me out of my comfort zone in the best way. -
Road to Nowhere
ROAD TO NOWHERE A picture by Monte Hellman Starring Shannyn Sossamon, Tygh Runyan, Dominique Swain, Cliff De Young, Waylon Payne, John Diehl, Fabio Testi (Press Kit from Venice Film Festival) ROAD TO NOWHERE CAST (in order of appearance) Mitchell Haven Tygh Runyan Nathalie Post Dominique Swain Laurel Graham/Velma Duran Shannyn Sossamon Bobby Billings John Diehl Cary Stewart/Rafe Tachen Cliff de Young Bruno Brotherton Waylon Payne Steve Gates Robert Kolar Jermey Laidlaw Nic Paul Nestor Duran Fabio Testi Desk Clerk Fabio Tricamo Moxie Herself Peter Bart Himself El Cholo Bartender Pete Manos Mallory Mallory Culbert Doc Holliday Bartender Beck Lattimore Man in Bar Thomas Nelson Bonnie Pointer Herself Airplane Coordinator Jim Galan Airplane Pilot Jim Rowell Greg Gregory Rentis Larry Larry Lerner Erik Lathan McKay Joe Watts Michael Bigham Araceli Araceli Lemos Sarah Sarah Dorsey Female Cadaver Mandy Hughes Morgue Technician Cathy Parker Male Cadaver Brett Mann Room Service Waitress Vanessa Golden Cop Voices Dean Person Jared Hellman Jones Clark Guard Mitchell Allen Jenkin PRODUCTION Directed and Produced by Monte Hellman Written and Produced by Steven Gaydos Produced by Melissa Hellman Executive Producers Thomas Nelson, June Nelson Director of Photography Joseph M Civit Edited by Celine Ameslon Production Designed by Laurie Post Music by Tom Russell Co-Producers Peter R J Deyell, Jared Hellman Associate Producers Lea-Beth Shapiro, Robin-John Gibb Costumes Designed by Chelsea Staebell Production Sound by Rich Gavin Visual Effects Supervisor Robert Skotak First Assistant Director Larry Lerner Second Assistant Director Noreen Perez Supervising Sound Editors Ayne O Joujon-Roche, Kelly Cabral Re-Recording Mixers Scott Sanders, Perry Robertson First Assistant Editors Gregory Rentis, Harold Hyde Producers Representative Jonathan Dana Worldwide Sales E1 Entertainment ROAD TO NOWHERE "Well the ditches are on fire, And there ainʼt no higher ground. -
Syracuse University S.I. Newhouse School of Public Communications Spring 2007 Vol
SYRACUSE UNIVERSITY S.I. NEWHOUSE SCHOOL OF PUBLIC COMMUNICATIONS SPRING 2007 VOL. 19 NO. 2 SYRACUSE UNIVERSITY S.I. NEWHOUSE SCHOOL OF PUBLIC COMMUNICATIONS SPRING 2007 VOL. 19 NO. 2 IN THIS ISSUE: Dean’s Column 1 Mirror Awards 2 Dean Rubin Retirement 4 Turner Diversity Fellowhips 6 Dean 12 David M. Rubin PSA Project 7 Executive Editor Wendy S. Loughlin G’95 South Side Newspaper 8 Assistant Editor Newspaper Design Competition 10 Carol L. Boll 11 Contributors New Academic Programs Courtney Allen G’07 Jaime Winne Alvarez ’02 First Amendment 12 Lorae M. French ’07 4 Kathleen Haley ’92 Student Snapshots 16 Meghan Hynes G’07 Kathryn Lee G’97 David Marc Schoonmaker Book 18 Photography Comstock Book 19 Steve Dorsey Steve Sartori 20 Christine Singh ’09 Award-winning Documentary Graphic Design Alumnus Kenneth Sparks 21 Quinn Design 8 Alumni at Sirius Radio 22 Assistant Dean of External Relations Lynn A. Vanderhoek ’89 SU in L.A. 23 Offi ce of External Class Notes 24 Relations 315-443-5711 Alumna Kelly Brown 25 Web site newhouse.syr.edu 23 Dear Friends of the School: In April I announced will open in the fall. Our successful “Newhouse in my intention to step down as dean of the New York” breakfast series will continue. We will Newhouse School at the end of the 2007-08 dedicate Newhouse III and welcome Chief Justice academic year. (The lengthy academic search John Roberts to campus in September. We will process requires a lot of advance planning.) I will celebrate a full “Year of the First Amendment” with take 2008-09 as a sabbatical year (my fi rst real a series of speakers, symposia, and other events leave to re-charge in 36 years in higher ed) and to bring further attention to our building, wrapped then return to the faculty in the fall of 2009.