Notes
Preface
1. D. M. West and J. M. Orman (2003) Celebrity Politics (Upper Saddle River: Prentice Hall). 2. G. Turner (2006) ‘The Mass Production of Celebrity “Celetoids”, Reality TV and the “Demotic Turn”’, International Journal of Cultural Studies, 9(2), 153–65. 3. N. Ribke (2015) ‘Entertainment Politics: Brazilian Celebrities’ Transition to Politics: Recent History and Main Patterns’, Media Culture & Society, 31(3), 35–49. 4. See Chapter 5. 5. West and Orman, Celebrity Politics; D. M. West (2007) ‘Angelina, Mia, and Bono: Celebrities and International Development’, Development, 2, 1–9; N. Wood and K. C. Herbst (2007) ‘Political Star Power and Political Parties: Does Celebrity Endorsement Win First-time Votes?’, Journal of Political Marketing, 6(2–3), 141–58. 6. J. Stanyer (2013) Intimate Politics (Cambridge: Polity); J. Alexander (2010) ‘Barack Obama Meets Celebrity Metaphor’, Society, 47(5), 410–18; D. Kellner (2009) ‘Barack Obama and Celebrity Spectacle’, International Journal of Communication, 3, 715–41. 7. Printed press journalists are not considered for this study since their migration to politics and the relation of their profession with the field of politics precedes the celebrity culture phenomenon. On this issue, see M. Weber (1976) ‘Towards a Sociology of the Press’, Journal of Communication, 26(3), 96–101. 8. On this issue, see S. Livingstone (2003) ‘On the Challenges of Cross- National Comparative Media Research’, European Journal of Communication, 18(4), 477–500.
1 Celebrity Politics: a Theoretical and Historical Perspective
1. C. W. Mills (1999) The Power Elite (London: Oxford University Press), pp. 90–1. 2. Mills, The Power Elite, p. 74. 3. D. J. Boorstin (2012) ‘From Hero to Celebrity: the Human Pseudo-Event’ in The Image: a Guide to Pseudo-Events in America (New York: Random House), pp. 96–7. 4. F. Alberoni (1973) L’é lite senza potere: Ricerca sociologica sul divismo (Milano: Bompani). 5. R. Dyer (1986) Heavenly Bodies: Film Stars and Society (New York: St. Martin’s Press).
177 178 Notes
6. D. M. West and J. M. Orman (2003) Celebrity Politics (Upper Saddle River: Prentice Hall); S. J. Ross (2011) Hollywood Left and Right: How Movie Stars Shaped American Politics (London: Oxford University Press); D. T. Critchlow (2013) When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics (New York: Cambridge University Press). 7. J. Street (2004) ‘Celebrity Politicians: Popular Culture and Political Representation’, The British Journal of Politics & International Relations, 6(4), 435–52; D. Marsh, P. ’t Hart, and K. Tindall (2010) ‘Celebrity Politics: the Politics of the Late Modernity?’, Political Studies Review, 8(3), 322–40. 8. L. Braudy (1997) The Frenzy of Renown: Fame and Its History (New York: Vintage Books, 1st Vintage Books Edition). 9. Braudy, The Frenzy of Renown, pp. 42–3. 10. C. Rojek (2001) Celebrity (London: Reaktion Books), pp. 51–98. 11. R. De Cordova (2001) Picture Personalities: the Emergence of the Star System in America (Champaign, IL: University of Illinois Press), p. 98. 12. On the history of radio in these countries, see B. McCann (1999) Thin Air and the Solid State: Radio, Culture, and Politics in Brazil’s Vargas Era (PhD dissertation, Yale University); L. C. Saroldi and S. V. Moreira (2005) Rádio Nacional, o Brasil em sintonia (3a. ed.) (Rio de Janeiro: J. Zahar Editor); M. Merkin and C. Ulanovsky (1995) Días de radio: historia de la radio argentina (Espasa Calpe). 13. Several historical and historical/fictional biographies on Eva Peron’s life have discussed the impact that her early career as a theatre and radio- novelas actress had on her public interventions as a political figure. See, for example, M. Navarro (1994) Evita (Argentina: Planeta), pp. 33–94; A. Dujovne Ortiz (1996) Eva Perón: la biografía (El País, Punto de Lectura); T. E. Martínez (1997) Santa Evita (Barcelona: Seix Barral); D. Fagundes Haussen (2001) Rádio e política: tempos de Vargas e Perón, Vol. 9 (Edipucrs). 14. G. Turner (2004) Understanding Celebrity (London: Sage). 15. J. Gamson (1994) Claims to Fame: Celebrity in Contemporary America (Berkeley: University of California Press). 16. D. Hesmondhalgh (2007) The Cultural Industries (Los Angeles and London: Sage), p. 21. 17. On Brazilian celetoids’ move to politics, see Chapter 9. On the move of Argentine’s ‘accidental celebrities’ – people who became famous because of tragic and unplanned events – into Argentine national politics, see Chapter 8. The passage of Israeli accidental celebrities to politics has not been studied yet, but there are several prominent cases, such as Noam Shalit, the father of kidnapped soldier Gilad Shalit, and Karnit Goldwasser, the widow of an IDF soldier whose body was abducted by Hezbollah, of accidental celebrities who have ventured (unsuccessfully) into politics. 18. P. D. Marshall (1997) Celebrity and Power: Fame in Contemporary Culture (Minneapolis, MN: University of Minnesota Press). 19. P. Bourdieu (1983) ‘The Field of Cultural Production, or: The Economic World Reversed’, Poetics, 12(4), 311–56. 20. Marshall, Celebrity and Power, pp. ix–x. Notes 179
21. R. Van Krieken (2012) Celebrity Society (London and New York: Routledge), p. 10. 22. T. J. Scheff (2005) ‘Looking-Glass Self: Goffman as Symbolic Interactionist’, Symbolic Interaction, 28(2), 147–66. 23. M. Wilmington (13 July 2003) ‘Arnold Inc. He’s a Bodybuilder, a Restaurateur and a Likely Candidate for California Governor. But an Actor? That’s Debatable’, Chicago Tribune, p. 5. 24. On these intellectuals as a status group see M. Lamont (1987) ‘How to Become a Dominant French Philosopher: the Case of Jacques Derrida’, American Journal of Sociology, 93(3), 584–622; J. Karabel (1996) ‘Towards a Theory of Intellectuals and Politics’, Theory and Society, 25(2), 205–33; P. Bourdieu (1984) Distinction: a Social Critique of the Judgement of Taste (Harvard University Press); Z. Bauman (2013) Legislators and Interpreters: On Modernity, Post-Modernity and Intellectuals (New York: John Wiley & Sons). On celebrities as a status group, see C. Kurzman (2007) ‘Celebrity Status’, Sociological Theory, 25(4), 348–68. 25. W. J. Ong (1982/2012) Orality and Literacy: the Technologizing of the Word (New York and London: Routledge), pp. 77–114. 26. ‘Uma confusao chamada Silvio Santos: O dono de SBT anuncia a sua can- didatura a presidencia e vira a sucessao de cabeca pra baixo’ (8 November 1989), Veja, p. 41. 27. B. Lynfield (11 August 1989) ‘Gaon Wants Mayor Job’, The Jerusalem Post, p. 2. 28. A. Rosmarin (1985) The Power of Genre (Minneapolis, MN: University of Minnesota Press), pp. 23–4. 29. R. Altman (1999) Film/Genre (London: BFI Publishing); J. Feuer (1992) ‘Genre Study and Television’, in R. C. Allen (ed.) Channels of Discourse, Reassembled: Television and Contemporary Criticism (London: Routledge), pp. 138–59; S. Neale (2001) ‘Studying Genre’, in G. Creeber (ed.) The Television Genre Book (London: London Film Institute), pp. 1–3; J. Mittell (2001) ‘A Cultural Approach to Television Genre Theory’, Cinema Journal, 40(3), 3–24. 30. Feuer, ‘Genre Study and Television’; G. Turner (2001) ‘Genre, Format and Live Television’, in G. Creeber (ed.) The Television Genre Book (London: British Film Institute), pp. 6–7. 31. De Cordova, Picture Personalities, p. 98. 32. Altman, Film/Genre, p. 89. 33. S. Neale (2000) Genre and Hollywood (London: Routledge), p. 31. 34. Marshall, Celebrity and Power, p. 231. 35. J. Bennett and S. Holmes (2010) ‘The “Place” of Television in Celebrity Studies’, Celebrity Studies, 1(1), 65–80. 36. J. Street (2002) ‘Bob, Bono and Tony B: the Popular Artist as Politician’, Media Culture & Society, 24, 433–41. 37. J. Langer (1981) ‘Television’s Personality System’, Media, Culture & Society, 3(4), 351–65; J. Bennett (2008) ‘The Television Personality System: Televisual Stardom Revisited after Film Theory’, Screen, 49(1), 32–50. 38. ‘George Clooney: the Playboy Interview’ (50 Years of the Playboy Interview) (4 October 2012), Playboy, 160–3. 180 Notes
39. S. Waisbord (2004) ‘McTV: Understanding the Global Popularity of Television Formats’, Television & New Media, 5(4), 359–83; J. Sinclair, E. Jacka, and S. Cunningham (1996) New Patterns in Global Television: Peripheral Vision (London: Oxford University Press). 40. G. Mazzoleni and W. Schulz (1999) ‘Mediatization of Politics: a Challenge for Democracy?’, Political Communication, 16(3), 247–61; W. Schulz (2004) ‘Reconstructing Mediatization as an Analytical Concept’, European Journal of Communication, 19(1), 87–101; J. Strömbäck (2008) ‘Four Phases of Mediatization: an Analysis of the Mediatization of Politics’, The International Journal of Press/Politics, 13(3), 228–47. 41. D. L. Swanson and P. Mancini (1996) Politics, Media, and Modern Democracy: an International Study of Innovations in Electoral Campaigning and their Consequences (Westport, CT: Praeger); S. Walgrave and P. V. Aelst (2006) ‘The Contingency of the Mass Media’s Political Agenda-Setting Power: Toward a Preliminary Theory’, Journal of Communication, 56, 88–109. 42. J. Blumler and D. Kavanagh (1999) ‘The Third Age of Political Communication: Influences and Features’, Political Communication, 16, 209–30; J. Strömbäck and D. V. Dimitrova (2011) ‘Mediatization and Media Interventionism: a Comparative Analysis of Sweden and the United States’, The International Journal of Press/Politics, 16(1), 30–49. 43. D. Campus (2010) ‘Mediatization and Personalization of Politics in Italy and France: the Cases of Berlusconi and Sarkozy’, International Journal of Press/Politics, 15(2), 219–35. 44. N. Postman (2006) Amusing Ourselves to Death: Public Discourse in the Age of Show Business (Penguin Books); K. Newton (2006) ‘May the Weak Force Be With You: the Power of the Mass Media in Modern Politics’, European Journal of Political Research, 45(2), 209–34; D. K. Thussu (2008) News as Entertainment: the Rise of Global Infotainment (Thousand Oaks, CA: Sage). 45. Street, ‘Celebrity Politicians’. 46. L. Van Zoonen (2005) Entertaining the Citizen: When Politics and Popular Culture Converge (Lanham: Rowman & Littlefield Publishers), p. 15.
2 Female Models in Israeli Politics: from the Runway to TV, and from the Small Screen to the Knesset
1. This chapter was originally published as an academic article. See N. Ribke (2014) ‘Modeling Politics? Female Fashion Models’ Transition into Israeli Politics’, European Journal of Cultural Studies, 17(2), 170–86. 2. Yair Lapid’s career is analysed in detail in Chapter 3. 3. See P. Murphy (1992) ‘The Intractability of Reputation: Media Coverage as a Complex System in the Case of Martha Stewart’, Journal of Public Relations Research, 22(2), 209–37. 4. E. Berkovitch (31 July 1998) ‘I Have an Incredible Influence on People, Don’t I?’ Yediot Aharonot, 34–42, 94; S. Macover (19 July 2002) ‘Everything for the Knesset’, Yediot Aharonot, 26–32; N. Zommer (15 February 2005) ‘I’ll Have an Incredible Clone’, Yediot Aharonot, 14; Z. Brot and Y. Yarkoni Notes 181
(8 December 2005), ‘A Cosmetic Change: Pnina Rosenblum to the Knesset’, Yediot Aharonot, 3. 5. Z. Brot and Y. Yechezkeli (14 December 2005) ‘A Beautiful Swearing-in’, Yediot Aharonot, 5. 6. J. Entwistle (2002) ‘The Aesthetic Economy: the Production of Value in the Field of Fashion Modeling’, Journal of Consumer Culture 2(3), 317–39. 7. C. Brundson (2003) ‘Lifestyling Britain: the 8–9 Slot on British Television’, International Journal of Cultural Studies, 6(1), 5–23; T. O’Sullivan (2005) ‘From Television Lifestyle to Lifestyle Television’, Chapter 2 in D. Bell and J. Hollows (eds) Historicizing Lifestyle: Mediating Taste, Consumption and Identity from the 1900s to 1970s (Aldershot: Ashgate), pp. 21–34; A. Smith (2010) ‘Lifestyle Television Programmes and the Construction of the Expert Host’, European Journal of Cultural Studies, 13(2), 191–205. 8. S. Macover (29 April 2008) ‘I, Anastasia’, Maariv, 28–32, 76; N. Palter (23 December 2008) ‘A Beautiful List’, Yediot Aharonot, 8. 9. N. Couldry (2003) ‘Media Meta-Capital: Extending the Range of Bourdieu’s Field Theory’, Theory and Society, 32(6), 653–77. 10. Brot and Yechezkeli, ‘A Beautiful Swearing-in’; Palter, ‘A Beautiful List’. 11. M. Delli Carpini and B. L. Williams (2001) ‘Let Us Infotain You: Politics in the New Media Age’, Chapter 8 in W. L. Bennett and R. M. Entman (eds) Mediated Politics: Communication in the Future of Democracy (Cambridge, UK: Cambridge University Press), pp. 160–81; D. K. Thussu (2007) News as Entertainment: the Rise of Global Infotainment (Thousand Oaks, CA: Sage), pp. 8, 9. 12. Y. Bar-On (20 February 2009) ‘I Don’t Want to Be an Ornament’, Makor Rishon, 8–9. 13. A. Lev-Adler (8 April 2009) ‘Gala Knesset Members’, Yediot Aharonot, 39–42; Z. Brot (5 October 2010) ‘The Voice of the People and the Celeb’, Yediot Aharonot, 32; Z. Brot (5 October 2010) ‘Take Me, Anastasia’, Yediot Aharonot, 13. 14. Z. Brot (23 July 2009) ‘Bitch, Go Back to Modeling’, Yediot Aharonot, 2; Z. Brot (11 January 2012) ‘Knesset Members Behave Like Clowns’, Yediot Aharonot, 2–3. 15. Lev-Adler, ‘Gala Knesset Members’. 16. E. Bardenstein (21 December 2008) ‘Anastasia Michaeli has Joined Israel Beytenu’, Maariv, 5; M. Brizon (26 December 2008) ‘Wondering Knesset Members’, Yediot Aharonot, 2. 17. R. Dyer (1986) Heavenly Bodies: Film Stars and Society (New York: St. Martin’s Press); S. Holmes (2005) ‘“Starring … Dyer?”: Re-Visiting Star Studies and Contemporary Celebrity Culture’, Westminster Papers in Communication and Culture, 2(2), 6–21. 18. M. Hofnung (2006) ‘Financing Internal Party Races in Non-Majoritarian Political Systems: Lessons from the Israeli Experience’, Election Law Journal, 5(4), 372–83; R. Hazan and G. Rahat (2010) Democracy within Parties: Candidate Selection Methods and Their Political Consequences (Oxford and New York: Oxford University Press, Comparative Politics Series). 19. S. Macover (31 December 2004) ‘The Best’, Maariv, 58–62. 182 Notes
20. D. Shumsky (2004) ‘Post-Zionist Orientalism? Orientalist Discourse and Islamophobia among the Russian-Speaking Intelligentsia in Israel’, Social Identities, 10(1), 83–99. 21. Brizon, ‘Wondering Knesset Members’. 22. E. Aharonovitch (1 July 2010) ‘Not a Model’, Haaretz, retrieved from:
38. Berkovitch, ‘Motherhood as a National Mission’. 39. N. Yuval-Davis (1997) Gender & Nation (London: Sage Publications).
3 Like Father Like Son: Converting Media Capital into Political Power (or, How an Israeli Television Presenter Became Finance Minister)
1. P. D. Marshall (1997) Celebrity and Power: Fame in Contemporary Culture (Minneapolis, MN: University of Minnesota Press), p. 4. 2. C. Rojek (2001) Celebrity (London: Reaktion Books). 3. J. Gamson (1994) Claims to Fame: Celebrity in Contemporary America (Berkeley: University of California Press), pp. 40–77. 4. Yair Lapid’s ‘autobiography’ of his father contains rich information about his family’s social and cultural background and the role they played in the Israeli printed press. See Y. Lapid (2010) Memories After My Death: the Story of Yosef (Tomi) Lapid (Jerusalem: Keter) [Hebrew]. 5. R. Reynolds (1992) Super Heroes: a Modern Mythology ( Jackson, Miss. University Press of Mississippi), p. 63. 6. R. Leshem (15 December 2000) ‘Lapid’s Guide to Life’, Yediot Aharonot, 34–40 [Hebrew]. 7. S. Leibovich (14 October 2005) ‘Garage Sale at Maxwell’s House’, Maariv, retrieved from:
14. R. Miberg (13 January 1995) ‘A Sabbath Duel: an Interview with Yair Lapid’, Maariv, 14–20 [Hebrew]; A. Lam (22 August 1997) ‘Amnon Levi Won, But He Didn’t Beat Me’, Yediot Aharonot, 17 [Hebrew]. 15. N. Humble (2001) The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism (Oxford, New York: Oxford University Press), p. 53. 16. B. Susser and G. Goldberg (2005) ‘Escapist Parties in Israeli Politics’, Israel Affairs, 11(4), 636–54. 17. H. Ram and Y. Yadgar (2008) ‘“A Jew is Allowed to be Anti-Semitic Too”: “Neo-Racism” and “Old” Racism – the Case of Israel’s Shinuy Party’, in Y. Shenhav and Y. Yonah (eds) Racism in Israel ( Jerusalem: Hakibutz Hameuhad and Van Leer Institute) [Hebrew]. 18. E. Hadas (5 May 1995) ‘I’m Not Nice, I’m Polite’, Yediot Aharonot, 2 [Hebrew]; R. Klein (31 August 1995) ‘Yair Lapid Sent Flowers’, Maariv, 5 [Hebrew]. 19. Miberg, ‘A Sabbath Duel’. 20. Y. Bronowsky (29 August 1997) ‘Excessively Nice’, Haaretz, 8 [Hebrew]; Golden, ‘Schwarzenegger’. 21. ‘Yair Lapid Live at 20:00’ (31 December 1999), Tel Aviv [Hebrew], retrieved from:
32. N. Livneh (21 May 2003) ‘Lapidism’, Haaretz [Hebrew], retrieved from:
from:
4 Tropicalizing Politics: Gilberto Gil’s Perplexing Miscegenation of Music and Politics
1. F. Altman and A. Monteiro (20 January 1988) ‘O Batente do Batuque’, Veja, 5–8. 2. H. Winant (1992) ‘Rethinking Race in Brazil’, Journal of Latin American Studies, 24(1), 173–92; B. McCann (2004) Hello, Hello Brazil: Popular Music in the Making of Modern Brazil (Duke University Press), pp. 19–41. 3. J. Cardoso and M. Paz (7 January 1979) ‘Este e o meu lugar’, Folha de São Paulo, 8–10; G. Gil and A. Chediak (1992) Gilberto Gil, Vol. 2 (Irmãos Vitale). 4. G. Gil and R. Zappa (2013) Gilberto bem perto (Nova Fronteira), pp. 3–33. 5. H. Kraay (1998) ‘Introduction: Afro-Bahia, 1790s–1990s’, in H. Kraay (ed.) Afro-Brazilian Culture and Politics: Bahia, 1790s to 1990s (Me Sharpe), p. 18. 6. F. D. Maggiora (writer and producer) (2012) ‘Gilberto Gil. In Canal Encuentro’ (Argentine Public Channel), Músicos de Latinoamérica, retrieved from:
20. G. Gil (1967) Louvaç ã o. LP (Philips), Track 12. 21. Terra and Calil, Uma noite em 67. 22. C. Dunn (2001) Brutality Garden: Tropicália and the Emergence of a Brazilian Counterculture (UNC Press); L. Leu (2006) Brazilian Popular Music: Caetano Veloso and the Regeneration of Tradition (Ashgate Publishing); C. E. Alvahydo (2007) Tropicália: ‘o antes o agora eo depois’ segundo Caetano Veloso (University of Georgia); C. Basualdo (2007) Tropicália: uma revolução na cultura brasileira (1967-1972) (Editora Cosac Naify). 23. R. A. Dreifuss (2006) 1964, A conquista do Estado: ação política, poder e golpe de classe (Vozes); M. Rapoport and R. Laufer (2000) ‘Os Estados Unidos diante do Brasil e da Argentina: os golpes militares da década de 1960’, Revista Brasileira de Política Internacional, 43(1), 69–98. 24. Veloso, Verdade. 25. M. Machado (Director) (2012) Tropicália. [Film/DVD]. Bossa Nova Films (Producer). 26. Dunn, Brutality Garden, p. 156; Gil and Zappa, Gilberto bem perto, pp. 1–36. 27. N. Motta (2000) Noites tropicais (Objetiva), pp. 172–3; F. D. Maggiora (director) (2012) Gilberto Gil; Machado (2012) Tropicália. 28. Gil and Zappa (2013) ‘O Exilio e a Volta’, Gilberto bem perto, p. 24; de Araújo, Roberto Carlos, p. 411. 29. Gil and Zappa, Gilberto bem perto. 30. Perrone, ‘Nationalism, Dissension, and Politics’. 31. J. L. Sammons (2007) ‘Censoring Samba: an Aesthetic Justification for the Protection of Speech’, Stetson Law Review, 37, 855. 32. Cardoso and Paz, ‘Este e o meu lugar’. 33. ‘Um cantor no manicomio’, (10 July 1976) Folha de São Paulo, p. 30; ‘Gil regresa e comeca tratamento hoje’ (21 July 1976) O Globo, p. 6; Gil and Zappa, Gilberto bem perto, p. 24. 34. J. Cardoso (7 August 1977) ‘Gil, Redizendo’, Folha de São Paulo, 19–22. 35. J. A. Silva (24 October 1980) ‘MPB uma discussao enfumacada’, Folha de São Paulo, 31. 36. ‘A Bohemia Engajada se Deleita’ (3 October 1982) Folha de São Paulo, 10; J. L. Teixeira (22 January 1984) ‘Tudo pronto para o comicio monstro da Praca da Se’, Folha de São Paulo, 6; H. D. Souza (25 January 1984) ‘Roteiro preve 4 horas de discursos e musica’, Folha de São Paulo, 7. 37. R. Loprete (28 December 1986) ‘O secretario de cultura Gilberto Gil ja quer ser prefeito de Salvador’, Folha de São Paulo, 1; M. Suzuki (31 October 1987) ‘Gilberto Gil e candidato a prefeitura de São Paulo’, Folha de São Paulo, p. A–4. 38. D. Tupy (22 April 1979) ‘Gil tipo exportacao’, Folha de São Paulo, 4; ‘Visita de Tutu gera tensao na Bahia’ (16 May 1987), Folha d eSão Paulo, p. A–4. 39. Altman and Monteiro, ‘O Batente do Batuque’. 40. M. Suzuki (8 August 1988) ‘Gil seguira na politica e diz que Waldir Pires vetou a sua candidatura’, Folha de São Paulo, p. A–5; ‘Guerra Funk’ (22 August 1988) Folha de São Paulo, p. A. 41. ‘Gil se lanca a vereador com ataque a Waldir’ (8 August 1988) O Globo, 2; J. C. Pedroso (18 January 1989) ‘Sua Excelencia o Vereador’, O Globo, 1. 42. Maggiora, Gilberto Gil. Notes 189
43. M. Suzuki, ‘Gilberto Gil e candidato a prefeitura de São Paulo’. 44. ‘Em Salvador, torcedores fazem um novo carnaval’ (20 February 1989) O Globo, 3. 45. ‘Gil quer viajar para acertar’ (14 June 1989) O Globo, p. 5. 46. J. M. d. Carvalho (2000) ‘Dreams Come Untrue’, Daedalus, 129(2), 57–82. 47. M. Suzuki (8 August 1988) ‘E um choque concluir que ha racismo nisto’, Folha de São Paulo, p. A–5; Gil and Zappa, Gilberto bem perto, p. 12. 48. N. Ribke (2015) ‘Entertainment Politics: Brazilian Celebrities’ Transition to Politics, Recent History and Main Patterns’, Media, Culture & Society, 31(3), 35–49. 49. F. Alberoni (1973) L’é lite senza potere. Ricerca sociologica sul divismo (Milano: Bompiani; R. Dyer (1986) Heavenly Bodies: Film Stars and Society (New York: St. Martin’s Press); P. D. Marshall (1997) Celebrity and Power: Fame in Contemporary Culture (Minneapolis, Minnesota: University of Minnesota Press); R. Van Krieken (2012) Celebrity Society (London and New York: Routledge). 50. ‘Gilberto Gil encontra FHC no Alvorada e pode ser indicado para ministro de meio ambiente’ (14 December 1998) Folha de São Paulo, 5; ‘Lula ganha apoio do Gil e outros verdes’ (1 August 2001) O Globo, 4. 51. Gil and Zappa, Gilberto bem perto, p. 12. 52. ‘Muitos ministros no carnaval no ultimo carnaval dos Gils’ (23 February 2005) O Globo, 2; ‘Flora Gil: Diretora da Gegê Produções’ (2010 interview):
65. L. Calabre (2009) ‘Desafios à construção de políticas culturais: balanço da gestão Gilberto Gil’, PROA: Revista de Antropologia e Arte, 1(01), 293–302. 66. C. Veloso (30 January 2011) ‘Dois Lados?’, O Globo, 2; ‘Projeto de lei divide autores e artistas’ (29 January 2011), O Globo, 2. 67. L. Rohter (11 March 2007) ‘Gilberto Gil Hears the Future, Some Rights Reserved’, New York Times, retrieved from:
5 The Harvard Lawyer vs the Bad Boy from the Bronx: Explaining the Political Performance Gaps between Rubén Blades and Willie Colón
1. D. M. Randel (1991) ‘Crossing Over with Rubén Blades’, Journal of the American Musicological Society, 44(2), 301–23. 2. R. Rosario (1979) ‘Salsero with a Message’, Nuestro, 56–8. 3. According to Blades, Noriega plotted against his father because he disapproved of his proximity to General Omar Torrijos, Panama’s leader in 1969–81. See D. Manrique (29 August 2002) ‘Rubén Blades, El Salsero de Hollywood’, El Pais (Spain), retrieved from:
P. D. Scott and J. Marshall (1998) Cocaine Politics: Drugs, Armies, and the CIA in Central America (Berkeley: University of California Press). 4. His writing was heavily influenced by the 1960s Nueva Canción (‘New Song’) movement in Latin America. 5. R. Parker (1985) ‘The Vision of Rubén Blades: Panama’s Salsa King Finds New Worlds to Conquer’, Americas, 37, 15–19. 6. P. Brittmarie Janson (1987) ‘Political Facets of Salsa’, Popular Music, 6(2), 149–59. 7. P. Manuel (1991) ‘Latin Music in the United States: Salsa and the Mass Media’, Journal of Communication, 41(1), 104–16. 8. L. S. Gonzalez (1999) ‘Reclaiming Salsa’, Cultural Studies, 13(2), 237–50. 9. D. Mato (1998) ‘On the Making of Transnational Identities in the Age of Globalization: the US Latina/o-“Latin” American case’, Cultural Studies, 12(4), 598–620. 10. W. Coló n and R. Blades (1978) Siembra [LP] (New York: Fania Records). 11. (2 February 1993) ‘Pablo Milanes and Rubén Blades Dispute Over Castro’, New York Transfer News, retrieved from:
19. D. Kellner (1996) ‘Sports, Media Culture and Race: Some Reflections on Michael Jordan’, Sociology of Sport Journal, 13(4), 458–68; M. Lafrance and G. Rail (2001) ‘Excursions into Otherness: Understanding Dennis Rodman and the Limits of Subversive Agency’, in D. L. Andrews and S. J. Jackson (eds) Sport Stars: the Cultural Politics of Sporting Celebrity (London: Routledge), pp. 36–50. 20. Rosario, ‘Salsero with a Message’. 21. Lim, ‘Panamanian Pandemonium’. 22. M. Weber (1968) On Charisma and Institution Building, Selected Papers, edited with an introduction by S. N. Eisenstadt (Chicago: University of Chicago Press), p. 21. 23. M. Mehler (July 1984) ‘All Come to Look for America’, Record, p. 30; P. Span (5 November 1985) ‘Rubén Blades and the Spirit of Salsa: the Activist Singer-Turned-Actor Harbors No “Crossover Dreams” of His Own’, Washington Post, retrieved from:
1985) ‘Salsa with a Political Spin’, Newsweek, p. 97; R. Harrington (29 November 1985) ‘Blades: Electric and Political’, Washington Post, retrieved from:
See D. McCabe (director) (2011) ‘The Salsa Revolution’, Episode 2, Latin Music USA (TV series: PBS). 43. McCabe, ‘The Salsa Revolution’, Episode 2. 44. Morales, ‘The Story of Nuyorican Salsa’, p. 66. 45. D. McCabe (2011) ‘Politics, Society & Salsa: Rubén Blades & Willie Colón’, Episode 8, Latin Music USA (TV series: PBS). 46. P. Bourdieu (1977) Outline of a Theory of Practice (translated by R. Nice) (Cambridge, MA: Cambridge University Press), p. 72. 47. McCabe (2011) ‘The Salsa Revolution’, Episode 2. 48. Colón’s work received poor reviews from American newspapers. See for example, J. O. N. Pareles (10 August 1986) ‘Pop: From Willie Colón, Pan American Music’, New York Times, retrieved from:
60. (10 April 2013) ‘Alejandro Sanz y Willie Colón envían mensajes de apoyo a Capriles’, EFE News Service (Madrid), retrieved from:
6 The American Pattern of Celebrity Politics: from Military Role Model to Civilian Hero?
1. Clint Eastwood was elected as mayor of a small coastal town in California in 1986, but refrained from moving into national politics. 2. M. Ryan and D. M. Kellner (1990) Camera Politica: the Politics and Ideology of Contemporary Hollywood Film, Vol. 604 (Indiana: Indiana University Press); S. Jeffords (1994) Hard Bodies: Hollywood Masculinity in the Reagan Era (New Brunswick, NJ: Rutgers University Press); S. J. Ross (2011) Hollywood Left and Right: How Movie Stars Shaped American Politics (New York: Oxford University Press). 3. Jeffords, Hard Bodies; M. S. Kimmel (2006) Manhood in America: a Cultural History (New York: Oxford University Press); M. A. Messner (2007) ‘The Masculinity of the Governator: Muscle and Compassion in American Politics’, Gender & Society, 21(4), 461–80; M. P. Rogin (1987) Ronald Reagan, the Movie and Other Episodes in Political Demonology (Berkeley: University of California Press). 4. D. J. Boorstin (2012) The Image: a Guide to Pseudo-Events in America (Random House Digital, Inc.); R. Dyer (1986) Heavenly Bodies: Film Stars and Society (New York: St. Martin’s Press); J. Gamson (1994) Claims to 196 Notes
Fame: Celebrity in Contemporary America (Berkeley: University of California Press); P. D. Marshall (1997) Celebrity and Power: Fame in Contemporary Culture (Minneapolis, MN: University of Minnesota Press). 5. Ross, Hollywood Left and Right, pp. 51–87. 6. D. T. Critchlow (2013) When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics (New York: Cambridge University Press). 7. Critchlow, When Hollywood Was Right. 8. On Reagan’s cooperation with the FBI’s investigations during the late 1940s of a ‘communist infiltration’ in Hollywood, see Critchlow, When Hollywood Was Right, p. 84; S. Rosenfeld (2012) Subversives: the FBI’s War on Student Radicals, and Reagan’s Rise to Power (Macmillan Publishing: Picador). 9. Critchlow, When Hollywood Was Right, p. 4. 10. S. Neale (2000) Genre and Hollywood (London: Routledge), p. 31. 11. R. Roberts and J. S. Olson (1997) John Wayne: American (New York: Simon & Schuster), pp. 5, 42. 12. J. T. Campbell (2000) ‘“Print the Legend”: John Wayne and Postwar American Culture’, Reviews in American History, 28(3), 465–77. 13. Roberts and Olson, John Wayne; A. Spark (1984) ‘The Soldier at the Heart of the War: the Myth of the Green Beret in the Popular Culture of the Vietnam Era’, Journal of American Studies, 18(1), 29–48. 14. M. A. Anderegg (1991) Inventing Vietnam: the War in Film and Television (Philadelphia, PA: Temple University Press), p. 25. 15. G. Wills (1997) John Wayne’s America (New York: Simon & Schuster), p. 311. 16. Roberts and Olson, John Wayne, p. 609–10; Critchlow, When Hollywood Was Right, p. 210. 17. To cite just a handful of the most relevant biographies for this work, see G. Wills (1987) Reagan’s America: Innocents at Home (New York: Doubleday); L. Cannon (1991) President Reagan: the Role of a Lifetime (New York: Simon & Schuster); S. Vaughn (1994) Ronald Reagan in Hollywood: Movies and Politics (Cambridge University Press); E. Jarecki (writer) (2011) Reagan (HBO film); T. W. Evans (2013) The Education of Ronald Reagan: the General Electric Years and the Untold Story of his Conversion to Conservatism (New York: Columbia University Press). 18. Evans, The Education of Ronald Reagan; Jarecki, Reagan. 19. Wills, Reagan’s America, p. 347. 20. Rogin, Ronald Reagan, pp. 3–21. 21. Cannon, President Reagan, pp. 190–1; Rogin, Ronald Reagan, pp. 11–15. 22. P. Phelan (1999) ‘Performance and Death: Ronald Reagan’, Cultural Values, 3(1), 100–22. 23. Wills, Reagan’s America; R. E. Denton (1988) The Primetime Presidency of Ronald Reagan: the Era of the Television Presidency (New York: Praeger). 24. Marshall, Celebrity and Power, p. 231. 25. P. Smith (1993) Clint Eastwood: a Cultural Production, Vol. 8: Minneapolis, MN: University of Minnesota Press), pp. 101–7. Notes 197
26. R. Schickel (1997) Clint Eastwood: a Biography (Random House Digital, Inc.). 27. W. McClain (2010) ‘Western, Go Home! Sergio Leone and the “Death of the Western” in American Film Criticism’, Journal of Film & Video, 62(1/2), 52–66. 28. R. Hunter (2012) ‘The Ecstasy of Gold: Love, Greed and Homosociality in the Dollars Trilogy’, Studies in European Cinema, 9(1), 69–78. 29. C. Plantinga (1998) ‘Spectacles of Death: Clint Eastwood and Violence in Unforgiven’, Cinema Journal, 65–83; T. Modleski (2010) ‘Clint Eastwood and Male Weepies’, American Literary History, 22(1), 136–58. 30. A. Barra (22 December 1996) ‘Unforgivable’, Los Angeles Times, retrieved from:
43. A. Lazzeri (26 September 2003) ‘Arnie KOs Rivals in TV Clash’, The Sun, p. 40; E. Goodman (27 September 2003) ‘The Terminator’s “Woman Problem”’, The Washington Post, pp. 0–A25. 44. (15 November 2003) ‘It’s Official: Arnold’s Win Certified’, Daily News, p. N5. 45. Ross, Hollywood Left and Right, p. 363. 46. Ross, Hollywood Left and Right, pp. 405–7. 47. Andrews, True Myths, pp. 100–1, 222; E. Boyle (2010) ‘The Intertextual Terminator: the Role of Film in Branding “Arnold Schwarzenegger”’, Journal of Communication Inquiry, 34(1), 42–60. 48. C. W. Ostrom and D. M. Simon (1989) ‘The Man in the Teflon Suit? The Environmental Connection, Political Drama, and Popular Support in the Reagan Presidency’, Public Opinion Quarterly, 53(3), 353–87. 49. For an account of Enron’s damage to California State’s economy, see T. Clarke (2005) ‘Accounting for Enron: Shareholder Value and Stakeholder Interests’, Corporate Governance: an International Review, 13(5), 598–612; for a humorous but quite accurate description of external factors that affected California State’s economy during Davis’s term, see B. Maher (24 July 2003) ‘Commentary: Recalls Are for Cars, Not California Governors; When Did the Target Parking Lot Replace the Voting Booth?’, Los Angeles Times, p. 15. 50. I. Morgan (2004) ‘Jimmy Carter, Bill Clinton, and the New Democratic Economics’, The Historical Journal, 47(4), 1015–39; E. King and M. Schudson (1995) ‘The Press and the Illusion of Public Opinion: the Strange Case of Ronald Reagan’s “Popularity”’, in T. L. Glasser and C. T. Salmon (eds) Public Opinion and the Communication of Consent (New York: The Guilford Press), pp. 132–55. 51. N. Ribke (2015) ‘Entertainment Politics: Brazilian Celebrities’ Transition to Politics, Recent History and Main Patt erns’, Media, Culture & Society, 31(3), 35–49. 52. J. G. Cawelti (2003) ‘Chinatown and Generic Transformation in Recent American films’, Film Genre Reader, 3, 260–1. 53. A. Blake (6 January 2014) ‘Actor Steven Seagal Considering Run for Arizona Governor’, The Washington Post, retrieved from:
56. B. Weinraub (26 October 1992) ‘The Talk of Hollywood: Director Who Blends Action with a Bit of Art’, The New York Times, retrieved from:
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7 Entertainment Industries and ‘Liberal’ Celebrities: the Failure to Convert Attention into Political Power
1. T. Kendall (2009) ‘An Empirical Analysis of Political Activity in Hollywood’, Journal of Cultural Economics, 33(1), 19–47; D. F. Prindle, and J. W. Endersby (1993) ‘Hollywood Liberalism’, Social Science Quarterly, 74(1), 136–49. 2. D. M. West and J. M. Orman (2003) Celebrity Politics (Upper Saddle River: Prentice Hall), pp. 59–74; L. Tsaliki, C. A. Frangonikolopoulos, and A. Huliaras (2011) Transnational Celebrity Activism in Global Politics: Changing the World? (Bristol, UK: Intellect Books). 3. See, for example, a collective interview with Warren Beatty, Danny Glover, Norman Lear, Oliver Stone, Tim Robbins, and Alec Baldwin, in P. Biskind (18 March 1999) ‘On Movies, Money and Politics’, The Nation, 13–20. 4. S. J. Ross (2011) ‘The First Political Movie Star: Charlie Chaplin’ in Hollywood Left and Right: How Movie Stars Shaped American Politics (London: Oxford University Press), pp. 23–4. 5. J. Sbardellati and T. Shaw (2003) ‘Booting a Tramp: Charlie Chaplin, the FBI, and the Construction of the Subversive Image in Red Scare America’, Pacific Historical Review, 72(4), 511. 6. D. Robinson (1994) Chaplin: His Life and Art (Penguin Books: Kindle Edition), pp. 4311–33. 7. M. M. Bakhtin (1984) Rabelais and his World, Vol. 341 (Indiana University Press); D. Robb (2006) ‘Carnivalesque Meets Modernity in the Films of Karl Valentin and Charlie Chaplin’, in S. Dennison and S. H. Lim (eds) Remapping World Cinema: Identity, Culture and Politics in Film (Wallflower Press), pp. 89–100. 8. C. J. Maland (1985) ‘A Documentary Note on Charlie Chaplin’s Politics’, Historical Journal of Film, Radio and Television, 5(2), 199–208. 9. Ross, ‘The First Political Movie Star’, pp. 23–4. 10. C. J. Maland (1991) Chaplin and American Culture: the Evolution of a Star Image (Princeton University Press), pp. 150–7; B. Neve (2013) Film and Politics in America: a Social Tradition (Routledge), p. 57. 11. J. Frost (2011) Hedda Hopper’s Hollywood: Celebrity Gossip and American Conservatism (New York: New York University Press), pp. 75–88; R. M. Lichtman (2004) ‘Louis Budenz, the FBI, and the “List of 400 Concealed Notes 201
Communists”: an Extended Tale of McCarthy-era Informing’, American Communist History, 3(1), 25–54. 12. Robinson, Chaplin, p. 2509. 13. Robinson, Chaplin, p. 7. 14. K. S. Lynn (1997) Charlie Chaplin and His Times (New York: Simon & Schuster), pp. 478–90. 15. There is an abundant academic bibliography on this topic. For some of the more recent publications, see J. J. Gladchuk (2013) Hollywood and Anticommunism: HUAC and the Evolution of the Red Menace, 1935–1950 (Routledge); J. Sbardellati (2012) J. Edgar Hoover Goes to the Movies: the FBI and the Origins of Hollywood’s Cold War (Ithaca, NY: Cornell University Press); F. Krutnik, (2007) ‘Un-American’ Hollywood: Politics and Film in the Blacklist Era (New Brunswick, New Jersey; and London: Rutgers University Press). 16. J. Hellmann (2013) The Kennedy Obsession: the American Myth of JFK (New York: Columbia University Press), pp. 91–6; D. T. Critchlow and E. Raymond (2009) ‘Network: Presidential Election’, in D. T. Critchlow and E. Raymond (eds) Hollywood and Politics: a Sourcebook (New York and London: Routledge), pp. 30–5; C. B. Schwalbe (2005) ‘Jacqueline Kennedy and Cold War Propaganda’, Journal of Broadcasting & Electronic Media, 49(1), 111–27. 17. Ross (2011), ‘Movement Leader, Grassroots Builder’ in Hollywood Left and Right, pp. 227–70; Critchlow (2013) When Hollywood Was Right: How Movie Stars, Studio Moguls, and Big Business Remade American Politics (Cambridge University Press), p. 204. 18. Schwalbe, ‘Jacqueline Kennedy’. 19. F. Alberoni (1973) L’élite senza potere: Ricerca sociologica sul divismo (Milano: Bompani); D. J. Boorstin (2012) The Image: a Guide to Pseudo- Events in America (Random House Digital, Inc). 20. C. Rojek (2001) Celebrity (Reaktion Books), p. 73. 21. M. White (2013) ‘Apparent Perfection: the Image of John F. Kennedy’, History, 98(330), 226–46. 22. P. Biskind (2010) Star: How Warren Beatty Seduced America (New York: Simon & Schuster), p. 166; S. J. Ross (2011) ‘President Bulworth or, Will Mr. Beatty Go to Washington?’ in Hollywood Left and Right, pp. 324–7. 23. R. Radosh (1996) Divided They Fell (New York: Simon & Schuster), pp. 133–76; J. A. Stimson (1975) ‘Belief Systems: Constraint, Complexity, and the 1972 Election’, American Journal of Political Science, 19(3), 393–417. 24. For a thorough description of Gary Hart’s interaction with Hollywood stars, see Biskind, Star, p. 337. 25. P. J. Achter (2000) ‘Narrative, Intertextuality, and Apologia in Contemporary Political Scandals’, Southern Communication Journal, 65(4), 318–33; L. Stoker (1993) ‘Judging Presidential Character: the Demise of Gary Hart’, Political Behavior, 15(2), 193–223. 26. Beatty’s love life is described extensively in the many authorized and unauthorized biographies covering his life and career. See J. Parker (1994) Warren Beatty: the Last Great Lover of Hollywood (Carroll & Graf Publishers); E. Amburn (2004) The Sexiest Man Alive: a Biography of Warren 202 Notes
Beatty (HarperCollins); S. Finstad (2006) Warren Beatty: a Private Man (Random House LLC: Kindle Edition); Biskind, Star. 27. Biskind, Star, p. 257. 28. Finstad, Private Man, p. 1149. 29. Finstad, Private Man, p. 3576; Biskind, Star, p. 257. 30. K. Hey (1981) ‘Another Look: Splendor in the Grass’, Film & History: an Interdisciplinary Journal of Film and Television Studies, 11(1), 9–13. 31. D. Bingham (1994) ‘Warren Beatty and the Elusive Male Body in Hollywood Cinema’, Michigan Quarterly Review (Winter), 149–76. 32. S. Prince (2000) ‘The Hemorrhaging of American Cinema: Bonnie and Clyde’s Legacy of Cinematic Violence’, in L. D. Friedman (ed.) Arthur Penn’s Bonnie and Clyde (New York: Cambridge University Press), pp. 129. 33. G. Engle (2013) ‘McCabe and Mrs. Miller: Robert Altman’s Anti-Western’, in G. R. Edgerton and M. T. Marsden (eds) Westerns: the Essential Journal of Popular Film and Television Collection (London and New York: Routledge), pp. 217–32. 34. R. Pratt (2001) Projecting Paranoia: Conspiratorial Visions in American Film (Kansas University Press), pp. 127–30. 35. T. Melley (2000) Empire of Conspiracy: the Culture of Paranoia in Postwar America (Ithaca, New York: Cornell University Press), pp. 133–44; I. Scott (2011) American Politics in Hollywood Film (Edinburgh University Press), pp. 137–46. 36. M. Wilmington, and G. Peary (1972) ‘An Interview with Warren Beatty’, Velvet Light Trap (Winter/VII), 32–6. 37. M. Wilmington (1972) ‘Warren Beatty: the Sweet Smell of Success’, Velvet Light Trap (Winter/VII), 29–32. 38. Beatty quoted in Biskind, Star, p. 213. 39. V. Canby (4 December 1981), ‘Beatty’s Reds, with Diane Keaton’, New York Times, p. C8; R. Corliss (7 December 1981), ‘Cinema: Go On’, Time. 40. M. Eaton (1982) ‘History to Hollywood’, Screen, 23(2), 61–70; L. Grindon (1993) ‘Witness to Hollywood: Oral Testimony and Historical Interpretation in Warren Beatty’s Reds’, Film History, 5(1), 85–95. 41. Eaton, ‘History to Hollywood’. 42. Cited in E. Buscombe (1982) ‘Making Love and Revolution’, Screen, 23(2), 71–2. 43. G. Stephanopoulos (11 October 1999) ‘Behind the Beatty Buzz’, Newsweek, 134, 35; A. L. Bardach (6 November 1999) ‘Dept. of Lady Killers’, The New Yorker, 25–6. 44. P. Swirski (2005) ‘Bulworth and the New American Left’, Journal of American Culture, 28(3), 293–301; J. Stimson (2001) ‘Killing Bare-Handed, Killing Hillary: Two Film Constructions of the Un-Clinton’, Studies in Popular Culture, 25–36. 45. P. Dowell, D. Georgakas, and H. Boyd (1998) ‘Warren Beatty’s Bulworth: Will the Real Bulworth Please Stand Up?’, Cineaste, 24(1), 6. 46. P. J. Massood (2002) ‘Ghetto Supastar: Warren Beatty’s Bulworth and the Politics of Race and Space’, Literature Film Quarterly, 30(4), 287; A. V. Wagenen (2007) ‘The Promise and Impossibility of Representing Notes 203
Anti-Essentialism: Reading Bulworth through Critical Race Theory’, Race, Gender & Class, 14(1/2), 157–77. 47. W. Kirn (1999) ‘President Bulworth’, Time, 154, 35; Anonymous (4 September 1999), ‘Lexington: Warren Beatty’s Profession’, The Economist, 352, 38; D. Campbell (1 October 1999) ‘Will Beatty Run for President? No. Well, Probably Not’, The Guardian, p. 16. 48. Biskind, Star, pp. 528–9. 49. R. L. Berke (15 August 1999) ‘Warren Beatty Hints At a Presidential Run’, New York Times, retrieved from:
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8 Juan Carlos Blumberg and the Populism of Fear Politics in Argentina: Converting Mediatic Crimes into Political Capital
1. C. Rojek (2001) Celebrity (London: Reaktion Books), pp. 18–24. 2. G. Turner (2006) ‘The Mass Production of Celebrity “Celetoids”, Reality TV and the “Demotic Turn”’, International Journal of Cultural Studies, 9(2), 153–65. 3. It should be stressed that Turner, Bonner, and Marshall coined the term ‘accidental celebrity’ for people who did not choose to promote themselves as media products, but were caught in the limelight. Despite this, I con- sider Blumberg as a celetoid as a result of his willing interaction with the media. See G. Turner, F. Bonner, and P. D. Marshall (2000) Fame Games: the Production of Celebrity in Australia (Cambridge University Press), p. 77. 4. M. Feitlowitz (1998) A Lexicon of Terror: Argentina and the Legacies of Torture (London: Oxford University Press). Notes 205
5. E. Crenzel (2011) ‘Between the Voices of the State and the Human Rights Movement: Never Again and the Memories of the Disappeared in Argentina’, Journal of Social History, 44(4), 1063–76; D. Levy (2010) ‘Recursive Cosmopolitization: Argentina and the Global Human Rights Regime’, The British Journal of Sociology, 61(3), 579–96. 6. M. D. Bonner (2005) ‘Defining Rights in Democratization: the Argentine Government and Human Rights Organizations, 1983–2003’, Latin American Politics and Society, 47(4), 55–76. 7. E. Gálvez (2011) ‘La construcción de una nueva hegemonía en Argentina durante la crisis de 2001–2002’, Nuevo Mundo Mundos Nuevos Nouveaux mondes mondes nouveaux-Novo Mundo Mundos Novos-New world New worlds; S. Levitsky and M. V. Murillo (2008) ‘Argentina: From Kirchner to Kirchner’, Journal of Democracy, 19(2), 16–30. 8. B. Kaplan (2012) ‘Contesting Memories: a Brief Recount of the Struggles to Talk About the Violent Past in Argentina’, Dissidences, 4(8), 3. 9. M. A. Vitale and P. Vallejos (2007) ‘Memoria y acontecimiento. La prensa escrita argentina ante el golpe militar de 1976’, Los Estudios del Discurso: nuevos aportes desde la investigación en la Argentina, 165–82; E. Blaustein and M. Zubieta (1998) Decíamos ayer: la prensa argentina bajo el Proceso (Ediciones Colihue SRL). 10. ‘Tensión Kirchner PJ por el acto en ESMA’ (24 March 2004), Clarín, p. 1. 11. ‘Matan a sangre fría a un secuestrado’ (24 March 2004), Clarín, p. 1. 12. ‘Un 24 distinto a 28 años del golpe’ (24 March 2004), Página/12, p. 1; ‘Asesinaron a un joven secuestrado’ (24 March 2004), Página/12, p. 1. 13. N. Mazza (25 March 2004), ‘Golpeado y Torturado’, La Nación, retrieved from:
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29. Sangenis, ‘Axel Blumberg: “En la morgue, besé a mi hijo y le prometí justicia”’. 30. A. Gandsman (2012) ‘“The Axel Blumberg Crusade for the Lives of Our Children”: the Cultural Politics of Fear and the Moral Authority of Grief in Argentina’, Canadian Journal of Latin American and Caribbean Studies, 37(73), 67–96. 31. Gandsman, ‘“The Axel Blumberg Crusade for the Lives of Our Children”’, p. 14. 32. L. Escudero Chauvel (2001) ‘Desaparecidos, pasiones e identidades dis- cursivas en la prensa argentina (1976–1983)’, Cuadernos de la Facultad de Humanidades y Ciencias Sociales. Universidad Nacional de Jujuy (17), 541–58; Knudson ‘Veil of Silence’. 33. N. Mazza (25 March 2004) ‘Blumberg: “Hay contradicciones en la investi- gación”’, La Nación, retrieved from:
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Index accidental celebrities, 6, 178 n.17, Blumberg, Juan Carlos, 137–8, 141–3, 204 n.3 145, 147, 150, 173, 204 n.3, 205 Adler, Stella, 123 n.14, 206 n.23 Afro-Cuban music, 77, 78 ‘Blumberg Laws’, 146 Alberoni, Francesco, 2 Bolsonaro, Jair, 166 Alencar, Chico, 164 Bonnie and Clyde (film), 124, 126 Alfonsín, Raul, 139 Boorstin, Daniel J., 2, 9, 73, 100 Altman, Rick, 10 Bordón, Sebastián, 148 Altman, Robert, 124 Bornay, Clovis, 156 Annan, Kofi, 71 bossa nova, 56 Andacht, Fernando, 155 Bourdieu, Pierre, 6–7, 9, 76, 91, 143, Andrejevic, Mark, 154 158 anti-communism, see communism see also Field Theory ‘Aquele Abraco’ (song), 61 Bradley, Bill, 128 Argentinean dictatorship, 139, 142, Brando, Marlon, 117, 125, 129 145 Braudy, Leo, 3, 73 Arnulfistas, 82, 192 n.24 Brazilian fashion designers, 156, 164 Arpaio, Joe, 114 Brizola, Leonel, 66–7 Bryant, Louise, 126 Baldwin, Alec, 117, 129–32, 200 n.3 Buarque de Hollanda, Chico, 62 Bank Hapoalim, 42–3, 184 n.31 Bulworth (film), 127–8 Barreto, Ray, 79 ‘Buscando America’ (song), 81 el barrio, 78–9, 89, 91 Basinger, Kim, 130 Caddell, Pat, 128 Beatty, Warren, 117, 122–9, 132, 200 ‘Calice’ (song), 62 n.3, 201–2 n.26 Calle 13, 88, 94 Beetlejuice (film), 129 Calzado, Mercedes, 141 Berkovitch, Nitza, 29 Capriles Radonski, Enrique, 93 Berlusconi, Silvio, 14 Cardoso, Fernando Henrique, 67–9 Bethania, Maria, 57–8, 73, 157 Carmel, California Bial, Pedro, 158 (Carmel-by-the-Sea), 107 Big Brother, 153–7 Carter, Jimmy, 103, 111 Big Brother Brazil, 153, 155, 157–9 Castells, Raul, 142 Biskind, Peter, 123 Cawelti, John, 112 Blades, Rubén, 12–13, 75–88, 90–2, celebrity capital, 6, 24, 67, 99, 104, 94–6, 172, 174, 190 n.3, 192–3 117, 171 n.30 celetoid, 6, 111, 135, 137–9, 150–1, Bloomberg, Michael, 75, 93 153, 159, 168–9, 178 n.17, Blumberg, Axel, 137–8, 140–2, 204 n.3 145–8, 151 celetoid politicians, 111, 138, 150–1 229 230 Index Channel One (Israel), 20 Eastwood, Clint, 99, 105–8, 110, Channel Two (Israel), 38, 43 112–13, 116, 195 n.1 Chaplin, Charlie, 117–21 Eichler, Israel, 38 charisma, 76, 82, 90, 92, Eitan, Rafi, 41 111, 125 Elektra Records, 79 Chavez, Hugo, 93–5 Endemol, 153 ‘Chega de Saudades’ (song), 56 Engel, Eliot, 92 CIA, 77, 192 n.25 Entwistle, Joanne, 20 cinema stars, 10–11 ‘Expresso 2222’ (song), 67–8 Clarín, 140 Clinton, Bill, 127–8, 131, 133 Fania Records, 77–9, 88–90, 92, Clodovil, 156, 164–6 193–4 n.42 Clooney, George, 13, 117, 130 fashion models, 19–20, 26, 30 Cold War, 26, 77–8, 83, 96, 115, FBI, 89, 120, 196 n.8 129, 147, 154 Feinmann, Jose Pablo, 143 Colón, Willie, 12–13, 73, 75–7, 79, Fico, Carlos, 157 80, 83, 88–96, 172, 191 n.12, Field Theory, 5, 9 194 n.48 see also Bourdieu, Pierre communism, 91, 105, 120, 123, film genres, 10, 102, 108, 112–13, 126, 127 115–18 anti-communism, 105 Ford, John, 103 Cooper, Gary, 99 Former Soviet Union (FSU) Cooper, Marc, 128 immigrants, 24, 29, 31, 46 Costa, Gal, 57, 73 Couldry, Nick, 21 Gamson, Joshua, 5, 35, 100 Creative Commons, 70 Gandsman, A., 144–5 Critchlow, Donald, 101 Gaon, Yehoram, 8 Cruz, Celia, 80 Garcia Canclini, Nestor, 163 Cuban diaspora, 96 ‘Geleia Geral’ (song), 72, 74 Cuban Revolution, 57, 78 Gibson, Mel, 13 cultural industries, 5–6, 8–9, Gil, Gilberto, 55–7, 59–61, 63–5, 67, 11–12, 35, 51, 73–4, 76, 88, 69, 71–4, 88, 162, 173–4 161, 174 Gilberto, Joao, 56–7 Giuliani, Rudolph, 146–7 Dankner, Amnon, 38 Glengarry Glen Ross (film), 130 de Cordova, Richard, 4, 10 Globo Network, 66, 155–6, 158, Democratic Party, 92–3, 99, 122–3, 167–70 127, 129 Goncaga, Luiz, 56 demographic danger, 30 Gore, Al, 128 Dener, 156 Goulart, Joao, 57 Diary Room, the, 155 Gramsci, Antonio, 160 Dick Tracy (film), 127 Gran Fuga, La (LP), 89 Dirty Harry (film), 106–8, 110, 197 Green Berets (film), 103 n.35 Dirty War, 139 habitus, 76, 91, 173 Dollars Trilogy, The (films), 106 Hamill, Peter, 80 Dyer, Richard, 2, 26, 100 Hart, Gary, 122, 128, 201 n.24 Index 231 Heaven Can Wait (film), 126 LGTB Community, 21, 160, 168–9 Heritage Foundation, 147 Lieberman, Avigdor, 24–5 Herut Party, 27–8, 182 lifestyle programmes, 20 Hesmondhalgh, David, 6, 11, 178 Likud Party, 20, 23–4, 36, 40, 47 Hill, Annette, 124 Lavoe, Hector, 90 Hollywood stars, 2, 99, 101–2, 104, ‘Louvação’ (song), 58 117, 121–3, 130, 133, 201 n.24 homosexual identity, 123, 156–9, Maariv, 35–6 165, 168–9 Macedo, Edir, 167 Hotoveli, Tzipi, 23 Macri, Mauricio, 149 Hudriker, Yanna, 20, 27–8, 30 Maduro, Nicolas, 93–4 Huffington, Arianna, 110, 128, 132 Makor Rishon, 22, 181 Huffington Post, The, 132 Manhattan Institute, 146–7 human rights, 139, 141–4 Marshall, David, 6–7, 11, 34, 100, Humble, Nicola, 37, 184 105, 157, 204 n.3 Hunt for Red October, The (film), 129 Martin-Barbero, Jesus, 163 Massucci, Jerry, 90 IBA (Israeli Broadcasting Authority), Mato, Daniel, 78 36 Maxwell, Robert, 36 infotainment, 132, 166 McCabe and Mrs. Miller (film), 124 Inge, William, 123 McGovern, George, 122 Israel Beytenu Party, 20, 24–5, 27 mediatization, 14, 26 174 Menem, Carlos, 139 Jeffords, Susan, 100, 108, 197 n.35 ‘Mentira Fresca’ (song), 93 Messner, Michael A., 100, 109 Kadima Party, 20, 23–4, 41 meta-capital, 21 Kennedy family, 11, 121, 133 Miberg, Ron, 38 Kennedy, John F., 121, 125 Michaeli, Anastasia, 19–20, 22–30, Kennedy, Robert, 125 173 Kertesz, Mario, 65 military dictatorship, 57, 79, 118, Kimmel, Michael, 100, 108 139, 148–9 Kindergarten Cop (film), 109 Mills, C. Wright, 1, 68, 177 Kirchner, Nestor, 139–40, 145–6, Miranda, Carmen, 81 148, 151, 205 n.14 Mizrahim/Sephardic Jews, 24–5, 38 Kilpp, Suzana, 155 motherhood roles, 28–9, 31 Knesset Members’ candidates, 20–4, mothers and grandmothers of Plaza 27, 39–40, 173 de Mayo (Madres and Abuelas Kurzman, Charles, 57 de Plaza de Mayo), 144–5 Mothers of Pain (Madres del Dolor), Lapid, Tomi, 35–9, 41, 43, 183 n.4, 148 184 n.25 Murilo de Carvalho, Jose, 66 Lapid, Yair, 19, 34–47, 50–2, 172–3, Murphy, George, 11, 99, 101 180 n.2, 183 nn.4, 12, 184 n.25 music hall, 118–19 Lawman (TV series), 114 Leone, Sergio, 106 Nación, La, 140–2 Levi, David, 24 Neale, Stephen, 10, 102 Levi, Orly, 19, 20, 23–4 Netanyahu, Benjamin, 24, 47 232 Index Neto, Torquato, 72 Reagan, Ronald, 5, 7–8, 11, 83, 96, news anchors, 13, 43–4, 99, 104–12, 116, 121, 126, 174, 51–2, 172 192 n.28, 196 nn.8, 17 Noriega, Manuel, 77, 190–1 n.3, 192 reality TV, 37, 114, 137, 150, 177 n.25 Record TV, 167–8, 170 Norris, Chuck, 99 Reform Party, 128 Regev, Miri, 23 O’Brien, Conan, 131 Regina, Elis, 60 Ovitz, Michael, 112 Reds (film), 123, 126–7, 137 Reed, John, 123, 126 ‘Pablo Pueblo’ (song), 83–4, 86 Reichman, Uriel, 39, 41 Página/12, 140, 149 Republican Party, 99, 101, 103, 107, Palmieri, Eddie, 79–80, 84 110–11, 115 Papa Egoro, 82, 84–5 Ricardo, Ricky, 81 Parallax View, The (film), 124–5 right-wing parties, 23 ‘Pedro Navaja’ (song), 75 Rogin, Michael, 100, 104 Perez, Rene, 94 Rosenblum, Pnina, 20, 23–4, 29, Perez Balladares, Enrique, 85 181 Peron, Eva, 5, 178 n.13 Ross, Steven, 11, 101, 110, 119, Pignatary, Decio, 72 178 Pires, Waldir, 65 Rotenberg, Arieh, 39 ‘Plastico’ (song), 75, 78 Rouanet Law, 67, 70 PMDB (Brazilian Democratic Movement Party), 64–5 salsa music, 12, 75, 77–81, 83–4, la policía maldita (‘evil police’, 88–90, 92, 94–6, 172 Buenos Aires), 144 Sanabria, Izzy, 89 Pontos de Cultura (Cultural Points) Santos, Silvio, 8, 79 initiative, 70 Saturday Night Live, 131 Popolitica, 37–8, 40–1 Schwarzenegger, Arnold, 7–8, 99, ‘Procissão’ (song), 58–9 108–13, 116, 128, 147, 172–3 PR (Republic Party), 165 screen persona, 4, 10–11, 103–9, 11, PRD (Democratic Revolutionary 116–18, 123–5, 128–30, 133, Party), 82, 85 174 PRO (Republican Proposal Party), 149 Seagal, Steven, 99, 112–14, 172, PSD (Social Democratic Party), 56 199–200 n.67 PSOL (Socialism and Liberty Party), Shamir, Yitzhak, 36 163–4 Shampoo (film), 125–6 PT (Workers’ Party), 68–9, 163 Sherak, Tom, 113 PTC (Christian Labor Party), 165 Shinuy Party, 39, 41, 44, 46, 184 Puente, Tito, 80, 90, 191 n.12 Shumsky, Dimitry, 24, 182 Punto Final and Obediencia Debida ‘Siembra’ (song, LP), 75, 78, 81, 83, laws, 139 90–1 Pullen, Christopher, 156 Splendor in the Grass (film), 124 Stallone, Sylvester, 108, 173 Rabin, Itzhak, 44 Stanislavsky system, 123 radionovelas, 5, 178 star system, 4, 6, 178 Index 233 Strasberg, Lee, 129 Van Krieken, Robert, 7, 179 Street, John, 12, 15, 95, 178–80 Van Zoonen, Liesbet, 15, 180 Vargas, Getúlio, 56, 178 talk shows, 110 Veloso, Caetano, 57, 59, 60–1, 70–1, ‘technolog’, 143, 149 73, 162 television genres, 9, 13, 42, 179 Ventura, Jesse, 7, 99, 112 television presenters – TV hosts, 7, Vietnam war, 102–3, 121, 124 19, 24, 30, 33, 38, 42, 43, 50–1, 163, 165, 172 Wacquant, Loïc, 146 Terminator 3 (film), 110 Wayne, John, 99, 102–4, 106, Tiburon, 129 118–19 Timóteo, Agnaldo, 66–7, 110 Weber, Max, 82, 117 Tiririca, 165–6 Western/action films, 99–102, TMZ, 130 105–6, 112, 114–18, 129 Topaz, Dudu, 38 Williams, Tennessee, 129 Torrijos, Omar, 85, 103, 190–1 n.3, Wills, Gary, 103, 105 192 n.25 Wilmington, Michael, 8, 125, 179 Turner, Graeme, 138, 159, 169, Wood, Robin, 129 177–9, 204 n.3 Wyllys, Jean, 153, 155–70, 173 Tropicalia – tropicalist movement, Wyman, Jane, 105 60, 70–2 Tropicalia ou Panis et Circencis (LP), Yediot Aharonot, 22, 45 60, 72 Yesh Atid, 22, 45, 180, 181, 183–6 UKGD (Universal Church of the zero tolerance policy, 146–7 Kingdom of God), 167 Zionist state ideology, 26, 29