DOCSLIB.ORG

Syracuse University S.I. Newhouse School of Public Communications Spring 2007 Vol

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Syracuse University S.I. Newhouse School of Public Communications Spring 2007 Vol SYRACUSE UNIVERSITY S.I. NEWHOUSE SCHOOL OF PUBLIC COMMUNICATIONS SPRING 2007 VOL. 19 NO. 2 SYRACUSE UNIVERSITY S.I. NEWHOUSE SCHOOL OF PUBLIC COMMUNICATIONS SPRING 2007 VOL. 19 NO. 2 IN THIS ISSUE: Dean’s Column 1 Mirror Awards 2 Dean Rubin Retirement 4 Turner Diversity Fellowhips 6 Dean 12 David M. Rubin PSA Project 7 Executive Editor Wendy S. Loughlin G’95 South Side Newspaper 8 Assistant Editor Newspaper Design Competition 10 Carol L. Boll 11 Contributors New Academic Programs Courtney Allen G’07 Jaime Winne Alvarez ’02 First Amendment 12 Lorae M. French ’07 4 Kathleen Haley ’92 Student Snapshots 16 Meghan Hynes G’07 Kathryn Lee G’97 David Marc Schoonmaker Book 18 Photography Comstock Book 19 Steve Dorsey Steve Sartori 20 Christine Singh ’09 Award-winning Documentary Graphic Design Alumnus Kenneth Sparks 21 Quinn Design 8 Alumni at Sirius Radio 22 Assistant Dean of External Relations Lynn A. Vanderhoek ’89 SU in L.A. 23 Offi ce of External Class Notes 24 Relations 315-443-5711 Alumna Kelly Brown 25 Web site newhouse.syr.edu 23 Dear Friends of the School: In April I announced will open in the fall. Our successful “Newhouse in my intention to step down as dean of the New York” breakfast series will continue. We will Newhouse School at the end of the 2007-08 dedicate Newhouse III and welcome Chief Justice academic year. (The lengthy academic search John Roberts to campus in September. We will process requires a lot of advance planning.) I will celebrate a full “Year of the First Amendment” with take 2008-09 as a sabbatical year (my fi rst real a series of speakers, symposia, and other events leave to re-charge in 36 years in higher ed) and to bring further attention to our building, wrapped then return to the faculty in the fall of 2009. I as it is in the actual words of the First Amendment. will be turning over to the next dean a school in One of the most rewarding parts of the job, excellent shape. We should attract many strong for me, has been the relationships I have made candidates for this position. Who wouldn’t want with so many people. Building a great school is a to lead a Newhouse School with a new building, team effort. It starts with the bright students who an exciting new curriculum, a great faculty and leave us and make their mark on the industry. This staff, a talented and ambitious student body, and can only happen with a dedicated faculty and staff a loyal and accomplished alumni base—all within working closely with the students to bring out a university on the move? their potential; alumni who help those graduates This has been a long run, and every get settled and who contribute to the school so organization needs new ideas and energy. Next that we can build a Newhouse III; an experienced year will be my 18th as dean, about triple the Advisory Board providing advice, connections normal longevity. I want to make sure that I am to the industry, and fi nancial resources; and the leaving at the right time in the life of the school, many friends of the school who have supported us DEAN’S COLUMN and I think June 30, 2008, is the right time. At by digging deep into their pockets. You should all that point we will have been in the new building take a bow!!! for a year, having gone through the “shakedown No one could have lasted 18 months as dean, cruise.” Most of the elements of a new curriculum let alone 18 years, without such a fabulous group should be in place by then, thanks to the hard of people all pulling together. You made it easy. work of the faculty and staff. Our relatively new I will continue to make a contribution to administrative team will have had another year of Newhouse in the classroom, as a writer, as a experience under its collective belts. We will have donor, and as a person willing to provide had more time to navigate the University’s new leadership across the campus when asked. budget system. The school will be well-positioned I look forward to seeing many of you at events to help with the University’s next capital in the upcoming year. campaign. And undergraduate and graduate For more information admissions will be fl ourishing. about Dean Rubin’s We have worked together to transform the retirement and career school, and we continue to look forward to great with the Newhouse things ahead. The fi rst Mirror Awards Presentation David M. Rubin School, see story p. 6 will be held in June. New academic programs Dean 1 Peter Bart, editor-in-chief of Variety, will receive the inaugural Lifetime Achievement Award at the Mirror Awards Luncheon June 14. Meredith Vieira, co-anchor of NBC’s morning news program Today, will MC the event at W New York, 541 Lexington Ave., New York City. 2 Seven jury awards will be presented at a the Internet. Seven categories recognize John D. Miller ’72, chief marketing luncheon in New York City to recognize reporters, editors, and teams of writers offi cer, TV Group, NBC Universal; Eric the outstanding work of people and who hold a mirror to their own industry Mower ’66, G’88, chairman and CEO, organizations that report on the media. for the public’s benefi t. Newhouse Eric Mower and Associates Inc.; Mike Until now, no awards of this nature have established the awards to recognize Perlis ’76, venture partner, SOFTBANK ever been given. winners for news judgment and Capital; Thomas S. Rogers, president The Mirror Awards Luncheon will command of craft in reporting, analysis, and CEO, TiVo Inc.; Jeffrey A. Sine, vice take place June 14 from 11:45 a.m. to and commentary on developments in chairman and global head, Technology, 2:30 p.m. at W New York in New York the media industry. Media & Telecommunications, UBS City. Meredith Vieira, co-anchor of NBC’s The Mirror Awards are open Investment Bank; John Sykes ’77, morning news program Today, will to anyone who conducts reporting, president of network development, serve as mistress of ceremonies. Peter commentary, or criticism of the media MTV Networks; and Michael Terpin Bart, vice president of Variety Inc. and industries—television, newspaper, ’78, president and CEO, Terpin editor-in-chief of Variety newspaper, magazine, radio, advertising, public Communications Group. will be honored with a special lifetime relations, the Internet, and other forms Mirror judges include Floyd Abrams, achievement award. of content—in a format intended for a partner, Cahill Gordon & Reindel; Luncheon committee co-chairs for mass audience. This year’s entries came Louis D. Boccardi, director, The Gannett the event include Rob Light ’78, partner, from a wide range of media outlets and Company; Hodding Carter III, Creative Artists; Judy McGrath, chairman organizations. professor of leadership and public and CEO, MTV Networks; Ron Meyer, Luncheon committee members policy, University of North Carolina president and COO, Universal Studios; include Barry Baker ’73, managing at Chapel Hill; Karen Brown Dunlap, Aaron Sorkin ’83, writer; and Jeff Zucker, director and general partner, Boston president, The Poynter Institute; Esther president and CEO, NBC Universal. Ventures; Edward Bleier ’51 of CKX/ Dyson, author, Release 2.1; Theodore L. NEWHOUSE ESTABLISHES MIRROR AWARDS TO HONOR EXCELLENCE IN MEDIA INDUSTRY REPORTING “These awards are for anyone who Blockbuster/RealNetworks and the Glasser, professor of communication, cares about the media, and about the Newhouse School’s Bleier Center for Stanford University; Charlotte Grimes, public’s perception of the media in our Television and Popular Culture; Kathy Knight Chair in Political Reporting economy and culture,” says Newhouse Bloomgarden, CEO, Ruder Finn; Harold and professor, S.I. Newhouse School Dean David M. Rubin. “The media are Burson, founding chairman, Burson- of Public Communications, Syracuse so central to every aspect of American Marsteller; Bill Doescher, president and University; Alberto Ibargüen, president life, and so ubiquitous, that we thought CEO, The Doescher Group Ltd.; Fred and CEO, John S. and James L. Knight it time to recognize coverage that best M. Dressler ’63, former executive vice Foundation; Alex Jones, director, explains to the American public how the president of programming, Time Warner The Joan Shorenstein Center on media work, and why. We believe these Cable; Alan Frank G’70, president and the Press, Politics & Public Policy, awards are long overdue, given that the CEO, Post-Newsweek Stations Inc.; Eric Harvard University; Steve Kroft ’71, media business, as a beat, has been Frankel ’74, president, Warner Bros. correspondent, 60 Minutes, CBS; the focus of some of the country’s best Domestic Cable Distribution; Martin William T. Slater, dean and professor, journalists. We are pleased to associate Garbus, partner, Davis & Gilbert LLP; College of Communication, Texas the Newhouse School with these new Peter Guber, chairman, Mandalay Christian University Schieffer School of awards, given that the school has such Pictures; Phil Gurin ’81, president, Journalism; and Judy Woodruff, special a strong concentration in its mission on The Gurin Company; Andrew T. Heller, correspondent, NewsHour, PBS. professional media work for its president of domestic distribution, For more information about the graduates.” Turner Broadcasting System; Deborah Mirror Awards or to reserve a table at the The Mirror Awards focus on all Henretta G’85, president, ASEAN, June 14 luncheon, see mirrorawards.syr.edu media—traditional and new—including Australasia and India, The Procter & or contact Catherine Gay Communications newspapers, magazines, radio, Gamble Co.; Philip I. Kent, chairman and at 212-501-7231 or [email protected].
Load more

Recommended publications
  • The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960S Promotional Featurettes
    The Making of Hollywood Production: Televising and Visualizing Global Filmmaking in 1960s Promotional Featurettes by DANIEL STEINHART Abstract: Before making-of documentaries became a regular part of home-video special features, 1960s promotional featurettes brought the public a behind-the-scenes look at Hollywood’s production process. Based on historical evidence, this article explores the changes in Hollywood promotions when studios broadcasted these featurettes on television to market theatrical films and contracted out promotional campaigns to boutique advertising agencies. The making-of form matured in the 1960s as featurettes helped solidify some enduring conventions about the portrayal of filmmaking. Ultimately, featurettes serve as important paratexts for understanding how Hollywood’s global production work was promoted during a time of industry transition. aking-of documentaries have long made Hollywood’s flm production pro- cess visible to the public. Before becoming a staple of DVD and Blu-ray spe- M cial features, early forms of making-ofs gave audiences a view of the inner workings of Hollywood flmmaking and movie companies. Shortly after its formation, 20th Century-Fox produced in 1936 a flmed studio tour that exhibited the company’s diferent departments on the studio lot, a key feature of Hollywood’s detailed division of labor. Even as studio-tour short subjects became less common because of the restructuring of studio operations after the 1948 antitrust Paramount Case, long-form trailers still conveyed behind-the-scenes information. In a trailer for The Ten Commandments (1956), director Cecil B. DeMille speaks from a library set and discusses the importance of foreign location shooting, recounting how he shot the flm in the actual Egyptian locales where Moses once walked (see Figure 1).
    [Show full text]
  • Why Hollywood Isn't As Liberal As We Think and Why It Matters
    Claremont Colleges Scholarship @ Claremont CMC Senior Theses CMC Student Scholarship 2019 Why Hollywood Isn't As Liberal As We Think nda Why It Matters Amanda Daily Claremont McKenna College Recommended Citation Daily, Amanda, "Why Hollywood Isn't As Liberal As We Think nda Why It Matters" (2019). CMC Senior Theses. 2230. https://scholarship.claremont.edu/cmc_theses/2230 This Open Access Senior Thesis is brought to you by Scholarship@Claremont. It has been accepted for inclusion in this collection by an authorized administrator. For more information, please contact [email protected]. 1 Claremont McKenna College Why Hollywood Isn’t As Liberal As We Think And Why It Matters Submitted to Professor Jon Shields by Amanda Daily for Senior Thesis Fall 2018 and Spring 2019 April 29, 2019 2 3 Abstract Hollywood has long had a reputation as a liberal institution. Especially in 2019, it is viewed as a highly polarized sector of society sometimes hostile to those on the right side of the aisle. But just because the majority of those who work in Hollywood are liberal, that doesn’t necessarily mean our entertainment follows suit. I argue in my thesis that entertainment in Hollywood is far less partisan than people think it is and moreover, that our entertainment represents plenty of conservative themes and ideas. In doing so, I look at a combination of markets and artistic demands that restrain the politics of those in the entertainment industry and even create space for more conservative productions. Although normally art and markets are thought to be in tension with one another, in this case, they conspire to make our entertainment less one-sided politically.
    [Show full text]
  • URGENT! PLEASE DELIVER Published by Access Intelligence, LLC, Tel: 301-354-2101
    URGENT! PLEASE DELIVER www.cablefaxdaily.com, Published by Access Intelligence, LLC, Tel: 301-354-2101 5 Pages Today Friday — May 15, 2009 Volume 20 / No. 092 Get It Right: Former FCC Heads Weigh In on Broadband Policy No matter where they sit on the political spectrum, panelists at Free Press’ “Changing Media” Summit in DC agreed that the country’s broadband policy is a big deal. Putting together the plan, on which the FCC is taking comments until June 8, is another matter. “National broadband policy should be in the office of the President, not at the FCC,” former FCC chmn Michael Powell said. His reasoning is that broadband will be key in solving national problems—health care, the economy, etc. Powell, a Republican and Bush nominee, argued that the previous administration never committed to a broadband policy. “I’m much more encouraged that our current president speaks of it, but I think it being developed inside a regulatory agency is fundamentally a mistake,” he said, complaining that the FCC is saddled with a severe amount of regulatory restraint. Another former FCC chmn at the summit, Clinton appointee Reed Hundt, also stressed the signifi cance of upcoming broadband decisions. “In my view, the biggest single impact on future communications in America consist of the choice made by Commerce and the Dept of Agriculture on spending of the broadband stimulus,” he said. Meanwhile, Hundt called a myth the notion that the $7.2bln in funds provided for broadband stimulus are insuf- fi cient. If the money is divided into tiny little grants with no coordinated purpose, then no, it doesn’t go far, he said—but done right, “this is more than enough to completely alter the structure of broadband in America for 50 years.” For ex- ample, if used for loan guarantees, the $7.2bln would represent $70bln, which would mean $140bln in new cap ex, he said.
    [Show full text]
  • Signature Redacted
    Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Master in Management HEC Paris, 2016 SUBMITTED TO THE MIT SLOAN SCHOOL OF MANAGEMENT IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN MANAGEMENT STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2016 OFTECHNOLOGY 2016 Loubna Berrada. All rights reserved. JUN 08 201 The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic LIBRARIES copies of this thesis document in whole or in part ARCHIVES in any medium now known or hereafter created. Signature of Author: Signature redE cted MIT Sloan School of Management May 6, 2016 Certified by: Signature redacted Juanjuan Zhang Epoch Foundation Professor of International Management Professor of Marketing MIT Sloan School of Management Thesis Supervisor Accepted by: Signature redacted Rodrigo S. Verdi Associate Professor of Accounting Program Director, M.S. in Management Studies Program MIT Sloan School of Management 2 Perspectives on Film Distribution in the U.S.: Present and Future By Loubna Berrada Submitted to MIT Sloan School of Management on May 6, 2016 in Partial fulfillment of the requirements for the Degree of Master of Science in Management Studies. Abstract I believe film has the power to transform people's lives and minds and to enlighten today's generation like any other medium. This is why I wanted to write my thesis about film distribution as it will determine the future of the industry itself. The way films are distributed, accessed and consumed will be critical in shaping our future entertainment culture and the way we approach content.
    [Show full text]
  • “We Can't Even Play Ourselves”: Mixed-Race Actresses in the Early
    “WE CAN’T EVEN PLAY OURSELVES”: MIXED-RACE ACTRESSES IN THE EARLY TWENTY-FIRST CENTURY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN AMERICAN STUDIES AUGUST 2017 By Valerie M. Lo Dissertation Committee: Robert Perkinson, Chairperson Mari Yoshihara Jonna Eagle Konrad Ng Jonathan Okamura Keywords: Mixed race, Ambiguity, Post-Racial, Color-blind, Film ACKNOWLEDGEMENTS This project has been a test of my resiliency and grew from my desire to add a small contribution to the ongoing discussion of mixed race representations in film and television. Many people have come into my life in the last several years and encouraged my studies, talked excitedly with me, and subtly (or blatantly) pushed me to continue when I thought the road ahead looked too ominous. In 2005, at San Francisco State University’s Asian American Studies banquet, my Master’s thesis chair, Wei Ming Dariotis, remarked that a PhD was in the stars for me. Those words stayed close to me during my graduate work at the University of Hawai'i. My first teaching assistantship with Isabelle Peluad at San Francisco State University in Asian American Literature showed me exactly what I wanted to immerse myself in for the rest of my life. Graduate courses with Russell Jeung and Madeline Hsu reaffirmed my desire to work within the field of Asian American Studies and continue on to a doctorate program. My coursework in American Studies was rigorous and pushed me out of my comfort zone in the best way.
    [Show full text]
  • Road to Nowhere
    ROAD TO NOWHERE A picture by Monte Hellman Starring Shannyn Sossamon, Tygh Runyan, Dominique Swain, Cliff De Young, Waylon Payne, John Diehl, Fabio Testi (Press Kit from Venice Film Festival) ROAD TO NOWHERE CAST (in order of appearance) Mitchell Haven Tygh Runyan Nathalie Post Dominique Swain Laurel Graham/Velma Duran Shannyn Sossamon Bobby Billings John Diehl Cary Stewart/Rafe Tachen Cliff de Young Bruno Brotherton Waylon Payne Steve Gates Robert Kolar Jermey Laidlaw Nic Paul Nestor Duran Fabio Testi Desk Clerk Fabio Tricamo Moxie Herself Peter Bart Himself El Cholo Bartender Pete Manos Mallory Mallory Culbert Doc Holliday Bartender Beck Lattimore Man in Bar Thomas Nelson Bonnie Pointer Herself Airplane Coordinator Jim Galan Airplane Pilot Jim Rowell Greg Gregory Rentis Larry Larry Lerner Erik Lathan McKay Joe Watts Michael Bigham Araceli Araceli Lemos Sarah Sarah Dorsey Female Cadaver Mandy Hughes Morgue Technician Cathy Parker Male Cadaver Brett Mann Room Service Waitress Vanessa Golden Cop Voices Dean Person Jared Hellman Jones Clark Guard Mitchell Allen Jenkin PRODUCTION Directed and Produced by Monte Hellman Written and Produced by Steven Gaydos Produced by Melissa Hellman Executive Producers Thomas Nelson, June Nelson Director of Photography Joseph M Civit Edited by Celine Ameslon Production Designed by Laurie Post Music by Tom Russell Co-Producers Peter R J Deyell, Jared Hellman Associate Producers Lea-Beth Shapiro, Robin-John Gibb Costumes Designed by Chelsea Staebell Production Sound by Rich Gavin Visual Effects Supervisor Robert Skotak First Assistant Director Larry Lerner Second Assistant Director Noreen Perez Supervising Sound Editors Ayne O Joujon-Roche, Kelly Cabral Re-Recording Mixers Scott Sanders, Perry Robertson First Assistant Editors Gregory Rentis, Harold Hyde Producers Representative Jonathan Dana Worldwide Sales E1 Entertainment ROAD TO NOWHERE "Well the ditches are on fire, And there ainʼt no higher ground.
    [Show full text]
  • Fifth Annual Rancho Mirage Writers Festival at the Rancho Mirage Library & Observatory
    FIFTH ANNUAL RANCHO MIRAGE WRITERS FESTIVAL AT THE RANCHO MIRAGE LIBRARY & OBSERVATORY JANUARY 24–26, 2018 Welcome to the RANCHO MIRAGE WRITERS FESTIVAL! We are celebrating year FIVE of this exciting Festival in 2018! This is where readers meet authors and authors get to know their enthusiastic readers. We dedicate all that happens at this incredible gathering to you, our Angels and our Readers. The Rancho Mirage Writers Festival has a special energy level, driven by ideas and your enthusiasm for what will feel like a pop-up university where the written word and those who write have brought us together in a most appropriate venue — the Rancho Mirage Library and Observatory. The Festival starts fast and never lets up as our individual presenters and panels are eager to share their words and their thoughts. The excitement of books. David Bryant Jamie Kabler In 2013 we began to design the Rancho Mirage Writers Festival. Our Steering Committee kept its objective LIBRARY DIRECTOR FESTIVAL FOUNDER important and clear — to bring authors, their books, and our readers together in this beautiful resort city. In 2018 our mission remains the same, though the Festival has grown and gets even better this year. The writers you read and the books that get us thinking and talking converge at the Festival to make January in the Desert, not only key to our season, but a centerpiece of our cultural life. The Festival is a celebration of the written word. The Festival lives in our award-winning Library. Recent investments in the Library include: Welcome • Windows in the John Steinbeck Room and the Jack London Room that can be darkened electronically making for a better presenter/audience experience.
    [Show full text]
  • 2008 Annual Report
    2008 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programming Spring Subscription Series ..........................................................................................................................14 Fall Subscription Series ..............................................................................................................................16 Fall TV Preview Parties ...............................................................................................................................19 Robert M. Batscha University Seminar Series ............................................................................................20 William S. Paley Television Festival ............................................................................................................20
    [Show full text]
  • Ravid Sy Syms Professor of Finance, Sy Syms School of Business, Yeshiva University
    1 CURRICULUM VITAE (April 2021) S. Abraham (Avri) Ravid Sy Syms Professor of Finance, Sy Syms School of Business, Yeshiva University https://www.yu.edu/faculty/pages/ravid-s-abraham Office Address: Syms School of Business, Belfer Hall 2495 Amsterdam Ave New York, NY 10033 212 960 0125 Mailing address: 500 W. 185th St New York, NY 10033 Email: [email protected] Research Interests: Corporate Finance- in particular, Capital Structure, Debt features, Bankruptcy, Mergers and Contracts under asymmetric information; Interaction of Production and Financial Decisions; Applications of Corporate Finance and Microeconomic Theory to the entertainment and media industries and to government policies. Venture Capital and Entrepreneurship, Risk Management. Teaching Range: MBA- Financial Management (core course) –Rutgers, UCLA, NYU, Haifa University, Tel Aviv University. Corporate Finance - Yale, Rutgers, NYU, Haifa University, Wharton, University of Chicago. Investments and Capital Markets- Rutgers University, University of Wisconsin. Equity Markets – NYU. Debt Markets and Fixed Income Securities- NYU, Rutgers, Columbia, Cornell. Micro Economics- Rutgers, Haifa University. Options- Rutgers. Entertainment Finance: Yale, NYU, UCLA. Advanced Topics in corporate finance- Cornell, Rutgers. Evaluation of Capital Investment projects- Cornell. Undergraduate: Financial Management-(core course)- Rutgers, YU. Corporate Finance–Rutgers. Micro Economics- Haifa University. Cost Benefit Analysis-Haifa University. Advanced Corporate Finance- YU. Fixed Income-YU. 2 Doctoral level – Corporate Finance – Rutgers, Cornell, Yale, Finland, Stockholm School of Economics, EIASM- Brussels. Recent doctoral Workshops and tutorials- EFA, AIMAC., MFA. Education: 1979 Ph.D. Graduate School of Business and Public Administration (currently Johnson School) Cornell University. 1977 M.S. Graduate School of Business and Public Administration, Cornell University. 1975 B.S.
    [Show full text]
  • THE NATIONAL TELEVISION ACADEMY ANNOUNCES 31St ANNUAL DAYTIME EMMY AWARD NOMINATIONS
    For Immediate Release THE NATIONAL TELEVISION ACADEMY ANNOUNCES 31st ANNUAL DAYTIME EMMY AWARD NOMINATIONS Daytime Emmys Air Friday, May 21st On NBC At 9:00 p.m. (ET) Live from Radio City Music Hall NEW YORK -- March 04, 2004 – The National Television Academy today announced the nominees for the 31st Annual Daytime Emmy Awards. The announcement was made live on NBC’s The Today Show. The nominations were presented by an all-star lineup of daytime’s leading actors and actresses including: Days of Our Lives’ Bryan Dattilo (Lucas Roberts); Passions’ Charles Divins (Chad Harris); All My Children’s Cameron Mathison (Ryan Lavery); One Life to Live’s Heather Tom (Kelly Cramer Buchanan); As the World Turns’ Tamara Tunie (Jessica Griffin); and Guiding Light’s Robert Newman (Joshua Lewis). Nominations were announced in the following categories: Outstanding Drama Series; Outstanding Actor/Actress In A Drama Series; Outstanding Supporting Actor/Actress in a Drama Series; Outstanding Talk Show; and Outstanding Performer In A Children's Series. The awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast during the 2003 calendar year. This year’s ceremony will be broadcast live on NBC on Friday, May 21, from New York City’s Radio City Music Hall from 9:00 – 11:00 p.m. (ET). Dick Clark Productions will produce the show. The Lifetime Achievement Award this year will be presented to ten veteran actors who have devoted a major portion of their careers to Daytime Drama: Rachel Ames, John Clarke, Jeanne Cooper, Eileen Fulton, Don Hastings, Anna Lee, Ray MacDonnell, Frances Reid, Helen Wagner, and Ruth Warrick.
    [Show full text]
  • Copyright by Daniel Curran Metz 2010
    Copyright by Daniel Curran Metz 2010 The Thesis Committee for Daniel Curran Metz Certifies that this is the approved version of the following thesis: Prestige and Prurience: The Decline of the American Art House and the Emergence of Sexploitation, 1957-1972 APPROVED BY SUPERVISING COMMITTEE: Supervisor: Thomas G. Schatz Charles Ramirez Berg Prestige and Prurience: The Decline of the American Art House and the Emergence of Sexploitation, 1957-1972 by Daniel Curran Metz, B.A. Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2010 Dedication I dedicate this thesis, and the rest of my life, to Corinna. Acknowledgements I have been fortunate enough to have a number of wonderful film and history professors who have helped inform my conception of the field and create this work. Of particular assistance on this project was Tom Schatz, who served as my advisor and whose frequent advice has been invaluable. Thank you to my present and former readers Charles Ramirez Berg and Caroline Frick. I’d also like to acknowledge Robert Sklar from NYU, who helped me when I first started this project back in 2007 with a small paper on censorship, and who taught me a lot about what scholarship is. I am grateful also to my first film professor, Lawrence Burke, who showed me that cinephilia was okay, and who inspired me to first view the art films that I try to destroy later in this thesis.
    [Show full text]
  • Genre, Authorship and Contemporary Women Filmmakers
    KATARZYNA PASZKIEWICZ GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Not for distribution or resale. For personal use only. Not for distribution or resale. For personal use only. GENRE, AUTHORSHIP AND CONTEMPORARY WOMEN FILMMAKERS Katarzyna Paszkiewicz Not for distribution or resale. For personal use only. Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Katarzyna Paszkiewicz, 2018 Edinburgh University Press Ltd The Tun – Holyrood Road 12 (2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 10/12.5pt Sabon by Servis Filmsetting Ltd, Stockport, Cheshire and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 2526 1 (hardback) ISBN 978 1 4744 2527 8 (webready PDF) ISBN 978 1 4744 2528 5 (epub) The right of Katarzyna Paszkiewicz to be identified as author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988 and the Copyright and Related Rights Regulations 2003 (SI No. 2498). Not for distribution or resale. For personal use only. CONTENTS List of Figures vi Acknowledgements viii Introduction: Impossible Liaisons? Genre and Feminist Film Criticism 1 1. Subversive Auteur, Subversive Genre 34 2.
    [Show full text]