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Volker Hartung • Cologne Swing • JPK 00 52 16 CAMERA
If watching a motion picture, few of us are consciously One thing is certain: Hollywood's production would aware of the important role of the music soundtrack ac- have had a very different tone. The loss for German and companying the storyline. Austrian cinema was immense. What than happened to If the composer and the music director have done a German Film Art during the Third Reich? good job, music is blending in with the other elements There were still many good musicians left in Germany of the film. However, if the film music were missing, we after the exodus of their Jewish colleagues, who had left would notice this after a while. How many of todays film to the United States via Paris, London and Lissabon. buffs have ever heard of Bernard Herrmann or Max Stei- Few of them were actually interested in politics at all ner, or knowing something about their work? What a and they contributed some wonderful music to the Ger- poor impression would the screening of ‘Gone With the man film industry right until the end of the Second Wind’ from 1939 make without Max Steiner's wonderful World War- a fact which is neglected in Germany and music score and 'Tara's Theme'! What would 'The Stu- not very well known outside the country. Composers dent of Prague' (1925) or 'Bel Ami' (1940) have been like Franz Doelle, Friedrich Schröder, Leo Leux, Georg without the fascinating musical direction of Theo Mak- Hentschel, Peter Kreuder, and Fred Raymond were great keben? talents, well trained in German musical tradition and In recent years more attention has been paid to the education and they wrote equally great music for many great-but-little-known film music composers whose films produced in Babelsberg at the time. -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Dissertation Committee for Michael James Schmidt Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Michael James Schmidt 2014 The Dissertation Committee for Michael James Schmidt certifies that this is the approved version of the following dissertation: The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany Committee: David F. Crew, Supervisor Judith Coffin Sabine Hake Tracie Matysik Karl H. Miller The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany by Michael James Schmidt, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 To my family: Mom, Dad, Paul, and Lindsey Acknowledgements I would like to thank, above all, my advisor David Crew for his intellectual guidance, his encouragement, and his personal support throughout the long, rewarding process that culminated in this dissertation. It has been an immense privilege to study under David and his thoughtful, open, and rigorous approach has fundamentally shaped the way I think about history. I would also like to Judith Coffin, who has been patiently mentored me since I was a hapless undergraduate. Judy’s ideas and suggestions have constantly opened up new ways of thinking for me and her elegance as a writer will be something to which I will always aspire. I would like to express my appreciation to Karl Hagstrom Miller, who has poignantly altered the way I listen to and encounter music since the first time he shared the recordings of Ellington’s Blanton-Webster band with me when I was 20 years old. -
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120776bk Dietrich2 9/7/04 8:08 PM Page 2 11. Ja, so bin ich 3:05 15. You Do Something to Me 2:57 (Robert Stolz–Walter Reisch) (Cole Porter) Also available from Naxos Nostalgia With Peter Kreuder conducting Wal-Berg’s With Victor Young’s Orchestra; in English Orchestra Decca 23139, mx DLA 1913-A Polydor 524182, mx 6470-1bkp Recorded 19 December 1939, Los Angeles Recorded c. July 1933, Paris 16. Falling in Love Again 2:55 12. Mein blondes Baby 3:14 (Friederich Holländer) (Peter Kreuder–Fritz Rotter) With Victor Young’s Orchestra; in English With Peter Kreuder, piano Decca 23141, mx DLA 1884-C Polydor 524181, mx 6471-4bkp Recorded 11 December 1939, Los Angeles Recorded c. July 1933, Paris 17. The Boys in the Back Room: Parody 13. Allein – in einer grossen Stadt 3:44 1:18 (Franz Wachsmann–Max Kolpe) (Friedrich Holländer–Frank Loesser) With Peter Kreuder conducting Wal-Berg’s With unknown piano; in English Orchestra Private pressing, mx VE 061492-1 8.120557* 8.120558 8.120601* Polydor 524181, mx 6476-3bkp Recorded 1941, Hollywood Recorded c. July 1933, Paris Transfers and Production: David Lennick 14. Wo ist der Mann? 3:08 (Peter Kreuder–Kurt Gerhardt) Digital Noise Reduction: Graham Newton With Peter Kreuder conducting Wal-Berg’s Original recordings from the collections of Orchestra David Lennick and Horst Weggler Polydor 524182, mx 6477 3/4bkp Original monochrome photo from Mary Evans Recorded c. July 1933, Paris Picture Library 8.120613* 8.120630* 8.120722 * Not Available in the U.S. -
Filmklassiker Bel Ami (1939)
Filmklassiker Bel Ami (1939)...........................................................................................................................2 Der blaue Engel (1930)...............................................................................................................2 Ein blonder Traum (1932)...........................................................................................................3 Bomben auf Monte Carlo (1931).................................................................................................4 Die Brücke (1960) ......................................................................................................................4 Des Teufels General (1955) ........................................................................................................5 Das doppelte Lottchen (1950) .....................................................................................................6 3 Männer im Schnee (1956) ........................................................................................................6 Die Drei von der Tankstelle (1956) .............................................................................................7 Emil und die Detektive (1931) ....................................................................................................8 Die Feuerzangenbowle (1944).....................................................................................................8 Frauenarzt Dr. Prätorius (1950)...................................................................................................9 -
CD Gesamtkatalog 2002
INHALTSVERZEICHNIS 1. Schlagerarchiv - Chansons - Originale 73415 Die schönsten Schlager aller Zeiten - 1 La bella Musica - Herr Kapellmeister bitte - Wunderbar - Jeden Abend stehe ich am Hafen u.a. 1. Schlagerarchiv - Chansons - Originale 1 - 5 Peter Alexander - Evelyn Künneke - Zarah Leander - Hildegard Knef u.a. 2. Original Schweizer Schlager 6 - 8 73416 Die schönsten Schlager aller Zeiten - 2 Der Theodor im Fussballtor - Schützenliesl - Du 3. Let's dance - Ballroom Dancing 7 - 9 bist die Rose vom Wörthersee u.a. Theo Lingen - Heinz Conrads - Maria Andergast - 4. Instrumentals 9-12 Hans Lang - Vico Torriani u.a. 73417 Die schönsten Schlager aller Zeiten - 3 5. Stimmung - Humor 12-14 Oh, Mister Swoboda - Mariandl - Santa Lucia - Virginia Blues u.a. Greta Keller - Peter Alexander - Hans Moser - Leila Negra u.a. 6. Lieder fürs Herz - Volksmusik - Natur 14-17 73418 Die schönsten Schlager aller Zeiten - 4 Sinfonie - Ja, da kann man nichts machen - Mach nicht so traurige Augen u.a. 7. Märsche - Blasmusik 17-19 Heidi Brühl - Paul Hörbiger - Liane Augustin - Peter Kreuder u.a. 73419 Die schönsten Schlager aller Zeiten - 5 8. Wiener Originale - Walzer... 19-21 Revoir Paris - Heimat, deine Sterne - La Paloma - Ich bin von Kopf bis Fuss... u.a. Josefine Baker - Fred Weyrich - Rita Gallos - Horst Winter - Hein Jansen und 9. Operetten 22-24 die Hamburger Jungs u.a. 73420 Die schönsten Schlager aller Zeiten - 6 10. Opernchöre - Arien - Classics 25-27 Ein Musikus, ein Musikus - Dreh' dich doch einmal um - Ich küsse Ihre Hand Madame u.a. 12. Weihnachten - Mariensingen 28-29 Willy Hagara - Maria von Schmedes - Johannes Heesters - Heinz Erhardt u.a. -
Concento, Concerto, Concertatio
16610_Zajaczek_Sikorski_0208#4c:Layout 1 22.01.2008 15:36 Uhr Seite 1 02/08 SIKORSKI MUSIKVERLAGE • WWW.SIKORSKI.DE • [email protected] magazine Concento, Concerto, Concertatio DAS SOLOKONZERT DER GEGENWART Das Land der Aprikosen: Armenien und seine Musik „Immer vergnügt“ Die Peter Kreuder-Story 16610_Zajaczek_Sikorski_0208#4c:Layout 1 22.01.2008 15:36 Uhr Seite 2 INHALT Armenien und seine Musik: Seite 08 Musikalische Wirbel zu Peter Ruzickas 60. Geburtstag: Seite 07 04 Concento, Concerto, Concertatio – das Solokonzert der Gegenwart 06 Kaija Saariaho und Xiaoyong Chen beim NDR Hamburg 07 MAELSTROM – musikalische Wirbel zu Peter Ruzickas 60. Geburtstag Xiaoyong Chen: Seite 06 08 Das Land der Aprikosen: Armenien und seine Musik 11 „Immer vergnügt“ Die Peter Kreuder-Story 14 Erfüllter Traum am Ende des Lebens: Alfred Schnittkes Opern 15 DVD/CD’s + Neuerscheinungen 16 Aufführungen 19 Premieren 20 For Our English Readers IMPRESSUM Das Solokonzert Quartalsmagazin der SIKORSKI MUSIKVERLAGE erscheint mind. 4x im Jahr - kostenfrei der Gegenwart: Seite 04 CONTENTS VERLAG Internationale Musikverlage Hans Sikorski Briefanschrift: 20139 Hamburg, Paketanschrift: Johnsallee 23, 20148 Hamburg, Tel: 040 / 41 41 00-0, Telefax: 040 / 44 94 68, www.sikorski.de, [email protected] Fotonachweis: Titel: (Yusupov/Maisky): Evelyn de Silva / Yusupov: Ken Howard / Gubaidulina: Matthias Schwabe / Kantscheli: Priska Ketterer / Auerbach: Christian Steiner / Harneit: Archiv Sikorski / Ruzicka: Salzburger Festspiele / Chen: Archiv Sikorski / Armenien: Cornelie Müller-Gödecke / Chatschaturjan: Archiv Sikorski / Arutjunjan: Archiv Sikorski / Manssurjan: Archiv Sikorski / Kreuder: Archiv Völmecke und Archiv Kowalewski Hinweis: Wo möglich haben wir die Inhaber aller Urheberrechte der Illustrationen ausfindig gemacht. Sollte dies im Einzelfall nicht ausreichend gelungen oder es zu Fehlern gekommen sein, bitten wir die Urheber, sich bei uns zu melden, damit wir berechtigten Forderungen umgehend nachkommen können. -
Copyright by Christelle Georgette Le Faucheur 2012
Copyright by Christelle Georgette Le Faucheur 2012 The Dissertation Committee for Christelle Georgette Le Faucheur Certifies that this is the approved version of the following dissertation: Defining Nazi Film: The Film Press and the German Cinematic Project, 1933-1945 Committee: David Crew, Supervisor Sabine Hake, Co-Supervisor Judith Coffin Joan Neuberger Janet Staiger Defining Nazi Film: The Film Press and the German Cinematic Project, 1933-1945 by Christelle Georgette Le Faucheur, Magister Artium Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Acknowledgements Though the writing of the dissertation is often a solitary endeavor, I could not have completed it without the support of a number of institutions and individuals. I am grateful to the Department of History at the University of Texas at Austin, for its consistent support of my graduate studies. Years of Teaching Assistantships followed by Assistant Instructor positions have allowed me to remain financially afloat, a vital condition for the completion of any dissertation. Grants from the Dora Bonham Memorial Fund and the Centennial Graduate Student Support Fund enabled me to travel to conferences and present the preliminary results of my work, leading to fruitful discussions and great improvements. The Continuing Fellowship supported a year of dissertation writing. Without the help of Marilyn Lehman, Graduate Coordinator, most of this would not have been possible and I am grateful for her help. I must also thank the German Academic Exchange Service, DAAD, for granting me two extensive scholarships which allowed me to travel to Germany. -
Viewed Möller’S Publication in the Zeitschrift Für Musikwissenschaft, August- September 1931, Pp
J & J LUBRANO MUSIC ANTIQUARIANS Item 87 Joseph Haydn Autograph Letter Catalogue 80 AUTOGRAPH LETTERS OF COMPOSERS SIGNED PHOTOGRAPHS, &c. Part I: A-L 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all material is in good antiquarian condition unless otherwise described All items are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory number (the 5-digit number in parentheses preceding the price) of desired items in the SEARCH box at the upper right of our homepage. We ask that you kindly wait to receive our invoice to insure availability before remitting payment. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Checks in U.S. dollars drawn on a U.S. bank - International money order - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. -
MRF Vol 23 Final.Indd
When Opportunism Knocks: Evaluating the Career of German Popular Entertainment Musician Peter Kreuder in the Third Reich* Andrew J. Mills The manner in which historians approach the relationship between National Socialist Germany and its resident composers, conductors, and musicians oft en is shaped by their notions of what constitutes proper behavior for artists living under totalitarianism. To take a particularly interesting example, the quality of being “opportunistic”—normally valued in modern, performance-driven, capitalistic democracies1—is viewed as overwhelmingly negative in artists who lived under National Socialism. Indeed, the term “opportunist” is a particularly under-scrutinized, yet highly damn- ing description applied to Third Reich artists. The examination of Unterhaltungsmusiker2 Peter Kreuder (1905– 1981) by the Aachen historian Dietmar Kott mann provides a case in point. Commissioned by the city of Aachen in late 2004 to shed light upon Kreuder’s career under Nazism, the investigation initiated a public discussion in which litt le enthusiasm could be mustered for a nuanced portrayal. The irksome, notoriously self-absorbed Kreuder, aside from being considered personally disreputable,3 was repeatedly deemed unworthy of more subtle treatment due to the general consensus that he was a self-serving opportunist. The ease of moral certitude trumped the much more complex consideration of Kreuder’s career decisions. This essay examines Peter Kreuder’s commercially successful Third Reich career and off ers a response to the prevailing manner in which many modern historians and musicologists invoke the no- tion of opportunism. The latt er approach frequently fails to address * I would like to thank Marc Weiner, whose graduate seminar at Indiana University gave rise to this project. -
The Jazz Republic: Music, Race, and American Culture in Weimar Germany
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages The Jazz Republic Revised Pages Social History, Popular Culture, and Politics in Germany Kathleen Canning, Series Editor Recent Titles Bodies and Ruins: Imagining the Bombing of Germany, 1945 to the Present David Crew The Jazz Republic: Music, Race, and American Culture in Weimar Germany Jonathan Wipplinger The War in Their Minds: German Soldiers and Their Violent Pasts in West Germany Svenja Goltermann Three-Way Street: Jews, Germans, and the Transnational Jay Howard Geller and Leslie Morris, Editors Beyond the Bauhaus: Cultural Modernity in Breslau, 1918–33 Deborah Ascher Barnstone Stop Reading! Look! Modern Vision and the Weimar Photographic Book Pepper Stetler The Corrigible and the Incorrigible: Science, Medicine, and the Convict in Twentieth- Century Germany Greg Eghigian An Emotional State: The Politics of Emotion in Postwar West German Culture Anna M. Parkinson Beyond Berlin: Twelve German Cities Confront the Nazi Past Gavriel D. Rosenfeld and Paul B. Jaskot, Editors Consumption and Violence: Radical Protest in Cold-War West Germany Alexander Sedlmaier Communism Day-to-Day: State Enterprises in East German Society Sandrine Kott Envisioning