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Кp]1 <^Äł– Ý Þ«Ûvˆ 557768 bk Salon4 EU 2/23/06 1:54 PM Page 8 Also available: LIGHT CLASSICS DDD 8.557768 SALON ORCHESTRA FAVOURITES IV German Hit Songs of the 1930s Come Casanova, kiss me • Somewhere in the world For a night full of happiness Annette Postel, Vocals • Salonorchester Schwanen • Georg Huber 8.554756 8.555344 8.557048 8.557768 8 557768 bk Salon4 EU 2/23/06 1:54 PM Page 2 Salon Orchestra Favourites, Vol. 4 er nach Brasilien weiter, ununterbrochen eine fast und der Portugiesische Fischertanz (1940) gehörten. unübersehbare Zahl von Filmmusiken komponierend. Winkler pflegte jedoch nicht nur die orchestrale German Hit Songs of the 1930s Ernst Lubitsch’s Ninotschka (1939) with Great Garbo in Nach Deutschland zurückgekehrt, verhalf er schließlich Unterhaltungsmusik, sondern auch den für das the title-rôle. In 1950 Heymann returned again to Zarah Leander, der bedeutendsten Schlagersängerin der Tagesgeschäft zunehmend wichtigen Schlager. Zu German history of the 1930s has many sad and dismal Germany, but was no longer able to recapture his earlier Nationalsozialisten, mit zwei maßgeschneiderten seinen Interpreten zählte der Sänger Rudi Schuricke. chapters, from the world economic crisis at the success. Musicals zu ihrem Comeback. Die Kriegsjahre konnte Winkler als Organisator von beginning of the decade, to the unleashing of the Second One of the most dazzling figures of the genre is Weniger spektakulär, aber deshalb insgesamt Unterhaltungsprogrammen für die Wehrmacht hinter World War at the end. And yet, in such a period of crisis certainly Peter Kreuder, infant prodigy, composer of keineswegs erfolgloser verlief das Leben von Gerhard sich bringen. Als Komponist arbeitete er überwiegend and catastrophe German light music won world-wide inexhaustible inspiration and world-famous pianist. He Winkler. Jahrelang arbeitete Winkler auf ver- mit dem Texter Ralph Maria Siegel zusammen, und es prestige and has been able to continue in popularity even gave his first public concert at the age of six at the schiedensten Feldern der Unterhaltungsmusik, diri- entstanden nicht nur die Capri-Fischer, Winklers wohl to the present. Particular luminaries of the genre were Gürzenich in Cologne and at thirteen obtained his first gierte Kurorchester und Tanzkapellen, arrangierte für berühmtester Schlager, sondern auch das Casanova-Lied Werner Richard Heymann, Peter Kreuder and Gerhard position as chorus repetiteur at the Hamburg bekanntere Ensembles und komponierte in kürzester (Komm, Kasanova, küß mich, 1943), beide zunächst von Winkler. Stadttheater. Thereafter his life took two courses: on the Frist die Musik zu Hunderten von Werbefilmen. Intensiv Magda Hain interpretiert. Nach Kriegsende setzte In the end it was a coincidence that the introduction one hand he shone in more than four thousand concerts beschäftigte er sich auch mit den musik-alischen Winkler seine Erfolgs-Kom-positionen fort, unter of talkies into the cinema came at the same time as the in 39 countries and left more than two thousand Traditionen des Auslands, vor allem Italiens. In den anderem mit Skandal im Harem (1946/47). Zunehmend slump. The then still relatively small Warner Brothers recordings; on the other his creative power as a Jahren 1936 bis 1940 verdichtete sich dies zu einer 15 engagierte sich er sich auch in Fragen des musikalischen film company had launched the first talkie on the market composer brought an opera, several operettas and Werke umfassenden Folge Klänge aus aller Welt, zu der Urheberschutzes im Rahmen der dafür in Deutschland in 1926/1927 to avert impending bankruptcy. In 1929 musicals, scores for 188 films and hundreds of hits. unter anderem der Holländische Holzschuhtanz (1938) the first talkie in Germany appeared. Werner Richard Peter Kreuder lived for his music, even when, from Heymann was one of the first to conquer this new field 1933, he was taken up by the National Socialists. For the of activity in the service of UFA, the most important most part there were harmless little films to which his German film company and also the most successful. evergreens added lustre. Sag beim Abschied leise Servus Already in 1930 Heymann wrote probably his most (Bid a gentle farewell at parting) for example came from famous evergreens for Die Drei von der Tankstelle (The the film Burgtheater, first seen in 1936, and Für eine Three from the Filling Station), among them Liebling, Nacht voller Seligkeit (For a night full of happiness) was mein Herz läßt Dich grüßen (Darling, my heart greets part of Kora Terry, shot in 1940 with Marika Rökk. you). There then followed hits for Liebeswalzer (Love Kreuder made no political commitment. In 1935 he Waltz), Der Kongress tanzt (Congress Dances), Ein wrote the music for Leni Riefenstahl’s second National blonder Traum (1932) (A Fair Dream) featuring Socialist Rally film Tag der Freiheit - Unsere Irgendwo auf der Welt (Somewhere in the World) and Wehrmacht (Day of Freedom - Our Armed Forces). In Der Sieger (1932) (The Conqueror) featuring Es führt 1937, on the other hand, he recorded in Paris music by kein anderer Weg zur Seligkeit (There Is No Other Way his respected Jewish composer-colleagues Friedrich To Happiness). Hollaender and Hugo Hirsch. From the beginning of the In quick succession came music for fifteen films, war he was in Sweden, but when in 1942 the National based, almost always, on texts by Robert Gilbert (1899- Socialists detained him in Germany, when he broke his 1978), son of the successful composer Jean Gilbert. In journey in Berlin, he composed more film music for 1933, however, there was no longer a place for their light entertainment productions. In 1946 he met Heymann and Gilbert. The National Socialist racial and became an admirer of Evita Peron, following her to madness banished the successful duo because of their Argentina. On her death in 1952 he moved to Brasil, Jewish origin. They both emigrated and eventually continuing to write music for an enormous number of reached Hollywood. There up to 1950 Heymann wrote films. He returned to Germany and finally helped Zarah music for 44 films, the best known of which is surely Leander, the most important hit singer of the National 8.557768 2 7 8.557768 557768 bk Salon4 EU 2/23/06 1:54 PM Page 6 Lieblingsstücke für Salonorchester, Folge 4 Socialists, to make her come-back with two musicals In the war Winkler served as organizer of tailored specially for her. entertainment for the armed forces. As a composer he Sternstunden der Unterhaltungsmusik trotz Ernst Lubitschs Ninotschka (1939) mit Greta Garbo in Less spectacular but in no way less successful was worked mainly with the lyricist Ralph Maria Siegel and schwieriger Zeiten der Titelrolle. 1950 kehrte Heymann nach Deutschland the life of Gerhard Winkler. For years he worked in the wrote not only Capri-Fischer (Capri Fisherman), zurück. Mit seinen danach entstandenen Kompositionen most varied fields of light music, conducted spa Winkler’s most famous hit, but also the Casanova song, Die deutsche Geschichte der 1930er Jahre hat viele konnte er jedoch nicht mehr an die alten Erfolge orchestras and dance-bands, arranged music for better Komm, Kasanova, kuss mich (Come, Casanova, kiss traurige und düstere Kapitel, von der Welt- anknüpfen. known ensembles and in the shortest space of time me), both first interpreted by Magda Hain. After the war wirtschaftskrise zu Beginn bis hin zur Entfesselung des Eine der schillerndsten Gestalten des Genres ist composed music for hundreds of advertising films. He Winkler continued his successful compositions, among Zweiten Weltkriegs am Ende. Und doch: In einer sicherlich Peter Kreuder – Wunderkind, Komponist mit was also intensively involved with foreign musical others Skandal im Harem (1946/1947) (Scandal in the solchen Zeit der Krisen und Katastrophen entstand unerschöpflichem Einfallsreichtum und weltbekannter traditions, particularly from Italy. In the years from 1936 Harem). He increasingly concerned himself with Unterhaltungsmusik, die weltweite Geltung errang und Pianist. Wohin man auch schaut in seiner Biographie: to 1940 he consolidated this into a series of fifteen questions of musical copyright protection in the bis heute bestehen kann. Besondere Glanzlichter setzten immer nur Herausragendes und Superlative. Schon mit works, Klänge aus aller Welt (Music from the Whole organization set up in Germany for this purpose, dabei Werner Richard Heymann, Peter Kreuder und sechs Jahren gab er sein erstes öffentliches Konzert im World), of which the Dutch Shoe-Dance (1938) and the GEMA. Gerhard Winkler. Gürzenich in Köln und mit 13 trat er seine erste Stelle Portuguese Fisherman’s Dance (1940) are part. Winkler Letztlich war es Zufall, dass die Einführung des als Korrepetitor am Hamburger Stadttheater an. Danach gave his attention not only to orchestral light music but Konrad Dussel Tonfilms im Wesentlichen mit der Weltwirtschaftskrise verlief sein Leben zweigleisig: Auf der einen Seite also to commercially ever more important hits. Among zusammenfiel. Die damals noch relativ kleine Film- brillierte er in mehr als 4.000 Konzerten in 39 Ländern his most important interpreters was the singer Rudi English version by Keith Anderson gesellschaft der Warner-Brüder hatte 1926/27 die ersten und hinterließ mehr als 2.000 Schallplatten- Schuricke. Tonfilme auf den Markt gebracht, um den drohenden einspielungen; auf der anderen Seite schuf seine Konkurs abzuwenden. Angesichts ihres Erfolgs musste musikalische Kreativität eine Oper, mehrere Operetten die Konkurrenz nachziehen, ob sie wollte oder nicht. und Musicals, die Untermalung von 188 Filmen sowie 1929 erschienen die ersten Tonfilme auch in Hunderte von Schlagern. Deutschland. Werner Richard Heymann eroberte sich Peter Kreuder lebte für seine Musik, auch wenn sie als einer der ersten dieses neue Feld im Dienste der Ufa, seit 1933 von den Nationalsozialisten in Dienst des wichtgsten deutschen Filmkonzerns, und gleich als genommen wurde. Zumeist waren es recht harmlose der Erfolgreichste dazu. Bereits 1930 schrieb Heymann Filmchen, denen seine Evergreens zu mehr Glanz seine wahrscheinlich berühmtesten Evergreens für Die verhalfen.
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