CD Gesamtkatalog 2002
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Volker Hartung • Cologne Swing • JPK 00 52 16 CAMERA
If watching a motion picture, few of us are consciously One thing is certain: Hollywood's production would aware of the important role of the music soundtrack ac- have had a very different tone. The loss for German and companying the storyline. Austrian cinema was immense. What than happened to If the composer and the music director have done a German Film Art during the Third Reich? good job, music is blending in with the other elements There were still many good musicians left in Germany of the film. However, if the film music were missing, we after the exodus of their Jewish colleagues, who had left would notice this after a while. How many of todays film to the United States via Paris, London and Lissabon. buffs have ever heard of Bernard Herrmann or Max Stei- Few of them were actually interested in politics at all ner, or knowing something about their work? What a and they contributed some wonderful music to the Ger- poor impression would the screening of ‘Gone With the man film industry right until the end of the Second Wind’ from 1939 make without Max Steiner's wonderful World War- a fact which is neglected in Germany and music score and 'Tara's Theme'! What would 'The Stu- not very well known outside the country. Composers dent of Prague' (1925) or 'Bel Ami' (1940) have been like Franz Doelle, Friedrich Schröder, Leo Leux, Georg without the fascinating musical direction of Theo Mak- Hentschel, Peter Kreuder, and Fred Raymond were great keben? talents, well trained in German musical tradition and In recent years more attention has been paid to the education and they wrote equally great music for many great-but-little-known film music composers whose films produced in Babelsberg at the time. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
INFORMATION ISSUED by the Assooaim of Xmh RSUCSS HI WEAT KITAIH
Volume XXX No. 12 December, 1975 INFORMATION ISSUED BY THE AssooAim Of xmH RSUCSS HI WEAT KITAIH Ernest Hearst finanzpraesidenten throughout the Reich (4.11.1941). 'Diu-ing the next few months Jews not working in economically essential indus THE ADMIMSTRAUVE STRUCTURE tries will be removed to a town in the Eastem territories. The property of Jews so removed will be taken over by the Reich. Each Jew will OF GENOCTOE be allowed to take with him 100 RM. and What will people make of the twentieth tives concerning their deportation, the organi 50kg. luggage.' What the reality of such a century two or three hundred years hence? sation of their transports and finally the "removal to a town in the Eastem territories" Will the emphasis be put on the scientific and various fates marked out for the doomed on looked like has been described in a report technological developments which altered not arrival at journey's end are all closely studied. submitted by Jewish, Quaker and Red Cross only the physical and social terms of man's This scrutiny of the administrative structure organisations to Herr Lammers, head of the existence, but enabled him to leave the con of genocide is followed by recording individual Reichs Chancellery and forwarded by him to fines of his native planet and set foot on the fates, fossilised in the reports of a watchful Himmler (14-3-1940). Clearest stars of a beckoning universe? Or will scribbling officialdom. Much of what Adler "The deported were stripped of all their the perspectives of history be dominated by relates in great detail has been told before and possessions. -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
18.9.2014 Project Week Linz 2014 Tabakfabrik Linz // in Cooperation with the Internationalen Brucknerfest Linz 2014
www.entarteopera.com [email protected] EntArteOpera 9.9. – 18.9.2014 project week Linz 2014 Tabakfabrik Linz // in cooperation with the Internationalen Brucknerfest Linz 2014 Ulenspiegel Opera by Walter Braunfels Dates: 10.9. at 19:00; 12.9. at 19:00; 14.9. at 16:00; 16.9. at 19:00; ticket prices 35.- / 18.- Exhibition Swing tanzen verboten – popular music after 1933 between resistance, propaganda and expulsion Dates: 9.9. – 5.10.; ticket prices 7.- / 3.- Exhibition Opening with lecture and leadership Dates: 9.9. at 18:00; free entrance Swing tanzen verboten Concert to the exhibition Dates: 9.9. at 19:30; ticket prices 18.- / 7.- Concert for students 18.9 . at 17:00 Verbotene Klänge Reisebuch aus den österreichischen Alpen by Ernst Krenek; concert with reading Dates: 11.9. at 19:00; ticket prices 18.- / 7.- Sinnlichkeit und Aufbegehren Martin Sieghart comments and conducts Israel Chamber Orchestra / Thomas Albertus Irnberger Concert with works by Ludwig van Beethoven and Karl Amadeus Hartmann Dates: 15.9. at 19:00; tickets prices 35.- / 18.- Location: Tabakfabrik Linz, Quadrom and Dock (exhibition) ------------------------------------------------------------------------------------------------------------------------------------------- ----------------- Ulenspiegel Opera by Walter Braunfels Opera in 3 acts Music and libretto by Walter Braunfels, Based on a novel by Charles de Coster First performing Stuttgart 1913, Verlag: Ries & Erler Arrangement for chamber orchestra by Werner Steinmetz Conductor // Martin Sieghart Director // Roland Schwab Stage and costume design // Susanne Thomasberger Orchestra // Israel Chamber Orchestra Till Ulenspiegel // Marc Horus Nele // Christa Ratzenböck Chorus // EntArteOpera under Franz Jochum Premiere // 10.9.2014 19:00// Tabakfabrik Linz in cooperation with the Internationalen Brucknerfest Linz 2014 Further performances: 12.9. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Dissertation Committee for Michael James Schmidt Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Michael James Schmidt 2014 The Dissertation Committee for Michael James Schmidt certifies that this is the approved version of the following dissertation: The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany Committee: David F. Crew, Supervisor Judith Coffin Sabine Hake Tracie Matysik Karl H. Miller The Multi-Sensory Object: Jazz, the Modern Media, and the History of the Senses in Germany by Michael James Schmidt, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2014 To my family: Mom, Dad, Paul, and Lindsey Acknowledgements I would like to thank, above all, my advisor David Crew for his intellectual guidance, his encouragement, and his personal support throughout the long, rewarding process that culminated in this dissertation. It has been an immense privilege to study under David and his thoughtful, open, and rigorous approach has fundamentally shaped the way I think about history. I would also like to Judith Coffin, who has been patiently mentored me since I was a hapless undergraduate. Judy’s ideas and suggestions have constantly opened up new ways of thinking for me and her elegance as a writer will be something to which I will always aspire. I would like to express my appreciation to Karl Hagstrom Miller, who has poignantly altered the way I listen to and encounter music since the first time he shared the recordings of Ellington’s Blanton-Webster band with me when I was 20 years old. -
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120776bk Dietrich2 9/7/04 8:08 PM Page 2 11. Ja, so bin ich 3:05 15. You Do Something to Me 2:57 (Robert Stolz–Walter Reisch) (Cole Porter) Also available from Naxos Nostalgia With Peter Kreuder conducting Wal-Berg’s With Victor Young’s Orchestra; in English Orchestra Decca 23139, mx DLA 1913-A Polydor 524182, mx 6470-1bkp Recorded 19 December 1939, Los Angeles Recorded c. July 1933, Paris 16. Falling in Love Again 2:55 12. Mein blondes Baby 3:14 (Friederich Holländer) (Peter Kreuder–Fritz Rotter) With Victor Young’s Orchestra; in English With Peter Kreuder, piano Decca 23141, mx DLA 1884-C Polydor 524181, mx 6471-4bkp Recorded 11 December 1939, Los Angeles Recorded c. July 1933, Paris 17. The Boys in the Back Room: Parody 13. Allein – in einer grossen Stadt 3:44 1:18 (Franz Wachsmann–Max Kolpe) (Friedrich Holländer–Frank Loesser) With Peter Kreuder conducting Wal-Berg’s With unknown piano; in English Orchestra Private pressing, mx VE 061492-1 8.120557* 8.120558 8.120601* Polydor 524181, mx 6476-3bkp Recorded 1941, Hollywood Recorded c. July 1933, Paris Transfers and Production: David Lennick 14. Wo ist der Mann? 3:08 (Peter Kreuder–Kurt Gerhardt) Digital Noise Reduction: Graham Newton With Peter Kreuder conducting Wal-Berg’s Original recordings from the collections of Orchestra David Lennick and Horst Weggler Polydor 524182, mx 6477 3/4bkp Original monochrome photo from Mary Evans Recorded c. July 1933, Paris Picture Library 8.120613* 8.120630* 8.120722 * Not Available in the U.S. -
Filmklassiker Bel Ami (1939)
Filmklassiker Bel Ami (1939)...........................................................................................................................2 Der blaue Engel (1930)...............................................................................................................2 Ein blonder Traum (1932)...........................................................................................................3 Bomben auf Monte Carlo (1931).................................................................................................4 Die Brücke (1960) ......................................................................................................................4 Des Teufels General (1955) ........................................................................................................5 Das doppelte Lottchen (1950) .....................................................................................................6 3 Männer im Schnee (1956) ........................................................................................................6 Die Drei von der Tankstelle (1956) .............................................................................................7 Emil und die Detektive (1931) ....................................................................................................8 Die Feuerzangenbowle (1944).....................................................................................................8 Frauenarzt Dr. Prätorius (1950)...................................................................................................9 -
"A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 Piano Solo | Twelfth 12Th Street Rag 1914 Euday L
Box Title Year Lyricist if known Composer if known Creator3 Notes # "A" - You're Adorable (The Alphabet Song) 1948 Buddy Kaye Fred Wise Sidney Lippman 1 piano solo | Twelfth 12th Street Rag 1914 Euday L. Bowman Street Rag 1 3rd Man Theme, The (The Harry Lime piano solo | The Theme) 1949 Anton Karas Third Man 1 A, E, I, O, U: The Dance Step Language Song 1937 Louis Vecchio 1 Aba Daba Honeymoon, The 1914 Arthur Fields Walter Donovan 1 Abide With Me 1901 John Wiegand 1 Abilene 1963 John D. Loudermilk Lester Brown 1 About a Quarter to Nine 1935 Al Dubin Harry Warren 1 About Face 1948 Sam Lerner Gerald Marks 1 Abraham 1931 Bob MacGimsey 1 Abraham 1942 Irving Berlin 1 Abraham, Martin and John 1968 Dick Holler 1 Absence Makes the Heart Grow Fonder (For Somebody Else) 1929 Lewis Harry Warren Young 1 Absent 1927 John W. Metcalf 1 Acabaste! (Bolero-Son) 1944 Al Stewart Anselmo Sacasas Castro Valencia Jose Pafumy 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Ac-cent-tchu-ate the Positive 1944 Johnny Mercer Harold Arlen 1 Accidents Will Happen 1950 Johnny Burke James Van Huesen 1 According to the Moonlight 1935 Jack Yellen Joseph Meyer Herb Magidson 1 Ace In the Hole, The 1909 James Dempsey George Mitchell 1 Acquaint Now Thyself With Him 1960 Michael Head 1 Acres of Diamonds 1959 Arthur Smith 1 Across the Alley From the Alamo 1947 Joe Greene 1 Across the Blue Aegean Sea 1935 Anna Moody Gena Branscombe 1 Across the Bridge of Dreams 1927 Gus Kahn Joe Burke 1 Across the Wide Missouri (A-Roll A-Roll A-Ree) 1951 Ervin Drake Jimmy Shirl 1 Adele 1913 Paul Herve Jean Briquet Edward Paulton Adolph Philipp 1 Adeste Fideles (Portuguese Hymn) 1901 Jas. -
Box Folder 63 14 Holocaust Survivors Memoirs Project. 1995-2000
MS-763: Rabbi Herbert A. Friedman Collection, 1930-2004. Series I: Wexner Heritage Foundation, 1947-2004. Subseries 1: General Files, 1949-2004. Box Folder 63 14 Holocaust Survivors Memoirs Project. 1995-2000, undated. For more information on this collection, please see the finding aid on the American Jewish Archives website. 3101 Clifton Ave, Cincinnati, Ohio 45220 513.487.3000 AmericanJewishArchives.org The We.'<.ller Heritage Foundation 551 Maaison Avenu .. New York. New York 10022 212 355 6115 Fax 2·2 751 r39 Henry & Bella Tovey 1004 S. Belgrade Road SilverSpring, 110 20902 November 10, 2000 Dear Mr. & Mrs. Tovey, Thank you for responding to our letter about sendiing your story to the Holocaust Survivors Memoirs Project at the World Jewish Congress. I am writing to you to confirm that we received both ofyour speeches and we will forward them to the World Jewish Congress in your names. This is an important project that will help preserve the testimonies of you and other survivors, so the lessons learned and the people who perished during the Holocaust are never forgotten. Both of you have very inspiring stories. It is amazing that after all that you both went threw, the ghettos, cattle cars, and concentration camps, that you found a belief in Judaism and G-d. I am sure that your journey back to Judaism was an extremely difficult struggle. Through survivors written testimonies like both of yours, we will forever have eyewitness accounts of the horrors of the Holocaust and learn from it so nothing like the Holocaust will ever happen again. -
Concento, Concerto, Concertatio
16610_Zajaczek_Sikorski_0208#4c:Layout 1 22.01.2008 15:36 Uhr Seite 1 02/08 SIKORSKI MUSIKVERLAGE • WWW.SIKORSKI.DE • [email protected] magazine Concento, Concerto, Concertatio DAS SOLOKONZERT DER GEGENWART Das Land der Aprikosen: Armenien und seine Musik „Immer vergnügt“ Die Peter Kreuder-Story 16610_Zajaczek_Sikorski_0208#4c:Layout 1 22.01.2008 15:36 Uhr Seite 2 INHALT Armenien und seine Musik: Seite 08 Musikalische Wirbel zu Peter Ruzickas 60. Geburtstag: Seite 07 04 Concento, Concerto, Concertatio – das Solokonzert der Gegenwart 06 Kaija Saariaho und Xiaoyong Chen beim NDR Hamburg 07 MAELSTROM – musikalische Wirbel zu Peter Ruzickas 60. Geburtstag Xiaoyong Chen: Seite 06 08 Das Land der Aprikosen: Armenien und seine Musik 11 „Immer vergnügt“ Die Peter Kreuder-Story 14 Erfüllter Traum am Ende des Lebens: Alfred Schnittkes Opern 15 DVD/CD’s + Neuerscheinungen 16 Aufführungen 19 Premieren 20 For Our English Readers IMPRESSUM Das Solokonzert Quartalsmagazin der SIKORSKI MUSIKVERLAGE erscheint mind. 4x im Jahr - kostenfrei der Gegenwart: Seite 04 CONTENTS VERLAG Internationale Musikverlage Hans Sikorski Briefanschrift: 20139 Hamburg, Paketanschrift: Johnsallee 23, 20148 Hamburg, Tel: 040 / 41 41 00-0, Telefax: 040 / 44 94 68, www.sikorski.de, [email protected] Fotonachweis: Titel: (Yusupov/Maisky): Evelyn de Silva / Yusupov: Ken Howard / Gubaidulina: Matthias Schwabe / Kantscheli: Priska Ketterer / Auerbach: Christian Steiner / Harneit: Archiv Sikorski / Ruzicka: Salzburger Festspiele / Chen: Archiv Sikorski / Armenien: Cornelie Müller-Gödecke / Chatschaturjan: Archiv Sikorski / Arutjunjan: Archiv Sikorski / Manssurjan: Archiv Sikorski / Kreuder: Archiv Völmecke und Archiv Kowalewski Hinweis: Wo möglich haben wir die Inhaber aller Urheberrechte der Illustrationen ausfindig gemacht. Sollte dies im Einzelfall nicht ausreichend gelungen oder es zu Fehlern gekommen sein, bitten wir die Urheber, sich bei uns zu melden, damit wir berechtigten Forderungen umgehend nachkommen können.