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SHDWBOAT Began More Tban 20 Years Ago, F RIDAY JAN
Page Twelve TH~ ROCKETEER Friday, January 17, 1964 Taxi Drivers Spruce Up In New Uniforms! Neptune Ball Set For For the first time since NOTS SHDWBOAT began more tban 20 years ago, f RIDAY JAN . Station taxi chauffeurs will be Feb. 7 and 8 at Center " SWORD Of LANeElOT" (115 Min .) Cornel Wilde, Jean Wallace all spruced up in new uniforms, 7 p.m. beginning Monday. (Adventur. in Color) The famed Kni ght is in love w ith King Arthur's intended wife. The uniforms are Navy blue, A suspense, v iolent OCT ion and intrigue with Eisenhower-type jackets. spec io l sel in colorful Comelot. (Adults and The drivers will w e a r white Young People). shirts, black ties and eight-point SATURDAY JAN. 18 " FRANCI S IN TH E NA VY" (80 Min.) caps. Donald O'Connor Mrs. F. III. Mullin, the only 1 p .m. SHORT: " Witty KilTy" (7 M in.) woman chauffe ur, will have a " Ma nhunt No. I S" (1 6 Min.) Navy blue ensemble of skirt and - EVENI NG - jacket, white blouse, black bow· " TH E WRO NG ARM OF THE LAW" (91 Min .) type tie and a WAVE-type hat. Peter Sellers, lionel JeffreYI 7 p .m. Men drivers are J. V. Adam· (Comedy) When on outlide gong muscles son, F. L. Bennett, E. E. Blur· in the owner of on exclulive dresa l a lan (who is also an underworld leader) coop. ton, G. III. Brown, G. H. Davis, erotes w ith Scotland Yord to catch the ch i, B. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
INFORMATION ISSUED by the Assooaim of Xmh RSUCSS HI WEAT KITAIH
Volume XXX No. 12 December, 1975 INFORMATION ISSUED BY THE AssooAim Of xmH RSUCSS HI WEAT KITAIH Ernest Hearst finanzpraesidenten throughout the Reich (4.11.1941). 'Diu-ing the next few months Jews not working in economically essential indus THE ADMIMSTRAUVE STRUCTURE tries will be removed to a town in the Eastem territories. The property of Jews so removed will be taken over by the Reich. Each Jew will OF GENOCTOE be allowed to take with him 100 RM. and What will people make of the twentieth tives concerning their deportation, the organi 50kg. luggage.' What the reality of such a century two or three hundred years hence? sation of their transports and finally the "removal to a town in the Eastem territories" Will the emphasis be put on the scientific and various fates marked out for the doomed on looked like has been described in a report technological developments which altered not arrival at journey's end are all closely studied. submitted by Jewish, Quaker and Red Cross only the physical and social terms of man's This scrutiny of the administrative structure organisations to Herr Lammers, head of the existence, but enabled him to leave the con of genocide is followed by recording individual Reichs Chancellery and forwarded by him to fines of his native planet and set foot on the fates, fossilised in the reports of a watchful Himmler (14-3-1940). Clearest stars of a beckoning universe? Or will scribbling officialdom. Much of what Adler "The deported were stripped of all their the perspectives of history be dominated by relates in great detail has been told before and possessions. -
A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 2015 A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher Diana Carol Amos University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Amos, D. C.(2015). A Survey of the Career of Baritone, Josef Metternich: Artist and Teacher. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3642 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A SURVEY OF THE CAREER OF BARITONE, JOSEF METTERNICH: ARTIST AND TEACHER by Diana Carol Amos Bachelor of Music Oberlin Conservatory of Music, 1982 Master of Music University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Performance School of Music University of South Carolina 2015 Accepted by: Walter Cuttino, Major Professor Donald Gray, Committee Member Sarah Williams, Committee Member Janet E. Hopkins, Committee Member Lacy Ford, Senior Vice Provost and Dean of Graduate Studies ©Copyright by Diana Carol Amos, 2015 All Rights Reserved. ii ACKNOWLEDGEMENTS I gratefully acknowledge the help of my professor, Walter Cuttino, for his direction and encouragement throughout this project. His support has been tremendous. My sincere gratitude goes to my entire committee, Professor Walter Cuttino, Dr. Donald Gray, Professor Janet E. Hopkins, and Dr. Sarah Williams for their perseverance and dedication in assisting me. -
Chronology 1916-1937 (Vienna Years)
Chronology 1916-1937 (Vienna Years) 8 Aug 1916 Der Freischütz; LL, Agathe; first regular (not guest) performance with Vienna Opera Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Miller, Max; Gallos, Kilian; Reichmann (or Hugo Reichenberger??), cond., Vienna Opera 18 Aug 1916 Der Freischütz; LL, Agathe Wiedemann, Ottokar; Stehmann, Kuno; Kiurina, Aennchen; Moest, Caspar; Gallos, Kilian; Betetto, Hermit; Marian, Samiel; Reichwein, cond., Vienna Opera 25 Aug 1916 Die Meistersinger; LL, Eva Weidemann, Sachs; Moest, Pogner; Handtner, Beckmesser; Duhan, Kothner; Miller, Walther; Maikl, David; Kittel, Magdalena; Schalk, cond., Vienna Opera 28 Aug 1916 Der Evangelimann; LL, Martha Stehmann, Friedrich; Paalen, Magdalena; Hofbauer, Johannes; Erik Schmedes, Mathias; Reichenberger, cond., Vienna Opera 30 Aug 1916?? Tannhäuser: LL Elisabeth Schmedes, Tannhäuser; Hans Duhan, Wolfram; ??? cond. Vienna Opera 11 Sep 1916 Tales of Hoffmann; LL, Antonia/Giulietta Hessl, Olympia; Kittel, Niklaus; Hochheim, Hoffmann; Breuer, Cochenille et al; Fischer, Coppelius et al; Reichenberger, cond., Vienna Opera 16 Sep 1916 Carmen; LL, Micaëla Gutheil-Schoder, Carmen; Miller, Don José; Duhan, Escamillo; Tittel, cond., Vienna Opera 23 Sep 1916 Die Jüdin; LL, Recha Lindner, Sigismund; Maikl, Leopold; Elizza, Eudora; Zec, Cardinal Brogni; Miller, Eleazar; Reichenberger, cond., Vienna Opera 26 Sep 1916 Carmen; LL, Micaëla ???, Carmen; Piccaver, Don José; Fischer, Escamillo; Tittel, cond., Vienna Opera 4 Oct 1916 Strauss: Ariadne auf Naxos; Premiere -
Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated -
18.9.2014 Project Week Linz 2014 Tabakfabrik Linz // in Cooperation with the Internationalen Brucknerfest Linz 2014
www.entarteopera.com [email protected] EntArteOpera 9.9. – 18.9.2014 project week Linz 2014 Tabakfabrik Linz // in cooperation with the Internationalen Brucknerfest Linz 2014 Ulenspiegel Opera by Walter Braunfels Dates: 10.9. at 19:00; 12.9. at 19:00; 14.9. at 16:00; 16.9. at 19:00; ticket prices 35.- / 18.- Exhibition Swing tanzen verboten – popular music after 1933 between resistance, propaganda and expulsion Dates: 9.9. – 5.10.; ticket prices 7.- / 3.- Exhibition Opening with lecture and leadership Dates: 9.9. at 18:00; free entrance Swing tanzen verboten Concert to the exhibition Dates: 9.9. at 19:30; ticket prices 18.- / 7.- Concert for students 18.9 . at 17:00 Verbotene Klänge Reisebuch aus den österreichischen Alpen by Ernst Krenek; concert with reading Dates: 11.9. at 19:00; ticket prices 18.- / 7.- Sinnlichkeit und Aufbegehren Martin Sieghart comments and conducts Israel Chamber Orchestra / Thomas Albertus Irnberger Concert with works by Ludwig van Beethoven and Karl Amadeus Hartmann Dates: 15.9. at 19:00; tickets prices 35.- / 18.- Location: Tabakfabrik Linz, Quadrom and Dock (exhibition) ------------------------------------------------------------------------------------------------------------------------------------------- ----------------- Ulenspiegel Opera by Walter Braunfels Opera in 3 acts Music and libretto by Walter Braunfels, Based on a novel by Charles de Coster First performing Stuttgart 1913, Verlag: Ries & Erler Arrangement for chamber orchestra by Werner Steinmetz Conductor // Martin Sieghart Director // Roland Schwab Stage and costume design // Susanne Thomasberger Orchestra // Israel Chamber Orchestra Till Ulenspiegel // Marc Horus Nele // Christa Ratzenböck Chorus // EntArteOpera under Franz Jochum Premiere // 10.9.2014 19:00// Tabakfabrik Linz in cooperation with the Internationalen Brucknerfest Linz 2014 Further performances: 12.9. -
Mitzi Gaynor
Omnibus <^£ectuze Series Presents Mitzi Gaynor Tuesday, Oct. 10, 2000 7:30 p.m. IPFW Walb Student Union Ballroom c£Pvofvam Welcome Michael A. Wartell IPFW Chancellor Introduction Larry L. Life Chair, IPFW Department of Theatre Lecture: 'An Evening with Mitzi Gaynor" Mitzi Gaynor Media sponsors: WBNI 89.1 and NewsChannel 15. The Omnibus Lecture Series is funded by a grant from the English, Bonier, Mitchell Foundation. This Omnibus lecture is cosponsored by the IPFW Department of Theatre, Russell Sunday, and Walter McComb. Thanks to InterVarsity for ushering tonight. Mitzi Gaynor itzi Gaynor, star of stage and screen, is best knownsfor her role as Ensign Nellie llilbpfepin the Rodgeb'and Hamrrierstein musical South Pacific. To describe Mitzi Gaynor is to form a picture of the complete entertainer, which she has been since starting her career at the age of 12 in the corps de ballet of the Los Angeles Civic Light Opera. Her vibrant personality and singing, dancing, and acting talents have since found her as a star of motion pictures, television, the theatrical stage, Las Vegas, and concerts. She was recognized by her peers when the theatrical union of entertainers voted her "Singing and Dancing Star of the Year," presented on national video by George Burns. Gaynor was virtually born into the theatre; her mother was a dancer, her father a professional musician. When the family moved from her native Chicago, she was discovered by legendary Los Angeles theatrical producer Edwin Lester, and made her debut as a dancer in Song without Words for the Los Angeles Civic Light Opera. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense. -
483 6175 Ebooklet CD Shellac Era.Indd
Shellac bars Plant 1 in Hanover, c. 1923 Patent application for the gramophone Separation of two galvano discs Visual quality control, c. 1938 Shellac production Cleaning of the matrices Shipping of shellac discs, c. 1909 2 PIETRO MASCAGNI (1863–1945) GIOACHINO ROSSINI (1792–1868) A Overture to Le maschere (excerpt) 4:01 E Largo al factotum 4:01 Staatskapelle Berlin · Pietro Mascagni from Il barbiere di Siviglia Recording: Berlin 1928 · Matrix 348 bi · Original Cat. No. 66582 A Titta Ruffo baritone with orchestra FRÉDÉRIC CHOPIN (1810–1849) Recording: Milan 1912 · Matrix 463 aj · Original Cat. No. 052380 B Nocturne in E flat major op. 9 no. 2 4:36 EDWARD ELGAR (1857–1934) Raoul Koczalski piano F Recording: Berlin 1936 · Matrix 796 1/2 ge · Original Cat. No. 67246 B Salut d’amour op. 12 3:21 Váša Prˇíhoda violin · Otto A. Graef piano CARL MARIA VON WEBER (1786 –1826) Recording: Berlin, March 1938 · Matrix 3591 gn · Original Cat. No. 30033 A C Alles pflegt schon längst der Ruh’ 4:28 from Der Freischütz GIUSEPPE VERDI (1813–1901) Maria Müller soprano G O Torheit, o Torheit! … Von der Freude Blumenkränzen 2:43 Städtisches Orchester Berlin · Robert Heger (Follie! Follie! … Sempre libera) Recording: Berlin 1943 · Matrix 2191 2 gs · Original Cat. No. 68079 A from La traviata Alda Noni soprano PIETRO MASCAGNI (1863–1945) Staatskapelle Berlin · Artur Rother Recording: Berlin 1942 · Matrix 2071 1/2 ge · Original Cat. No. 68303 A D Intermezzo sinfonico 4:01 from Cavalleria rusticana Staatskapelle Berlin · Pietro Mascagni Recording: Berlin 1927 · Matrix 350 1/2 bi · Original Cat.