Please Check the Latest Information in Advance. Calendar

Total Page:16

File Type:pdf, Size:1020Kb

Please Check the Latest Information in Advance. Calendar Calendar of Events September 2020 Notes: 1. Published by Tourist Information Center of Japan National Tourism Organization and all rights reserved. Reproduction in whole or in part without written permission is prohibited. ©2020 Japan National Tourism Organization 2. Dates, times and functions are subject to change without notice. Especially schedule of outdoor events and flower festival may change due to the weather. Be sure to check the latest information in advance. 3. The access shows only major route. Please refer to following URL for alternative transportation from the station where you want to start. http://www.hyperdia.com/en/ 4. Japanese words appearing in the column provide the name of the event, the place and access for you to point out to Japanese passerby when you need help. 5. Please refer to URL (basically in Japanese) for each event. If you have further questions, please call TIC, JNTO at following number. TIC, JNTO Tel : (03)-3201-3331 from overseas +81 3 3201 3331 TanabataObon TsukimiTsuyu お盆梅雨 月見七夕 Tanabata,Obon is a Buddhist Star Festival event is held onin JulyJuly (if7 infollowing most pa therts oflunar Japan or Tsukimi,Tsuyu is themoon rainy viewing season parties in early are summer held on in the Japan. evenin It usuallygs when starts there Augustcalendar) 7 in or some August areas. 13-15. Based Ancestral on a Chinese spirits are folk in legvitedend into in which the isaround a full harvestthe beginning moon inof September.June and ends People in mid-July. set up a table with Glossary︓ Special Remarks: twohome starts to be - Altairhonored. (Cowherd) Bon-Odori and (folkVega dance)(Weaver) are - als lovoe held, each withother SusukiHokkaido, - pampas the northern grass, Sake, part Tsukimi-dangoof Japan, is least - rice affec dumplted byings Tsuyu. and Kagura Shinto dance with music Dates and Times are shown as follows which is common in Japan. butpeople only in allowed Yukata to- summer cross the Kimono, Milky Way dancing to meet in a circleonce .a Many year on this assorted- Tsuyu seasonal literally fruits means and plumvegetables rain. One as offering of the reasons to thes moonis that Matsuri Festival, Event Dates : M/D April 3 ⇒ 4/3 day.people梅雨 take summer vacations during this time and return to their Tsuyuand appreciate occurs when the beautyplums are of theripening. moon. Time : 24 hours system 8:00am ⇒ 8:00 Wisheshometowns are written to visit onfamily long homes. colored strips of paper and hung from a 8:00pm ⇒ 20:00 Ukai 鵜飼 Cormorant fishing, an ancient method of catching Ayu (sweetfish or trout-like fish), handling cormorants. This usually takes place at night under the blazing torches fastened to the prows of fishing boats from May until October. The following events are still to be confirmed. (as of Aug.20) Please check the latest information in advance. Region Dates Pref. City Venue Event Summary Access URL Summary: From Tobu Asakusa One-night performance of local Kabuki (traditional play by male actors) in Sta., take Tobu Isesaki 東武浅草駅より東武伊 the precincts of the shrine, handed down for generations in a rustic village Line to Aizukogen- 勢崎線で野岩鉄道会津 Hinoemata- Hinoemata Kabuki-no http://w Tohoku Fukushima Chinju-jinja Shrine called Hinoemata. Only guests of local accommodations in the village on the ozeguchi Sta. via Yagan ⻤怒川線経由会津⾼ 9/5 mura Yube ww.oze- 東北 福島県 鎮守神社 night can be invited to the performance this year. Railway Aizu-Kinugawa 原尾瀬⼝駅下⾞、バス 檜枝岐村 檜枝岐歌舞伎の夕べ info.jp/ Line. From there, take で70分檜枝岐中央下 Schedule & Key events: bus to Hinoemata-chuo ⾞ Bus Stop (70 min.) 19:00- ©2020 Japan National Tourism Organization 1/7 Region Dates Pref. City Venue Event Summary Access URL Summary: Cormorant fishing. It will be held every day during the period except on the night of the full moon (10/1 this year) or when the water is excessively JR Tokaido Honsen Line muddy. Fee is 3,200 JPY (Mon. - Fri.) or 3,500 JPY (Sat., Sun. & Holidays) https://w to Gifu Sta. From there, JR東海道本線岐阜駅 Chubu Gifu Gifu Nagara River Nagaragawa Ukai without meal. For reservation, please call 058-262-0104 (Gifu City Ukai ww.ukai- 6/13 〜 10/15 take bus to Nagara- よりバスで15分⻑良橋 中部 岐阜県 岐阜市 ⻑良川 ⻑良川鵜飼 Kanransen Jimusho), or reserve through major travel agencies. gifucity.jp bashi Bus Stop (15 下⾞ /ukai/ min.) Schedule & Key events: ●daily (except 10/1) 19:45-20:30 (Departure time: 18:45, 19:15) Summary: Cormorant fishing. Fee is 3,000JPY without meal. There are also lunch cruise JR Tokaido Shinkansen every Tue., Thu., Sat. and Sun. with 5,000JPY. For reservation, please call Line to Nagoya Sta. JR東海道新幹線名古 0568-61-2727 (Kisogawa Kanko) or reserve through major travel agencies. From there, take https://ki Chubu Aichi Inuyama Kiso River Kisogawa Ukai 屋駅より名鉄犬山線で 6/19 〜 10/15 Meitetsu Inuyama Line sogawa- 中部 愛知県 犬山市 木曽川 木曽川鵜飼 犬山遊園駅下⾞ (東 to Inuyama-Yuen Sta. ukai.jp/ Schedule & Key events: ⼝)、徒歩3分 ●daily 19:00-19:45 (East Exit), and then Lunch Cruise (every Tue., Thu., Sat. & Sun.) walk 3 min. 11:50-13:50 (1) Keifuku Arashiyama Honsen Line to https://ar Summary: Arashiyama Sta., and Ukyo-ku, (1) 京福嵐山本線嵐 ashiyama Cormorant fishing. Fee is 1,800JPY without meal. Tickets are put on sale then walk 10 min. Nishikyo-ku, 山駅より徒歩10分 - from 18:00 on the day. No reservation is necessary unless you charter a (2) Hankyu Arashiyama Kinki Kyoto Kyoto Oi River Arashiyama Ukai (2) 阪急嵐山線嵐山 yakatabu 7/1 〜 9/23 boat for a group. Line to Arashiyama 近畿 京都府 京都市 大堰川 嵐山鵜飼 駅より徒歩15分 ne.com/h Sta., and then walk 15 右京区、 (3) JR嵯峨野線瑳峨 ome/cor min. ⻄京区 Schedule & Key events: 嵐山駅より徒歩15分 morant- (3) JR Sagano Line to ●daily 18:30-, 19:30- fishing Saga-Arashiyama Sta., and then walk 15 min. JR Tokaido Shinkansen Line to Nagoya Sta. From there, take JR東海道新幹線名古 (1) Kintetsu Yamada Ise-jingu Shrine - Summary: 屋駅より http://w Line to Ujiyamada Sta., Naiku, Autumn Festival at the shrine. Various Japanese traditional performing arts (1) 近鉄山田線で宇治 ww.isejin Jingu Aki-no-Kagura- and take bus to Naiku- Kinki Mie Ise Sanshuden Hall are scheduled during the festival period. 山田駅下⾞、バスで10 gu.or.jp/r 9/21 〜 9/23 sai mae Bus Stop (10 近畿 三重県 伊勢市 and others 分内宮前下⾞ itual/ann 神宮秋の神楽祭 min.) 伊勢神宮(内宮)、 (2) JR快速"みえ"で伊 ual/kagur Schedule & Key events: (2) JR Rapid Train 参集殿ほか 勢市駅下⾞、バスで15 asai.html Details are still to be arranged "Mie" to Ise-shi Sta., 分内宮前下⾞ and take bus to Naiku- mae Bus Stop (15 min.) ©2020 Japan National Tourism Organization 2/7 The following events have been cancelled or postponed. (as of Aug.20) Region Dates Pref. City Venue Event Summary Access URL JR Tohoku Shinkansen Line to Shin-Hanamaki https://w Summary: Sta. From there, JR東北新幹線新花巻 ww.city.h Festival with over a 400-year history, featuring various parades of beautifully (1) take bus to 駅より anamaki.i bedecked 12 floats, over 100 Mikoshi and Shishi Odori (people wearing deer head's Tohoku Iwate Hanamaki Hanamaki Hanamaki Matsuri Hanamaki Ekimae Bus (1) バスで20分花巻駅 wate.jp/k - hoods and dancing with drums, native to Iwate Pref.). 東北 岩手県 花巻市 花巻市 花巻まつり Stop (20 min.), and 前下⾞、徒歩10分 anko/oshi then walk 10 min. (2) JR釜石線で花巻駅 rase/101 Schedule & Key events: (2) take JR Kamaishi 下⾞、徒歩10分 2327.htm cancelled Line to Hanamaki Sta., l and then walk 10 min. Summary: Yachi Hachiman-gu Annual Festival of the shrine, featuring Bugaku with a 1,100-year history, designated http://w JR Yamagata Shrine, as one of the National Important Intangible Folk Cultural Properties. The highlight of ww.town. Shinkansen Line to JR山形新幹線さくらんぼ Tohoku Yamagata Kahoku-cho Donga Hall and Yachi Donga Matsuri this festival is the performance, in which Yakko (retainers) demonstrate their skill of kahoku.y - Sakurambo-Higashine 東根駅よりタクシーで15 東北 山形県 河北町 others 谷地どんが祭り brandishing long spears on the city's main streets. amagata. Sta. From there, take 分 谷地八幡宮、 jp/3771. taxi (15min.) どんがホールほか Schedule & Key events: html cancelled Morioka Hachiman-gu Morioka Hachiman- Summary: Shrine : Morioka Hachiman-gu gu Shrine, Annual Autumn Festival of the shrine featuring gorgeous Dashi (floats) parading in JR Tohoku Shinkansen 盛岡八幡宮 : http://w Reisai & Morioka Aki Tohoku Iwate Morioka Morioka Castle site the city daily. Line to Morioka Sta. JR東北新幹線盛岡駅 ww.odett - Matsuri Dashi 東北 岩手県 盛岡市 and others From there, take bus よりバス茶畑⾏で15分 e.or.jp/?p 盛岡八幡宮例祭と盛岡秋まつ 盛岡八幡宮、 Schedule & Key events: (for Chabatake) to 八幡宮前下⾞ =829 り山⾞ 盛岡城跡ほか cancelled Hachimangu-mae Bus Stop (15 min.) Summary: Festival coinciding with an annual festival of the shrine. The highlight of this festival is JR Tohoku Shinkansen Tonogo Hachiman- https://to Nippon-no-Furusato a parade of local performing arts all native to the Tohoku region such as Shishi-odori Line to Shin-Hanamaki JR東北新幹線新花巻 Tohoku Iwate Tono gu Shrine and nojikan.jp - Tono Matsuri (deer dance) , Kagura , Taiko and folk dancing held by about 60 grouped people. Sta. From there, take 駅よりJR釜石線で遠野 東北 岩手県 遠野市 others /event/0 日本のふるさと遠野まつり JR Kamaishi Line to 駅下⾞ 遠野郷八幡宮ほか 921-1-1/ Schedule & Key events: Tono Sta. cancelled Tsuruga Castle : JR Tohoku Shinkansen Summary: Shinmei-dori Line to Koriyama Sta. 鶴ヶ城 : http://w Aizu Matsuri Festival of the area. The highlight of this festival is Aizu-han-ko Gyoretsu (a Street, From there, take JR JR東北新幹線郡山駅 ww.aizuk Aizu- (Aizu-han-ko procession in honor of a feudal lord of the Aizu domain and his 500 armored Tohoku Fukushima Tsuruga Castle and Ban'etsu Saisen Line to よりJR磐越⻄線で会津 anko.com - Wakamatsu Gyoretsu) warriors). Some more events are scheduled during the festival period. 東北 福島県 others Aizu-Wakamatsu Sta., 若松駅下⾞、バスで15 /kk/festiv 会津若松市 会津祭り 神明通り、 and then take bus to 〜20分鶴ヶ城⼊⼝下 al/aizu- (会津藩公⾏列) Schedule & Key events: 鶴ヶ城ほか Tsuruga-jo Iriguchi Bus ⾞、徒歩5分 matsuri cancelled Stop (15-20 min.), and then walk 5 min.
Recommended publications
  • Universitatea
    10.2478/ewcp-2020-0011 Japan’s Food Culture – From Dango (Dumplings) to Tsukimi (Moon-Viewing) Burgers OANA-MARIA BÎRLEA Babeș-Bolyai University, Cluj-Napoca, Romania Abstract The purpose of this essay is to present how Japanese eating habits have changed in the context of globalization. We start from the premise that eating is not merely about meeting a basic need, but about creating a relationship with nature. It can be regarded as a ritual practice because it reveals a culture and its people’s beliefs, values and mind-sets. As Geert Hofstede et al. note, life in Japan is highly ritualized and there are a lot of ceremonies (192). Starting from the idea that food consumption is based on rituals too, we intend to explain the relationship between eating habits and lifestyle change in contemporary Japan. Considering that the Japanese diet is based on whole or minimally processed foods, we ask ourselves how Western food habits ended up being adopted and adapted so quickly in the Japanese society. With this purpose in mind, we intend to describe some of the most important festivals and celebrations in Japan, focusing on the relationship between special occasions and food. In other words, we aim to explain the cultural significance of food and eating and to see if and how these habits have changed in time. Keywords: Japan, Japanese culture, gastronomy, globalization, traditional eating, modern eating, food studies, eating habits, change, food-body-self relationship. Oana-Maria Bîrlea 55 Introduction The Japanese are known for their attention to detail, balance and desire to improve (Sarkar 134).
    [Show full text]
  • Kigo-Articles.Pdf
    Kigo Articles Contained in the All-in-One PDF 1) Kigo and Seasonal Reference: Cross-cultural Issues in Anglo- American Haiku Author: Richard Gilbert (10 pages, 7500 words). A discussion of differences between season words as used in English-language haiku, and kigo within the Japanese literary context. Publication: Kumamoto Studies in English Language and Literature 49, Kumamoto University, Kumamoto, Japan, March 2006 (pp. 29- 46); revised from Simply Haiku 3.3 (Autumn 2005). 2) A New Haiku Era: Non-season kigo in the Gendai Haiku saijiki Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (4 pages, 1900 words). Introduction to the Muki Saijiki focusing on the muki kigo volume of the 2004 the Modern Haiku Association (Gendai Haiku Kyôkai; MHA). This article contains the translation of the Introduction to the volume, by Tohta Kaneko. Publication: Modern Haiku 37.2 (Summer 2006) 3) The Heart in Season: Sampling the Gendai Haiku Non-season Muki Saijiki – Preface Authors: Yûki Itô, with Richard Gilbert (3 pages, 1400 words). An online compliment to the Introduction by Tohta Kaneko found in the above-referenced Muki Saijiki article. Within, some useful information concerning the treatments of kigo in Bashô and Issa. Much of the information has been translated from Tohta Kaneko's Introduction to Haiku. Publication: Simply Haiku Journal 4.3 (Autumn 2006) 4) The Gendai Haiku Muki Saijiki -- Table of Contents Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (30 pages, 9300 words). A bilingual compilation of the keywords used in the Muki Saijiki Table of Contents.
    [Show full text]
  • A POPULAR DICTIONARY of Shinto
    A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first.
    [Show full text]
  • Map of Japan the World Japan & Surrounding Countries Emergence of Japanese Land
    Geography of Japan Geography of Japan Map of Japan The World Japan & surrounding countries Emergence of Japanese Land • During the glacier age (about 1,000,000 – 10,000 BC), Japan was connected to the Asian continent. About 10,000 years ago Japanese islands were separated from the continent as a result of earth movements. • Thus, the Japanese islands are connected to the Asian mainland by the relatively shallow-lying continental shelf. • The 4 main islands, Okinawa and thousands of small islands. 6,852 islands (2006 survey) inhabited islands: 400, others un- inhabited Japan is an island country • Close enough to the Asian Continent. • 31 miles (ca. 50km) from Tsushima, Japan to Busan, Korea • 26 miles from the tip of Hokkaido to Sakhalin • Several miles to Kuril Islands from Nosappu cape (2.5 miles) Latitude- from Montreal in the north to Florida in the south Japan latitude comparison to Brunswick, ME US latitude comparison to Tokyo, Japan Tokyo is about the same latitude as Raleigh, North Carolina Total Land Area • 378,000 km2 – 1/25th the size of the U.S. • Slightly smaller than the State of California • 3,800 km (2375 miles) from the northern tip to the southern island • Country of many volcanoes • 80% of Japan’s surface is mountainous • Less than 15% is arable • Situated along the circum-Pacific volcanic belt – numerous earthquakes Pacific Volcanic Belt Other facts • The nation’s capital: Tokyo, 36° North latitude • Population: • Tokyo: 13,754,000 (Jan. 2018) • Japan: 126,420,000 (Apr. 2018) (less than half of the US) • The highest mountain: Mt.
    [Show full text]
  • Japanese Folk Tale
    The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai."­ T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1.
    [Show full text]
  • Biblio:Basho-27S-Haiku.Pdf
    Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging in Publication Data Matsuo Basho¯, 1644–1694. [Poems. English. Selections] Basho¯’s haiku : selected poems by Matsuo Basho¯ / translated by David Landis Barnhill. p. cm. Includes bibliographical references and index. ISBN 0-7914-6165-3 — 0-7914-6166-1 1. Haiku—Translations into English. 2. Japanese poetry—Edo period, 1600–1868—Translations into English. I. Barnhill, David Landis. II. Title. PL794.4.A227 2004 891.6’132—dc22 2004005954 10 9 8 7 6 5 4 3 2 1 Basho¯’s Haiku Selected Poems by Matsuo Basho¯ Matsuo Basho¯ Translated by, annotated, and with an Introduction by David Landis Barnhill STATE UNIVERSITY OF NEW YORK PRESS for Phyllis Jean Schuit spruce fir trail up through endless mist into White Pass sky Contents Preface ix Selected Chronology of the Life of Matsuo Basho¯ xi Introduction: The Haiku Poetry of Matsuo Basho¯ 1 Translation of the Hokku 19 Notes 155 Major Nature Images in Basho¯’s Hokku 269 Glossary 279 Bibliography 283 Index to Basho¯’s Hokku in Translation 287 Index to Basho¯’s Hokku in Japanese 311 Index of Names 329 vii Preface “You know, Basho¯ is almost too appealing.” I remember this remark, made quietly, offhand, during a graduate seminar on haiku poetry.
    [Show full text]
  • COX-DISSERTATION-2018.Pdf (5.765Mb)
    Copyright Copyright by Benjamin Davis Cox 2018 Signature Page The Dissertation Committee for Benjamin Davis Cox certifies that this is the approved version of the following dissertation: Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan Committee: ____________________________________ John W. Traphagan, Supervisor ____________________________________ A. Azfar Moin ____________________________________ Oliver Freiberger ____________________________________ Kirsten Cather Title Page Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan by Benjamin Davis Cox Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Dedication For my mother, who tirelessly read all of my blasphemies, but corrected only my grammar. BB&tt. Acknowledgments Fulbright, CHLA This research was made possible by the Fulbright-Hays Doctoral Dissertation Fellowship, a Hannah Beiter Graduate Student Research Grant from the Children’s Literature Association, and a grant from the Mitsubishi Heavy Industries Endowment in the College of Liberal Arts, University of Texas at Austin. I would additionally like to thank Waseda University for sponsoring my research visa, and in particular Glenda Roberts for helping secure my affiliation. Thank you to the members of my committee—John Traphagan, Azfar Moin, Oliver Freiberger, and Kirsten Cather—for their years of support and intellectual engagement, and to my ‘grand-advisor’ Keith Brown, whose lifetime of work in Mizusawa opened many doors to me that would otherwise have remained firmly but politely shut. I am deeply indebted to the people of Mizusawa for their warmth, kindness, and forbearance.
    [Show full text]
  • Food Culture in Japan
    Food Culture in Japan MICHAEL ASHKENAZI JEANNE JACOB GREENWOOD PRESS Food Culture in Japan Cartography by Bookcomp, Inc. Food Culture in Japan MICHAEL ASHKENAZI AND JEANNE JACOB Food Culture around the World Ken Albala, Series Editor GREENWOOD PRESS Westport, Connecticut . London Library of Congress Cataloging-in-Publication Data Ashkenazi, Michael. Food culture in Japan / Michael Ashkenazi and Jeanne Jacob. p. cm. — (Food culture around the world, 1545–2638) Includes bibliographical references and index. ISBN 0–313–32438–7 (alk. paper) 1. Cookery, Japanese. 2. Food habits—Japan. I. Jacob, Jeanne. II. Title. III. Series. TX724.5.J3A88 2003 394.1Ј0952—dc22 2003049317 British Library Cataloguing in Publication Data is available. Copyright © 2003 by Michael Ashkenazi and Jeanne Jacob All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003049317 ISBN: 0–313–32438–7 ISSN: 1545–2638 First published in 2003 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Illustrations by J. Susan Cole Stone. The publisher has done its best to make sure the instructions and/or recipes in this book are correct. However, users should apply judgment and experience when preparing recipes, especially parents and teachers working with young people. The publisher ac- cepts no responsibility for the outcome of any recipe included in this volume.
    [Show full text]
  • Miso Hungry : Food Diary Pdf, Epub, Ebook
    MISO HUNGRY : FOOD DIARY PDF, EPUB, EBOOK Redmons Publishing | 114 pages | 03 Oct 2019 | Independently Published | 9781697410297 | English | none Miso Hungry : Food Diary PDF Book They are sweet and crunch and sliced and served alongside rice or other dishes. It was so good. Director: Tim Delmastro. Award-winning comedian and fast-food junkie Craig Anderson doesn't have much time for healthy living. Tsukimi udon and tsukimi soba are soba or udon noodles topped with a raw egg, maybe a bit of nori and scallions, and then covered with broth. Look back at our favorite moments throughout the year, from award shows to up-close shots of celebrities. What is the definition of Moderatio The Art of Aging. He sits down to a meal of pumpkin tempura, daikon, shiitake, miso soup, and rice. Otaka operates cafeterias in factories and offices. Older posts. Arielle Castillo January 25, pm. Cook Love Heal. Vegans can go for a tofu stir-fry, while those craving a little less virtuous fair can go for a spring roll, or, yes, a burger -- but with a twist. Metacritic Reviews. This search form with id 2 does not exist! Home About Archives. An example is umeboshi red pickled Japanese plums. Japanese Cafeteria Meals Mr. Anderson wonders how anyone can get large on Japanese food. To stay on his diet while working away from home, Anderson makes to-go lunches. Shiozuke salt pickles : The simplest and most common types of tsukemono. Change country. They finally decided on a truck from Miami Trailer, and got on the road, rogue-style, in time for this past installation of Art Basel.
    [Show full text]
  • The Garden Path
    The Garden Path Perspectives January/February 2019 TABLE OF CONTENTS OF TABLE CEO THE FROM HAIKU 3 Letter from the CEO Steve Bloom In the pine’s depths A chickadee hesitates The snow continues 4 Events Calendar January – February –Peter Kendall Dear Members, Akemashite omedetō gozaimasu! Happy New Year! 5 Member News It's been three months since I embarked on my residency, and what a whirlwind it has been! In that time, I have set up my temporary "home" in Tokyo, and I was honored to speak at the 100th anniversary of the Garden Society of Japan in 6 Garden News Kyoto. I’ve travelled to São Paolo, Brazil to share the Garden's story at Japan SENIOR STAFF Nurtured by Nature: How Japanese House and discuss possible future collaborations. Designed by Kengo Kuma, Gardens Support our Bodies and Minds CHIEF EXECUTIVE OFFICER Steve Bloom Japan House is the creation of Japan’s Ministry of Foreign Affairs with recently DEPUTY DIRECTOR Cynthia Johnson Haruyama opened locations in São Paolo, Los Angeles, and London. I’ll head to London, 8 Culture & Education THE ARLENE SCHNITZER CURATOR 1 England later this month to continue the conversation. 2019 Garden+ Lecture Series OF CULTURE, ART, AND EDUCATION Aki Nakanishi GARDEN CURATOR Sadafumi Uchiyama As I talk with scholars, gardeners, craftspeople, directors, and government leaders, I am reminded how looking at life from many perspectives is incredibly 10 Art in the Garden CURATOR EMERITA Diane Durston valuable. It enables us to learn about ourselves and others. It helps us view our Ice & Stone CHIEF EXTERNAL AFFAIRS OFFICER Lisa Christy own lives in different ways.
    [Show full text]
  • How to Write, Share, J and Teach Haiku WILLIAM J. HIGGINSON
    How to Write, Share, J and Teach Haiku WILLIAM J. HIGGINSON WITH PENNY HARTER MCGRAW-HILL BOOK COMPANY New York St. Louis San Francisco Bogota Guatemala Hamburg Lisbon Madrid Mexico Montreal Panama Paris San Juan Sao Paulo Tokyo Toronto Copyright © 1985 by William J. Higginson All rights reserved. Printed in the United States of America. Except as permitted under the Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a data base or retrieval system, without the prior written permission of the publisher. 123456789FGRFGR8765 ISBN a-D7-02fi7ab-H Library of Congress Cataloging in Publication Data Higginson, William J., 1938- The haiku handbook. Bibliography: p. Includes indexes. 1. Haiku—History and criticism 2. Haiku—Technique. I. Harter, Penny. II. Title. PL729.H481984 808.1 84-17174 ISBN 0-07-028786-4 (pbk.) Book design by Patrice Fodero A Note on the Translations and Some Words of Thanks The primary purpose of reading and writing haiku is sharing moments of our lives that have moved us, pieces of experience and perception that we offer or receive as gifts. At the deepest level, this is the one great purpose of all art, and especially of literature. The writer invites the reader to share in the experience written about, and in the experience of the shared language itself. In this handbook you will find haiku in ten different lan­ guages, from all inhabited continents of Earth. While I have made all the final versions of the translations unless stated otherwise in the text, a number of people have given of their time and exper­ tise, that we might all share, as nearly as possible, the experiences and the languages of these poems.
    [Show full text]
  • UNDER the CHERRY TREES the Symbolism of Cherry Blossoms During Hanami in Japan
    UNDER THE CHERRY TREES The Symbolism of Cherry Blossoms during Hanami in Japan Master’s Thesis University of Oulu Cultural Anthropology Spring 2018 Karoliina Rankinen Table of Contents 1 Introduction 2 1.1 Background Information .........................................................3 1.2 Research Problem ....................................................................5 2 Research Methods 7 2.1 Participant Observation ...........................................................8 2.2 Semi-structured Interview ..................................................... 11 2.3 Analyze Methods .................................................................. 12 3 Theoretical Framework 14 3.1 Interpretive Anthropology .................................................... 14 3.2 Rituals and Symbols ............................................................. 15 3.2.1 Key Symbols ............................................................... 17 3.2.2 Rites of Passage ........................................................... 18 3.3 Time and Space in Anthropology ......................................... 20 3.3.1 Japanese Time, Culture of Four Seasons .................... 24 3.3.2 Japanese Space and Nature Relationship .................... 27 4 History of Cherry Blossoms in Japan 32 5 Comprehensive Guide to Hanami 38 5.1 The Way of Hanami, Three Hanami Categories .................. 39 5.2 Lifetime of Hanami .............................................................. 53 6 Cherry Blossom Symbolism 64 6.1 The Beauty of Ephemerality ...............................................
    [Show full text]