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10.2478/ewcp-2020-0011 Japan’s Food Culture – From Dango (Dumplings) to Tsukimi (Moon-Viewing) Burgers OANA-MARIA BÎRLEA Babeș-Bolyai University, Cluj-Napoca, Romania Abstract The purpose of this essay is to present how Japanese eating habits have changed in the context of globalization. We start from the premise that eating is not merely about meeting a basic need, but about creating a relationship with nature. It can be regarded as a ritual practice because it reveals a culture and its people’s beliefs, values and mind-sets. As Geert Hofstede et al. note, life in Japan is highly ritualized and there are a lot of ceremonies (192). Starting from the idea that food consumption is based on rituals too, we intend to explain the relationship between eating habits and lifestyle change in contemporary Japan. Considering that the Japanese diet is based on whole or minimally processed foods, we ask ourselves how Western food habits ended up being adopted and adapted so quickly in the Japanese society. With this purpose in mind, we intend to describe some of the most important festivals and celebrations in Japan, focusing on the relationship between special occasions and food. In other words, we aim to explain the cultural significance of food and eating and to see if and how these habits have changed in time. Keywords: Japan, Japanese culture, gastronomy, globalization, traditional eating, modern eating, food studies, eating habits, change, food-body-self relationship. Oana-Maria Bîrlea 55 Introduction The Japanese are known for their attention to detail, balance and desire to improve (Sarkar 134). -
Kigo-Articles.Pdf
Kigo Articles Contained in the All-in-One PDF 1) Kigo and Seasonal Reference: Cross-cultural Issues in Anglo- American Haiku Author: Richard Gilbert (10 pages, 7500 words). A discussion of differences between season words as used in English-language haiku, and kigo within the Japanese literary context. Publication: Kumamoto Studies in English Language and Literature 49, Kumamoto University, Kumamoto, Japan, March 2006 (pp. 29- 46); revised from Simply Haiku 3.3 (Autumn 2005). 2) A New Haiku Era: Non-season kigo in the Gendai Haiku saijiki Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (4 pages, 1900 words). Introduction to the Muki Saijiki focusing on the muki kigo volume of the 2004 the Modern Haiku Association (Gendai Haiku Kyôkai; MHA). This article contains the translation of the Introduction to the volume, by Tohta Kaneko. Publication: Modern Haiku 37.2 (Summer 2006) 3) The Heart in Season: Sampling the Gendai Haiku Non-season Muki Saijiki – Preface Authors: Yûki Itô, with Richard Gilbert (3 pages, 1400 words). An online compliment to the Introduction by Tohta Kaneko found in the above-referenced Muki Saijiki article. Within, some useful information concerning the treatments of kigo in Bashô and Issa. Much of the information has been translated from Tohta Kaneko's Introduction to Haiku. Publication: Simply Haiku Journal 4.3 (Autumn 2006) 4) The Gendai Haiku Muki Saijiki -- Table of Contents Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (30 pages, 9300 words). A bilingual compilation of the keywords used in the Muki Saijiki Table of Contents. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Map of Japan the World Japan & Surrounding Countries Emergence of Japanese Land
Geography of Japan Geography of Japan Map of Japan The World Japan & surrounding countries Emergence of Japanese Land • During the glacier age (about 1,000,000 – 10,000 BC), Japan was connected to the Asian continent. About 10,000 years ago Japanese islands were separated from the continent as a result of earth movements. • Thus, the Japanese islands are connected to the Asian mainland by the relatively shallow-lying continental shelf. • The 4 main islands, Okinawa and thousands of small islands. 6,852 islands (2006 survey) inhabited islands: 400, others un- inhabited Japan is an island country • Close enough to the Asian Continent. • 31 miles (ca. 50km) from Tsushima, Japan to Busan, Korea • 26 miles from the tip of Hokkaido to Sakhalin • Several miles to Kuril Islands from Nosappu cape (2.5 miles) Latitude- from Montreal in the north to Florida in the south Japan latitude comparison to Brunswick, ME US latitude comparison to Tokyo, Japan Tokyo is about the same latitude as Raleigh, North Carolina Total Land Area • 378,000 km2 – 1/25th the size of the U.S. • Slightly smaller than the State of California • 3,800 km (2375 miles) from the northern tip to the southern island • Country of many volcanoes • 80% of Japan’s surface is mountainous • Less than 15% is arable • Situated along the circum-Pacific volcanic belt – numerous earthquakes Pacific Volcanic Belt Other facts • The nation’s capital: Tokyo, 36° North latitude • Population: • Tokyo: 13,754,000 (Jan. 201８) • Japan: 12６,420,000 (Apr. 201８) (less than half of the US) • The highest mountain: Mt. -
Japanese Folk Tale
The Yanagita Kunio Guide to the Japanese Folk Tale Copublished with Asian Folklore Studies YANAGITA KUNIO (1875 -1962) The Yanagita Kunio Guide to the Japanese Folk Tale Translated and Edited by FANNY HAGIN MAYER INDIANA UNIVERSITY PRESS Bloomington This volume is a translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai. Tokyo: Nihon Hoso Shuppan Kyokai, 1948. This book has been produced from camera-ready copy provided by ASIAN FOLKLORE STUDIES, Nanzan University, Nagoya, japan. © All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolution on Permissions constitutes the only exception to this prohibition. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Nihon mukashibanashi meii. English. The Yanagita Kunio guide to the japanese folk tale. "Translation of Nihon mukashibanashi meii, compiled under the supervision of Yanagita Kunio and edited by Nihon Hoso Kyokai." T.p. verso. "This book has been produced from camera-ready copy provided by Asian Folklore Studies, Nanzan University, Nagoya,japan."-T.p. verso. Bibliography: p. Includes index. 1. Tales-japan-History and criticism. I. Yanagita, Kunio, 1875-1962. II. Mayer, Fanny Hagin, 1899- III. Nihon Hoso Kyokai. IV. Title. GR340.N52213 1986 398.2'0952 85-45291 ISBN 0-253-36812-X 2 3 4 5 90 89 88 87 86 Contents Preface vii Translator's Notes xiv Acknowledgements xvii About Folk Tales by Yanagita Kunio xix PART ONE Folk Tales in Complete Form Chapter 1. -
Biblio:Basho-27S-Haiku.Pdf
Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging in Publication Data Matsuo Basho¯, 1644–1694. [Poems. English. Selections] Basho¯’s haiku : selected poems by Matsuo Basho¯ / translated by David Landis Barnhill. p. cm. Includes bibliographical references and index. ISBN 0-7914-6165-3 — 0-7914-6166-1 1. Haiku—Translations into English. 2. Japanese poetry—Edo period, 1600–1868—Translations into English. I. Barnhill, David Landis. II. Title. PL794.4.A227 2004 891.6’132—dc22 2004005954 10 9 8 7 6 5 4 3 2 1 Basho¯’s Haiku Selected Poems by Matsuo Basho¯ Matsuo Basho¯ Translated by, annotated, and with an Introduction by David Landis Barnhill STATE UNIVERSITY OF NEW YORK PRESS for Phyllis Jean Schuit spruce fir trail up through endless mist into White Pass sky Contents Preface ix Selected Chronology of the Life of Matsuo Basho¯ xi Introduction: The Haiku Poetry of Matsuo Basho¯ 1 Translation of the Hokku 19 Notes 155 Major Nature Images in Basho¯’s Hokku 269 Glossary 279 Bibliography 283 Index to Basho¯’s Hokku in Translation 287 Index to Basho¯’s Hokku in Japanese 311 Index of Names 329 vii Preface “You know, Basho¯ is almost too appealing.” I remember this remark, made quietly, offhand, during a graduate seminar on haiku poetry. -
COX-DISSERTATION-2018.Pdf (5.765Mb)
Copyright Copyright by Benjamin Davis Cox 2018 Signature Page The Dissertation Committee for Benjamin Davis Cox certifies that this is the approved version of the following dissertation: Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan Committee: ____________________________________ John W. Traphagan, Supervisor ____________________________________ A. Azfar Moin ____________________________________ Oliver Freiberger ____________________________________ Kirsten Cather Title Page Gods Without Faces Childhood, Religion, and Imagination in Contemporary Japan by Benjamin Davis Cox Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2018 Dedication For my mother, who tirelessly read all of my blasphemies, but corrected only my grammar. BB&tt. Acknowledgments Fulbright, CHLA This research was made possible by the Fulbright-Hays Doctoral Dissertation Fellowship, a Hannah Beiter Graduate Student Research Grant from the Children’s Literature Association, and a grant from the Mitsubishi Heavy Industries Endowment in the College of Liberal Arts, University of Texas at Austin. I would additionally like to thank Waseda University for sponsoring my research visa, and in particular Glenda Roberts for helping secure my affiliation. Thank you to the members of my committee—John Traphagan, Azfar Moin, Oliver Freiberger, and Kirsten Cather—for their years of support and intellectual engagement, and to my ‘grand-advisor’ Keith Brown, whose lifetime of work in Mizusawa opened many doors to me that would otherwise have remained firmly but politely shut. I am deeply indebted to the people of Mizusawa for their warmth, kindness, and forbearance. -
Food Culture in Japan
Food Culture in Japan MICHAEL ASHKENAZI JEANNE JACOB GREENWOOD PRESS Food Culture in Japan Cartography by Bookcomp, Inc. Food Culture in Japan MICHAEL ASHKENAZI AND JEANNE JACOB Food Culture around the World Ken Albala, Series Editor GREENWOOD PRESS Westport, Connecticut . London Library of Congress Cataloging-in-Publication Data Ashkenazi, Michael. Food culture in Japan / Michael Ashkenazi and Jeanne Jacob. p. cm. — (Food culture around the world, 1545–2638) Includes bibliographical references and index. ISBN 0–313–32438–7 (alk. paper) 1. Cookery, Japanese. 2. Food habits—Japan. I. Jacob, Jeanne. II. Title. III. Series. TX724.5.J3A88 2003 394.1Ј0952—dc22 2003049317 British Library Cataloguing in Publication Data is available. Copyright © 2003 by Michael Ashkenazi and Jeanne Jacob All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2003049317 ISBN: 0–313–32438–7 ISSN: 1545–2638 First published in 2003 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10987654321 Illustrations by J. Susan Cole Stone. The publisher has done its best to make sure the instructions and/or recipes in this book are correct. However, users should apply judgment and experience when preparing recipes, especially parents and teachers working with young people. The publisher ac- cepts no responsibility for the outcome of any recipe included in this volume. -
Miso Hungry : Food Diary Pdf, Epub, Ebook
MISO HUNGRY : FOOD DIARY PDF, EPUB, EBOOK Redmons Publishing | 114 pages | 03 Oct 2019 | Independently Published | 9781697410297 | English | none Miso Hungry : Food Diary PDF Book They are sweet and crunch and sliced and served alongside rice or other dishes. It was so good. Director: Tim Delmastro. Award-winning comedian and fast-food junkie Craig Anderson doesn't have much time for healthy living. Tsukimi udon and tsukimi soba are soba or udon noodles topped with a raw egg, maybe a bit of nori and scallions, and then covered with broth. Look back at our favorite moments throughout the year, from award shows to up-close shots of celebrities. What is the definition of Moderatio The Art of Aging. He sits down to a meal of pumpkin tempura, daikon, shiitake, miso soup, and rice. Otaka operates cafeterias in factories and offices. Older posts. Arielle Castillo January 25, pm. Cook Love Heal. Vegans can go for a tofu stir-fry, while those craving a little less virtuous fair can go for a spring roll, or, yes, a burger -- but with a twist. Metacritic Reviews. This search form with id 2 does not exist! Home About Archives. An example is umeboshi red pickled Japanese plums. Japanese Cafeteria Meals Mr. Anderson wonders how anyone can get large on Japanese food. To stay on his diet while working away from home, Anderson makes to-go lunches. Shiozuke salt pickles : The simplest and most common types of tsukemono. Change country. They finally decided on a truck from Miami Trailer, and got on the road, rogue-style, in time for this past installation of Art Basel. -
The Garden Path
The Garden Path Perspectives January/February 2019 TABLE OF CONTENTS OF TABLE CEO THE FROM HAIKU 3 Letter from the CEO Steve Bloom In the pine’s depths A chickadee hesitates The snow continues 4 Events Calendar January – February –Peter Kendall Dear Members, Akemashite omedetō gozaimasu! Happy New Year! 5 Member News It's been three months since I embarked on my residency, and what a whirlwind it has been! In that time, I have set up my temporary "home" in Tokyo, and I was honored to speak at the 100th anniversary of the Garden Society of Japan in 6 Garden News Kyoto. I’ve travelled to São Paolo, Brazil to share the Garden's story at Japan SENIOR STAFF Nurtured by Nature: How Japanese House and discuss possible future collaborations. Designed by Kengo Kuma, Gardens Support our Bodies and Minds CHIEF EXECUTIVE OFFICER Steve Bloom Japan House is the creation of Japan’s Ministry of Foreign Affairs with recently DEPUTY DIRECTOR Cynthia Johnson Haruyama opened locations in São Paolo, Los Angeles, and London. I’ll head to London, 8 Culture & Education THE ARLENE SCHNITZER CURATOR 1 England later this month to continue the conversation. 2019 Garden+ Lecture Series OF CULTURE, ART, AND EDUCATION Aki Nakanishi GARDEN CURATOR Sadafumi Uchiyama As I talk with scholars, gardeners, craftspeople, directors, and government leaders, I am reminded how looking at life from many perspectives is incredibly 10 Art in the Garden CURATOR EMERITA Diane Durston valuable. It enables us to learn about ourselves and others. It helps us view our Ice & Stone CHIEF EXTERNAL AFFAIRS OFFICER Lisa Christy own lives in different ways. -
How to Write, Share, J and Teach Haiku WILLIAM J. HIGGINSON
How to Write, Share, J and Teach Haiku WILLIAM J. HIGGINSON WITH PENNY HARTER MCGRAW-HILL BOOK COMPANY New York St. Louis San Francisco Bogota Guatemala Hamburg Lisbon Madrid Mexico Montreal Panama Paris San Juan Sao Paulo Tokyo Toronto Copyright © 1985 by William J. Higginson All rights reserved. Printed in the United States of America. Except as permitted under the Copyright Act of 1976, no part of this publication may be reproduced or distributed in any form or by any means, or stored in a data base or retrieval system, without the prior written permission of the publisher. 123456789FGRFGR8765 ISBN a-D7-02fi7ab-H Library of Congress Cataloging in Publication Data Higginson, William J., 1938- The haiku handbook. Bibliography: p. Includes indexes. 1. Haiku—History and criticism 2. Haiku—Technique. I. Harter, Penny. II. Title. PL729.H481984 808.1 84-17174 ISBN 0-07-028786-4 (pbk.) Book design by Patrice Fodero A Note on the Translations and Some Words of Thanks The primary purpose of reading and writing haiku is sharing moments of our lives that have moved us, pieces of experience and perception that we offer or receive as gifts. At the deepest level, this is the one great purpose of all art, and especially of literature. The writer invites the reader to share in the experience written about, and in the experience of the shared language itself. In this handbook you will find haiku in ten different lan guages, from all inhabited continents of Earth. While I have made all the final versions of the translations unless stated otherwise in the text, a number of people have given of their time and exper tise, that we might all share, as nearly as possible, the experiences and the languages of these poems. -
UNDER the CHERRY TREES the Symbolism of Cherry Blossoms During Hanami in Japan
UNDER THE CHERRY TREES The Symbolism of Cherry Blossoms during Hanami in Japan Master’s Thesis University of Oulu Cultural Anthropology Spring 2018 Karoliina Rankinen Table of Contents 1 Introduction 2 1.1 Background Information .........................................................3 1.2 Research Problem ....................................................................5 2 Research Methods 7 2.1 Participant Observation ...........................................................8 2.2 Semi-structured Interview ..................................................... 11 2.3 Analyze Methods .................................................................. 12 3 Theoretical Framework 14 3.1 Interpretive Anthropology .................................................... 14 3.2 Rituals and Symbols ............................................................. 15 3.2.1 Key Symbols ............................................................... 17 3.2.2 Rites of Passage ........................................................... 18 3.3 Time and Space in Anthropology ......................................... 20 3.3.1 Japanese Time, Culture of Four Seasons .................... 24 3.3.2 Japanese Space and Nature Relationship .................... 27 4 History of Cherry Blossoms in Japan 32 5 Comprehensive Guide to Hanami 38 5.1 The Way of Hanami, Three Hanami Categories .................. 39 5.2 Lifetime of Hanami .............................................................. 53 6 Cherry Blossom Symbolism 64 6.1 The Beauty of Ephemerality ...............................................