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Traditional Festival As a Tourism Event- Stakeholders' Influence On
Traditional Festival as a Tourism Event: Stakeholders’ Influence on the Dynamics of the Sendai Tanabata Festival in Japan YUJIE SHEN JAP4693 - Master’s Thesis in Modern Japan Master’s programme 30 credits Autumn 2020 Department of Culture Studies and Oriental Languages (IKOS) University of Oslo December 15, 2020 Summary A new method of analyzing traditional Japanese festivals (matsuri) based on event studies is presented. Stakeholders’ influence and their interactions redefine narratives of tradition. In Japan, the urbanization of society has transformed matsuri into tourism-oriented events. However, the influence of touristification on tradition has not yet been fully explored. This paper offers a close examination of a case study about the dynamics of the Sendai Tanabata Festival. Local newspaper archives were used as the primary source and adopted the stake- holder theory and social exchange theory from event studies to examine stakeholders’ power and interests, as well as their relationships. The results discovered that it is the conflicts of festival stakeholders throughout the years that shaped the Sendai Tanabata Festival to what it is like today. Although festival organizers and local residents are key players, both domestic and foreign tourists’ influence should also not be neglected. The inheritance of traditional cul- ture depends on its original community i.e. local residents. Depopulation and aging social problems have shifted the weight of festival ownership to tourists, as they contribute to the economic revitalization and regional development. As a result, festival organizers tend to tai- lor the festival to tourists’ tastes, which often leads to change or loss of tradition’s original festive meaning or the invention of a new tradition. -
Hawaii Kotohira Jinsha Hawaii Dazaifu Tenmangu APRIL 2021
Hawaii Kotohira Jinsha Hawaii Dazaifu Tenmangu APRIL 2021 Natori instructors of Hanayagi Dancing Academy led by principal Hanayagi Mitsujyuro, held their annual New Years blessing DONATIONS The annual blessing for the Hanayagi Dancing Academy Hawaii Foundation Bill & Keiko Doughty Diane Nishida (HDAHF) was performed on March 28. Rodney & Sharon Isa Lillian Okamura The Academy was established by Hanayagi James & Melba Kurashige Clyde Shiigi Mitsuaki I (Viola Hosokawa) in 1947 to Yae Miko Jensen Toma perpetuate the Japanese spirit through Steve Miwa Sharon Toma dance, shamisen and Nagauta style singing. Shinken & Marilyn Naitoh Jasmine Umeno Her legacy was preserved and shared by Craig & Diane Nishida Mitsuaki II (Karen Fujishima-Lee). Akiko Sanai Hanayagi Mitsujyuro (Bryson Goda) remains Gary & Linda Shinsato SAKE - BEER firmly committed to fulfilling Mitsuaki I and Robert Stallings Mitsuaki II's legacy and has awarded Natori Kai Suzuki DONATIONS Instructor's licenses to one student of Dean & Natsuko Fujimoto Alice Uratsuka Nihonbuyo dance and two students of Fung & Yumi Yang Bryson Goda shamisen. Hanayagi Dancing Hanayagi Dancing Academy HI Foundation Congratulations to: Academy HI Foundation Islander Sake Brewery Hanayagi-ryu School of Nihonbuyo Gayle Fujihara Shinken & Marilyn Naitoh Hanayagi Mitsusae - Jasmine Umeno Bryson Goda Craig & Diane Nishida Kathy Hamada-Kwock Kineya School of Nagaut a Gary & Linda Shinsato Stacie Hata Kineya Sakiko - Lillian Okamura Lorraine Kadota Masa & Irene Takizawa Elaine Komatsu Nadine Uratsuka Kineya Sakikazu - Clyde Shiigi GOKITO Private Blessings A Blessing was performed for baby Yakudoshi Blessing to ensure a We rejoice with you as you celebrate Lynn on 3/16 safe, healthy and peaceful year your Beiju 88th birthday!!! A Beiju (88th Birthday) achievements, honor of ripening rice plants Blessing was their sacrifices and to in the rice fields and performed for a thank them for their of abundance and shrine friend on 3/27. -
Universitatea
10.2478/ewcp-2020-0011 Japan’s Food Culture – From Dango (Dumplings) to Tsukimi (Moon-Viewing) Burgers OANA-MARIA BÎRLEA Babeș-Bolyai University, Cluj-Napoca, Romania Abstract The purpose of this essay is to present how Japanese eating habits have changed in the context of globalization. We start from the premise that eating is not merely about meeting a basic need, but about creating a relationship with nature. It can be regarded as a ritual practice because it reveals a culture and its people’s beliefs, values and mind-sets. As Geert Hofstede et al. note, life in Japan is highly ritualized and there are a lot of ceremonies (192). Starting from the idea that food consumption is based on rituals too, we intend to explain the relationship between eating habits and lifestyle change in contemporary Japan. Considering that the Japanese diet is based on whole or minimally processed foods, we ask ourselves how Western food habits ended up being adopted and adapted so quickly in the Japanese society. With this purpose in mind, we intend to describe some of the most important festivals and celebrations in Japan, focusing on the relationship between special occasions and food. In other words, we aim to explain the cultural significance of food and eating and to see if and how these habits have changed in time. Keywords: Japan, Japanese culture, gastronomy, globalization, traditional eating, modern eating, food studies, eating habits, change, food-body-self relationship. Oana-Maria Bîrlea 55 Introduction The Japanese are known for their attention to detail, balance and desire to improve (Sarkar 134). -
ตารางวันหยุดของกองทุนต่างประเทศ ปี 2019 1-Jan New Year's Day 1
ตารางวนั หยดุ ของกองทุนตา่ งประเทศ ปี 2019 World Equity Japan Equity, Japan Equity RMF Gold, EME, OIL, US500, US500RMF US Opportunity Fund China Equity 2019 2019 2019 2019 2019 1-Jan New Year's Day 1-Jan New Year's Day 1-Jan New Year's Day 1-Jan New Year's Day 1-Jan New Year's Day 19-Feb Makha Bucha Day 2-Jan New Year's Day 21-Jan Martin L. King Day 21-Jan Martin L. King Day 4-Feb Lunar New Year's Eve 8-Apr Chakri Day (obs) 3-Jan Bank Holiday 18-Feb Presidents' Day 18-Feb Presidents' Day 5-Feb Lunar New Year 15-Apr Songkran Festival Day 14-Jan Coming-of-age Day 19-Feb Makha Bucha Day 19-Feb Makha Bucha Day 6-Feb Lunar New Year 16-Apr Songkran Festival Day (obs) 11-Feb National Foundation Day 8-Apr Chakri Memorial Day (obs) 8-Apr Chakri Memorial Day (obs) 7-Feb Lunar New Year 19-Apr Good Friday 19-Feb Makha Bucha Day 15-Apr Songkran Festival Day 15-Apr Songkran Festival Day 19-Feb Makha Bucha Day 22-Apr Easter Monday 21-Mar Vernal Equinox Day 16-Apr Songkran Festival Day (obs) 16-Apr Songkran Festival Day (obs) 5-Apr Ching Ming Festival 1-May Labour Day 8-Apr Chakri Memorial Day (obs) 19-Apr Good Friday 19-Apr Good Friday 8-Apr Chakri Memorial Day (obs) 6-May Special Holiday 15-Apr Songkran Festival Day 1-May Labour Day 22-Apr Easter Monday 15-Apr Songkran Festival Day 20-May Wisaha Bucha Day 16-Apr Songkran Festival Day (obs) 6-May Special Holiday 1-May Labour Day 16-Apr Songkran Festival (obs) 16-Jul Asarnha Bucha Day 29-Apr Showa Day 20-May Wisaha Bucha Day 6-May Special Holiday 19-Apr Good Friday 29-Jul King Rama X's Birthday (obs) 30-Apr Abdication Day 27-May Memorial Day 20-May Wisaha Bucha Day 22-Apr Easter Monday 12-Aug H.M. -
Description of Fences
Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Individual 障害馬術個人 / Saut d'obstacles individuel ) TUE 3 AUG 2021 Qualifier 予選 / Qualificative Description of Fences フェンスの説明 / Description des obstacles Fence 1 – RIO 2016 EQUO JUMPINDV----------QUAL000100--_03B 1 Report Created TUE 3 AUG 2021 17:30 Page 1/14 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Individual 障害馬術個人 / Saut d'obstacles individuel ) TUE 3 AUG 2021 Qualifier 予選 / Qualificative Fence 2 – Tokyo Skyline Tōkyō Sukai Tsurī o 東京スカイツリ Sumida District, Tokyo The new Tokyo skyline has been eclipsed by the Sky Tree, the new communications tower in Tokyo, which is also the highest structure in all of Japan at 634 metres, and the highest communications tower in the world. The design of the superstructure is based on the following three concepts: . Fusion of futuristic design and traditional beauty of Japan, . Catalyst for revitalization of the city, . Contribution to disaster prevention “Safety and Security”. … combining a futuristic and innovating design with the traditional Japanese beauty, catalysing a revival of this part of the city and resistant to different natural disasters. The tower even resisted the 2011 earthquake that occurred in Tahoku, despite not being finished and its great height. EQUO JUMPINDV----------QUAL000100--_03B 1 Report Created TUE 3 AUG 2021 17:30 Page 2/14 Equestrian Park Equestrian 馬事公苑 馬術 / Sports équestres Parc Equestre Jumping Individual 障害馬術個人 / Saut d'obstacles individuel ) TUE 3 AUG 2021 Qualifier 予選 / Qualificative Fence 3 – Gold Repaired Broken Pottery Kintsugi, “the golden splice” The beauty of the scars of life. The “kintsugi” is a centenary-old technique used in Japan which dates of the second half of the 15th century. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Contemporary Popular Beliefs in Japan
Hugvísindasvið Contemporary popular beliefs in Japan Ritgerð til B.A.-prófs Lára Ósk Hafbergsdóttir September 2010 Háskóli Íslands Hugvísindadeild Japanskt mál og menning Contemporary popular beliefs in Japan Ritgerð til B.A.-prófs Lára Ósk Hafbergsdóttir Kt.: 130784-3219 Leiðbeinandi: Gunnella Þorgeirsdóttir September 2010 Abstract This thesis discusses contemporary popular beliefs in Japan. It asks the questions what superstitions are generally known to Japanese people and if they have any affects on their behavior and daily lives. The thesis is divided into four main chapters. The introduction examines what is normally considered to be superstitious beliefs as well as Japanese superstition in general. The second chapter handles the methodology of the survey written and distributed by the author. Third chapter is on the background research and analysis which is divided into smaller chapters each covering different categories of superstitions that can be found in Japan. Superstitions related to childhood, death and funerals, lucky charms like omamori and maneki neko and various lucky days and years especially yakudoshi and hinoeuma are closely examined. The fourth and last chapter contains the conclusion and discussion which covers briefly the results of the survey and what other things might be of interest to investigate further. Table of contents 1. Introduction .................................................................................................................... 3 1.1 What is superstition? ............................................................................................... -
HIRATA KOKUGAKU and the TSUGARU DISCIPLES by Gideon
SPIRITS AND IDENTITY IN NINETEENTH-CENTURY NORTHEASTERN JAPAN: HIRATA KOKUGAKU AND THE TSUGARU DISCIPLES by Gideon Fujiwara A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April 2013 © Gideon Fujiwara, 2013 ABSTRACT While previous research on kokugaku , or nativism, has explained how intellectuals imagined the singular community of Japan, this study sheds light on how posthumous disciples of Hirata Atsutane based in Tsugaru juxtaposed two “countries”—their native Tsugaru and Imperial Japan—as they transitioned from early modern to modern society in the nineteenth century. This new perspective recognizes the multiplicity of community in “Japan,” which encompasses the domain, multiple levels of statehood, and “nation,” as uncovered in recent scholarship. My analysis accentuates the shared concerns of Atsutane and the Tsugaru nativists toward spirits and the spiritual realm, ethnographic studies of commoners, identification with the north, and religious thought and worship. I chronicle the formation of this scholarly community through their correspondence with the head academy in Edo (later Tokyo), and identify their autonomous character. Hirao Rosen conducted ethnography of Tsugaru and the “world” through visiting the northern island of Ezo in 1855, and observing Americans, Europeans, and Qing Chinese stationed there. I show how Rosen engaged in self-orientation and utilized Hirata nativist theory to locate Tsugaru within the spiritual landscape of Imperial Japan. Through poetry and prose, leader Tsuruya Ariyo identified Mount Iwaki as a sacred pillar of Tsugaru, and insisted one could experience “enjoyment” from this life and beyond death in the realm of spirits. -
Japan Resource Packet
Learning About Japan: A Resource Guide 1150 18th Street, NW, Suite 100, Washington, DC 20036 Tel: 202-238-6900・Fax: 202-822-6524・ [email protected]・www.us.emb-japan.go.jp/jicC/index.html This resourCe guide is intended to enhanCe the study of Japan and its culture in your classroom or for your own self-study. The handouts inCluded in the paCket are some of the Japan Information & Culture Center’s most requested topiCs from teachers and students. The following resources are also available from the JICC upon request: Coloring Book paCket Japanese Folk Tales Kenta: My Life in Japan Elementary School Life packet Junior High School Life packet Senior High School Life packet NiponiCa Magazine Map of Japan Japanese Tourism Information The JICC also has videos and Cultural items for loan. For more information and to reserve items, email [email protected] 2 Table of Contents Overview of Japan ----------------------------------------------------------------------------------------------------------------------- 4 School Life in Japan: Overview -------------------------------------------------------------------------------------------------------- 6 School Life in Japan: Sample Schedule -------------------------------------------------------------------------------------------- 8 Japanese Language: 日本語 (Nihongo) ----------------------------------------------------------------------------------------------- 9 Useful Phrases ------------------------------------------------------------------------------------------------------------------------- -
A Time Series Analysis of Chinese Outbound Tourism to Australia
A Time Series Analysis of Chinese Outbound Tourism to Australia 1Lim, C. and 2Y. Wang 1University of Waikato, New Zealand, 2Griffith University, Australia, E-Mail: [email protected] Keywords: Chinese outbound tourism; ADS system; Business travel; Holiday destination; Time series modelling EXTENDED ABSTRACT 25,000 200 Economic development and improvement in 180 living standards, as well as political liberation in 20,000 160 China have contributed to the growth in Chinese tourist arrivals 140 to Australia international travel demand. Additionally, the 15,000 120 supportive role of the Chinese government in 100 outbound tourism development and China’s 10,000 80 (in thousands) (in thousands) Chinese out bound inclusion in the World Trade Organisation have tourists 60 and will ensure a continuing ease on travel 5,000 40 restrictions, and enhance the opportunities for Number of Chinese outbound tourists 20 Number of Chinese tourists to Australia Chinese citizens to travel overseas. Since the 0 0 implementation of the open door policy in 1982, 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 tourism development in China has experienced Year rapid growth, making the country the fifth largest international tourism destination in terms of both Sources: ABS (1993-2003) and CNTO (2004) tourist arrivals and tourism receipt in 2003 (WTO, 2004). In the meantime, China has also become an important international tourism Figure 1: Total Chinese outbound tourists and source market, especially for countries in the Chinese tourists to Australia, 1993-2003. Asia Pacific region. In 2002, China was ranked 7th in the world’s top Chinese outbound tourism has been managed and spenders on international tourism. -
Kigo-Articles.Pdf
Kigo Articles Contained in the All-in-One PDF 1) Kigo and Seasonal Reference: Cross-cultural Issues in Anglo- American Haiku Author: Richard Gilbert (10 pages, 7500 words). A discussion of differences between season words as used in English-language haiku, and kigo within the Japanese literary context. Publication: Kumamoto Studies in English Language and Literature 49, Kumamoto University, Kumamoto, Japan, March 2006 (pp. 29- 46); revised from Simply Haiku 3.3 (Autumn 2005). 2) A New Haiku Era: Non-season kigo in the Gendai Haiku saijiki Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (4 pages, 1900 words). Introduction to the Muki Saijiki focusing on the muki kigo volume of the 2004 the Modern Haiku Association (Gendai Haiku Kyôkai; MHA). This article contains the translation of the Introduction to the volume, by Tohta Kaneko. Publication: Modern Haiku 37.2 (Summer 2006) 3) The Heart in Season: Sampling the Gendai Haiku Non-season Muki Saijiki – Preface Authors: Yûki Itô, with Richard Gilbert (3 pages, 1400 words). An online compliment to the Introduction by Tohta Kaneko found in the above-referenced Muki Saijiki article. Within, some useful information concerning the treatments of kigo in Bashô and Issa. Much of the information has been translated from Tohta Kaneko's Introduction to Haiku. Publication: Simply Haiku Journal 4.3 (Autumn 2006) 4) The Gendai Haiku Muki Saijiki -- Table of Contents Authors: Richard Gilbert, Yûki Itô, Tomoko Murase, Ayaka Nishikawa, and Tomoko Takaki (30 pages, 9300 words). A bilingual compilation of the keywords used in the Muki Saijiki Table of Contents. -
Feature-Neujahr
10 Feature I Das Neujahrsfest in Japan Einleitung Das wichtigste Jahresfest Japans ist das Neujahrsfest. In Japan galt ursprünglich der Mondkalender, dessen Monate von Vollmond zu Vollmond 29,53 Tage dauerten. Der zugleich als Frühlingsanfang gefeierte Neujahrstag lag damals auf dem etwa 4-6 Wochen nach unserem heutigen Jahresbeginn liegenden ersten Vollmondtag des neuen Mondjahres. Als der japanische Kaiserhof 604 n. Chr. aus China den Mond- Sonnen-Kalender übernahm, verlegte er den Jahresbeginn auf den Neumondtag. Da der tatsächliche Frühlingsbeginn in Japan, wo im Februar u.a. schon die Pflaumen blühen, jedoch näher an dem alten Vollmond-Neujahrstermin liegt, beschränkten sich die Neujahrsfeiern am ersten Neumondtag anfangs auf den Kaiserhof und Hofadel. Das Volk hielt lange seinem durch den neuen Kalender auf den 15.1. ge- rutschten „Vollmond-Neujahrstag“ die Treue und ging erst allmählich dazu über, zu- sätzlich auch das von der Obrigkeit propagierte, an Neumond liegende neue Neujahr zu feiern. So kam es, dass sich die regional z.T. mit sehr unterschiedlichen Ritualen und Bräuchen begangene Neujahrszeit bald vom 1.1. bis zum 16.1. (Mondsonnen- Monat) erstreckte. Die Tage vom 1. bis zum 3.1. (mancherorts auch bis zum 5., 7., oder 14.1) werden als Großes Neujahr (ō-shōgatsu) und die Tage um den 15.1. (meist der 14. bis 16.1.) als Kleines Neujahr (ko-shōgatsu) bezeichnet. Seit der Einführung des gregorianischen Kalenders 1872 in Japan wird Neujahr fast überall zwischen dem 1. und 16. Januar gefeiert. Nur sehr wenige Gemeinden voll- ziehen zusätzlich zum modernen Neujahr heute noch einige Neujahrsriten an den traditionellen Terminen des Mond-Sonnen-Kalenders.