DOCSLIB.ORG

History of the Japanese Friendship Garden of San Diego

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
History of the Japanese Friendship Garden of San Diego Table of Contents THE JAPANESE GARDEN ............................................................................................................................... 7 Atmosphere: ............................................................................................................................................. 7 Awesome Places: ...................................................................................................................................... 8 Audience Chamber and Courtroom: ........................................................................................................ 8 Japan, with China's Help, Enters History: ................................................................................................. 8 Symbolism versus Aesthetics: .................................................................................................................. 9 Buddhism, Taoism, Zen and Confucianism: .............................................................................................. 9 Color, Line, and Form: .............................................................................................................................. 9 Japan’s Classic Age - Heian: .................................................................................................................... 10 The Drift into Feudalism: ........................................................................................................................ 10 The Bright Side of the Dark Ages: ........................................................................................................... 11 Tea and Sympathy - Why Zen Was So Warmly Received: ...................................................................... 12 How to Make a Cult ................................................................................................................................ 12 Feudalism Turns Inward: ........................................................................................................................ 12 A Cultural Pressure-Cooker? .................................................................................................................. 13 WHY IS IT A "ZEN GARDEN"? ...................................................................................................................... 15 DEFINITION OF ITEMS IN EXHIBIT HOUSE .................................................................................................. 16 HISTORY AND SPIRIT OF IKEBANA .............................................................................................................. 17 Nature, man and flowers ........................................................................................................................ 17 The origin of Ikebana .............................................................................................................................. 17 The emergence of Ikebana ..................................................................................................................... 17 The development of Ikebana ................................................................................................................. 18 Flowers that you like-Suitably-In a container that you like .................................................................... 18 1 THE CULT OF JAPANESE GARDENS ............................................................................................................. 19 THE STORY OF WASHI ................................................................................................................................ 21 BAMBOO IN THE GARDEN .......................................................................................................................... 27 FOR THE DOCENTS OF THE “SAN DIEGO, JAPANESE FRIENDSHIP GARDEN" .............................................. 29 01. Bamboo of The Japanese Friendship Garden: ................................................................................. 29 02. Shrubs of The Japanese Friendship Garden: ................................................................................... 30 03. Trees of The Japanese Friendship Garden ....................................................................................... 31 04. Vines of The Japanese Friendship Garden: ...................................................................................... 32 05. Ground Covers of The Japanese Friendship Garden ....................................................................... 32 HISTORY OF THE JAPANESE FRIENDSHIP GARDEN OF SAN DIEGO ............................................................. 33 MAKING OF A KARESANSUI ZEN GARDEN .................................................................................................. 36 Sand or Gravel ........................................................................................................................................ 36 Boulders ................................................................................................................................................. 36 Lanterns .................................................................................................................................................. 36 Plants ...................................................................................................................................................... 36 A DINER'S GUIDE TO CHOPSTICKS .............................................................................................................. 38 TO LEARN OF JAPAN'S BUSINESS WORLD, STUDY ITS SCHOOLS ................................................................ 41 Japanese Business Courtesy ................................................................................................................... 43 Exchanging Business Cards ..................................................................................................................... 44 Gift Giving ............................................................................................................................................... 44 JAPANESE SCREENS .................................................................................................................................... 45 KOI - LIVING WORKS OF ART ...................................................................................................................... 48 KOI POND - The World in Your Backyard .................................................................................................... 51 BONSAI ....................................................................................................................................................... 54 You Be the Judge .................................................................................................................................... 54 2 The Trunk ............................................................................................................................................... 55 The Rootage ........................................................................................................................................... 55 Branches ................................................................................................................................................. 55 The Pot ................................................................................................................................................... 56 Tree Placement ...................................................................................................................................... 56 SUISEKI/VIEWING STONES ......................................................................................................................... 58 IKEBANA: The Future Projected by the Past ............................................................................................... 59 Association of Ideas Through Flowers .................................................................................................... 60 RICE HAS A SACRED PLACE IN JAPANESE MYTHOLOGY .............................................................................. 61 THE YEAR OF THE DOG ............................................................................................................................... 63 Puppy Proverbs ...................................................................................................................................... 65 THE BEGONIA ............................................................................................................................................. 67 JAPANESE WINDOWS ................................................................................................................................. 69 Windows of Japan .................................................................................................................................. 69 Windows of A Tearoom .......................................................................................................................... 69 Window Designs ..................................................................................................................................... 70 THE BEAUTY OF JAPANESE ARCHITECTURE ................................................................................................ 72 Tradition and Creation ..........................................................................................................................
Load more

Recommended publications
  • Findings from Teaching International Students Traditional Japanese Architecture and Gardens
    Cross Cultural Education in Architecture: Findings from Title Teaching International Students Traditional Japanese Architecture and Gardens Author(s) Suzuki, Arno Archi-cultural translations through the Silk Road : 2nd International Conference, Mukogawa Women's University, Citation Nishinomiya, Japan, July 14-16, 2012, selected papers (2013): 175-183 Issue Date 2013 URL http://hdl.handle.net/2433/226665 Right 発行元の許可を得て登録しています. Type Conference Paper Textversion author Kyoto University Archi-Cultural Translations through the Silk Road nd 2 International Conference, Mukogawa Women’s Univ., Nishinomiya, Japan, July 14-16, 2012 Selected Papers, pages 175-183 CROSS CULTURAL EDUCATION IN ARCHITECTURE: FINDINGS FROM TEACHING INTERNATIONAL STUDENTS TRADITIONAL JAPANESE ARCHITECTURE AND GARDENS Arno Suzuki1 1 Graduate School of Science, Kyoto University, Kyoto, Japan Keywords: architectural education, international students, Japanese architecture, vernacular architecture, Japanese gardens. Abstract: Architectural educators in Japanese higher education institutions have been discussing how to establish a global- standard school system and to internationalize our students. Traditional Japanese architecture and gardens were almost forgotten in this trend, despite its ever-lasting popularity in the global market. Traditional industry is endangered domestically, but it teaches us many good ideas such as sustainable design, and we may revitalize it with internationalization. For this purpose, the author examined how to teach traditional Japanese architecture and gardens to those who came from different cultures. Observation in classes and surveys with both international and domestic students have indicated that anyone can understand Japanese design as long as it was introduced properly. Only each student’s experience and motivation seemed to influence how they see the subject. This article shares some of these findings to open up further discussions.
    [Show full text]
  • THE TECTONIC FRAMEWORK of MINKA: MEANING THROUGH INTENSIFICATION in the JAPANESE FOLKHOUSE GUNTIS PLESUMS Chinese University of Hong Kong
    1996 ACSA European Conference Copenhagen THE TECTONIC FRAMEWORK OF MINKA: MEANING THROUGH INTENSIFICATION IN THE JAPANESE FOLKHOUSE GUNTIS PLESUMS Chinese University of Hong Kong Minka, the Japanese folkhouse, uses a space-structur- ing principle that is fundamentally different from the style and construction of the sukiya-zukuri, the well-documented "Japa- nese house." A general framework defines an undifferentiated space, supports the roof structure, and carries the large roof. About two thirds of the plan is raised off the ground, and doma, an earthen floor area, is used as an enclosed kitchen, work space, and shelter for animals. The minkaspace-structuring method is used in farmhouses as well as townhouses. Regional factors determine variations in plan, massing, and roofstyles. All minka, however, share common characteristics. Rooms are partitioned off during initial construction or as necessary over time. Minka represents process-generated space, and the adaptability and survival of this building type is largely due to its hierarchical structure. Seven primary frame- work types' support the roofstructure, and a secondarystructure facilitates the building of walls, lean-tos, and other modifica- tions. In contrast, each spatial cell ofa sukiya-zukurihouse is defined by corner columns, and the ambiguous floor plan ofthis aggregation sits under an assortment of roofs and a hidden, complicated roofstructure. Most of the posts virtually disappear at wall intersections. The occasional free-standing posts in the sukiya-zukuri house underscore a structural minimalism-a dematerialization of structure. THE PRIMARY FRAMEWORK OF MINKA AND THE DIMENSION OF TIME It is easy to recognize the jikugumi, the primary framework, used in the dwelling, but identification of the framework type is sometimes only possible when the structure is disassembled.
    [Show full text]
  • Japanese New Year
    Japanese New Year New Year (shogatsu or oshogatsu) is the most important holiday in Japan. Most businesses shut down from January 1 to January 3, and families typically gather to spend the days together. Years are traditionally viewed as completely separate, with each new year providing a fresh start. Consequently, all duties are supposed to be completed by the end of the year, while bonenkai parties ("year forgetting parties") are held with the purpose of leaving the old year's worries and troubles behind. Homes and entrance gates are decorated with ornaments made of pine, bamboo and plum trees, and clothes and houses are cleaned. On New Year's eve, toshikoshi soba (buckwheat noodles), symbolizing longevity, are served. A more recent custom is watching the music show "kohaku uta gassen", a highly popular television program featuring many of Japan's most famous J-pop and enka singers in spectacular performances. January 1 is a very auspicious day, best started by viewing the new year's first sunrise (hatsu-hinode), and traditionally believed to be representative for the whole year that has just commenced. Therefore, the day is supposed be full of joy and free of stress and anger, while everything should be clean and no work should be done. It is a tradition to visit a shrine or temple during shogatsu (hatsumode). The most popular temples and shrines, such as Tokyo's Meiji Shrine, attract several million people during the three days. Most impressive are such visits at the actual turn of the year, when large temple bells are rung at midnight.
    [Show full text]
  • ON-YASAI Ice Cream Hiyashi Udon ON-YASAI's Chilled Udon Noodles Strawberry Cheese Tart ON-YASAI Aisu Ichigo No Chizu Taruto
    Enjoy dishes with the added touch of delicious ingredients, perfect with alcoholic beverages. ON-YASAI Special Stir it all up, Snacks "Tsumire" (Meatball) Choice of Tsumire add it into the Hashi-Yasume ON-YASAI Tokusei Tsumire Okonomi Tsumire pot, and enjoy. Plum Pulp and Cartilage Dressing Dish Basil and Cheese Tsumire Pickled Plum and Perilla Spicy Cod Roe, Cheese, Bainiku to Nankotsu no Aemono Standard Tsumire on Brown Sugar and Bajiru Chizu Tsumire Leaf Rice Cake Tsumire and Rice Cake Tsumire Broad Beans Half-Cut Bamboo, Ume Shiso Mochi Tsumire Mentai Chizu Mochi Tsumire Hitokuchi Kokuto Soramame beloved for over 10 years 1 2 3 Seasoned Quail Eggs Uzura no Ajitama toHow make a "Tsumire" (meatball) Add the ingredients. Stir well. Add to the pot, and that's it. Kimchee Amakara Kimuchi Italian Herbs and Cheese Tomato Salad Tomato no Itarian Sarada Namuru-Style Meat Peanut Sprouts Namuru-fu Pinattsu Moyashi Colorful Pickled Vegetables Irodori Yasai no Pikurusu Fluy Bell Pepper Mousse Meats dier depending on the course. Funwari Papurika Musu Please see the separate “Tabehoudai Course Menu (All-You-Can-Eat Menu)” Recommended Recommended for the Meat Menu. Peanut Fluy Bell Sprouts Pepper Mousse A characteristic of peanuts is their sweetness and aroma, Enjoy the sweetness of vegetables and scent as well as their vitamin E, which helps with anti-aging; of basil with the widely enjoyed taste of bell protein, which is linked to beautiful skin; and dietary peppers in mousse. Recommended for ber, which helps to promote bowel movements. children who don't like vegetables. - Enjoy Shabu-Shabu More with ON-YASAI Curry - is curry makes the most of vegetables' sweetness, and is perfect with meat and udon noodles Top it o with meat Pour it on udon noodles Curry and Rice (Available in a half serving) Curry with Meat Curry with Udon To have great tasting Shabu-Shabu, one important thing is the e importance of thickness of the meat.
    [Show full text]
  • Teacher's Guide
    Year of the Monkey TEACHER’S GUIDE Journey with Newspapers In Education and Wing Luke Museum to learn how different Asian Americans celebrate New Year’s. 121110886_04 INTRODUCTION This Wing Luke Museum teacher’s guide accompanies Chapters 1-3 of the three-week series in The Seattle Times. Journey with Newspapers In Education and Wing Luke Museum of the Asian Pacific American Experience and learn about New Year celebrations for Asian ethnic communities in the Pacific Northwest. Families in these communities have maintained some of the cultural traditions and celebrations of their ancestral homelands, while living here in Seattle. One of the most important celebrations to Asian Americans is the New Year. You will learn about some of the customs for the Japanese New Year, the Vietnamese New Year and the Hmong New Year. Students will also have the opportunity to discuss and share their own family and cultural traditions, and to dive into deeper discussions and writing assignments regarding the history of immigration, culture, food, celebrations, traditions and cultural stereotypes in the American media of Asian and Pacific Islanders. NOTE TO EDUCATORS The first section of Lessons 1-3 were written for K-5th grade classes and are extensions of the articles printed in The Seattle Times on Jan. 29, Feb. 5, and Feb. 12, 2016. The second sections of Lessons 1–3 and Lessons 4–6 were written at a 4th–9th grade level and refer back to the article series on Asian New Year’s printed in January 2013. The 2013 series is posted at nie.seattletimes.com.
    [Show full text]
  • Secretary's Pages
    SECRETARY ’S PAGES MIS SION STATEMENT The American Kennel Club is dedicated to upholding the ATTENTION DELEGATES integrity of its RMegIisStrSy, IpOroNmo ting the spSorTt Aof TpEurMebrEeNd dT ogs and breeding for type and function. ® NOTICE OF MEETING TFohuen Admederiin ca1n8 8K4e, ntnhelAKC Cluba nisd dites daicffailtieadte td o ourpghaonlidziantgio nths ea idnvteogcarittey foofr iths e Rpeugriset brrye, dp rdoomgo atisn ga tfhame islyp ocrot mofpapnuiroenb,r ead vdaongcs e acnad nibnree ehdeianlgthf oarndty pwe elal-nbd eifnugn,c wtioonrk. to protect the rights of all The next meeting of the Delegates will be Fdougn odwedneinrs1 a8n8d4 ,ptrhoe mAKCote raensd piotns saifbflieli adtoegd orwgnaenrizsahtipio. ns advocate for the pure bred dog as a family companion, advance canine health and well-being, work to protect the rights of all held via video Zoom Webinar on Wednesday, dog owners and 805prom1 oAtrec ore Csopropnosribaltee dDorgiv oew, Snueirtseh 1ip0. 0, Raleigh, NC 276 17 101 Park Avenue, New York, NY 10178 8051 Arco Corporate Drive, Suite 100, Raleigh, NC 276 17 December 2, 2020 beginning at 12:30 p.m. Raleigh, NC Customer Call Center ..............................................................(919) 233-9767 260 Madison Avenue, New York, NY 10016 New York, NY Office ...................................................................................(212) 696-8200 Eastern Time. It will follow the Delegates Raleigh, NC Customer Call Center ..............................................................(919) 233-9767 Fax .............................................................................................................(212)
    [Show full text]
  • Seven Weeks on the Henro Michi Steps Along the Shikoku Island 88 Temple Pilgrimage Marc Pearl
    Seven Weeks on the Henro Michi Steps along the Shikoku Island 88 Temple Pilgrimage Marc Pearl The Settai Offering (Temples #7- #11) The Settai Offering is a fundamental aspect of the Henro Pilgrim experience. Offerings and services of all kinds are given to the Pilgrim as he makes his way along the island paths. Meals, snacks and cups of tea, items necessary to the Henro such as incense sticks and candles and coins, as well as places to spend the night, are donated by the kind people of Shikoku. Although the Henro is a stranger traveling but briefly through the neighborhood, he is greeted as a friend, and invited to sit on the veranda or inside the front genkan entrance, leaving the hot sun and dusty road for some moments to relax and share a few words. During my second day of walking, between Temples #7 and #8, I got caught in a gentle sunshower, so I stood under the eaves of a house alongside the road. From the open doorway of the genkan, a grandmother motioned me inside. We sat quietly and drank green tea and nibbled some crackers while we watched the rain and talked about the Pilgrimage. In Spring and Summer there are a lot of chartered buses whizzing by her door, she told me. In the fall, it was calmer. She doesn’t see very many walking pilgrims nowadays, not like the old days after the war when, for a lack of jobs or anything else to do, many people would do the Pilgrimage, before they had cars or those fancy taxis and buses.
    [Show full text]
  • In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
    In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance.
    [Show full text]
  • Dog Breeds of the World
    Dog Breeds of the World Get your own copy of this book Visit: www.plexidors.com Call: 800-283-8045 Written by: Maria Sadowski PlexiDor Performance Pet Doors 4523 30th St West #E502 Bradenton, FL 34207 http://www.plexidors.com Dog Breeds of the World is written by Maria Sadowski Copyright @2015 by PlexiDor Performance Pet Doors Published in the United States of America August 2015 All rights reserved. No portion of this book may be reproduced or transmitted in any form or by any electronic or mechanical means, including photocopying, recording, or by any information retrieval and storage system without permission from PlexiDor Performance Pet Doors. Stock images from canstockphoto.com, istockphoto.com, and dreamstime.com Dog Breeds of the World It isn’t possible to put an exact number on the Does breed matter? dog breeds of the world, because many varieties can be recognized by one breed registration The breed matters to a certain extent. Many group but not by another. The World Canine people believe that dog breeds mostly have an Organization is the largest internationally impact on the outside of the dog, but through the accepted registry of dog breeds, and they have ages breeds have been created based on wanted more than 340 breeds. behaviors such as hunting and herding. Dog breeds aren’t scientifical classifications; they’re It is important to pick a dog that fits the family’s groupings based on similar characteristics of lifestyle. If you want a dog with a special look but appearance and behavior. Some breeds have the breed characterics seem difficult to handle you existed for thousands of years, and others are fairly might want to look for a mixed breed dog.
    [Show full text]
  • The Lesson of the Japanese House
    Structural Studies, Repairs and Maintenance of Heritage Architecture XV 275 LEARNING FROM THE PAST: THE LESSON OF THE JAPANESE HOUSE EMILIA GARDA, MARIKA MANGOSIO & LUIGI PASTORE Politecnico di Torino, Italy ABSTRACT Thanks to the great spiritual value linked to it, the Japanese house is one of the oldest and most fascinating architectural constructs of the eastern world. The religion and the environment of this region have had a central role in the evolution of the domestic spaces and in the choice of materials used. The eastern architects have kept some canons of construction that modern designers still use. These models have been source of inspiration of the greatest minds of the architectural landscape of the 20th century. The following analysis tries to understand how such cultural bases have defined construction choices, carefully describing all the spaces that characterize the domestic environment. The Japanese culture concerning daily life at home is very different from ours in the west; there is a different collocation of the spiritual value assigned to some rooms in the hierarchy of project prioritization: within the eastern mindset one should guarantee the harmony of spaces that are able to satisfy the spiritual needs of everyone that lives in that house. The Japanese house is a new world: every space is evolving thanks to its versatility. Lights and shadows coexist as they mingle with nature, another factor in understanding the ideology of Japanese architects. In the following research, besides a detailed description of the central elements, incorporates where necessary a comparison with the western world of thought. All the influences will be analysed, with a particular view to the architectural features that have influenced the Modern Movement.
    [Show full text]
  • Harvesting Tradition
    VOLUME 7 NO. 16 SEPTEMBER 11 – SEPTEMBER 17, 2020 SUBMIT STORIES TO: [email protected] STRIPESJAPAN.COM FACEBOOK.COM/STRIPESPACIFIC FREE INSIDE INFO HARVESTING ZAMA VETS GAIN TRUST WITH FURRY FRIENDS, HUMANS PAGE 3 TRADITIONDig deep into Japan’s lesser-known fall holidays Speakin’ Japanese Pages 8-9 AUTUMN AUDIBLES PAGE 4 WHY JAPANESE LUCKY CHARMS ARE AMAZING! PAGES 6-7 LIMITING PLASTIC USE IN JAPAN PAGES 10-11 Midnight and Mt.Fuji, full moon. Barbecues help Yokota’s new MELON PAN airmen get through quarantine MADNESS BY SETH ROBSON, U.S. personnel arriving in Japan must PAGES 12-13 STARS AND STRIPES spend 14 days in quarantine, which the Published: September 4, 2020 military calls “restriction of movement” or ROM, that’s designed to stop them YOKOTA AIR BASE — Some summer spreading the coronavirus to others at barbecues at the home of U.S. Forces Ja- their new home. pan in western Tokyo are To make sure the ex- a little out of the ordinary EXCLUSIVE NEWS FROM: Business cards, flyers, perience doesn’t feel like invitations and more! this year. a short stint in jail, the Contact The events for newly Air Force has come up arrived airmen are cho- with all sorts of things to printshop.stripes.com reographed affairs where 042-552-2510 (extension77315) amuse quarantined single airmen, in- the guests of honor don masks and keep cluding fortnightly barbecues. 227-7315 Volunteers dish out comfort food to quarantined service members at Yokota Air Base. their distance from the folks cooking Photo by Theron Godbold, Stars and Stripes their food.
    [Show full text]
  • (PANDEMIC ISSUE) EDITOR in CHIEF Arch
    ISSN 2611-3872 N.4 DEC 2020 (PANDEMIC ISSUE) EDITOR IN CHIEF Arch. Maria Maddalena Margaria SCIENTIFIC COMMITTEE: Prof. Valeria Minucciani - POLYTECHNIC OF TURIN Dr. Katelijn Quartier - UNIVERSITY OF HASSELT Prof. Francesca Murialdo - MIDDLESEX UNIVERSITY Prof. Penny Sparke - KINGSTON UNIVERSITY Prof. Elena Dellapiana - POLITECNICO DI TORINO Prof. Ricardo Guasch Ceballos - ELISAVA Prof. Graeme Brooker - RCA LONDON Prof. Els de Vos - ANTWERPEN UNIVERSITY WWW.INNEMAGAZINE.ORG COVER AND DESIGN: DARIOBOVERO.IT LIVING IN A PANDEMIC STATE: HOW INTERIORS FACE TO ISOLATION (PANDEMIC ISSUE) Index 6 HOME OR ‘PANOPTIC’ SPACE OF WORK WRITTEN BY Pierluigi Panza, Faculty Design Sciences, University Antwerp 14 UTILIZING DESIGN CREATIVITY TO PROTECT AND CONNECT IN PANDEMIC TIMES WRITTEN BY Ashlyn Powers Assoc. AIA, Assoc. IIDA Pipa Bradbury ASID, NCIDQ, Illinois Registered Interior Designer #161.003564 20 PANDEMIC AND POST PANDEMIC. THE ANNUS HORRIBILIS AND THE DISCIPLINARY RE-CONSTITUTION WRITTEN BY Pier Federico Caliari 31 POST PANDEMIC INTERIORS - THE DESIGN INTERNS’ VISTA WRITTEN BY Mani Makhija Student of IV year of Architecture of School of Planning and Architecture, Bhopal, India 38 SPECTRUM OF SPATIAL MANIFESTATIONS IN HOMES, DURING A PANDEMIC AUTHOR: Deepiga Kameswaran Associate Professor, Faculty of Architecture, Dr.MGR Educational & Research Institute Chennai. CO AUTHOR: Anil Ravindranathan Professor, Faculty of Architecture, Dr. MGR Educational & Research Institute Chennai. 50 HEALTHIER LIVING SPACES ARCHITECTURAL DESIGN AND SCIENTIFIC-TECHNOLOGICAL INNOVATION WRITTEN BY Clelia Maria Bonardi Dott.ssa in Architecture 58 THE CHANGE IN INTERIOR SPACE AND THE CONCEPT OF WELL-BEING IN RELATION TO THE NEW CORONAVIRUS WRITTEN BY Nilufer Saglar Onay HOME OR ‘PANOPTIC’ SPACE OF WORK WRITTEN BY Pierluigi Panza Faculty Design Sciences, University Antwerp Michel Foucault (1926 – 1984) Abstract he timing of the renewal of labour strategies in the global market is too rapid for private housing, if it has a future, to adapt to it T every time.
    [Show full text]