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2009 IEEE 70Th Vehicular Technology Conference Fall
2009 IEEE 70th Vehicular Technology Conference Fall (VTC 2009-Fall) Anchorage, Alaska, USA 20 – 23 September 2009 Pages 1-485 IEEE Catalog Number: CFP09VTF-PRT ISBN: 978-1-4244-2514-3 TABLE OF CONTENTS PORTABLE 2009 OPENING KEYNOTE SELF-ORGANIZING NETWORKS IN 3GPP LTE..........................................................................................................1 Seppo Hämäläinen 22W: ELECTRICAL DESIGN II NONINVASIVE CONTINUOUS BLOOD PRESSURE MEASUREMENT AND GPS POSITION MONITORING OF PATIENTS ..........................................................................................................................................3 Ondrej Krejcar, Zdenek Slanina, Jan Stambachr, Petr Silber And Robert Frischer NUMERICAL INVESTIGATION OF ALGORITHMS FOR MULTI-ANTENNA RADIOLOCATION ..............................................................................................................................................................8 Danko Antolovic WBAN MEETS WBAN: SMART MOBILE SPACE OVER WIRELESS BODY AREA NETWORKS.................... 13 Dae-Young Kim And Jinsung Cho AN ALGORITHM FOR SIMULTANEOUS RADIOLOCATION OF MULTIPLE SOURCES................................. 18 Danko Antolovic 2W: PHYSICAL DESIGN MICRO AND NANO ELECTRO MECHANICAL SYSTEMS (MEMS/NEMS) FOR MOBILE COMPUTING SYSTEMS .................................................................................................................................................. 23 M. Abdelmoneum, D. Browning, T. Arabi And Waleed Khalil BATTERY-SENSING INTRUSION PROTECTION SYSTEM -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Interpretasi Penggemar Mengenai Skinship Yang Dilakukan Boyband
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR ISI Halaman Judul Dalam 1 (Satu) .................................................................................... i Halaman Pernyataan Tidak Melakukan Plagiat .......................................................... ii Halaman Judul Dalam 2 (Dua) .................................................................................... iii Halaman Persembahan ................................................................................................ iv Halaman Persetujuan Pembimbing .............................................................................. v Halaman Pengesahan Panitia Penguji ......................................................................... vi Abstrak ....................................................................................................................... vii Kata Pengantar ............................................................................................................ ix Daftar Isi....................................................................................................................... x Daftar Gambar ........................................................................................................... xiii BAB I PENDAHULUAN .......................................................................................... I-1 1.1 Latar Belakang Masalah ........................................................................... I-1 1.2. Rumusan Masalah ................................................................................ -
INRL-EA14002-59965P.Pdf
EA14-002 HYUNDAI 8/21/2014 REQUEST 7 EA14-002 - Panoramic Sunroof Supplier Information PLATFORM GLASS SUPPLIER SUNROOF COMPONENT ASSEMBLY SUPPLIER MANUFACTURING PLANT Corp: GUARDIAN FRT Add: Guardian Industries Corp: Webasto DongHee KIA MOTORS Manufacturing Santa Fe Corp. Corp: SEJIN Add: 6, Cheoyongsanup-ro, GEORGIA, INC. Sport (AN) MOV 1000 Glasshouse Road Add: 1010, Hyomun-Dong, Onsan-eup, Ulju-gun, 7777 KIA Parkway West Jefferson Hills, PA Buk-Gu, Ulsan, KOREA Ulsan, KOREA Point, GA 31833 RR 15025, USA Floreffe Plant Corp: GUARDIAN Hyundai Motor Manufacturing Add: Guardian Industries Alabama, LLC Corp. Corp: SEJIN 700 Hyundai Boulevard, FRT 1000 Glasshouse Road Add: 1010, Hyomun-Dong, Montgomery, AL 36105 Jefferson Hills, PA Buk-Gu, Ulsan, KOREA 15025, USA Floreffe Sonata (YF) Plant Corp: KAC Corp: KCC MOV Add: 613, Shinjung-Ri, Add: 1-2, Bondu-ri, Jeoneui-Myun, Kanam-myun, Yunki-Kun, Yeoju-kun, Kyunggi-do, RR Chungcheongnam-Do, KOREA KOREA Corp: GUARDIAN Hyundai Motor Group Add: Guardian Industries 700,Yangjung-Dong,Buk-Ku Corp. Corp: SEJIN Ulsan, FRT 1000 Glasshouse Road Add: 1010, Hyomun-Dong, 683-791,Korea Jefferson Hills, PA Buk-Gu, Ulsan, KOREA 15025, USA Floreffe Plant Tucson (LM) Corp : Saint Gobain MOV Add : SAINT-GOBAIN GLASS FRANCE Corp : SEKURIT LES MIROIRS 18 AVENUE Add : 55 Soryong-dong, Gunsan, D’ALSACE Joellabuk-do, 573-400, Korea RR F-92096 LA DEFENSE CODEX FRANCE EA14-002 - Panoramic Sunroof Supplier Information PLATFORM GLASS SUPPLIER SUNROOF COMPONENT ASSEMBLY SUPPLIER MANUFACTURING PLANT Corp : Saint Gobain Corp: -
HYBE Corporation Buy (352820 KS ) (Initiate)
[Korea] Entertainment April 6, 2021 HYBE Corporation Buy (352820 KS ) (Initiate) Evolving into a major platform player TP: W340,000 Upside: 37.1% Mirae Asset Securities Co., Ltd. Jeong -yeob Park [email protected] Valuation and recommendation Initiate coverage with Buy and TP of W340,000 We derived our target market value of W13tr for HYBE Corporation (HYBE; formerly Big Hit Entertainment) by applying a P/E of 60x to our 2021-22F average net profit attributa ble to owners of the parent (W218.6bn). Our target multiple stems from our view of HYBE as the leading fan platform provider (with direct and indirect access to top global artists). Post-IPO, HYBE has traded at between 27x and 45x P/E (20% premium to the upper band of the three major domestic entertainment stocks). In our view, a re-rating is due. The company has expanded its artist portfolio through partnerships with Universal Music Group (UMG)/YG Entertainment and its 100% acquisition of Ithaca Holdings. This should allow it to further strengthen the market position of its platforms. Value of fan platform s to come Weverse/Weverse Shop: Millennials/Gen Z -driven platforms poised for exponential growth in into view profits and users In our view, the emergence of direct-to-fan platforms was inevitable, given the new normal of contactless interactions and the distinct content power/strong fan engagement of music. (Music channels account for 40% of YouTube traffic.) HYBE has brought platforms and labels into its fold at lightning speed, creating a sizable lead over potential competition in terms of technology and content. -
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BAB III METODOLOGI PENELITIAN A. Metode dan Desain Penelitian Penelitian ini menggunakan metode deskriptif. Metode deskriptif melakukan analisis hanya pada taraf deskripsi yaitu menganalisis dan menyajikan fakta secara sistematik sehingga dapat lebih mudah dipahami dan disimpulkan (Dharminto, 2007: 6). Metode deskriptif dipilih untuk mendeskripsikan data-data penelitian. Data penelitian ini adalah sebuah cerpen fanfiction comedy. Dengan menggunakan metode deskriptif akan dideskripsikan berbagai tuturan yang terkandung dalam cerpen fanfiction comedy. Tuturan yang akan dianalisis merupakan tuturan yang berisi sesuatu yang lucu dan menghibur. Penelitian ini menggunakan pendekatan fungsional. Pendekatan fungsional menempatkan manusia sebagai penutur. Selain itu juga memasukkan berbagai unsur lain di luar bahasa. Dalam penelitian ini akan diungkapkan berbagai tuturan yang menghibur dalam cerpen fanfiction comedy. Akan diungkap juga berbagai respon pembaca terhadap cerpen fanfiction comedy, umumnya bagi para orang yang menyukai kpop. B. Populasi dan Sampel Sumber data untuk penelitian ini adalah cerpen fanfiction. Cerpen fanfiction tersebut diambil dari sebuah blog yang sudah terkenal di kalangan remaja khususnya yang suka membaca cerpen fanfiction. Blog tersebut adalah Fanfiction2020. Blog ini merupakan blog khusus untuk cerpen fanfiction berbagai genre termasuk cerpen fanfiction comedy. Sampai saat ini blog yang sangat digemari remaja itu masih aktif memposting berbagai cerpen fanfiction, termasuk cerpen fanfiction comedy. Pembacanya sudah sangat banyak juga disertai dengan berbagai komentar yang beragam. Kebanyakan dari pembaca cerpen fanfiction tersebut berkomentar positif serta menyukai cerita yang disajikan. 26 Risna Desiana Sahman, 2014 Variasi Bahasa Humor dalam Kumpulan Cerpen Fanfiction Comedy Universitas Pendidikan Indonesia | repository.upi.edu | 27 Tidak semua cerpen fanfiction yang ada dalam blog tersebut dianalisis dalam penelitian ini. Hanya yang bergenre comedy saja yang dianalisis. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Lirik Lagu DEAR MY FAMILY (OST
Lirik Lagu DEAR MY FAMILY (OST. I AM) + Translate by Prince 19 Oktober 2012 pukul 23:36 [Changmin] naega seol goseul chajeul suga eobseul ttae Bogpung sogeseo gireul ireo beoryeoseul ttae [Luna] eonjena pyeonaji anneun saramgwa yonggireul chusheodeon geudeurege gamsareul ponaeyeo [Baekhyun] ttaereon honjarago neuggyeoseul ttaega isseojwo [D.O] Mani ureodeon chinnarae nae moseube [Yesung] eolmana maeumi appaseulgayo himdeudeo seulgayeo Ijeseoya nan al geotman gatayo [Taeyeon] nae insaengi kkeutnal ttaeggaji Isesangi kkeutnal ttaeggaji Urin yeongwonhi hamkke iseul geoyeyeo [All] jageun maeum moageun him doedeut Urin hanaran geoseul mitgo iseoyeo Urihamkke, haengbog mandeuroyeo Memareun sesang soge bichi tweneun nalggaji [Taeyeon] saranghaeyo [Chen] nawa gateun kkumeul kkugo itnayo [Lu Han] Jeongmal nawa gateun goseul barabogo itnayo [Jonghyun] geugeotmani sesangye modeun apeumeul jiryohal su iseoyeo Seoreo aggyeo chul suman idamyeon [Yunho] nae insaengi kkeutnal ttaeggaji isesangi kkeutnal ttaeggaji Urin yeongwonhi hamkke iseul geoyeyeo [All] jageun maeum, moageun, him twedeut Urin hanaran geoseul mitgo iseoyeo Urihamkke, haengbok mandeuroyeo Memareun sesang soge bichi tweneun nalggaji [Changmin] saranghaeyo [Kangta] uri apeseo cheolmang haebeorin saramdeuri idamyeon Dashi ireonal geun himi dwae chweoyahae [BoA] nawa gateun kajoge, songiri piryohal ttaenigga [All] jageun maeum, moageun, him twedeut Urin hanaran geoseul mitgo iseoyeo Urihamkke, haengbok mandeuroyeo Memareun sesang soge bichi tweneun nalggaji [BoA] saranghaeyo [Changmin] Naega -
Creative Industries in South Korea: the Korean Wave
CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE Author: Nicoleta Stefanÿ Valean Tutor: Francesc Xavier Molina Morales DEGREE IN BUSINESS ADMINISTRATION AE1049 - FINAL PROJECT WORK ACADEMIC YEAR: 2016/2017 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE TABLE OF CONTENTS INTRODUCTION 3 1. CREATIVE INDUSTRY 5 1.1. Definition. 5 1.2. Origin. 5 2. SOUTH KOREA 6 2.1. The history of Korea. 6 2.2. Hallyu: The Korean Wave 9 2.3. Aspects related to Hallyu 13 2.3.1. Industry Policy 14 2.3.2. Hallyu’s Kdramas approach 15 2.3.3. Hallyu and National Prestige 16 2.3.4. Market Segmentation 18 3. KOREAN POPULAR CULTURE 20 3.1. Korean television and Kpop 20 3.2. The Big Three: SM, YG and JYP 24 3.2.1. SM Entertainment 25 3.2.2. YG Entertainment 28 3.2.3 JYP Entertainment 29 3.2.4. Trainee system 31 4. CONCLUSION 33 5. REFERENCES 34 6. WEBGRAPHY 36 2 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE INTRODUCTION We live in a globalized world, surrounded by the effects of globalization in our daily life. Nowadays we have access to information about so many different cultures, countries, economies, different organizations, and so on. Thanks to the Internet, we have access to a whole new world in just a click. This is the main characteristic of the actual global situation. Personally, I am always amazed of this fact, being able to “travel" with just a click, being able to communicate with someone on the other side of the world, being able to know exactly what is happening, for example, in Australia while being in Spain, and more. -
I'll Trade My Soul for You
I'll Trade My Soul For You Taeyeon is a girl who has a long crush for her best friend. She has loved her since when she was still in college up until now. She didn’t have the courage to confess because she knew her best friend isn’t gay like her so she poured all of her feelings through the stories she uploaded in AFF. One day a reader named Tiffany Hwang entered her life. They started their relationship as a mere reader and writer. The relationship expanded vastly from being strangers to friends and finally best friends. However Tiffany is not an ordinary girl. She has a gift which allows her to predict future and read people’s mind. When Taeyeon finally acknowledged her feeling for her best friend has changed and shifted to her reader, Tiffany Hwang; the girl suddenly vanished and left her a goodbye message. The story will tell about how Taeyeon tried hard to find the reason behind Tiffany’s leaving and how she would do almost anything just to bring Tiffany back to her embrace. My Family, My Life, My Love, and My Special Reader.. My name is Taeyeon, full name is Kim Taeyeon but people usually call me Taeyeon or Taeng or Taengoo, well it actually depends on who is the one who calls me. I live a not so normal yet quite a pleasant live. I am 23 years old this year and yes I have finished and got my bachelor degree in engineering department last year. I am now working as one of the scientist in local oil company. -
July 2020 Welcome To
THE RICHMOND DISTRICT DISPATCH A Newsletter of The Richmond District • Virginia Conference • The United Methodist Church July 2020 Welcome to COVID-19 Date Changes Welcome, Farewell and Congratulations! General Conference scheduled to begin May 5, has been rescheduled e welcome the following clergy Rev. Ron White to Providence UMC for August 29-September 7, 2021. who received new appointments (Chesterfield) as associate W VA PAUMCS Spring Event planned for to the Richmond District effective July 1: And wish God’s richest blessings Rev. Pam Anderson to Discovery UMC to these pastors who are leaving the May 27 at the VAUMC Center will be as associate District to begin new adventures in rescheduled. Rev. Hanna Bryn to Discovery UMC as ministry: Annual Conference scheduled for June Minister of Community Discipleship Rev. Sandra Bottoms, to extension 18-20 in Roanoke is being moved to and Youth ministry at Chester Presbyterian September 19 online. Rev. Joshua Dalton to Woodlake UMC Rev. Terry Eum to the Rappahannock The Lay Servant Academy scheduled as associate River District July 17-19 at Randolph-Macon College Rev. Renee Delgado to Good Shepherd Rev. John R. Hall, Sr., retired, to the has been canceled. UMC as Minister of Child Discipleship James River District MIssion Encounter scheduled for July and Worship Rev. Mi Sook Ahn to the York River 24-26 at Smith Mountain Lake has Rev. James Dettmer to Bethel UMC District been canceled. Rev. Shayne Estes to Central UMC Rev. Marilyn Heckstall to the Roanoke Jurisdictional Conference scheduled for Rev. Hikisha Harris to Worship and District July, has been postponed until November Praise UMC as associate Rev. -
EXO Watch List
EXO - Debuted April 8, 2012 - Originally 12 members split into 2 sub-units (EXO-K & EXO-M) - Now 9 members, but one (Lay) is mostly inactive - Official Color: Cosmic Latter (pearl/silver/white) - Official Fandom Name: EXO-L - Fandom Nickname: Aeri/Eri (coined by Baekhyun) Member ‘Snapshot’ Video: https://www.youtube.com/watch?v=mz9vGrVz4xk Music Videos: Growl: https://www.youtube.com/watch?v=I3dezFzsNss Overdose: https://www.youtube.com/watch?v=TI0DGvqKZTI Call Me Baby: https://www.youtube.com/watch?v=yWfsla_Uh80 Love Me Right: https://www.youtube.com/watch?v=RuqaVryDRd0 Lucky One: https://www.youtube.com/watch?v=73QzQYN8FtE Monster: https://www.youtube.com/watch?v=KSH-FVVtTf0 Lotto: https://www.youtube.com/watch?v=tbe3pe2BtwA Dancing King: https://www.youtube.com/watch?v=4EiNsoTc9KK Ko Ko Bop: https://www.youtube.com/watch?v=IdssuxDdqKK Tempo: https://www.youtube.com/watch?v=iwd8N6K-sLk Electric Kiss: https://www.youtube.com/watch?v=BC19fhyTG_M Love Shot: https://www.youtube.com/watch?v=pSudEWBAYRE Live/Concert Performances: Lucky One: https://www.youtube.com/watch?v=ORLpFCtF8xE Lightsaber: https://www.youtube.com/watch?v=wBg_1MNrg6k (Until 4:10) Touch It: https://www.youtube.com/watch?v=yFAAARceaLU (Start at 5:29) Artificial Love: https://www.youtube.com/watch?v=ScWkjL0wpFM Dance Practices: The Eve: https://www.youtube.com/watch?v=b6ycw7p9-bE Monster: https://www.youtube.com/watch?v=e8q3OET5dwk Blooming Day: https://www.youtube.com/watch?v=UdjEoGzXxmI (EXO-CBX) EXO-CBX: Ka-Ching: https://www.youtube.com/watch?v=XNwYapPXNkw Hey Mama!: