EXO Watch List

Total Page：16

File Type：pdf, Size：1020Kb

EXO - Debuted April 8, 2012 - Originally 12 members split into 2 sub-units (EXO-K & EXO-M) - Now 9 members, but one (Lay) is mostly inactive - Official Color: Cosmic Latter (pearl/silver/white) - Official Fandom Name: EXO-L - Fandom Nickname: Aeri/Eri (coined by Baekhyun) Member ‘Snapshot’ Video: https://www.youtube.com/watch?v=mz9vGrVz4xk Music Videos: Growl: https://www.youtube.com/watch?v=I3dezFzsNss Overdose: https://www.youtube.com/watch?v=TI0DGvqKZTI Call Me Baby: https://www.youtube.com/watch?v=yWfsla_Uh80 Love Me Right: https://www.youtube.com/watch?v=RuqaVryDRd0 Lucky One: https://www.youtube.com/watch?v=73QzQYN8FtE Monster: https://www.youtube.com/watch?v=KSH-FVVtTf0 Lotto: https://www.youtube.com/watch?v=tbe3pe2BtwA Dancing King: https://www.youtube.com/watch?v=4EiNsoTc9KK Ko Ko Bop: https://www.youtube.com/watch?v=IdssuxDdqKK Tempo: https://www.youtube.com/watch?v=iwd8N6K-sLk Electric Kiss: https://www.youtube.com/watch?v=BC19fhyTG_M Love Shot: https://www.youtube.com/watch?v=pSudEWBAYRE Live/Concert Performances: Lucky One: https://www.youtube.com/watch?v=ORLpFCtF8xE Lightsaber: https://www.youtube.com/watch?v=wBg_1MNrg6k (Until 4:10) Touch It: https://www.youtube.com/watch?v=yFAAARceaLU (Start at 5:29) Artificial Love: https://www.youtube.com/watch?v=ScWkjL0wpFM Dance Practices: The Eve: https://www.youtube.com/watch?v=b6ycw7p9-bE Monster: https://www.youtube.com/watch?v=e8q3OET5dwk Blooming Day: https://www.youtube.com/watch?v=UdjEoGzXxmI (EXO-CBX) EXO-CBX: Ka-Ching: https://www.youtube.com/watch?v=XNwYapPXNkw Hey Mama!: https://www.youtube.com/watch?v=AOzVyVv1HtQ Top Row, Left to Right Middle Row, Left to Right Bottom Row, Left to Right Chen: Kim jong-dae, ’92, Korean, Vocalist Chanyeol: ’92, Korean, Rapper Kris: ’90, Chinese, Rapper (Former Mbr) Xiumen: Kim Min-suk, ’90, Korea, Vocalist Kai: Kim jong-in, ’94, Korean, Dancer Suho: Kim joon-myun’91, Korean, Vocalist Luhan: ’90, Chinese (Former Mbr) Sehun: ’94, Korean, Rapper, Dancer Baekhyun: ’92, Korean, Vocalist D.O: Do Kyung-soo, ’93, Korean, Vocalist Lay: Zhang Yixing, ’91, Chinese, Vocalist, Dancer Tao: Chinese ’93, Rapper (Former Mbr) Chen: Thunder/Lightning Kris: Flight (Dragon) Kai: Teleportation Chanyeol: Fire (Phoenix) Lay: Healing (Unicorn) Luhan: Telekinesis Baekhyun: Light (Sun) D.O: Force Tao: Time Control (Hourglass) Xiumin: Frost (Snowflake) Sehun: Wind Suho: Water Associated Animals/Nicknames Chen: Dinosaur / Chen Chen or Chennie Kai: Bear / Nini Suho: Bunny / Mom D.O: Penguin / Satansoo Baekhyun: Puppy / Bacon Sehun: Wolf / Sehunnie Chanyeol: White Tiger / Channie or Yeollie Xiumin: Cat / Baozi Lay: Sheep/ XingXing .

Copy Link

Recommended publications

Ana Flavia Ferreira Silva
GLOBALIZING MASCULINITY 1 Master’s Thesis Globalizing Masculinity: A CROSS-CULTURAL ANALYSIS OF HEGEMONIC MASCULINITY IN CONTEMPORARY MUSIC VIDEOS Ana Flavia Ferreira Silva Semester 2 Student Number: 10275800 Supervisor: Anne-Marie van Oosten Date: Feb 2, 2018 Master’s Programme in Communication Sciences: Entertainment Communication GLOBALIZING MASCULINITY 2 Abstract Although hegemonic masculinity is still prevalent in popular media culture, recent changes to the gender scape have started to redefine discourses of hegemony. In the present study, a coding instrument was developed to measure the level of hegemonic masculinity across three countries: United States, Brazil, and South Korea. The analysis examined the assumption of the existence of hegemonic masculinity in contemporary music videos, and compared these discourses across the three different countries. Results suggest discourses of hegemonic masculinity could be changing on a global scale and that globalization may explain this change. This study is intended to add new contributions to explorations into the content of contemporary media in maintaining a comprehensive understanding of the role of hegemonic masculinity in media discourses today. Findings could benefit both practical and theoretical implications, since there is a scarcity of research that investigates cross-cultural representation of hegemonic masculinity in music videos. Keywords: Hegemonic masculinity, globalization GLOBALIZING MASCULINITY 3 Introduction Since the launch of MTV in 1981, the popularity of music videos
[Show full text]
Master Thesis Sentiment-Based Spatial
Master thesis Sentiment-based spatial- temporal event detection in social media data Lin Che 2019 Sentiment-based spatial-temporal event detection in social media data submitted for the academic degree of Master of Science (M.Sc.) conducted at the Department of Civil, Geo and Environmental Engineering Technical University of Munich Author: Lin, Che Study course: Cartography M.Sc. Supervisor: Juliane Cron, Ruoxin Zhu Reviewer: Dr.-Ing. Eva Hauthal Chair of the Thesis Assessment Board: Prof. Dr. Liqiu Meng Date of submission: 11.09.2019 i Statement of Authorship Herewith I declare that I am the sole author of the submitted Master’s thesis entitled: “Sentiment-based spatial‐temporal event detection in social media data” I have fully referenced the ideas and work of others, whether published or unpublished. Literal or analogous citations are clearly marked as such. Munich, 11.09.2019 Lin, Che i Acknowledgements Throughout the writing of this thesis, I have received a great deal of support and assistance. I would first like to express my sincere gratitude to my supervisor, Juliane Cron, for her patience, motivation, enthusiasm and guidance, for her insightful comments, continuous assistance during the whole research and thesis writing process. Without her endless spiritual and practical support, this thesis would not have been possible. I owe my deepest gratitude to my supervisor, Ruoxin Zhu, who helped me choose the topic, gave me technical guidance and valuable feedback. I would like to offer my special thanks to Chenyu Zuo, who gave me advice and guidance on the visualization part of this thesis and gave me unconditional help in life and career all the time.
[Show full text]
Emerging from Anonymity: E First Generation of Writers of Songs and Drama in Mid-Ming Nanjing*
T’OUNG PAO T’oung Pao 96 (2010) 125-164 www.brill.nl/tpao Emerging from Anonymity: e First Generation of Writers of Songs and Drama in Mid-Ming Nanjing* Tian Yuan Tan (School of Oriental and African Studies) Abstract is article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century. ese writers—Shi Zhong (1437-after 1516), Chen Duo (1454?-1507?), and Xu Lin (1462- 1538)—represented a different mode of writing songs and drama. For them it was no longer a professional occupation, as in the case of the court performers, but became part of their cultural and social life. e extent to which our knowledge of these first- generation qu writers depends on local sources and on acts of remembrance by later Nanjing authors is also examined. Résumé Cet article s’intéresse à la première génération d’auteurs d’airs à chanter et de pièces de théâtre ayant émergé à Nankin de l’anonymat des divertissements de cour du début des Ming; ces auteurs — Shi Zhong (1437-après 1516), Chen Duo (1454?-1507?), et Xu Lin (1462-1538) — se sont fait un nom pendant la seconde moitié du xve siècle. Ils sont représentatifs d’une manière différente de composer chansons et pièces de théâtre : il ne s’agissait plus pour eux d’exercer un métier, comme dans le cas des artistes de cour, mais de se consacrer à une occupation intégrée à leurs activités culturelles et sociales.
[Show full text]
Sammy Strain Story, Part 4: Little Anthony & the Imperials
The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103).
[Show full text]
San Jose Honors Jewish Lives
Wednesday, Volume 151 10.31.2018 No. 31 SERVING SAN JOSE STATE UNIVERSITY SINCE 1934 WWW.SJSUNEWS.COM/SPARTAN_DAILY San Jose honors Jewish lives BEN STEIN | SPARTAN DAILY A participant holds up a sign outside of city hall during the Interfaith Vigil of Solidarity Against Hate on Tuesday. The vigil was to show solidarity with victims of Saturday’s shooting at Tree of Life Synogogue in Pittsburgh. District 5 County Supervisor Joe Members of the Jewish community, gogue in Pennsylvania,” Liccardo said. By Ben Stein Simitian said. elected officials and several interfaith “Today, Pittsburgh is the center of the The Jewish Federation of Silicon leaders spoke on the mass shooting and world,” he added. Eleven candles, representing the Valley set up the Interfaith Vigil of how everyone was affected, not only The speakers described their emo- 11 Jewish men and women killed in Solidarity Against Hate in sup- the Jewish community in Pittsburgh. tions and shared their thoughts follow- Pittsburgh’s Tree of Life Congregation port of the Pittsburgh community. San Jose Mayor Sam Liccardo ing the attack. Instead of placing shame synagogue on Saturday, were lit in Congregation Shir Hadash Cantor explained that when a tragedy occurs, on the suspect and other anti-Semitic front of the more than 500-person Devorah Felder-Levy led the group in the entire world pauses, not only the incidents, they offered solutions to crowd outside City Hall on Tuesday. “Gesher Tzar Meod,” a song that trans- affected community. make the world a better place. “We say each of their names so lates to “The whole world is a very “[The attack] has violated the sanc- “We can send cards and letters of they do not become just a statistic, narrow bridge, the important thing is tuary of holy places, whether it’s they will forever be remembered,” to not be afraid.” a church in Charleston or a syna- VIGIL | Page 2 Search for permanent UPD chief continues By Vicente Vera tive recruitment services,” STAFF WRITER said Regan Williams, senior vice president of Bob Murray & Associates.
[Show full text]
Interpretasi Penggemar Mengenai Skinship Yang Dilakukan Boyband
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR ISI Halaman Judul Dalam 1 (Satu) .................................................................................... i Halaman Pernyataan Tidak Melakukan Plagiat .......................................................... ii Halaman Judul Dalam 2 (Dua) .................................................................................... iii Halaman Persembahan ................................................................................................ iv Halaman Persetujuan Pembimbing .............................................................................. v Halaman Pengesahan Panitia Penguji ......................................................................... vi Abstrak ....................................................................................................................... vii Kata Pengantar ............................................................................................................ ix Daftar Isi....................................................................................................................... x Daftar Gambar ........................................................................................................... xiii BAB I PENDAHULUAN .......................................................................................... I-1 1.1 Latar Belakang Masalah ........................................................................... I-1 1.2. Rumusan Masalah ................................................................................
[Show full text]
The Formation of the Scientific Mind
The Formation of the Scientific Mind GASTON BACHELARD The Formation of the Scientific Mind A Contribution to a Psychoanalysis of Objective Knowledge GASTON BACHE LARD Introduced, translated and annotated by Mary MeAl/ester Jones ('III,j IIf tJ Ii J'Sty Copyright © Clinamen Press 2002 Translation © Mary McAllester Jones 2002 Contents Introduction © Mary McAllester Jones 2002 The right of Mary McAllester Jones to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Translator's note vii Clinamen Press Ltd Introduction by Mary MeAl/esterJo nes Unit B Aldow Enterprise Park ord Blackett Street Forew 17 Manchester MI26AE The idea ofthe epistemological obstacle 24 www.clinamen.co.uk 2 The first obstacle: primary experience 33 Published in French by Librairie Philosophique J. VRIN as La Formation de I 'Esprit ScientiJique 3 General knowledge as an obstacle to scientific �owledge 64 © J. VRIN 1938 t 6, Place de la Sorbonne F - 65005 Paris 4 An example of a verbal obstacle: sponge. On the 81 over-extension of familiar images Two slightly adapted sections of this work previously published in McAllester Jones, Mary, Gaston Bachelard, Subversive 5 Unitary and pragmatic knowledge as an obstacle to 91 Humanist © 1991. Reprinted by permission of the University of scientific knowledge Wisconsin Press 6 All rights reserved. No part of this edition may be reproduced, stored The substantialist obstacle 104 in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording 7 Psychoanalysing realists 136 or otherwise) without the written permission of the publishers.
[Show full text]
POST-DANCE Alice Chauchat Ana Vujanovic Andre Lepecki Jonathan Burrows Bojana Cvejic Bojana Kunst Charlotte Szasz Josefihe Wikst
POST-DANCE Alice Chauchat Ana Vujanovic Andre Lepecki Jonathan Burrows Bojana Cvejic Bojana Kunst Charlotte Szasz Josefihe Wikstrom Ofelia Jarl Ortega Samlingen Valeria Graziano • Samira Elagoz Ellen Soderhult Edgar Schmitz Manuel Scheiwiller Alina Popa Antonia Rohwetter & Max Wallenhorst Danjel Andersson : R - i I- " Mette Edvardsen Marten Spdngberg (Eds.) % POST-DANCE Alice Chauchat Ana Vujanovic Andre Lepecki Jonathan Burrows Bojana Cvejic Bojana Kunst Charlotte Szasz Josefine Wikstrom Ofelia Jarl Ortega Samlingen Valeria Graziano Samira Elagoz Ellen Soderhult Edgar Schmitz Manuel Scheiwiller Alina Popa Antonia Rohwetter & Max Wallenhorst Danjel Andersson Mette Edvardsen Marten Spangberg (Eds.) Published by MDT 2017 Creative commons, Attribution-ShareAlike 4.0 International Edited by Danjel Andersson, Mette Edvarsdsen and Mirten Spingberg Designed by Jonas Williamson ISBN 978-91-983891-0-4 This book is supported by Cullbergbaletten and Life Long Burning, a cultural network, funded with support from the European Commission. CULLBERGBALETTEN Culture o BUNNTNG Contents Acknowledgement 9 Danjel Andersson I Had a Dream 13 Marten Spangberg Introduction 18 Alice Chauchat Generative Fictions, or How Dance May Teach Us Ethics 29 Ana Vujanovic A Late Night Theory of Post-Dance, a selfinterview 44 Andre Lepecki Choreography and Pornography 67 Jonathan Burrows Keynote address for the Postdance Conference in Stockholm 83 Bojana Cvejic Credo In Artem Imaginandi 101 Bojana Kunst Some Thoughts on the Labour of a Dancer 116 Charlotte Szasz Intersubjective
[Show full text]
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.
[Show full text]
2020 China Country Profile
1 China Music Industry Development Report COUNTRY China: statistics PROFILE MARKET PROFILE claiming that China’s digital music business 13.08.20 ❱China increased by 5.5% from 2017 to 2018 while the number of digital music users exceeded Population... 1.4bn 550m, a jump of 5.1% year-on-year. GDP (purchasing power parity)... $25.36tn GDP per capita (PPP)... $18,200 What, exactly, these digital music users are doing is still not entirely clear. Streaming, as 904m Internet users... you might imagine, dominates digital music Broadband connections... 407.39m consumption in China. The divide, however, Broadband - subscriptions per 100 inhabitants... 29 between ad-supported and paid users is opaque at best. The IFPI, for example, reports Mobile phone subscriptions... 1.65bn that revenue from ad-supported streaming Smartphone users... 781.7m is greater than that of subscription in China Sources: CIA World Factbook/South China Morning Post/Statista – a claim that was met with some surprise by some local Music Ally sources. “For most of the platforms, subscription income is still the largest contributor in the digital music market,” says a representative of NetEase A lack of reliable figures makes China a Cloud Music. difficult music market to understand. Even so, Simon Robson, president, Asia Region, its digital potential is vast. Warner Music, says that the ad-supported China basically lives model isn’t really set up to make money in China but is instead designed to drive traffic CHINA’S GROWING IMPORTANCE as a service NetEase Cloud Music, warned inside WeChat now... to the service. “Within China, the GDP is so digital music market is perhaps only matched that IFPI numbers for China were largely we fix problems for the different from city to city that it becomes by a fundamental lack of understanding based on advances; that means they may difficult to set standard pricing per month that exists about the country.
[Show full text]
Worldcharts TOP 200 + Album TOP 75 Vom 15.02.2018
CHARTSSERVICE – WORLDCHARTS – TOP 200 SINGLES NO. 948 – 15.02.2018 PL VW WO PK ARTIST SONG 1 1 6 1 BRUNO MARS ft. CARDI B finesse 2 2 8 2 EMINEM ft. ED SHEERAN river 3 4 28 1 CAMILA CABELLO ft. YOUNG THUG havana 4 3 49 1 ED SHEERAN perfect 5 20 2 5 JUSTIN TIMBERLAKE ft. CHRIS STAPLETON say something 6 5 6 5 DUA LIPA idgaf 7 6 3 6 DRAKE god's plan 8 12 5 8 LIAM PAYNE & RITA ORA for you (fifty shades freed) 9 7 16 2 SELENA GOMEZ & MARSHMELLO wolves 10 9 9 9 CAMILA CABELLO never be the same 11 8 12 4 LUIS FONSI & DEMI LOVATO échame la culpa 12 11 10 8 G-EAZY & HALSEY him & i 13 15 3 13 CHAINSMOKERS sick boy 14 10 21 4 POST MALONE ft. 21 SAVAGE rockstar 15 13 16 10 RITA ORA anywhere 16 - 1 16 WEEKND & KENDRICK LAMAR pray for me 17 14 23 1 ZAYN ft. SIA dusk till dawn 18 34 3 18 RUDIMENTAL ft. JESS GLYNNE, MACKLEMORE & DAN CAPLENthese days 19 18 5 11 JUSTIN TIMBERLAKE filthy 20 16 18 3 CHARLIE PUTH how long 21 17 31 4 DUA LIPA new rules 22 19 15 11 CLEAN BANDIT ft. JULIA MICHAELS i miss you 23 21 39 11 PORTUGAL. THE MAN feel it still 24 25 18 16 NF let you down 25 22 10 18 MARTIN GARRIX & DAVID GUETTA ft. JAMIE SCOTT & ROMYso DYAfar away 26 31 5 25 KENDRICK LAMAR & SZA all the stars 27 26 10 26 JAX JONES ft.
[Show full text]
Everything Began with the Movie Moulin Rouge (2001)
Introduction Everything began with the movie Moulin Rouge (2001). Since I was so obsessed with this hit film, I couldn’t but want to know more about this particular genre - musical films. Then I started to trace the history of this genre back to Hollywood’s classical musical films. It’s interesting that musical films have undergone several revivals and are usually regarded as the products of escapism. Watching those protagonists singing and dancing happily, the audience can daydream freely and forget about the cruel reality. What are the aesthetic artifices of this genre so enchanting that it always catches the eye of audience generation after generation? What kinds of ideal life do these musical films try to depict? Do they (musical films) merely escape from reality or, as a matter of fact, implicitly criticize the society? In regard to the musical films produced by Hollywood, what do they reflect the contemporary social, political or economic situations? To investigate these aspects, I start my research project on the Hollywood musical film genre from the 1950s (its Classical Period) to 2002. However, some people might wonder that among all those Hollywood movies, what is so special about the musical films that makes them distinguish from the other types of movies? On the one hand, the musical film genre indeed has several important contributions to the Hollywood industry, and its influence never wanes even until today. In need of specialty for musical film production, many talented professional dancers and singers thus get the chances to join in Hollywood and prove themselves as great actors (actresses), too.
[Show full text]