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Emerging from Anonymity: E First Generation of Writers of Songs and Drama in Mid-Ming Nanjing*
T’OUNG PAO T’oung Pao 96 (2010) 125-164 www.brill.nl/tpao Emerging from Anonymity: e First Generation of Writers of Songs and Drama in Mid-Ming Nanjing* Tian Yuan Tan (School of Oriental and African Studies) Abstract is article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century. ese writers—Shi Zhong (1437-after 1516), Chen Duo (1454?-1507?), and Xu Lin (1462- 1538)—represented a different mode of writing songs and drama. For them it was no longer a professional occupation, as in the case of the court performers, but became part of their cultural and social life. e extent to which our knowledge of these first- generation qu writers depends on local sources and on acts of remembrance by later Nanjing authors is also examined. Résumé Cet article s’intéresse à la première génération d’auteurs d’airs à chanter et de pièces de théâtre ayant émergé à Nankin de l’anonymat des divertissements de cour du début des Ming; ces auteurs — Shi Zhong (1437-après 1516), Chen Duo (1454?-1507?), et Xu Lin (1462-1538) — se sont fait un nom pendant la seconde moitié du xve siècle. Ils sont représentatifs d’une manière différente de composer chansons et pièces de théâtre : il ne s’agissait plus pour eux d’exercer un métier, comme dans le cas des artistes de cour, mais de se consacrer à une occupation intégrée à leurs activités culturelles et sociales. -
The Union and Journal
PUBLIC LIBERTIES, BE TRUE, AND FAITHFUL, AXD VALIANT FOB THE 1864. VOLUME XX, OTMBEI St JOIN E. HITLER, Editor and Proprietor. BIDDEFOKD; ME., FKIDAY MORNING, DEC. 23, L«o. Chief Jmtlce Ghtua. 8pare Linei. Giva us thii our Bread. The Chirograph/ of Grant aud { CHRISTMAS Day Daily THE UNION & nf tho S.iTiin«. Thai Worcrator Spy |ueaenta »o iutereatiuf VW prefer oil-mill* to rhjo«.fMtorieft— JOURNAL,j a miwruhtn howl at the bottom of n A Richmond fn earr-iipmdent the tiiua lia luhriottione to lucubration*. li pnMUhMl «T*ry Frl4»f itoriitSiit I'iOO It AND n>*h r»*forr»i»i» t>» tho l*t»» oorr»n- •ketch of Mr. Oiav'a career fro'iu If "UUtH till tha |1oc(n). hill, t*nchildren hoeer«d over* smoiildiMr- strictly In a«l*#t»o*i pti'l I* t«r* n Grant and Lee, in nder- left hia New England home thirty yenra ttfo, n ninn lire on txplratiun of tha yaar. •*»* month*. ll.'M. in? fir« A tensp<wt mrmI without—u fcir* pond<*iice If exclmirely regeubUs, is I'm*) our at tho we Loasly. tnun ami taint to th«i relief of whlc'i c<»py. th(* fluid in liia rcine blood or till t'*inrwt uittiinxt which pritonew• mp? e»rr lonelv. >m. Mr. Chue ttfirin rl|.< of Ltw io Cln« On# «quar». threa in«ertlo*« ut !•«*, fi.r. Pitting lonely, w*re 'ilike nowi»rl S>»«ith, ny«: |>r«eti«*> * YEAR GIFTS! on* Til who ronlcM the flour- -to NEW U for for frreaUat if Is", ami «hil# client* dandy Y «Vt!h *>tltl«IMl iu»eiUou. -
Interpretasi Penggemar Mengenai Skinship Yang Dilakukan Boyband
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR ISI Halaman Judul Dalam 1 (Satu) .................................................................................... i Halaman Pernyataan Tidak Melakukan Plagiat .......................................................... ii Halaman Judul Dalam 2 (Dua) .................................................................................... iii Halaman Persembahan ................................................................................................ iv Halaman Persetujuan Pembimbing .............................................................................. v Halaman Pengesahan Panitia Penguji ......................................................................... vi Abstrak ....................................................................................................................... vii Kata Pengantar ............................................................................................................ ix Daftar Isi....................................................................................................................... x Daftar Gambar ........................................................................................................... xiii BAB I PENDAHULUAN .......................................................................................... I-1 1.1 Latar Belakang Masalah ........................................................................... I-1 1.2. Rumusan Masalah ................................................................................ -
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BAB III METODOLOGI PENELITIAN A. Metode dan Desain Penelitian Penelitian ini menggunakan metode deskriptif. Metode deskriptif melakukan analisis hanya pada taraf deskripsi yaitu menganalisis dan menyajikan fakta secara sistematik sehingga dapat lebih mudah dipahami dan disimpulkan (Dharminto, 2007: 6). Metode deskriptif dipilih untuk mendeskripsikan data-data penelitian. Data penelitian ini adalah sebuah cerpen fanfiction comedy. Dengan menggunakan metode deskriptif akan dideskripsikan berbagai tuturan yang terkandung dalam cerpen fanfiction comedy. Tuturan yang akan dianalisis merupakan tuturan yang berisi sesuatu yang lucu dan menghibur. Penelitian ini menggunakan pendekatan fungsional. Pendekatan fungsional menempatkan manusia sebagai penutur. Selain itu juga memasukkan berbagai unsur lain di luar bahasa. Dalam penelitian ini akan diungkapkan berbagai tuturan yang menghibur dalam cerpen fanfiction comedy. Akan diungkap juga berbagai respon pembaca terhadap cerpen fanfiction comedy, umumnya bagi para orang yang menyukai kpop. B. Populasi dan Sampel Sumber data untuk penelitian ini adalah cerpen fanfiction. Cerpen fanfiction tersebut diambil dari sebuah blog yang sudah terkenal di kalangan remaja khususnya yang suka membaca cerpen fanfiction. Blog tersebut adalah Fanfiction2020. Blog ini merupakan blog khusus untuk cerpen fanfiction berbagai genre termasuk cerpen fanfiction comedy. Sampai saat ini blog yang sangat digemari remaja itu masih aktif memposting berbagai cerpen fanfiction, termasuk cerpen fanfiction comedy. Pembacanya sudah sangat banyak juga disertai dengan berbagai komentar yang beragam. Kebanyakan dari pembaca cerpen fanfiction tersebut berkomentar positif serta menyukai cerita yang disajikan. 26 Risna Desiana Sahman, 2014 Variasi Bahasa Humor dalam Kumpulan Cerpen Fanfiction Comedy Universitas Pendidikan Indonesia | repository.upi.edu | 27 Tidak semua cerpen fanfiction yang ada dalam blog tersebut dianalisis dalam penelitian ini. Hanya yang bergenre comedy saja yang dianalisis. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Creative Industries in South Korea: the Korean Wave
CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE Author: Nicoleta Stefanÿ Valean Tutor: Francesc Xavier Molina Morales DEGREE IN BUSINESS ADMINISTRATION AE1049 - FINAL PROJECT WORK ACADEMIC YEAR: 2016/2017 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE TABLE OF CONTENTS INTRODUCTION 3 1. CREATIVE INDUSTRY 5 1.1. Definition. 5 1.2. Origin. 5 2. SOUTH KOREA 6 2.1. The history of Korea. 6 2.2. Hallyu: The Korean Wave 9 2.3. Aspects related to Hallyu 13 2.3.1. Industry Policy 14 2.3.2. Hallyu’s Kdramas approach 15 2.3.3. Hallyu and National Prestige 16 2.3.4. Market Segmentation 18 3. KOREAN POPULAR CULTURE 20 3.1. Korean television and Kpop 20 3.2. The Big Three: SM, YG and JYP 24 3.2.1. SM Entertainment 25 3.2.2. YG Entertainment 28 3.2.3 JYP Entertainment 29 3.2.4. Trainee system 31 4. CONCLUSION 33 5. REFERENCES 34 6. WEBGRAPHY 36 2 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE INTRODUCTION We live in a globalized world, surrounded by the effects of globalization in our daily life. Nowadays we have access to information about so many different cultures, countries, economies, different organizations, and so on. Thanks to the Internet, we have access to a whole new world in just a click. This is the main characteristic of the actual global situation. Personally, I am always amazed of this fact, being able to “travel" with just a click, being able to communicate with someone on the other side of the world, being able to know exactly what is happening, for example, in Australia while being in Spain, and more. -
3.1: a Novel Architecture for Autostereoscopic 2D3D Switchable
51st Annual SID Symposium, Seminar, and Exhibition 2013 (Display Week 2013) SID International Symposium Digest of Technical Papers Volume 44 Vancouver, Canada 19-24 May 2013 Part 1 of 2 ISBN: 978-1-5108-1530-8 Printed from e-media with permission by: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 Some format issues inherent in the e-media version may also appear in this print version. Copyright© (2013) by SID-the Society for Information Display All rights reserved. Printed by Curran Associates, Inc. (2015) For permission requests, please contact John Wiley & Sons at the address below. John Wiley & Sons 111 River Street Hoboken, NJ 07030-5774 Phone: (201) 748-6000 Fax: (201) 748-6088 [email protected] Additional copies of this publication are available from: Curran Associates, Inc. 57 Morehouse Lane Red Hook, NY 12571 USA Phone: 845-758-0400 Fax: 845-758-2633 Email: [email protected] Web: www.proceedings.com TABLE OF CONTENTS PART 1 SESSION 3: AUTOSTEREOSCOPIC AND MULTI-VIEW I 3.1: A Novel Architecture for Autostereoscopic 2D/3D Switchable Display Using Dual-Layer OLED Backlight Module .................................................................................................................................................................................................................1 Yi-Jun Wang, Jun Liu, Wei-Chung Chao, Bo-Ru Yang, Jian-Gang Lu, Han-Ping D. Shieh 3.2: The Application of Flexible Liquid-Crystal Display in High Resolution Switchable Autostereoscopic 3D Display .................................................................................................................................................................................................................5 -
EXO Watch List
EXO - Debuted April 8, 2012 - Originally 12 members split into 2 sub-units (EXO-K & EXO-M) - Now 9 members, but one (Lay) is mostly inactive - Official Color: Cosmic Latter (pearl/silver/white) - Official Fandom Name: EXO-L - Fandom Nickname: Aeri/Eri (coined by Baekhyun) Member ‘Snapshot’ Video: https://www.youtube.com/watch?v=mz9vGrVz4xk Music Videos: Growl: https://www.youtube.com/watch?v=I3dezFzsNss Overdose: https://www.youtube.com/watch?v=TI0DGvqKZTI Call Me Baby: https://www.youtube.com/watch?v=yWfsla_Uh80 Love Me Right: https://www.youtube.com/watch?v=RuqaVryDRd0 Lucky One: https://www.youtube.com/watch?v=73QzQYN8FtE Monster: https://www.youtube.com/watch?v=KSH-FVVtTf0 Lotto: https://www.youtube.com/watch?v=tbe3pe2BtwA Dancing King: https://www.youtube.com/watch?v=4EiNsoTc9KK Ko Ko Bop: https://www.youtube.com/watch?v=IdssuxDdqKK Tempo: https://www.youtube.com/watch?v=iwd8N6K-sLk Electric Kiss: https://www.youtube.com/watch?v=BC19fhyTG_M Love Shot: https://www.youtube.com/watch?v=pSudEWBAYRE Live/Concert Performances: Lucky One: https://www.youtube.com/watch?v=ORLpFCtF8xE Lightsaber: https://www.youtube.com/watch?v=wBg_1MNrg6k (Until 4:10) Touch It: https://www.youtube.com/watch?v=yFAAARceaLU (Start at 5:29) Artificial Love: https://www.youtube.com/watch?v=ScWkjL0wpFM Dance Practices: The Eve: https://www.youtube.com/watch?v=b6ycw7p9-bE Monster: https://www.youtube.com/watch?v=e8q3OET5dwk Blooming Day: https://www.youtube.com/watch?v=UdjEoGzXxmI (EXO-CBX) EXO-CBX: Ka-Ching: https://www.youtube.com/watch?v=XNwYapPXNkw Hey Mama!: -
Students' Ability in Using Subject Verb Agreement in Writing an Essay
STUDENTS’ ABILITY IN USING SUBJECT VERB AGREEMENT IN WRITING AN ESSAY (Descriptive Quantitative Research) A THESIS Submitted to the Faculty of Teacher Training and the Education Muhammadiyah University of Makassar in Partial Fulfillment of the requirement for the Degree of Education English Education Department NUR IZZAH DINILLAH 105351100116 ENGLISH DEPARTMENT FACULTY OF TEACHER TRAINING EDUCATION MUHAMMADIYAH UNIVERSITY OF MAKASSAR ii iii iv v vi vii viii ix ABSTRACT NUR IZZAH DINILLAH. 2021. Students’ Ability in Using Subject Verb Agreement in Writing an Essay. A thesis of English Department, Faculty of Teacher Training and Education. Muhammadiyah University of Makassar. Supervised by Nunung Anugrawati and Ariana. This study aimed at finding out how the students' ability in using subject-verb agreement in writing an essay. The method of this research was a descriptive quantitative method. The data of this research was collected through a writing test as the instrument. The sample of this research was the fifth-semester students of English Education at the Alauddin State Islamic University of Makassar. The sample was taken by using simple random sampling. Based on the analysis and discussion about this research, the researcher concluded that the students' ability in using subject-verb agreement for the fifth- semester students of English Education at the Alauddin State Islamic University of Makassar was categorized into very good level with a score was 88.24. This score was got based on the result of all the students' scores that were divided into the total of students who became the sample of this research. From 35 students, there were 7 students whose mastery levels were excellent, 16 students gained a very good level, 8 students whose mastery levels were good, 3 students gained a fairly good level, 1 student gained a fair level, no student gained a poor level. -
Biodata Exo Planet
Profil ~Baekhyun EXO-K~ [Biodata, Fakta, Foto] Profil : Baekhyun EXO-K Biodata : • Nama Asli: ByunBaekhyun (Hangul:변백현 / Hanja:邊伯賢) • Nama: Baek, ByunBaek, Bacon, Sungun • Tanggal Lahir: Bucheon, Gyeonggi-Do, May 6th 1992 • Posisi: Main Vocalist • Tinggi: 174cm • Golongan Darah: O • Pendidikan: Joongwon High School Fakta : • Nama aslinya adalah Byun Baekhyun • Baekhyun adalah member ke 9 yang direveal oleh SM • Tanggal lahirnya 6 may 1992 • Tinggi badannya 178cm • Netizens bilang kalo Baekhyun itu punya wajah yg imut dan seperti anak kecil • Menurut review majalah China, Baekhyun itu orangnya sangat refreshing dan nyaman untuk dilihat. • D.O bilang ngga ada yg mau tidur sama Baekhyun karena dia itu ‘nakal’ • Tujuan BaekHyun di masa depan : Aku ingin EXO menjadi sejarah musik Korea. Sehingga 100 tahun dari sekarang, kami diingat sebagai grup besar. Jika aku bisa, aku ingin mencoba mendirikan program hiburan, atau acting. • Disebuah online polling, fans memilih “siapa member paling lucu ketika sedang menggigit bibirnya?”, fans menjawab No.1 Baekhyun No.2 Luhan • Baekhyun ingin jadi penyanyi sejak kelas 4 • BaekHyun dan SeHun suka berpose sexy di depan cermin • BaekHyun adalah member ygs uka ngomong blak-blakan • BaekHyun memiliki kakak laki-laki yg lebih tua 7 tahun darinya • BaekHyun ingin mencoba peran tak tahu malu seperti Rain di FULL HOUSE • BaekHyun bilang dia mirip sama LuHan trus SeHun langsung memjawab bahwa ia yg lebih mirip. • Suka tiba – tiba berkata tanpa berpikir hal itu berada di luar topic • BaekHyun tergabung dalam grup band saat dia SMA, dan dia adalah vocalistnya • BaekHyun menerima award dalam ajang Bucheon Rock Festival. • Nicknamenya itu Bacon • Favorite Number : 48 • Gol. -
1 the Real K-Pop Idols of Fanfiction
The Real K-Pop Idols of Fanfiction: Reclaiming “Real Person” Fanfiction as K-Pop Industry Practice Sooyun (Clara) Hong East Asian Studies, Faculty of Arts McGill University, Montreal June 2020 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts ©Sooyun Hong, 2020 1 Table of Contents Abstract 3 Abrégé 4 Acknowledgements 5 Introduction 6 Chapter 1 – What’s in a (Stage) Name? Public Personas, Private Selves, and the Transgression of Authenticity 33 Chapter 2 – “Characterizing” K-Pop Idols: Alternate Universe Fanfiction and the K-Pop Concept 56 Chapter 3 – Believing in the Unusual: Slash Fanfiction and Homoerotic Fan Service 75 Conclusion 94 Works Cited 99 2 Abstract RPF, or “real person fiction,” is a genre of fanfiction that writes about real people rather than fictional characters. Over the past decade, the number of RPF works written about K-pop idols has steadily increased, but RPF remains a controversial practice even within fanfiction communities. The purpose of this thesis is to understand the influence of fictional media practices such as fanfiction in the construction of the celebrity text. This thesis compares three practices found in K-pop RPF to three practices found in the K-pop industry in order to argue that K-pop fanfiction writers and the K-pop industry perform similar practices in pursuit of broader fan desires. Ultimately, the K-pop idol embodies a new model of celebrity that consciously moves between the “public” and the “private” in order to generate affective value. This movement is grounded in images of the idol’s physical body and given meaning through the idol group’s network of interpersonal relationships. -
How to Drop a Name: Hybridity, Purity, and the K-Pop Fan
Language in Society, page 1 of 20. doi:10.1017/S0047404516000828 How to drop a name: Hybridity, purity, and the K-pop fan ELAINE W. CHUN University of South Carolina ABSTRACT This article explores how fans of K-pop, a mediatized musical genre from South Korea, negotiated the tugs of competing language norms within the transnational context of YouTube. The analysis focuses on interactions that emerged over thirty-three months and across eleven ‘reaction videos’ posted by two English-speaking fans. I analyze the semiotic process by which these two speakers’ utterances of Korean names came to be heard as hybrid by their viewers, how viewers invoked various ideological frames when evaluating these hybridities, and how local language practices and in- terpretations were shaped as a result. Specifically, I show how a purist ideol- ogy of linguistic absolutism, which idealized the ‘correct’ pronunciation of words, was overwhelmingly dominant and how K-pop fans’ contextualiza- tions of forms as hybrid, or their hybridizations, triggered a discursive trajec- tory: once language was recognized as hybrid, it entered a pathway toward purification, or the contextualization of language as pure. (Hybridity, meta- language, ideology, new media, mediatization, Korean popular culture)* INTRODUCTION Korean popular music, or K-pop, flows along two transnational streams of commo- dified culture. On the one hand, it engages with globally consumed youth genres such as hip hop, R&B, and electronic music (Alim, Ibrahim, & Pennycook 2008), while on the other hand, it participates in hallyu, or the burgeoning ‘Korean wave’ of music, television, and technology consumed across Asia and beyond (Shim 2006; Chua & Iwabuchi 2008).