Analisis Campur Kode Dalam Lirik Lagu Love Me Right ~Romantic Universe~ Oleh Exo

Total Page:16

File Type:pdf, Size:1020Kb

Analisis Campur Kode Dalam Lirik Lagu Love Me Right ~Romantic Universe~ Oleh Exo ANALISIS CAMPUR KODE DALAM LIRIK LAGU LOVE ME RIGHT ~ROMANTIC UNIVERSE~ OLEH EXO EXO NO LOVE ME RIGHT ~ROMANTIC UNIVERSE~TO IU KASHI NI OKERU KOODO MIKISHINGU NO BUNSEKI Skripsi ini Diajukan Kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan untuk Melengkapi Salah Satu Syarat Ujian Sarjana dalam Bidang Ilmu Sastra Jepang Disusun Oleh: MIRA PRAPTININGSIH NIM : 180722010 PROGRAM STUDI SASTRA JEPANG EKSTENSI FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2020 UNIVERSITAS SUMATERA UTARA ANALISIS CAMPUR KODE DALAM LIRIK LAGU LOVE ME RIGHT ~ROMANTIC UNIVERSE~ OLEH EXO EXO NO LOVE ME RIGHT ~ROMANTIC UNIVERSE~TO IU KASHI NI OKERU KOODO MIKISHINGU NO BUNSEKI SKRIPSI Skripsi Ini Diajukan Kepada Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Untuk Melengkapi Salah Satu Syarat Ujian Sarjana Dalam Bidang Ilmu Sastra Jepang OLEH MIRA PRAPTININGSIH NIM : 180722010 Pembimbing I Pembimbing II Mhd. Pujiono., M.Hum., Ph.D Adriana Hasibuan., S.S., M.Hum NIP: 19691011 200212 1 1001 NIP: 19620727 198703 2 005 PROGRAM STUDI SASTRA JEPANG EKSTENSI FAKULTAS ILMU BUDAYA UNIVERSITAS SUMATERA UTARA MEDAN 2020 UNIVERSITAS SUMATERA UTARA Disetujui Oleh Fakultas Ilmu Budaya Universitas Sumatera Utara Medan Medan, Januari 2020 Program Studi Sastra Jepang Ketua Prof. Hamzon Situmorang, M.S., Ph.D NIP. 19580704 198412 1 001 UNIVERSITAS SUMATERA UTARA Pengesahan Diterima Oleh : Panitia Ujian Fakultas Ilmu Budaya Universitas Sumatera Utara Medan untuk melengkapi salah satu syarat Ujian Sarjana dalam bidang Ilmu Sastra Jepang pada Fakultas Ilmu Budaya Universitas Sumatera Utara. Pada : Pukul 09.00 WIB Tanggal : 28 Januari 2020 Hari : Selasa Fakultas Ilmu Budaya Universitas Sumatera Utara Dekan, Dr. Budi Agustono, M.S NIP : 19600805 198703 1 001 Panitia Ujian No. Nama Tanda Tangan 1. Mhd. Pujiono., M.Hum., Ph.D ( ) 2. Prof. Hamzon Situmorang, M.S., Ph.D ( ) 3. Adriana Hasibuan, S.S., M.Hum ( ) UNIVERSITAS SUMATERA UTARA KATA PENGANTAR Bismillahirrahmanirrahim, puji syukur penulis panjatkan kehadirat Allah SWT, dimana atas berkah rahmat dan ridho-Nya penulis dapat menyelesaikan penulisan skripsi ini. Penulisan skripsi yang berjudul “ ANALISIS CAMPUR KODE DALAM LIRIK LAGU LOVE ME RIGHT ~ROMANTIC UNIVERSE~ OLEH EXO” yang merupakan syarat untuk menyelesaikan Program Studi Sastra Jepang (S1) Fakultas Ilmu Budaya Universitas Sumatera Utara. Dalam proses pengerjaan skripsi ini, penulis telah banyak menerima bantuan dari berbagai pihak yang cukup bernilai harganya. Untuk itu penulis ingin menyampaikan ucapan terima kasih sebesar-besarnya kepada: 1. Bapak Dr. Budi Agustoni, M.S., selaku Dekan Fakultas Ilmu Budaya. 2. Bapak Prof . Hamzon Situmorang, MS.,Ph.D, selaku Ketua Program Studi Sastra Jepang. 3. Bapak Mhd. Pujiono, M.Hum.,Ph.D selaku Dosen Pembimbing I yang telah banyak meluangkan waktunya dan memberikan pengarahan penuh untuk dapat membimbing penulis dalam penyelesaian skripsi ini. 4. Ibu Adriana Hasibuan, S.S., M.Hum. selaku Dosen pembimbing II yang telah meluangkan waktunya untuk membimbing penulis dalam penyelesaian skripsi ini. 5. Kepada seluruh dosen program studi Sastra Jepang Fakultas Ilmu Budaya Universitas Sumatera Utara yang telah memberikan ilmu dan didiikan yang berguna bagi penulis selama masa perkuliahan. i UNIVERSITAS SUMATERA UTARA 6. Teristimewa kepada kedua orang tua tercinta, Ayahanda Susilo Nasikin dan Ibunda Rosmawaty Lubis yang telah memberikan doa, dukungan, semangat kepada penulis untuk dapat menyelesaikan skripsi ini. 7. Tak lupa juga penulis ucapkan terima kasih kepada kakak Ratih Pratiwi dan abang Muhammad Haryo Baskoro yang telah memberi semangat,dukungan dan menjadi penghibur untuk selalu mengerjakan skripsi ini. 8. Dan juga kepada teman-teman Sastra Jepang Ekstensi 2018, teristimewa Fullah Afrah Walid dan M. Riski Fauzi Nst, yang telah menjadi teman dalam suka dan duka untuk penyelesaian skripsi ini. 9. Serta kepada pihak yang tidak bisa penulis sebutkan satu persat, yang telah memberikan bantuan sehingga skripsi ini dapat terselesaikan. Penulis menyadari spenuhnya dengan segala keterbatasan yang ada pada penulis bahwa penulisan skripsi ini masih jauh dari kesempurnaan.baik dari isimaupun urainnya. Untuk itu penulis mengharapkan koreksi dan saran guna kesempurnaan skripsi ini. Penulis berharap agar skripsi ini bermanfaat bagi semua pihak. Dan tak lupa penulis berdoa kepada Alllah SWT senantiasa menerima dan membalas kebaikan anda semua. Amin. Medan, Januari 2020 Penulis, 180722010 ii UNIVERSITAS SUMATERA UTARA DAFTAR ISI KATA PENGANTAR....................................................................................... i DAFTAR ISI...................................................................................................... iii BAB I PENDAHULUAN 1.1 Latar Belakang Masalah..................................................................... 1 1.2 Rumusan Masalah.............................................................................. 4 1.3 Ruang Lingkup Pembahasan............................................................. 5 1.4 Tinjauan Pustaka dan KerangkaTeori................................................ 5 1.5 Tujuan dan Manfaat Penelitian.......................................................... 8 1.6 Metode Penelitian.............................................................................. 9 BAB II TINJUAN UMUM TENTANG SOSIOLINGUISTIK, BILINGUALISME, CAMPUR KODE 2.1 Sosiolinguistik.................................................................................. 11 2.2 Bilingualisme................................................................................... 13 2.3 Campur Kode................................................................................. 13 2.3.1 Pengertian Campur Kode...................................................... 13 2.3.2 Jenis Campur Kode............................................................... 14 2.3.3 Wujud Campur Kode............................................................ 15 2.3.4 Penyebab Campur Kode....................................................... 16 2.4 Profil Boyband EXO....................................................................... 18 2.5 Lirik Lagu Love Me Right ~Romantic Universe~........................... 24 BAB III ANALISIS KONTEKS DAN CAMPUR KODE DALAM LIRIK LAGULOVE ME RIGHT OLEH EXO 3.1 Konteks Lagu Love Me Right ~Romantic Universe~................. 31 iii UNIVERSITAS SUMATERA UTARA 3.2 Wujud Campur Kode dalam Lirik Lagu Love Me Right ~RomanticUniverse~................................................................ 32 3.2.1 Campur Kode Berwujud Kata........................................... 32 3.2.2 Campur Kode Berwujud Frasa.......................................... 37 3.2.3 Campur Kode Berwujud Klausa....................................... 41 3.3 Faktor Penyebab Campur Kode dalam Lirik Lagu Love Me Right~RomanticUniverse~...................................................... 44 BAB IV KESIMPULAN DAN SARAN 4.1 Kesimpulan................................................................................. 46 4.2 Saran........................................................................................... 46 DAFTAR PUSTAKA ABSTRAK iv UNIVERSITAS SUMATERA UTARA BAB 1 PENDAHULUAN 1.1 Latar Belakang Masalah Bahasa merupakan komponen terpenting dalam kehidupan manusia.Manusia tidak akan bisa melanjutkan kelangsungan hidup mereka dengan baik dan teratur tanpa adanya bahasa.Bahasa adalah sebuah sistem, artinya bahasa dapat dibentuk oleh sejumlah komponen yang berpola secara tetap dan dapat dikaitkan.Sebagai sebuah sistem, bahasa selain bersifat sistematis juga bersifat sistemis.Bahasa sistematis yang dimaksud, bahasa itu tersusun menurut suatu pola tertentu, tidak tersusun secara acak atau sembarangan.Sedangkan sistemis, artinya sistem bahasa itu bukan merupakan sebuah sistem tunggal, melainkan terdiri dari sejumlah subsistem, yakni subsistem fonologi, subsistem morfologi, subsistem sintaksis, subsistem leksikon.Setiap bahasa memiliki sistem yang berbeda dari bahasa lainnya. Bloomfiled mengatakan dalam buku Sumarsono (2002:18) bahasa adalah sistem lambang berupa bunyi yang bersifat sewenang-wenang (arbitrer) yang dipakai oleh anggota-anggota masyarakat untuk saling berhubungan dan berinteraksi.Dengan demikian, fungsi bahasa adalah media yang terstruktur untuk menyampaikan makna kepada seseorang baik secara lisan maupun tulisan. Oleh karena itu, bahasa sangat diperlukan sebagai media untuk dijadikan alat penghubung atau alat berkomunikasi antar manusia.Secara sederhana, bahasa adalah alat untuk berkomunikasi atau alat berinteraksi, untuk menyampaikan pikiran, gagasan, konsep atau perasaan baik secara lisan maupun tulisan.Kepentingan berbahasa dalam bersosialisasi dengan sesama manusia tersebut menimbulkan beberapa ilmu yang terkait, salah satunya adalah sosiolinguistik. Sosiolinguistik dapat menjadi sebuah bidang studi karena adanya pilihan dalam pemakaian bahasa yang bisa dibuat di dalam masyarakat mengenai 1 UNIVERSITAS SUMATERA UTARA penggunaan variasi bahasa. Fishman dalam Giglioli (1972:45-58) menyatakan ilmu yang mempelajari dua aspek tingkah laku manusia yaitu penggunaan bahsa dan organisasi tingkah laku manusia.Menurut Chaer dan Agustina (2004:2), sosiolinguistik merupakan ilmu antardisiplin antara sosiologi dan linguistik, dua cabang bidang ilmu empiris yang mempunyai kaitan sangat erat. Sosiologi adalah suatu bidang ilmu yang mempelajari mengenai manusia sebagai makhluk sosial dan interaksi antar manusia yang terjadi di dalam lingkungan masyarakat.Linguistik adalah bidang
Recommended publications
  • UNIVERSITY of CALIFORNIA Los Angeles the Hubble
    UNIVERSITY OF CALIFORNIA Los Angeles The Hubble Constant and the ΛCDM Cosmology: A Magnified View using Strong Lensing A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Astronomy and Astrophysics by Anowar Jaman Shajib 2020 © Copyright by Anowar Jaman Shajib 2020 ABSTRACT OF THE DISSERTATION The Hubble Constant and the ΛCDM Cosmology: A Magnified View using Strong Lensing by Anowar Jaman Shajib Doctor of Philosophy in Astronomy and Astrophysics University of California, Los Angeles, 2020 Professor Tommaso Treu, Chair Recently, a significant tension has been reported between two measurements of the Hubble constant (H0) from early-Universe (e.g., cosmic microwave background) and late-Universe probes (e.g., cosmic distance ladder). If systematic errors are ruled out in these measure- ments, then new physics extending the ΛCDM model will be required to resolve the tension. Therefore, different independent probes of H0 { such as the strong-lensing time-delay { are essential to confirm or resolve the tension. The measured time-delays between the lensed images of a background quasar constrain H0, as they depend on the absolute physical dis- tances in the lens configuration. I led a team from the STRong-lensing Insights into the Dark Energy Survey (STRIDES) collaboration to analyze the lens DES J0408-5354. I modeled the mass distribution of this lens using Hubble Space Telescope imaging, and combined it +2:7 −1 −1 with analyses from my collaborators to infer H0 = 74:2−3:0 km s Mpc with the highest precision (3.9 per cent) from a single lens to date.
    [Show full text]
  • DAFTAR PUSTAKA Arida, Wiratsi. 2015
    DAFTAR PUSTAKA Arida, Wiratsi. 2015. “Alih Kode dan Campur Kode Dalam Lirik Lagu First Love, Can You Keep A Secret, Final Distance Oleh Utada Hikaru”. Padang: Skripsi Sarjana Sastra Jepang Universitas Andalas Aslina dan Leni Syafhya. 2007. Pengantar Sosiolinguistik. Bandung: PT Refika Aditama Chaer, Abdul dan Leonie Agustina. 2004. Sosiolinguistik. Jakarta: Rineka Cipta Dhamasyraya, Priyade. 2012. “Alih Kode dan Campur Kode Dalam Lirik Lagu Rebel:Sick, Shadow:Six Antar Bahasa Jepang Dengan Bahasa Inggris”. Padang: Skripsi Sarjana Sastra Jepang Universitas Andalas Kesuma. Tri Mastoyo Jari. 2007. Pengantar (Metode) Penelitian Bahasa. Yogyakarta: Carasvatibooks Kridalaksana, Harimurti. 2008. Kamus Linguistik. Jakarta: PT Gramedia Pustaka Utama Mahsun. 2005. Metode Penelitian Bahasa. Jakarta: PT Raja Grafindo Persada Nababan, P.W.J. 1984. Sosiolinguistik: Suatu Pengantar. Jakarta: PT. Gramedia Pustaka Utama Nur, Afief Rahman. 2015. “Alih Kode Dalam Film Jepang Beck”. Padang: Skripsi Sarjana Sastra Jepang Universitas Andalas Oktavianus, 2006. Analisis Wacana Lintas Bahasa. Padang: Andalas University Press Padmadewi, Ni Nyoman dkk. 2014. Sosiolinguistik. Singaraja:Graha Ilmu 53 Rusyana, Yus. 1975. Interferensi Morfologi Pada Penggunaan Bahasa Indonesia oleh Anak-Anak yang Berbahasa Pertama Bahasa Sunda Murid Sekolah Dasar Provinsi Jawa Barat. Disertasi. Jakarta: Universitas Indonesia Sudaryanto. 1993. Metode dan Aneka Teknik Analisis Bahasa. Yogyakarta: Duta Wacana University Press Undang Undang Dasar. Undang Undang Dasar No 8 Tahun 1992, [pdf], (http://www.hukumonline.com/pusatdata/detail/859/node/667/uu-no-8-tahun- 1992-perfilman, diakses padang 5 Januari 2016) Verhaar, J.W.M. 2010. Asas-Asas Linguistik Umum. Yogyakarta. Gajah Mada University Press 54.
    [Show full text]
  • Fēnix®‎ 6 Series Owner's Manual
    FĒNIX® 6 SERIES Owner’s Manual © 2019 Garmin Ltd. or its subsidiaries All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Garmin. Garmin reserves the right to change or improve its products and to make changes in the content of this manual without obligation to notify any person or organization of such changes or improvements. Go to www.garmin.com for current updates and supplemental information concerning the use of this product. Garmin®, the Garmin logo, ANT+®, Approach®, Auto Lap®, Auto Pause®, Edge®, fēnix®, inReach®, QuickFit®, TracBack®, VIRB®, Virtual Partner®, and Xero® are trademarks of Garmin Ltd. or its subsidiaries, registered in the USA and other countries. Body Battery™, Connect IQ™, Garmin Connect™, Garmin Explore™, Garmin Express™, Garmin Golf™, Garmin Move IQ™, Garmin Pay™, HRM-Run™, HRM-Tri™, tempe™, TruSwing™, TrueUp™, Varia™, Varia Vision™, and Vector™ are trademarks of Garmin Ltd. or its subsidiaries. These trademarks may not be used without the express permission of Garmin. Android™ is a trademark of Google Inc. Apple®, iPhone®, iTunes®, and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The BLUETOOTH® word mark and logos are owned by the Bluetooth SIG, Inc. and any use of such marks by Garmin is under license. The Cooper Institute®, as well as any related trademarks, are the property of The Cooper Institute. Di2™ is a trademark of Shimano, Inc. Shimano® is a registered trademark of Shimano, Inc. The Spotify® software is subject to third-party licenses found here: https://developer.spotify.com/legal/third- party-licenses.
    [Show full text]
  • Emerging from Anonymity: E First Generation of Writers of Songs and Drama in Mid-Ming Nanjing*
    T’OUNG PAO T’oung Pao 96 (2010) 125-164 www.brill.nl/tpao Emerging from Anonymity: e First Generation of Writers of Songs and Drama in Mid-Ming Nanjing* Tian Yuan Tan (School of Oriental and African Studies) Abstract is article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century. ese writers—Shi Zhong (1437-after 1516), Chen Duo (1454?-1507?), and Xu Lin (1462- 1538)—represented a different mode of writing songs and drama. For them it was no longer a professional occupation, as in the case of the court performers, but became part of their cultural and social life. e extent to which our knowledge of these first- generation qu writers depends on local sources and on acts of remembrance by later Nanjing authors is also examined. Résumé Cet article s’intéresse à la première génération d’auteurs d’airs à chanter et de pièces de théâtre ayant émergé à Nankin de l’anonymat des divertissements de cour du début des Ming; ces auteurs — Shi Zhong (1437-après 1516), Chen Duo (1454?-1507?), et Xu Lin (1462-1538) — se sont fait un nom pendant la seconde moitié du xve siècle. Ils sont représentatifs d’une manière différente de composer chansons et pièces de théâtre : il ne s’agissait plus pour eux d’exercer un métier, comme dans le cas des artistes de cour, mais de se consacrer à une occupation intégrée à leurs activités culturelles et sociales.
    [Show full text]
  • Instinct®‎ Owner's Manual
    INSTINCT® Owner’s Manual © 2018 Garmin Ltd. or its subsidiaries All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Garmin. Garmin reserves the right to change or improve its products and to make changes in the content of this manual without obligation to notify any person or organization of such changes or improvements. Go to www.garmin.com for current updates and supplemental information concerning the use of this product. Garmin®, the Garmin logo, and ANT+®, Auto Lap®, Auto Pause®, Edge®, inReach®, Instinct®, QuickFit®, TracBack®, VIRB®, Virtual Partner®, and Xero® are trademarks of Garmin Ltd. or its subsidiaries, registered in the USA and other countries. Garmin Connect™, Garmin Explore™, Garmin Express™, Garmin Move IQ™, tempe™, and TrueUp™ are trademarks of Garmin Ltd. or its subsidiaries. These trademarks may not be used without the express permission of Garmin. American Heart Association® is a registered trademark of American Heart Association, Inc. Android™ is a trademark of Google Inc. Apple® and Mac® are trademarks of Apple Inc., registered in the U.S. and other countries. The Bluetooth® word mark and logos are owned by the Bluetooth SIG, Inc. and any use of such marks by Garmin is under license. Advanced heartbeat analytics by Firstbeat. Windows® is a registered trademark of Microsoft Corporation in the United States and other countries. Other trademarks and trade names are those of their respective owners. This product is ANT+® certified. Visit www.thisisant.com/directory for a list of compatible products and apps. M/N: A03603 Table of Contents Restoring a Personal Record................................................
    [Show full text]
  • Connecting Time and Timbre Computational Methods for Generative Rhythmic Loops Insymbolic and Signal Domainspdfauthor
    Connecting Time and Timbre: Computational Methods for Generative Rhythmic Loops in Symbolic and Signal Domains Cárthach Ó Nuanáin TESI DOCTORAL UPF / 2017 Thesis Director: Dr. Sergi Jordà Music Technology Group Dept. of Information and Communication Technologies Universitat Pompeu Fabra, Barcelona, Spain Dissertation submitted to the Department of Information and Communication Tech- nologies of Universitat Pompeu Fabra in partial fulfillment of the requirements for the degree of DOCTOR PER LA UNIVERSITAT POMPEU FABRA Copyright c 2017 by Cárthach Ó Nuanáin Licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 Music Technology Group (http://mtg.upf.edu), Department of Information and Communication Tech- nologies (http://www.upf.edu/dtic), Universitat Pompeu Fabra (http://www.upf.edu), Barcelona, Spain. III Do mo mháthair, Marian. V This thesis was conducted carried out at the Music Technology Group (MTG) of Universitat Pompeu Fabra in Barcelona, Spain, from Oct. 2013 to Nov. 2017. It was supervised by Dr. Sergi Jordà and Mr. Perfecto Herrera. Work in several parts of this thesis was carried out in collaboration with the GiantSteps team at the Music Technology Group in UPF as well as other members of the project consortium. Our work has been gratefully supported by the Department of Information and Com- munication Technologies (DTIC) PhD fellowship (2013-17), Universitat Pompeu Fabra, and the European Research Council under the European Union’s Seventh Framework Program, as part of the GiantSteps project ((FP7-ICT-2013-10 Grant agreement no. 610591). Acknowledgments First and foremost I wish to thank my advisors and mentors Sergi Jordà and Perfecto Herrera. Thanks to Sergi for meeting me in Belfast many moons ago and bringing me to Barcelona.
    [Show full text]
  • UC Riverside Electronic Theses and Dissertations
    UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology.
    [Show full text]
  • An Agent- and GIS-Based Virtual City Creator: a Case Study of Beijing, China
    T J T L U http://jtlu.org V. 11 N. 1 [2018] pp. 1231–1256 An agent- and GIS-based virtual city creator: A case study of Beijing, China Chengxiang Zhuge Chunfu Shao University of Cambridge Beijing Jiaotong University [email protected] [email protected] Shuling Wang Ying Hu Beijing Transport Institute Beijing Transport Institute [email protected] [email protected] Abstract: Many agent-based integrated urban models have been de- Article history: veloped to investigate urban issues, considering the dynamics and feed- Received: July 29, 2017 backs in complex urban systems. The lack of disaggregate data, however, Received in revised form: has become one of the main barriers to the application of these models, March 4, 2018 though a number of data synthesis methods have been applied. To gen- Accepted: July 16, 2018 erate a complete dataset that contains full disaggregate input data for Available online: December 5, model initialization, this paper develops a virtual city creator as a key 2018 component of an agent-based land-use and transport model, SelfSim. The creator is a set of disaggregate data synthesis methods, including a genetic algorithm (GA)-based population synthesizer, a transport facil- ity synthesizer, an activity facility synthesizer and a daily plan genera- tor, which use the household travel survey data as the main input. Fi- nally, the capital of China, Beijing, was used as a case study. The creator was applied to generate an agent- and Geographic Information System (GIS)-based virtual Beijing containing individuals, households, trans- port and activity facilities, as well as their attributes and linkages.
    [Show full text]
  • THE LOOK of DISTANCE Landscape with the Fall of Icarus, by Pieter Bruegel
    THE LOOK OF DISTANCE Landscape with the Fall of Icarus, by Pieter Bruegel. Courtesy of the Musses Royaux des Beaux Arts de Belgique, Brussels. THE LOOK OF DISTANCE Reflections on Suffering & Sympathy in Modern Literature—Auden to Agee, Whitman to Woolf WALTER J . S L A T O F F OHI O STATE UNIVERSITY PRESS : COLUMBUS Copyright © 1985 by the Ohio State University Press All Rights Reserved. Library of Congress Cataloguing in Publication Data Slatoff, Walter J. (Walter Jacob), 1922­ The look of distance. Includes index. 1. English literature—20th century—History and criticism. 2. Suffering in lit­ erature. 3. Sympathy in literature. 4. American literature—History and criti­ cism. I. Title. PR479.S93S58 1985 820'.9'35 3 85-10447 ISBN 0-8142-0385-X "April Showers," by B.G. DeSylva and Louis Silvers, © 1921 (Renewed) WARNER BROS. INC. All Rights Reserved. Used by permission. Excerpts from LET US NOW PRAISE FAMOUS MEN, by James Agee, copy­ right 1939 and 1940 by James Agee; copyright © renewed 1969 by Mia Fritsch Agee, are reprinted by permission of Houghton Mifflin Company and Peter Owen Ltd. (London). Excerpts from LETTER OF JAMES AGEE TO FATHER FLYE, 2nd edition, copyright © 1971 by James Harold Flye, copyright © 1962 by James Harold Flye and The James Agee Trust, are reprinted by permission of Houghton Mifflin Company and Peter Owen Ltd. (London). Excerpts from THE MORNING WATCH, by James Agee, copyright 1950 by James Agee; copyright © renewed 1979 by Mia Fritsch Agee, are reprinted by permission of Houghton Mifflin Company and Peter Owen Ltd. (London). Excerpts from "Squares and Oblong,," by W.H.
    [Show full text]
  • South African Jazz and Exile in the 1960S: Theories, Discourses and Lived Experiences
    South African Jazz and Exile in the 1960s: Theories, Discourses and Lived Experiences Stephanie Vos In fulfilment of the requirements for the degree of Doctor of Philosophy in Music Royal Holloway, University of London September 2015 Declaration of Authorship I, Stephanie Vos, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 28 August 2016 2 Abstract This thesis presents an inquiry into the discursive construction of South African exile in jazz practices during the 1960s. Focusing on the decade in which exile coalesced for the first generation of musicians who escaped the strictures of South Africa’s apartheid regime, I argue that a lingering sense of connection (as opposed to rift) produces the contrapuntal awareness that Edward Said ascribes to exile. This thesis therefore advances a relational approach to the study of exile: drawing on archival research, music analysis, ethnography, critical theory and historiography, I suggest how musicians’ sense of exile continuously emerged through a range of discourses that contributed to its meanings and connotations at different points in time. The first two chapters situate South African exile within broader contexts of displacement. I consider how exile built on earlier forms of migration in South Africa through the analyses of three ‘train songs’, and developed in dialogue with the African diaspora through a close reading of Edward Said’s theorization of exile and Avtar Brah’s theorization of diaspora. A case study of the Transcription Centre in London, which hosted the South African exiles Dorothy Masuku, Abdullah Ibrahim, and the Blue Notes in 1965, revisits the connection between exile and politics, broadening it beyond the usual national paradigm of apartheid politics to the international arena of Cold War politics.
    [Show full text]
  • EXO Watch List
    EXO - Debuted April 8, 2012 - Originally 12 members split into 2 sub-units (EXO-K & EXO-M) - Now 9 members, but one (Lay) is mostly inactive - Official Color: Cosmic Latter (pearl/silver/white) - Official Fandom Name: EXO-L - Fandom Nickname: Aeri/Eri (coined by Baekhyun) Member ‘Snapshot’ Video: https://www.youtube.com/watch?v=mz9vGrVz4xk Music Videos: Growl: https://www.youtube.com/watch?v=I3dezFzsNss Overdose: https://www.youtube.com/watch?v=TI0DGvqKZTI Call Me Baby: https://www.youtube.com/watch?v=yWfsla_Uh80 Love Me Right: https://www.youtube.com/watch?v=RuqaVryDRd0 Lucky One: https://www.youtube.com/watch?v=73QzQYN8FtE Monster: https://www.youtube.com/watch?v=KSH-FVVtTf0 Lotto: https://www.youtube.com/watch?v=tbe3pe2BtwA Dancing King: https://www.youtube.com/watch?v=4EiNsoTc9KK Ko Ko Bop: https://www.youtube.com/watch?v=IdssuxDdqKK Tempo: https://www.youtube.com/watch?v=iwd8N6K-sLk Electric Kiss: https://www.youtube.com/watch?v=BC19fhyTG_M Love Shot: https://www.youtube.com/watch?v=pSudEWBAYRE Live/Concert Performances: Lucky One: https://www.youtube.com/watch?v=ORLpFCtF8xE Lightsaber: https://www.youtube.com/watch?v=wBg_1MNrg6k (Until 4:10) Touch It: https://www.youtube.com/watch?v=yFAAARceaLU (Start at 5:29) Artificial Love: https://www.youtube.com/watch?v=ScWkjL0wpFM Dance Practices: The Eve: https://www.youtube.com/watch?v=b6ycw7p9-bE Monster: https://www.youtube.com/watch?v=e8q3OET5dwk Blooming Day: https://www.youtube.com/watch?v=UdjEoGzXxmI (EXO-CBX) EXO-CBX: Ka-Ching: https://www.youtube.com/watch?v=XNwYapPXNkw Hey Mama!:
    [Show full text]
  • Basic Surveying – Theory and Practice 4 Hours
    BASIC SURVEYING – THEORY AND PRACTICE 4 HOURS PDH ACADEMY PO BOX 449 PEWAUKEE, WI 53072 (888) 564-9098 www.pdhacademy.com Final Exam 1. This type of surveying in which the mean surface of the earth is considered as a plane, or in which its spheroidal shape is neglected, with regard to horizontal distances and directions. A. Hydrographic Surveying B. Plane Surveying C. Geodetic Surveying D. Construction Surveying 2. Who were the first known people to use some form of chaining in both land surveying and construction surveying? A. Egyptians B. Americans C. Chinese D. Canadians 3. When level chaining, what is the pointed weight on the end of a string called? A. Pea gun B. Break chaining C. Plumb bob D. Field measurement 4. A Common source of error in chaining is: A. Sag in the chain B. Changes in the temperature of the chain C. Variation in the tension on the chain D. All of the above 5. What decade was the first Electronic Distance Measuring (EDM) equipment developed? A. 1940’s B. 1950’s C. 1960’s D. 1970’s 6. These types of angles, right or left, are measured from an extension of the preceding course and the ahead line. A. Interior Angles B. Exterior Angles C. Deflection Angles D. Angles to the left 7. Which of the following is a type of Meridian? A. False B. Lock C. Saturn D. Magnetic 8. A ______________ is a succession of straight lines along or through the area to be surveyed. The direction and lengths of these lines are determined by measurements taken in the field.
    [Show full text]