The Problem of Textual Poaching on Unofficial Merchandise by Exo-L Surabaya
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Emerging from Anonymity: E First Generation of Writers of Songs and Drama in Mid-Ming Nanjing*
T’OUNG PAO T’oung Pao 96 (2010) 125-164 www.brill.nl/tpao Emerging from Anonymity: e First Generation of Writers of Songs and Drama in Mid-Ming Nanjing* Tian Yuan Tan (School of Oriental and African Studies) Abstract is article traces the first generation of writers of songs and drama in Nanjing who emerged from the anonymous context of early Ming court entertainment and established their name and reputation in the second half of the fifteenth century. ese writers—Shi Zhong (1437-after 1516), Chen Duo (1454?-1507?), and Xu Lin (1462- 1538)—represented a different mode of writing songs and drama. For them it was no longer a professional occupation, as in the case of the court performers, but became part of their cultural and social life. e extent to which our knowledge of these first- generation qu writers depends on local sources and on acts of remembrance by later Nanjing authors is also examined. Résumé Cet article s’intéresse à la première génération d’auteurs d’airs à chanter et de pièces de théâtre ayant émergé à Nankin de l’anonymat des divertissements de cour du début des Ming; ces auteurs — Shi Zhong (1437-après 1516), Chen Duo (1454?-1507?), et Xu Lin (1462-1538) — se sont fait un nom pendant la seconde moitié du xve siècle. Ils sont représentatifs d’une manière différente de composer chansons et pièces de théâtre : il ne s’agissait plus pour eux d’exercer un métier, comme dans le cas des artistes de cour, mais de se consacrer à une occupation intégrée à leurs activités culturelles et sociales. -
Interpretasi Penggemar Mengenai Skinship Yang Dilakukan Boyband
ADLN - PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR ISI Halaman Judul Dalam 1 (Satu) .................................................................................... i Halaman Pernyataan Tidak Melakukan Plagiat .......................................................... ii Halaman Judul Dalam 2 (Dua) .................................................................................... iii Halaman Persembahan ................................................................................................ iv Halaman Persetujuan Pembimbing .............................................................................. v Halaman Pengesahan Panitia Penguji ......................................................................... vi Abstrak ....................................................................................................................... vii Kata Pengantar ............................................................................................................ ix Daftar Isi....................................................................................................................... x Daftar Gambar ........................................................................................................... xiii BAB I PENDAHULUAN .......................................................................................... I-1 1.1 Latar Belakang Masalah ........................................................................... I-1 1.2. Rumusan Masalah ................................................................................ -
K-Pop: South Korea and International Relations S1840797
Eliana Maria Pia Satriano [email protected] s1840797 Word count: 12534 Title: K-pop: South Korea and International Relations s1840797 Table of Contents: 1. Chapter 1 K-pop and International Relations………………………………..……..…..3-12 1.1 Introduction ……………………………………………………………………..…..3-5 1.2 K-pop: from the National to the International Market: The History of K-pop………5-6 1.3 The Drivers Behind the K-pop Industry..………………………………….….….…6-10 1.4 The Involvement of the South Korean Government with Cultural Industries.…… 10-12 2. Chapter 2 Soft Power and Diplomacy, Music and Politics ……………………………13-17 2.1 The Interaction of Culture and Politics: Soft Power and Diplomacy………………13-15 2.2 Music and Politics - K-pop and Politics……………………………………………15-17 3. Chapter 3 Methodology and the Case Study of BTS……………………………..……18-22 3.1 Methodology………………………………………………………………….……18-19 3.2 K-Pop and BTS……………………………………………………………….……19-20 3.3 Who is BTS?………………………………………………………………….……20-22 3.4 BTS - Beyond Korea……………………………………………………………….…22 4. Chapter 4 Analysis ……………………………………………………….…….…….. 23-38 4.1 One Dream One Korea and Inter-Korea Summit……….…………………..……..23-27 4.2 BTS - Love Myself and Generation Unlimited Campaign…………………….…..27-32 4.3 Korea -France Friendship Concert..………………………………………..….…..33-35 4.4 Award of Cultural Merit…………………………………………….………….…..35-37 4.5 Discussion and Conclusion…………………………………………………….…..37-38 Bibliography…………………………………………………………………………….….39-47 !2 s1840797 CHAPTER 1: K-pop and International Relations (Seventeen 2017) 1.1 Introduction: South Korea, despite its problematic past, has undergone a fast development in the past decades and is now regarded as one of the most developed nations. A large part of its development comes from the growth of Korean popular culture, mostly known as Hallyu (Korean Wave). -
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BAB III METODOLOGI PENELITIAN A. Metode dan Desain Penelitian Penelitian ini menggunakan metode deskriptif. Metode deskriptif melakukan analisis hanya pada taraf deskripsi yaitu menganalisis dan menyajikan fakta secara sistematik sehingga dapat lebih mudah dipahami dan disimpulkan (Dharminto, 2007: 6). Metode deskriptif dipilih untuk mendeskripsikan data-data penelitian. Data penelitian ini adalah sebuah cerpen fanfiction comedy. Dengan menggunakan metode deskriptif akan dideskripsikan berbagai tuturan yang terkandung dalam cerpen fanfiction comedy. Tuturan yang akan dianalisis merupakan tuturan yang berisi sesuatu yang lucu dan menghibur. Penelitian ini menggunakan pendekatan fungsional. Pendekatan fungsional menempatkan manusia sebagai penutur. Selain itu juga memasukkan berbagai unsur lain di luar bahasa. Dalam penelitian ini akan diungkapkan berbagai tuturan yang menghibur dalam cerpen fanfiction comedy. Akan diungkap juga berbagai respon pembaca terhadap cerpen fanfiction comedy, umumnya bagi para orang yang menyukai kpop. B. Populasi dan Sampel Sumber data untuk penelitian ini adalah cerpen fanfiction. Cerpen fanfiction tersebut diambil dari sebuah blog yang sudah terkenal di kalangan remaja khususnya yang suka membaca cerpen fanfiction. Blog tersebut adalah Fanfiction2020. Blog ini merupakan blog khusus untuk cerpen fanfiction berbagai genre termasuk cerpen fanfiction comedy. Sampai saat ini blog yang sangat digemari remaja itu masih aktif memposting berbagai cerpen fanfiction, termasuk cerpen fanfiction comedy. Pembacanya sudah sangat banyak juga disertai dengan berbagai komentar yang beragam. Kebanyakan dari pembaca cerpen fanfiction tersebut berkomentar positif serta menyukai cerita yang disajikan. 26 Risna Desiana Sahman, 2014 Variasi Bahasa Humor dalam Kumpulan Cerpen Fanfiction Comedy Universitas Pendidikan Indonesia | repository.upi.edu | 27 Tidak semua cerpen fanfiction yang ada dalam blog tersebut dianalisis dalam penelitian ini. Hanya yang bergenre comedy saja yang dianalisis. -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Creative Industries in South Korea: the Korean Wave
CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE Author: Nicoleta Stefanÿ Valean Tutor: Francesc Xavier Molina Morales DEGREE IN BUSINESS ADMINISTRATION AE1049 - FINAL PROJECT WORK ACADEMIC YEAR: 2016/2017 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE TABLE OF CONTENTS INTRODUCTION 3 1. CREATIVE INDUSTRY 5 1.1. Definition. 5 1.2. Origin. 5 2. SOUTH KOREA 6 2.1. The history of Korea. 6 2.2. Hallyu: The Korean Wave 9 2.3. Aspects related to Hallyu 13 2.3.1. Industry Policy 14 2.3.2. Hallyu’s Kdramas approach 15 2.3.3. Hallyu and National Prestige 16 2.3.4. Market Segmentation 18 3. KOREAN POPULAR CULTURE 20 3.1. Korean television and Kpop 20 3.2. The Big Three: SM, YG and JYP 24 3.2.1. SM Entertainment 25 3.2.2. YG Entertainment 28 3.2.3 JYP Entertainment 29 3.2.4. Trainee system 31 4. CONCLUSION 33 5. REFERENCES 34 6. WEBGRAPHY 36 2 CREATIVE INDUSTRIES IN SOUTH KOREA: THE KOREAN WAVE INTRODUCTION We live in a globalized world, surrounded by the effects of globalization in our daily life. Nowadays we have access to information about so many different cultures, countries, economies, different organizations, and so on. Thanks to the Internet, we have access to a whole new world in just a click. This is the main characteristic of the actual global situation. Personally, I am always amazed of this fact, being able to “travel" with just a click, being able to communicate with someone on the other side of the world, being able to know exactly what is happening, for example, in Australia while being in Spain, and more. -
Korean Apartment Residents' Experiences of Local Social Relationships and Their Effects on Mental Health and Well-Being
Place, People, and Health: Korean Apartment Residents' Experiences of Local Social Relationships and Their Effects on Mental Health and Well-being Naeun Gu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Robert Mugerauer, Chair Jeffrey Hou Christopher Campbell Program Authorized to Offer Degree: Built Environment © Copyright 2019 Naeun Gu University of Washington Abstract Place, People, and Health: Korean Apartment Residents' Experiences of Local Social Relationships and Their Effects on Mental Health and Well-being Naeun Gu Chair of the Supervisory Committee: Robert Mugerauer Department of Urban Design and Planning How can neighborhood environment affect residents’ mental health and well-being? In the broad context of understanding this mechanism, this dissertation focuses on the residents’ social relationships based on the neighborhood and their effects on mental health and well-being. Concentrating on the experiences of the apartment residents in Pangyo, Seoul metropolitan area, Korea, this study discusses and seeks answers to the following questions: 1) what are the nature/characteristics (essences) of experienced local social relationships of residents in the neighborhood which consists of multi-layered high-rise apartment complexes; 2) how do spatial characteristics of such residential settings contribute to the experiences of local social relationships; and 3) how do residents’ experiences of local social relationships from their everyday living environment contribute to their mental health and well-being. Through a phenomenological research, including dialogical-conversational interviews and thematic analysis, the discourse of twenty-eight women residents about their years of experiences in the neighborhood were explored. -
KOREAN DISCOURSE and GENRE Materials for Intermediate/Advanced Korean Based on the National Standards
KOREAN DISCOURSE AND GENRE Materials for Intermediate/Advanced Korean Based on the National Standards Susan Strauss and HeeSun Chang The Pennsylvania State University The Korean Wave — 한류 (韓韓): K-POP 엑소 (EXO) ©CENTER FOR ADVANCED LANGUAGE PROFICIENCY EDUCATION AND RESEARCH (CALPER) – THE PENNSYLVANIA STATE UNIVERSITY 1 THE KOREAN WAVE 한류 (韓韓) INTRODUCTION The Standards for Korean Language Teaching have recently been developed and published through ACTFL (American Council on the Teaching of Foreign Languages). They center on five basic concepts, referred to as the 5Cs: Communication, Cultures, Connections, Comparisons, and Communities and are intended to replace the more mechanical and artificial categories of proficiency, commonly known as the “4 skills” of listening, speaking, reading, and writing. The 5Cs of the Standards shift the focus away from the “skill” of language and instead highlight elements of language that are linked to people and culture and discourse. At the same time, the Standards provide teachers and learners with specific, concrete sets of goals to strive for in learning and teaching Korean. The units developed in this series, Korean Discourse and Genre, are designed to complement existing pedagogical materials for Korean. They contain authentic, media-based samples of actual language used in Korea by Koreans for specific interactional purposes: television programs (e.g., talk shows, reality shows, news, weather reports), radio programs, films, internet-based discourse (interviews, reviews, blogs, news items, recipes), and the like. The focus of our units is on Discourse and Genre. Discourse relates generally to language and how language is used in these various communicative contexts. Genre refers to the specific ways in which particular features of language combine to create a certain type of discourse, e.g., conversation, expository writing, formal interview, recipes, weather reports, diary entries, and so forth. -
EXO Watch List
EXO - Debuted April 8, 2012 - Originally 12 members split into 2 sub-units (EXO-K & EXO-M) - Now 9 members, but one (Lay) is mostly inactive - Official Color: Cosmic Latter (pearl/silver/white) - Official Fandom Name: EXO-L - Fandom Nickname: Aeri/Eri (coined by Baekhyun) Member ‘Snapshot’ Video: https://www.youtube.com/watch?v=mz9vGrVz4xk Music Videos: Growl: https://www.youtube.com/watch?v=I3dezFzsNss Overdose: https://www.youtube.com/watch?v=TI0DGvqKZTI Call Me Baby: https://www.youtube.com/watch?v=yWfsla_Uh80 Love Me Right: https://www.youtube.com/watch?v=RuqaVryDRd0 Lucky One: https://www.youtube.com/watch?v=73QzQYN8FtE Monster: https://www.youtube.com/watch?v=KSH-FVVtTf0 Lotto: https://www.youtube.com/watch?v=tbe3pe2BtwA Dancing King: https://www.youtube.com/watch?v=4EiNsoTc9KK Ko Ko Bop: https://www.youtube.com/watch?v=IdssuxDdqKK Tempo: https://www.youtube.com/watch?v=iwd8N6K-sLk Electric Kiss: https://www.youtube.com/watch?v=BC19fhyTG_M Love Shot: https://www.youtube.com/watch?v=pSudEWBAYRE Live/Concert Performances: Lucky One: https://www.youtube.com/watch?v=ORLpFCtF8xE Lightsaber: https://www.youtube.com/watch?v=wBg_1MNrg6k (Until 4:10) Touch It: https://www.youtube.com/watch?v=yFAAARceaLU (Start at 5:29) Artificial Love: https://www.youtube.com/watch?v=ScWkjL0wpFM Dance Practices: The Eve: https://www.youtube.com/watch?v=b6ycw7p9-bE Monster: https://www.youtube.com/watch?v=e8q3OET5dwk Blooming Day: https://www.youtube.com/watch?v=UdjEoGzXxmI (EXO-CBX) EXO-CBX: Ka-Ching: https://www.youtube.com/watch?v=XNwYapPXNkw Hey Mama!: -
Students' Ability in Using Subject Verb Agreement in Writing an Essay
STUDENTS’ ABILITY IN USING SUBJECT VERB AGREEMENT IN WRITING AN ESSAY (Descriptive Quantitative Research) A THESIS Submitted to the Faculty of Teacher Training and the Education Muhammadiyah University of Makassar in Partial Fulfillment of the requirement for the Degree of Education English Education Department NUR IZZAH DINILLAH 105351100116 ENGLISH DEPARTMENT FACULTY OF TEACHER TRAINING EDUCATION MUHAMMADIYAH UNIVERSITY OF MAKASSAR ii iii iv v vi vii viii ix ABSTRACT NUR IZZAH DINILLAH. 2021. Students’ Ability in Using Subject Verb Agreement in Writing an Essay. A thesis of English Department, Faculty of Teacher Training and Education. Muhammadiyah University of Makassar. Supervised by Nunung Anugrawati and Ariana. This study aimed at finding out how the students' ability in using subject-verb agreement in writing an essay. The method of this research was a descriptive quantitative method. The data of this research was collected through a writing test as the instrument. The sample of this research was the fifth-semester students of English Education at the Alauddin State Islamic University of Makassar. The sample was taken by using simple random sampling. Based on the analysis and discussion about this research, the researcher concluded that the students' ability in using subject-verb agreement for the fifth- semester students of English Education at the Alauddin State Islamic University of Makassar was categorized into very good level with a score was 88.24. This score was got based on the result of all the students' scores that were divided into the total of students who became the sample of this research. From 35 students, there were 7 students whose mastery levels were excellent, 16 students gained a very good level, 8 students whose mastery levels were good, 3 students gained a fairly good level, 1 student gained a fair level, no student gained a poor level. -
A Story of Tomorrow
Posted originally on the Archive of Our Own at http://archiveofourown.org/works/2249868. Rating: General Audiences Archive Warning: No Archive Warnings Apply Fandom: EXO (Band) Character: Kim Joonmyun | Suho, Wu Yi Fan | Kris Additional Tags: Friendship, Tragedy, Angst Stats: Published: 2014-09-03 Words: 4409 A Story of Tomorrow by Liana_DS Summary “Aku bukan leader.” “Jika bicara realita, sekarang aku juga bukan leader, Yi Fan.” -Tentang hari esok yang tidak terbaca dan goodbye stage.- Notes [Disclaimer] Wu Yi Fan dan semua karakter dari SM Entertainment bukan milik saya, tetapi milik Tuhan dan diri mereka sendiri. Lirik ‘Miracles in December’ adalah milik penciptanya. Plot sepenuhnya dari imajinasi saya dan saya tidak menarik kepentingan komersial apapun dari penulisan FF ini. [Warning] Para member saling memanggil dengan nama asli, tetapi di narasi, nama yang dipakai adalah nama panggung, mohon jangan bingung (karena bagi yang bukan EXO-L, mungkin ini agak membingungkan). No bash, dan ini sama sekali bukan ramalan (Future!AU). See the end of the work for more notes I try to find you, who I can’t see I try to hear you, who I can’t hear (EXO – Miracles in December) 28 Desember 2016 Konser tunggal EXO yang bertajuk ‘The Lost Planet’ kembali digelar di Guangzhou, Cina. Para penampilnya—siapa lagi kalau bukan sebelas pemuda tampan dari planet luar tata surya—sedang dalam perjalanan menuju lokasi konser. Van mereka sangat ramai karena penghuninya sibuk bercanda untuk menghilangkan tegang. “Kkaebta.” Baekhyun memulai permainan sambung kata. Chanyeol mengeluarkan tawa khasnya yang seperti monster. Ia menyebutkan satu kata tak bermakna yang terdengar sangat aneh, lalu menunjuk si kulit susu. -
Biodata Exo Planet
Profil ~Baekhyun EXO-K~ [Biodata, Fakta, Foto] Profil : Baekhyun EXO-K Biodata : • Nama Asli: ByunBaekhyun (Hangul:변백현 / Hanja:邊伯賢) • Nama: Baek, ByunBaek, Bacon, Sungun • Tanggal Lahir: Bucheon, Gyeonggi-Do, May 6th 1992 • Posisi: Main Vocalist • Tinggi: 174cm • Golongan Darah: O • Pendidikan: Joongwon High School Fakta : • Nama aslinya adalah Byun Baekhyun • Baekhyun adalah member ke 9 yang direveal oleh SM • Tanggal lahirnya 6 may 1992 • Tinggi badannya 178cm • Netizens bilang kalo Baekhyun itu punya wajah yg imut dan seperti anak kecil • Menurut review majalah China, Baekhyun itu orangnya sangat refreshing dan nyaman untuk dilihat. • D.O bilang ngga ada yg mau tidur sama Baekhyun karena dia itu ‘nakal’ • Tujuan BaekHyun di masa depan : Aku ingin EXO menjadi sejarah musik Korea. Sehingga 100 tahun dari sekarang, kami diingat sebagai grup besar. Jika aku bisa, aku ingin mencoba mendirikan program hiburan, atau acting. • Disebuah online polling, fans memilih “siapa member paling lucu ketika sedang menggigit bibirnya?”, fans menjawab No.1 Baekhyun No.2 Luhan • Baekhyun ingin jadi penyanyi sejak kelas 4 • BaekHyun dan SeHun suka berpose sexy di depan cermin • BaekHyun adalah member ygs uka ngomong blak-blakan • BaekHyun memiliki kakak laki-laki yg lebih tua 7 tahun darinya • BaekHyun ingin mencoba peran tak tahu malu seperti Rain di FULL HOUSE • BaekHyun bilang dia mirip sama LuHan trus SeHun langsung memjawab bahwa ia yg lebih mirip. • Suka tiba – tiba berkata tanpa berpikir hal itu berada di luar topic • BaekHyun tergabung dalam grup band saat dia SMA, dan dia adalah vocalistnya • BaekHyun menerima award dalam ajang Bucheon Rock Festival. • Nicknamenya itu Bacon • Favorite Number : 48 • Gol.