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ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) MAY CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 15 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 $NOT HS 23 BIG30 H100 80; RBH 34 NAT KING COLE JZ 5 -F- PETER HOLLENS CX 13 LAKE STREET DIVE RKA 43 21 SAVAGE B200 111; H100 54; HD 21; RBH 25; BIG DADDY WEAVE CA 20; CST 39 PHIL COLLINS HD 36 MARIANNE FAITHFULL NA 3 WHITNEY HOUSTON B200 190; RBL 17 KENDRICK LAMAR B200 51, 83; PCA 5, 17; RS 19; STM 35 RBA 26, 40; RLP 23 BIG SCARR B200 116 OLIVIA COLMAN CL 12 CHET -
K-Pop: South Korea and International Relations S1840797
Eliana Maria Pia Satriano [email protected] s1840797 Word count: 12534 Title: K-pop: South Korea and International Relations s1840797 Table of Contents: 1. Chapter 1 K-pop and International Relations………………………………..……..…..3-12 1.1 Introduction ……………………………………………………………………..…..3-5 1.2 K-pop: from the National to the International Market: The History of K-pop………5-6 1.3 The Drivers Behind the K-pop Industry..………………………………….….….…6-10 1.4 The Involvement of the South Korean Government with Cultural Industries.…… 10-12 2. Chapter 2 Soft Power and Diplomacy, Music and Politics ……………………………13-17 2.1 The Interaction of Culture and Politics: Soft Power and Diplomacy………………13-15 2.2 Music and Politics - K-pop and Politics……………………………………………15-17 3. Chapter 3 Methodology and the Case Study of BTS……………………………..……18-22 3.1 Methodology………………………………………………………………….……18-19 3.2 K-Pop and BTS……………………………………………………………….……19-20 3.3 Who is BTS?………………………………………………………………….……20-22 3.4 BTS - Beyond Korea……………………………………………………………….…22 4. Chapter 4 Analysis ……………………………………………………….…….…….. 23-38 4.1 One Dream One Korea and Inter-Korea Summit……….…………………..……..23-27 4.2 BTS - Love Myself and Generation Unlimited Campaign…………………….…..27-32 4.3 Korea -France Friendship Concert..………………………………………..….…..33-35 4.4 Award of Cultural Merit…………………………………………….………….…..35-37 4.5 Discussion and Conclusion…………………………………………………….…..37-38 Bibliography…………………………………………………………………………….….39-47 !2 s1840797 CHAPTER 1: K-pop and International Relations (Seventeen 2017) 1.1 Introduction: South Korea, despite its problematic past, has undergone a fast development in the past decades and is now regarded as one of the most developed nations. A large part of its development comes from the growth of Korean popular culture, mostly known as Hallyu (Korean Wave). -
UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title K- Popping: Korean Women, K-Pop, and Fandom Permalink https://escholarship.org/uc/item/5pj4n52q Author Kim, Jungwon Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE K- Popping: Korean Women, K-Pop, and Fandom A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music by Jungwon Kim December 2017 Dissertation Committee: Dr. Deborah Wong, Chairperson Dr. Kelly Y. Jeong Dr. René T.A. Lysloff Dr. Jonathan Ritter Copyright by Jungwon Kim 2017 The Dissertation of Jungwon Kim is approved: Committee Chairperson University of California, Riverside Acknowledgements Without wonderful people who supported me throughout the course of my research, I would have been unable to finish this dissertation. I am deeply grateful to each of them. First, I want to express my most heartfelt gratitude to my advisor, Deborah Wong, who has been an amazing scholarly mentor as well as a model for living a humane life. Thanks to her encouragement in 2012, after I encountered her and gave her my portfolio at the SEM in New Orleans, I decided to pursue my doctorate at UCR in 2013. Thank you for continuously encouraging me to carry through my research project and earnestly giving me your critical advice and feedback on this dissertation. I would like to extend my warmest thanks to my dissertation committee members, Kelly Jeong, René Lysloff, and Jonathan Ritter. Through taking seminars and individual studies with these great faculty members at UCR, I gained my expertise in Korean studies, popular music studies, and ethnomusicology. -
Korean Apartment Residents' Experiences of Local Social Relationships and Their Effects on Mental Health and Well-Being
Place, People, and Health: Korean Apartment Residents' Experiences of Local Social Relationships and Their Effects on Mental Health and Well-being Naeun Gu A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2019 Reading Committee: Robert Mugerauer, Chair Jeffrey Hou Christopher Campbell Program Authorized to Offer Degree: Built Environment © Copyright 2019 Naeun Gu University of Washington Abstract Place, People, and Health: Korean Apartment Residents' Experiences of Local Social Relationships and Their Effects on Mental Health and Well-being Naeun Gu Chair of the Supervisory Committee: Robert Mugerauer Department of Urban Design and Planning How can neighborhood environment affect residents’ mental health and well-being? In the broad context of understanding this mechanism, this dissertation focuses on the residents’ social relationships based on the neighborhood and their effects on mental health and well-being. Concentrating on the experiences of the apartment residents in Pangyo, Seoul metropolitan area, Korea, this study discusses and seeks answers to the following questions: 1) what are the nature/characteristics (essences) of experienced local social relationships of residents in the neighborhood which consists of multi-layered high-rise apartment complexes; 2) how do spatial characteristics of such residential settings contribute to the experiences of local social relationships; and 3) how do residents’ experiences of local social relationships from their everyday living environment contribute to their mental health and well-being. Through a phenomenological research, including dialogical-conversational interviews and thematic analysis, the discourse of twenty-eight women residents about their years of experiences in the neighborhood were explored. -
KOREAN DISCOURSE and GENRE Materials for Intermediate/Advanced Korean Based on the National Standards
KOREAN DISCOURSE AND GENRE Materials for Intermediate/Advanced Korean Based on the National Standards Susan Strauss and HeeSun Chang The Pennsylvania State University The Korean Wave — 한류 (韓韓): K-POP 엑소 (EXO) ©CENTER FOR ADVANCED LANGUAGE PROFICIENCY EDUCATION AND RESEARCH (CALPER) – THE PENNSYLVANIA STATE UNIVERSITY 1 THE KOREAN WAVE 한류 (韓韓) INTRODUCTION The Standards for Korean Language Teaching have recently been developed and published through ACTFL (American Council on the Teaching of Foreign Languages). They center on five basic concepts, referred to as the 5Cs: Communication, Cultures, Connections, Comparisons, and Communities and are intended to replace the more mechanical and artificial categories of proficiency, commonly known as the “4 skills” of listening, speaking, reading, and writing. The 5Cs of the Standards shift the focus away from the “skill” of language and instead highlight elements of language that are linked to people and culture and discourse. At the same time, the Standards provide teachers and learners with specific, concrete sets of goals to strive for in learning and teaching Korean. The units developed in this series, Korean Discourse and Genre, are designed to complement existing pedagogical materials for Korean. They contain authentic, media-based samples of actual language used in Korea by Koreans for specific interactional purposes: television programs (e.g., talk shows, reality shows, news, weather reports), radio programs, films, internet-based discourse (interviews, reviews, blogs, news items, recipes), and the like. The focus of our units is on Discourse and Genre. Discourse relates generally to language and how language is used in these various communicative contexts. Genre refers to the specific ways in which particular features of language combine to create a certain type of discourse, e.g., conversation, expository writing, formal interview, recipes, weather reports, diary entries, and so forth. -
HYBE-IR-PPT 2021.1Q Eng Vf.Pdf
Disclaimer Financial information contained in this document represent potential consolidated and separate financial statements based on K-IFRS accounting standards. This document is provided for the convenience of investors; an external review on our financial results are yet to be completed. Certain part or parts of this document are subject to change following review by an independent auditor. Any information contained herein should not be utilized for any legal purposes in regards to investors‘ investment results. The company hereby expressly disclaims any and all liabilities for any loss or damage resulting from the investors‘ reliance on the information contained herein. The information, data etc. contained in this document are current and applicable only as of the date of its creation. The company is not responsible for providing updates contained in this document in light of new information or future changes. 1Q FY2021 BUSINESS RESULT HYBE 1 CONTENTS • Earnings Summary - 2021 Q1 • WEVERSE Performance & KPI • HYBE Structural Reorganization • Ithaca Holdings LLC • Financial Statement Summary Earnings Summary - 2021 Q1 2021 Q1 Revenue 178.3 billion KRW: YoY +29%, QoQ -43% 2021 Q1 Operating Profit 21.7 billion KRW: YoY +9%, QoQ -61% (in million KRW) Change 2020 Q1 2020 Q4 20212021 Q1 YoY QoQ Total Revenue 138,553 312,287 178,327 29% -43% Artist Direct-involvement 88,957 154,602 67,541 -24% -56% Albums 80,848 140,838 54,472 -33% -61% Concerts 100 - - -100% n/a Ads and appearances 8,009 13,764 13,069 63% -5% Artist Indirect-involvement 49,596 157,685 110,785 123% -30% Merchandising and licensing 34,308 67,253 64,686 89% -4% Contents 8,086 80,894 37,165 360% -54% Fan club, etc. -
Tales of a Coronavirus Pandemic: Topic Modelling with Short-Text Data
Tales of a Coronavirus Pandemic: Topic Modelling with Short-Text Data by Adam Shen a thesis submitted to The Faculty of Graduate and Postdoctoral Affairs in partial fulfilment of the requirements for the degree of Master of Science in Statistics Carleton University Ottawa, Ontario, Canada © 2021 Adam Shen Master of Science (2021) Carleton University Mathematics and Statistics Ottawa, Ontario, Canada TITLE: Tales of a Coronavirus Pandemic: Topic Modelling with Short-Text Data AUTHOR: Adam Shen B.Sc., (Statistics) McMaster University Hamilton, Ontario, Canada SUPERVISORS: Dr. David Campbell Dr. Song Cai Dr. Shirley Mills NUMBER OF PAGES: xiii, 72 ii Abstract With more than 13 million tweets collected spanning between March 2020 to Novem- ber 2020 relating to the COVID-19 global pandemic, the topics of discussion are investigated using topic models – statistical models that learn latent topics present in a collection of documents. Topic modelling is first conducted using Latent Dirichlet Allocation (LDA), a method that has seen great success when applied to formal texts. As LDA attempts to learn latent topics by analysing term co-occurrences within documents, it can encounter difficulties in the learning process when presented with shorter documents such as tweets. To address the inadequacies of LDA applied to short-text, a second topic modelling technique is considered, known as the Biterm Topic Model (BTM), which instead analyses term co-occurrences over the entire collection of documents. Comparing the performances of LDA and BTM, it was found that the topic quality of BTM was superior to that of LDA. iii Acknowledgements I would like to thank Dr. -
Jerusalema’ Is Global Lockdown Hit
Friday 21 Lifestyle | Features Friday, November 13, 2020 S African song ‘Jerusalema’ is global lockdown hit hen coronavirus placed the world in lockdown, a that he was continuing with life as normal despite the song’s gospel-influenced anthem with Zulu lyrics brought huge success. “I’m not feeling like superman or that I’m the man Wpeople together through social media, lifting spirits of the moment. It’s just the same,” he said last week at the Sand and instantly becoming a global phenomenon. Today, Festival. “I know now I am having the biggest song in the world “Jerusalema” has clocked more than 230 million YouTube views but that doesn’t change me, it doesn’t change how I look at in less than a year-and lured an army of people into mimicking things, how I look at people. Because music is music.” Festival- its dance moves. “The feedback was crazy,” says 24-year-old goers braved a heavy downpour on November 1 to catch South African artist Master KG, who co-wrote and performs the “Jerusalema” performed live for the first time since the pan- disco-house track with Nomcebo Zikode. The viral “Jerusalema demic hit southern Africa in March. German musician Rafael dance challenge” saw thousands across the world posting clips Loopro, who performed at the festival, lamented the effects of of themselves copying the video choreography. the coronavirus pandemic on live music performances. Front-line medical workers, soldiers, stiff-limbed clergymen, “I was saying to him (Master KG) that I was sorry that this diners at swanky European restaurants and even the Cape Town song became big this time because he could have been playing Philharmonic Orchestra-everyone seemed to want to shake a all over the world.” “But he didn’t even know that the song was leg. -
1 the Real K-Pop Idols of Fanfiction
The Real K-Pop Idols of Fanfiction: Reclaiming “Real Person” Fanfiction as K-Pop Industry Practice Sooyun (Clara) Hong East Asian Studies, Faculty of Arts McGill University, Montreal June 2020 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts ©Sooyun Hong, 2020 1 Table of Contents Abstract 3 Abrégé 4 Acknowledgements 5 Introduction 6 Chapter 1 – What’s in a (Stage) Name? Public Personas, Private Selves, and the Transgression of Authenticity 33 Chapter 2 – “Characterizing” K-Pop Idols: Alternate Universe Fanfiction and the K-Pop Concept 56 Chapter 3 – Believing in the Unusual: Slash Fanfiction and Homoerotic Fan Service 75 Conclusion 94 Works Cited 99 2 Abstract RPF, or “real person fiction,” is a genre of fanfiction that writes about real people rather than fictional characters. Over the past decade, the number of RPF works written about K-pop idols has steadily increased, but RPF remains a controversial practice even within fanfiction communities. The purpose of this thesis is to understand the influence of fictional media practices such as fanfiction in the construction of the celebrity text. This thesis compares three practices found in K-pop RPF to three practices found in the K-pop industry in order to argue that K-pop fanfiction writers and the K-pop industry perform similar practices in pursuit of broader fan desires. Ultimately, the K-pop idol embodies a new model of celebrity that consciously moves between the “public” and the “private” in order to generate affective value. This movement is grounded in images of the idol’s physical body and given meaning through the idol group’s network of interpersonal relationships. -
SM Entertainment: from Stage Art to Neo Culture Technology (NCT) Ute Fendler, Bayreuth University
ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ SM Entertainment: From Stage Art to Neo Culture Technology (NCT) Ute Fendler, Bayreuth University To cite this article: Ute Fendler, 2019. “SM Entertainment: From Stage to Neo Culture Technology (NCT). Culture and Empathy 2(3): 206-219. DOI: 10.32860/26356619/2019/2.3.0005 To link to this article: https://doi.org/10.32860/26356619/2019/2.3.0005 Published online: 23 Sep 2019. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 2, No. 3, pp. 206-219 https://doi.org/10.32860/26356619/2019/2.3.0005 SM Entertainment: From Stage Art to Neo Culture Technology (NCT) Ute Fendler, Bayreuth University Abstract In 2016 SM Entertainment announced NCT as their new strategy for the future built on expandability and localization. With the subunits ARTICLE HISTORY like NCT 127, they set new trends in the aesthetics of music videos Received 18 July 2019 Revised 9 September 2019 and in the music as well. NCT can be viewed as the most recent step Accepted 19 September 2019 in a long strategy for the development of new aesthetics and art forms to enrich the productions: they went from stage art towards a holistic integrative understanding of aesthetics integrating all art forms used in the creative process of production. The claim of pop art being art finds its manifestation in the opening of the SM Museum in 2018 KEYWORDS which builds a canon of pop art forms via the exhibition of objects that Aesthetics, K-pop, music videos, SM Entertainment, range from albums, to costumes and to photographs. -
Fnc Villain Gg
1 / 4 FNC VILLAIN GG ... for Seven Days” (2017). Born: Jul 26, 1980 (age 40); Blood Type: A; Star Sign: Leo; Height: 184 cm; Weight: 65 kg; Talent Agency. FNC Entertainment (Korea).. Jan 15, 2019 — Skyler you may remember from his appearance on an episode of WWE Monday Night RAW last year where he portrayed the character Ricky .... Former AOA Member Mina calls out FNC and AOA's Jimin. Episode ... Girls' Generation Reveals New Unit “Oh!GG” ... Lee Jong Suk As A Villain In The Movie.. Mar 12, 2020 — PVMAN = NOT GG widepeepoHappy. permalink; report ... Its bad to dwell on stereotypes but he is almost like a movie character. Goes abroad.. Not enough Ranked data in last three patches to display LP graph. Match History. All Matches.. These levels will continue to increase with each character level you get up to 30 and each ... Jun 01 2021 LEC MSF vs FNC March 12 2021 1 0. ... the same time with all of the challenges open on weekends. gg As you can see the numbers are .... FNC Nisqy, Yassuo & Sanchovies (C9 vs TL) | IWD LCS Co-Stream MP3 & MP4 ... https://bit.ly/2CwVEvl Cloud9 Links: Store: http://c9.gg/store Website: ... TFT Stats for FNC Crossroads (EUW). Learn Summoners strategies ... FNC Crossroads. #EUW ... guardian-angel ionic-spark villains-bramble-vest. Morgana.. GG: newer, smarter, and more up-to-date runes and mythic item builds than ... even though it's relaxed the 140-character limit a little bit, there's still not a ton of ... of Jensen Nov 05, 2017 · FNC Rekkles Noway4u & PowerOfEvil Gameplay | Pro ... -
ARTIST INDEX(Continued)
ChartARTIST Codes: CJ (Contemporary Jazz) INDEXINT (Internet) RBC (R&B/Hip-Hop Catalog) –SINGLES– DC (Dance Club Songs) LR (Latin Rhythm) RP (Rap Airplay) –ALBUMS– CL (Traditional Classical) JZ (Traditional Jazz) RBL (R&B Albums) A40 (Adult Top 40) DES (Dance/Electronic Songs) MO (Alternative) RS (Rap Songs) B200 (The Billboard 200) CX (Classical Crossover) LA (Latin Albums) RE (Reggae) AC (Adult Contemporary) H100 (Hot 100) ODS (On-Demand Songs) STS (Streaming Songs) BG (Bluegrass) EA (Dance/Electronic) LPA (Latin Pop Albums) RLP (Rap Albums) ARB (Adult R&B) HA (Hot 100 Airplay) RB (R&B Songs) TSS (Tropical Songs) BL (Blues) GA (Gospel) LRS (Latin Rhythm Albums) RMA (Regional Mexican Albums) CA (Christian AC) HD (Hot Digital Songs) RBH (R&B Hip-Hop) XAS (Holiday Airplay) SEP CA (Country) HOL (Holiday) NA (New Age) TSA (Tropical Albums) CS (Country) HSS (Hot 100 Singles Sales) RKA (Rock Airplay) XMS (Holiday Songs) CC (Christian) HS (Heatseekers) PCA (Catalog) WM (World) CST (Christian Songs) LPS (Latin Pop Songs) RMS (Regional Mexican Songs) 4 CCA (Country Catalog) IND (Independent) RBA (R&B/Hip-Hop) DA (Dance/Mix Show Airplay) LT (Hot Latin Songs) RO (Hot Rock Songs) 2021 070 SHAKE DES 17 BERENS & GREUEL BG 10 CJ LT 21 FARRUKO LA 42; DES 1; H100 26; HD 49; LPS RYAN HURD CS 5, 14; H100 34; HA 50; HD MAJOR LAZER EA 12 21 SAVAGE RBH 50 BETHEL MUSIC CC 21, 23, 43; CST 31 CALLISTA CLARK CS 27, 43 2; LR 4, 5; LT 1, 24; ODS 19; STM 12 43; STM 28 LEDISI CX 6 220 KID DES 24 BETWEEN THE BURIED AND ME DLP 5; IND KAREN CLARK-SHEARD GS 24 JOSS FAVELA