Výroční Zpráva 2018
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AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro Spécial Été
WWW.TECKYO.COM Jr RODRIGUEZ: photo by Felicia Malecha INTERVIEW Jr RODRIGUEZ CITIZEN KAIN 20SYL DOLMA REC AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro spécial été TECKYO.COM Edito Sommaire 3 Pour cette édition spécial été 2017, je ne vais pas faire un édito classique. En effet, je tiens à rendre hommage à Kaosspat, instigateur de la première heure de ce projet fou que représente Teckyo et qui nous a quitté en Décembre dernier. Pour la première fois depuis presque 20 ans, je ne peux compter sur son aide précieuse. Je suis seule face à cette absence et me revient en mémoire sa bonne humeur, son soutien indéfectible, son humour ainsi que sa folie si particulière. Quand, en 1999, Lucie Association nous a proposé de sortir un fanzine spécialisé en musique électronique, il a, sans hésitation, voulu relever le défi. Il s’est investi sans compter, il a passé un temps précieux au développement du magazine et quand il a fallu faire face à diverses difficultés, il s’est naturellement proposé pour créer le site www.tec- kyo.com. Ceux qui l’ont côtoyé ou croisé en soirées ou en festivals, ont pu mesurer son amour pour la fête et la musique et tous en gardent un souvenir ému. Il aimait à dire : « the show must go on ». Alors continuons à vivre et à profiter pleinement des bons moments que la vie nous offre... Vous trouverez dans cette nouvelle parution, l’interview de Rodrigez Jr que nous suivons depuis le début de son ascension. Citizen Kain et 20syl ont accepté de nous détailler leur projet respectif, étant tous les deux omniprésents dans les soirées et festivals estivaux. -
Glazbeni Turizam: Istraživanje Utjecaja Festivala Outlook U Kontekstu Lokalne Kulture
Glazbeni turizam: istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture Kariko, Helena Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:865870 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-08 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Rijeka, 2019 SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Mentorica: Dr. sc. Diana Grgurić Rijeka, 2019 SADRŽAJ: 1. Uvod ....................................................................................................................................... 1 2. Teorijski okvir razmatranja problematike glazbenog turizma ............................................... 2-9 2.1. O glazbenom turizmu ........................................................................................................... 2 2.2. Glazbeni festivali............................................................................................................. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
Siriusxm and Pandora to Launch Inaugural 'Sway Fest 2019' on October 18
NEWS RELEASE SiriusXM and Pandora to Launch Inaugural 'Sway Fest 2019' on October 18 10/4/2019 Live broadcast event curated and hosted by Sway Calloway of SiriusXM's Shade 45 Block party to be held on the streets outside of Pandora's Oakland headquarters with community participants and special guests to be announced Four-hour special will broadcast live on Eminem's Shade 45 channel on SiriusXM NEW YORK, Oct. 4, 2019 /PRNewswire/ -- Oakland, CA native Sway Calloway returns to his roots on October 18 for the rst ever 'Sway Fest 2019,' which will bring together celebrities, local leaders and special guests in a celebration of hip-hop, community and culture, to be broadcast on SiriusXM. The four-hour special will air live from the streets of Oakland, outside Pandora headquarters, beginning at 9am PT on SiriusXM's Sway in the Morning on Eminem's Shade 45 (ch. 45). Calloway's celebrity friends, performers, local activists and community leaders will gather on Franklin Street between 21st and 22nd streets from 9am PT to 1pm PT in Oakland for performances and conversations on music, arts and the Oakland community. This Sway-hosted block party is also a way for our Oakland-based SiriusXM and Pandora employees to celebrate the combining of SiriusXM and Pandora. In advance of 'Sway Fest 2019,' Sway will unveil his own Pandora Story, oering his commentary to a playlist of tracks that shaped him while growing up in Oakland and beyond. While SiriusXM subscribers can tune in live the day of the event, local residents are encouraged to attend this free event to hear live music, meet community and business leaders as they weigh in on important community issues, and celebrate music and culture. -
Travel and Drug Use in Europe: a Short Review 1
ISSN 1725-5767 ISSN Travel and drug use in Europe: a short review 1 Travel and drug use in Europe: a short review PAPERS THEMATIC Travel and drug use in Europe: a short review emcdda.europa.eu Contents 1. Introduction 3 2. Travelling and using drugs 4 Young people 4 Problem drug users 4 3. Examples of drug-related destinations 6 4. Prevalence of drug use among young travellers 9 Young holidaymakers in Europe 9 Young backpackers 10 Young clubbers and partygoers 11 5. Risks associated with drug use while travelling 13 Health risks 13 Risk related to personal safety 14 Legal risks 14 Risks related to injecting drug use 14 Risks to local communities 15 6. Potential for prevention interventions 17 7. Conclusions 19 Acknowledgements 21 References 22 Travel and drug use in Europe: a short review 3 emcdda.europa.eu 1. Introduction Recent decades have seen a growth in travel and tourism abroad because of cheap air fares and holiday packages. This has been accompanied by a relaxation of border controls, especially within parts of Europe participating in the Schengen Agreement. As some people may be more inclined to use illicit substances during holiday periods and some may even choose to travel to destinations that are associated with drug use — a phenomenon sometimes referred to as ‘drug tourism’ — this means that from a European drug policy perspective the issue of drug use and travel has become more important. This Thematic paper examines travellers and drug use, with a focus on Europeans travelling within Europe, although some other relevant destinations are also included. -
Friday 11/Saturday 12 April 2014 Programme
FRIDAY 11/SATURDAY 12 APRIL 2014 PROGRAMME TEN YEARS AND COUNTING On the 11th April 2004, myself, Dave and Big Hands put on the first ever TNS gig at The Attic in Manchester. Despite being free, and well flyered, it wasn’t well attended. But it happened. It was the start of something that has now been part of our lives for ten years. I don’t know if anyone expected it to last this long. I doubt any of us really thought about it to be honest. But it’s amazing that after those humble beginnings, TNS is now putting on such an incredible line up, spanning three venues and two days, with part of it just over the road from The Attic. The line-up back in 2004 featured Monkfish, The Blunts and 3DBS Down (who didn’t actually end up playing). It was also the first ever gig for our new band Revenge of the Psychotronic Man. We weren’t supposed to be playing until the day of the gig and at that point we certainly weren’t planning on keeping the band name. It makes it a much better story that we did. It also means that we also get a pretty cool birthday party. Although the gig wasn’t exactly world changing, it did give us the incentive to do it again. We returned to The Attic on the 20th June. This time the line-up featured Revenge of..., Manchester ska legends Harijan, Morning Pizza (who went on to form Pendleton), Circle of Silence and the headliners of this year’s all-dayer, Random Hand. -
Head to Newcastle!
WWW.NEVOLUME.CO.UK BOMBAY BICYCLE CLUB HEAD TO NEWCASTLE! WE’RE LISTENING! TOP 10 NE ARTISTS TO SEE LIVE IN 2020! THE SNOW QUEEN AT NORTHERN STAGE! ISSUE #51 DEC 2019 JAN 2020 AMELIA COBURN AT ARC! WE REVIEW HEAD OF LIGHT ENTERTAINMENT’S NEW RELEASE! FOLLOW NE VOLUME WE REVIEW CATTLE & CANE AT TYNE THEATRE! THE BELLRAYS AT THE WESTGARTH! ON SOCIAL MEDIA E D Q WE SPEAK WITH HECTOR GANNET! GATESHEAD SILENT FILM FESTIVAL! PICK UP OUR FREE NORTH EAST MUSIC/CULTURE MAGAZINE! TO NE VOLUME MAGAZINE WELCOME ISSUE #51! Thank you so much for picking up NE Volume magazine - the magazine produced by local music CONTENTS and culture fans, for local music and culture fans. It’s that time of year again! NEWS The Christmas markets are in full swing, the mulled PG.6 The Godfathers at Westgarth! wine is going down rather easily, and we’re in the PG.9 The Futureheads at Northumbria Institute! festive mood (I hope). December is also a time CULTURE where we’re spoilt for choice when it comes to gigs and cultural events but we’ve ram-packed this bumper edition so you don’t PG.17 Gateshead Silent Film Festival! miss out. So here’s what to look out for over the next two months. In this edition, I pick the top 10 NE artists I think you should see PG.19 Going South At Lit & Phil! live in 2020; Tobias Halford provides you with his honest opinion of Glasvegas at The Georgian Theatre; we keep you up-to-date SPOTLIGHTS with what’s happening in the region this month and next including The Bellrays at the Westgarth; in our culture section we preview PG.26 Artist Spotlight: Harri Endersby! Gateshead Silent Film Festival, and so much more. -
March 3, 2021 10:00 AM
1 March 3, 2021 SP/mi TRANSPORTATION COMMITTEE 10:00 A.M. CHAIRPERSONS: Senator Will Haskell, Representative Roland Lemar SENATORS: Cassano, Somers, Daugherty- Abrams, Lopes, Needleman, Osten, Martin, Kissel REPRESENTATIVES: Carney, Berger-Girvalo, Blumenthal, Chafee, Concepcion, Conley, Dauphinais, Devlin, Goupil, Haines, Harrison, Labriola, McCarty Vahey, Meskers, Michel, Morrin Bello, O’Dea, Rebimbas, Reyes, Rosario, Simms, Smith, Steinberg, Thomas, Zawistowski, Zupkus REP. LEMAR (96TH): Good morning, everyone. Welcome to the Transportation Committee’s Public Hearing for March 3rd. This is the third of our four scheduled Public Hearings before the Transportation Committee. We have again a robust agenda before us with about 50 folks who have signed up to testify. We are joined by the Commissioner of Department of Transportation and a number of Deputy Commissioners, they will be kicking off our Public Hearing today. We will proceed for about, up to an hour with that group and then we will turn to the public on the number of issues before our Committee today. With that being said, is there any comments, Representative Carney, or Senator Somers that you would like to make at the beginning? REP. CARNEY (23RD): Nope, just looking forward to a good Public Hearing today. We obviously have a lot of various issues on the agenda so, looking forward to hearing from the public. REP. LEMAR (96TH): I’m not seeing, I know a number of folks are Public Hearing, the Judiciary Committee, and other Committee’s across the Building 2 March 3, 2021 SP/mi TRANSPORTATION COMMITTEE 10:00 A.M. today, so as folks come in you will see them on the screen. -
Shonky, Dyed Soundorom & Dan Ghenacia
Apollonia left to right: Shonky, Dyed Soundorom & Dan Ghenacia 030 djmag.com djmag.com DJ571.Features-apollonia.indd 30 19/06/2017 16:07 t’s late May 2017 in Ibiza, and the end of a long underground while conquering the island’s most Apollonia are the gods week of opening parties on the island. Shortly cavernous spaces. of groovy, stripped-back after Apollonia close the terrace on the fi rst Forming their three-piece back-to-back-to-back night at Hï — the all-new White Isle superclub DJ outfi t and label in 2012, made up of Shonky, underground house music. opened on the former site of Space — Shonky, Dyed Soundorom and Parisian house stalwart Dan of the French DJ trio, is hosting an after-party Ghenacia — who each had formidable individual The French trio — consisting at his apartment in the hills overlooking careers before forming Apollonia — the trio are of Dan Ghenacia, Shonky Talamanca Bay just outside Ibiza Town. He’s long-serving residents of CircoLoco, a bastion of the beenI spinning for hours with his Apollonia band- underground on the island. But last year saw what and Dyed Soundorom — mate, Dyed Soundorom, on the set-up on his dining once might have seemed unthinkable happen, with table — made up of two Technics 1210s and a DJR their alternative sound of Ibiza taking over the main have been slowly but surely 400 portable rotary mixer from Parisian audio design rooms. Booked by Marco Carola’s Music On to play company E&S. Amnesia’s famous Terrace for six dates throughout bringing the sound of the Work by American artists Jim Dine and Georgia the summer, they also span at ANTS at Ushuaïa Beach after-party to the biggest O’Keeffe adorn the walls, while a small collection of Club. -
Godišnji Izvještaj O Radu Udruge Seasplash 2017
GODIŠNJI IZVJEŠTAJ O RADU 2017 GODIŠNJI IZVJEŠTAJ O RADU 2017 GODIŠNJI IZVJEŠTAJ O RADU 2017 Seasplash udruga za promicanje glazbene kulture, umjetnosti i slobode izražavanja, od svog osnutka potiče kulturnu proizvodnju u gradu Puli te je svojim dosadašnjim djelovanjem kao organizator dogaĎanja bila začetnik raznih uspješnih inicijativa i procesa u svrhu valorizacije i promidžbe neinstitucionalne kulturne scene na lokalnoj, nacionalnoj, ali i meĎunarodnoj razini. Cilj i svrha osnivanja udruge Seasplash su stvaranje uvjeta za kontinuirani razvoj kulturnih i umjetničkih praksi radi ostvarivanja interesa i unapreĎenja rada glazbenika, umjetnika i ostalih djelatnika u kulturi. U svrhu ostvarivanja svojih ciljeva Udruga obavlja sljedeće djelatnosti: ● zastupanje interesa koncertnih promotora prilikom razgovora s kulturnim i drugim relevantnim organizacijama te javnim institucijama; ● poticanje mladih na aktivnu participaciju i razvijanje interesa za glazbenu kulturu, umjetnost te podizanje nivoa glazbene i scenske umjetnosti kroz organiziranje glazbenih i kulturnih manifestacija te prigodnih kulturno- umjetničkih programa ● praćenje i analiziranje stanja te rezultata unutar djelatnosti organiziranja kulturnih manifestacija radi poduzimanja odgovarajućih mjera te davanje prijedloga za donošenje izmjena propisa u cilju poboljšanja uvjeta organizacije kulturnih manifestacija ● organiziranje tribina, skupova, konferencija, seminara, kongresa te ostalih javnih dogaĎanja radi informiranja te prijenosa znanja u području glazbeno-scenske umjetnosti -
Combining Live Coding and Vjing for Live Visual Performance
CJing: Combining Live Coding and VJing for Live Visual Performance by Jack Voldemars Purvis A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Science in Computer Graphics. Victoria University of Wellington 2019 Abstract Live coding focuses on improvising content by coding in textual inter- faces, but this reliance on low level text editing impairs usability by not al- lowing for high level manipulation of content. VJing focuses on remixing existing content with graphical user interfaces and hardware controllers, but this focus on high level manipulation does not allow for fine-grained control where content can be improvised from scratch or manipulated at a low level. This thesis proposes the code jockey practice (CJing), a new hybrid practice that combines aspects of live coding and VJing practice. In CJing, a performer known as a code jockey (CJ) interacts with code, graphical user interfaces and hardware controllers to create or manipulate real-time visuals. CJing harnesses the strengths of live coding and VJing to enable flexible performances where content can be controlled at both low and high levels. Live coding provides fine-grained control where con- tent can be improvised from scratch or manipulated at a low level while VJing provides high level manipulation where content can be organised, remixed and interacted with. To illustrate CJing, this thesis contributes Visor, a new environment for live visual performance that embodies the practice. Visor's design is based on key ideas of CJing and a study of live coders and VJs in practice.