In Kepler's Gardens
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Konzerte, Klanginstallationen, Performances, Künstlergespräche, Filme, Workshops Concerts, Sound Installations, Performances, Artist Talks, Films, Workshops
Biennale für Elektroakustische Musik und Klangkunst Biennial for Electroacoustic Music and Sound Art 28.9. – 1.10.2017 Konzerte, Klanginstallationen, Performances, Künstlergespräche, Filme, Workshops Concerts, Sound Installations, Performances, Artist Talks, Films, Workshops 1 KONTAKTE’17 28.9.–1.10.2017 Biennale für Elektroakustische Musik und Klangkunst Biennial for Electroacoustic Music and Sound Art Konzerte, Klanginstallationen, Performances, Künstlergespräche, Filme, Workshops Concerts, Sound Installations, Performances, Artist Talks, Films, Workshops KONTAKTE '17 INHALT 28. September bis 1. Oktober 2017 Akademie der Künste, Berlin Programmübersicht 9 Ein Festival des Studios für Elektroakustische Musik der Akademie der Künste A festival presented by the Studio for Electro acoustic Music of the Akademie der Künste Konzerte 10 Im Zusammenarbeit mit In collaboration with Installationen 48 Deutsche Gesellschaft für Elektroakustische Musik Berliner Künstlerprogramm des DAAD Forum 58 Universität der Künste Berlin Hochschule für Musik Hanns Eisler Berlin Technische Universität Berlin Ausstellung 62 Klangzeitort Helmholtz Zentrum Berlin Workshop 64 Ensemble ascolta Musik der Jahrhunderte, Stuttgart Institut für Elektronische Musik und Akustik der Kunstuniversität Graz Laboratorio Nacional de Música Electroacústica Biografien 66 de Cuba singuhr – projekte Partner 88 Heroines of Sound Lebenshilfe Berlin Deutschlandfunk Kultur Lageplan 92 France Culture Karten, Information 94 Studio für Elektroakustische Musik der Akademie der Künste Hanseatenweg 10, 10557 Berlin Fon: +49 (0) 30 200572236 www.adk.de/sem EMail: [email protected] KONTAKTE ’17 www.adk.de/kontakte17 #kontakte17 KONTAKTE’17 Die zwei Jahre, die seit der ersten Ausgabe von KONTAKTE im Jahr 2015 vergangen sind, waren für das Studio für Elektroakustische Musik eine ereignisreiche Zeit. Mitte 2015 erhielt das Studio eine großzügige Sachspende ausgesonderter Studiotechnik der Deut schen Telekom, die nach entsprechenden Planungs und Wartungsarbeiten seit 2016 neue Produktionsmöglichkeiten eröffnet. -
An AI Collaborator for Gamified Live Coding Music Performances
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Falmouth University Research Repository (FURR) Autopia: An AI Collaborator for Gamified Live Coding Music Performances Norah Lorway,1 Matthew Jarvis,1 Arthur Wilson,1 Edward J. Powley,2 and John Speakman2 Abstract. Live coding is \the activity of writing (parts of) regards to this dynamic between the performer and audience, a program while it runs" [20]. One significant application of where the level of risk involved in the performance is made ex- live coding is in algorithmic music, where the performer mod- plicit. However, in the context of the system proposed in this ifies the code generating the music in a live context. Utopia3 paper, we are more concerned with the effect that this has on is a software tool for collaborative live coding performances, the performer themselves. Any performer at an algorave must allowing several performers (each with their own laptop pro- be prepared to share their code publicly, which inherently en- ducing its own sound) to communicate and share code during courages a mindset of collaboration and communal learning a performance. We propose an AI bot, Autopia, which can with live coders. participate in such performances, communicating with human performers through Utopia. This form of human-AI collabo- 1.2 Collaborative live coding ration allows us to explore the implications of computational creativity from the perspective of live coding. Collaborative live coding takes its roots from laptop or- chestra/ensemble such as the Princeton Laptop Orchestra (PLOrk), an ensemble of computer based instruments formed 1 Background at Princeton University [19]. -
MANFRED MOHR B.1938 in Pforzheim, Germany Lives and Works in New York, Since 1981
MANFRED MOHR b.1938 in Pforzheim, Germany Lives and works in New York, since 1981 Manfred Mohr is a leader within the field of software-based art. Co-founder of the "Art et Informatique" seminar in 1968 at Vincennes University in Paris, he discovered Professor Max Bense's writing on information aesthetics in the early 1960s. These texts radically changed Mohr's artistic thinking, and within a few years, his art transformed from abstract expressionism to computer-generated algorithmic geometry. Encouraged by the computer music composer Pierre Barbaud, whom he met in 1967, Mohr programmed his first computer drawings in 1969. His first major museum exhibition, Une esthétique programmée, took place in 1971 at the Musée d'Art Moderne de la Ville de Paris. It has since become known as the first solo show in a museum of works entirely calculated and drawn by a digital computer. During the exhibition, Mohr demonstrated his process of drawing his computer-generated imagery using a Benson flatbed plotter for the first time in public. Mohr’s pieces have been based on the logical structure of cubes and hypercubes—including the lines, planes, and relationships among them—since 1973. Recently the subject of a retrospective at ZKM, Karlsruhe, Mohr’s work is in the collections of the Centre Pompidou, Paris; Joseph Albers Museum, Bottrop; Ludwig Museum, Cologne; Victoria and Albert Museum, London; Mary and Leigh Block Museum of Art; Wilhelm-Hack-Museum, Ludwigshafen; Kunstmuseum Stuttgart; Stedelijk Museum, Amsterdam; Museum Kulturspeicher, Würzburg; Kunsthalle Bremen; Musée d'Art Moderne et Contemporain, Strasbourg; Daimler Contemporary, Berlin; Musée d’Art Contemporain, Montreal; McCrory Collection, New York; and Esther Grether Collection, Basel. -
AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro Spécial Été
WWW.TECKYO.COM Jr RODRIGUEZ: photo by Felicia Malecha INTERVIEW Jr RODRIGUEZ CITIZEN KAIN 20SYL DOLMA REC AGENDA SPECIAL FESTIVALS Gratuit / Juillet - Août - Septembre 2017 / Numéro spécial été TECKYO.COM Edito Sommaire 3 Pour cette édition spécial été 2017, je ne vais pas faire un édito classique. En effet, je tiens à rendre hommage à Kaosspat, instigateur de la première heure de ce projet fou que représente Teckyo et qui nous a quitté en Décembre dernier. Pour la première fois depuis presque 20 ans, je ne peux compter sur son aide précieuse. Je suis seule face à cette absence et me revient en mémoire sa bonne humeur, son soutien indéfectible, son humour ainsi que sa folie si particulière. Quand, en 1999, Lucie Association nous a proposé de sortir un fanzine spécialisé en musique électronique, il a, sans hésitation, voulu relever le défi. Il s’est investi sans compter, il a passé un temps précieux au développement du magazine et quand il a fallu faire face à diverses difficultés, il s’est naturellement proposé pour créer le site www.tec- kyo.com. Ceux qui l’ont côtoyé ou croisé en soirées ou en festivals, ont pu mesurer son amour pour la fête et la musique et tous en gardent un souvenir ému. Il aimait à dire : « the show must go on ». Alors continuons à vivre et à profiter pleinement des bons moments que la vie nous offre... Vous trouverez dans cette nouvelle parution, l’interview de Rodrigez Jr que nous suivons depuis le début de son ascension. Citizen Kain et 20syl ont accepté de nous détailler leur projet respectif, étant tous les deux omniprésents dans les soirées et festivals estivaux. -
Glazbeni Turizam: Istraživanje Utjecaja Festivala Outlook U Kontekstu Lokalne Kulture
Glazbeni turizam: istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture Kariko, Helena Master's thesis / Diplomski rad 2019 Degree Grantor / Ustanova koja je dodijelila akademski / stručni stupanj: University of Rijeka, Faculty of Humanities and Social Sciences / Sveučilište u Rijeci, Filozofski fakultet Permanent link / Trajna poveznica: https://urn.nsk.hr/urn:nbn:hr:186:865870 Rights / Prava: In copyright Download date / Datum preuzimanja: 2021-10-08 Repository / Repozitorij: Repository of the University of Rijeka, Faculty of Humanities and Social Sciences - FHSSRI Repository SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Rijeka, 2019 SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE Helena Kariko Glazbeni Turizam: Istraživanje utjecaja festivala Outlook u kontekstu lokalne kulture DIPLOMSKI RAD Mentorica: Dr. sc. Diana Grgurić Rijeka, 2019 SADRŽAJ: 1. Uvod ....................................................................................................................................... 1 2. Teorijski okvir razmatranja problematike glazbenog turizma ............................................... 2-9 2.1. O glazbenom turizmu ........................................................................................................... 2 2.2. Glazbeni festivali............................................................................................................. -
Manfred Mohr 1964- 2011, Réflexions Sur Une Esthétique Programmée
bitforms gallery nyc For Immediate Release 529 West 20th St Contact: Laura Blereau New York NY 10011 [email protected] (212) 366-6939 www.bitforms.com Manfred Mohr 1964- 2011, Réflexions sur une esthétique programmée Sept 9 – Oct 15, 2011 bitforms gallery nyc Opening Reception: Friday, Sept 9, 6:00 – 8:30 PM Gallery Hours: Tue – Sat, 11:00 AM – 6:00 PM It was May 11, 1971 when the Musée d'Art Moderne de la Ville de Paris opened the influential exhibition “Computer Graphics - Une Esthétique Programmée”. A solo exhibition by Manfred Mohr, it featured the first display in a museum of works entirely calculated and drawn by a digital (rather than analog) computer. Revolutionary for its time, these drawings were more than mere curiosities – they signaled a new era of image creation, setting in motion a trajectory of modernism and information aesthetics. Using Manfred Mohr’s work as a touchstone, "1964-2011, Réflexions sur une Esthétique Programmée" reveals, through his art work, a critical period of development in media arts. It examines shifting perspectives in art and the working methods that made the visual conversation of information aesthetics possible. How the computer emerged as a tool for art, results from its capacity for handling systems of high complexity, beyond our normal abilities. Discovering the theoretical writings of the German philosopher Max Bense in the early 1960’s, Mohr was fascinated by the idea of a programmed aesthetic, which coincided with his strong interest in designing electronic sound devices and using scientific imagery in his paintings. Mohr studied in Germany and in Paris at the Ecole de Beaux-Arts, and in 1968 he was a founding member of the seminar 'Art et Informatique' at the University of Vincennes. -
Sveučilište U Rijeci Filozofski Fakultet U Rijeci Odsjek Za
SVEUČILIŠTE U RIJECI FILOZOFSKI FAKULTET U RIJECI ODSJEK ZA KULTURALNE STUDIJE PLAN I PROGRAM SVEUČILIŠNOGA DIPLOMSKOGA JEDNOPREDMETNOG STUDIJA „KULTUROLOGIJA“ Datum inicijalne akreditacije studijskoga programa: lipanj 2005. Datum posljednje izmjene i dopune studijskoga programa: travanj 2017. Mjesto: Rijeka Kazalo Obrazac za izmjene i dopune studijskoga programa kulturologija …………………..….1 Popis predmeta studijskoga programa kulturologija …………………………………….3 Opis predmeta studijskoga programa kulturologija ……………………………………..6 Sveučilište u Rijeci • University of Rijeka Trg braće Mažuranića 10 • 51 000 Rijeka • Croatia T: (051) 406-500 • F: (051) 216-671; 216-091 W: www.uniri.hr • E: [email protected] OBRAZAC ZA IZMJENE I DOPUNE STUDIJSKIH PROGRAMA Opće informacije Naziv studijskog programa Sveučilišni diplomski studij kulturologije Nositelj studijskog programa Filozofski fakultet u Rijeci Izvoditelj studijskog programa Odsjek za kulturalne studije Tip studijskog programa Sveučilišni Razina studijskog programa Diplomski Akademski/stručni naziv koji se stječe Magistar/magistra kulturologije završetkom studija Naziv i šifra standarda kvalifikacije koja se stječe završetkom studija (ako je program upisan u Registar HKO-a) 1. Vrsta izmjena i dopuna 1.1. Vrsta izmjena i dopuna koje se predlažu Objedinjavanje postojećih modula u jedan cjeloviti program. 1.2. Postotak ECTS bodova koji se mijenjaju predloženim izmjenama i dopunama Navedene izmjene ne ulaze u postotak promjene ECTS-a na programu. 1.3. Postotak ECTS bodova koji je izmijenjen tijekom ranijih postupka izmjena i dopuna u odnosu na izvorno akreditirani studijski program 2. Obrazloženje zahtjeva za izmjenama i dopunama 2.1. Razlozi i obrazloženje izmjena i dopuna studijskog programa Objedinjavanje modula u jedan cjeloviti program u kojem je status svih predmeta izborni, osim predmeta Individualne mentorske konzultacije i izrada diplomskog rada (III. -
December 2 & 3 2020 Online
INTERNATIONAL SYMPOSIUM December 2 & 3 2020 Masaryk University, Faculty of Arts Brno, Czech Republic online Speakers: Amy Alexander Hans Bernhard Sarah Cook & Roddy Hunter Wendy Coones & Oliver Grau Jana Horáková Michal Klodner Barbora Kundračíková Alessandro Ludovico Alex McLean Organized by: PhD study programme Digital Culture and Creative Industries Team: Svatava Doubková, Jana Horáková, Ivan Koutný Contact: [email protected] INTERNATIONAL SYMPOSIUM DIGITAL CURATOR Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art 10:50–11:30 Alessandro Ludovico: Curating Media Art in Physical Spaces, Online, and on Printed Pages 11:30–13:00 Lunch break 13:00–13:40 Alex McLean: Archiving Live Code 13:50–14:30 Hans Bernhard, UBERMORGEN: The Next Biennial Should be Curated by a Machine 14:30 Symposium closing, day 1 Thursday, December 3 09:00–09:10 Symposium opening, day 2 09:10–09:50 Amy Alexander: “Always Only Once.” The Paradox of Preservation: From Expanded Cinema to Performative Algorithms 10:00–10:40 This contribution was unfortunatelly canceled. 10:50–11:30 Sarah Cook & Roddy Hunter: Networked Art Practice after Digital Preservation 11:30 - 13:20 Lunch break 13:20–14:00 CZ archives: Jana Horáková: Do neural networks dream of videoart? Media Art Live Archive for Vašulka Kitchen Brno Barbora Kundračíková: CEAD New Media Archive state funded institutions and new media storage Michal Klodner: National Film Archive Prague 14:00–15:00 Discussion 15:00 Symposium closing, day 2 Full Program Wednesday, December 2 10:00–10:10 Symposium opening, day 1 10:10–10:50 Wendy Coones & Oliver Grau: Digital Curation in a Living Archive - History and Future of the Archive of Digital Art In the past five decades, Media Art has evolved into a critical field at the intersection of art, science and technology. -
Global Nomads: Techno and New Age As Transnational Countercultures
1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism. -
Spaces to Fail In: Negotiating Gender, Community and Technology in Algorave
Spaces to Fail in: Negotiating Gender, Community and Technology in Algorave Feature Article Joanne Armitage University of Leeds (UK) Abstract Algorave presents itself as a community that is open and accessible to all, yet historically, there has been a lack of diversity on both the stage and dance floor. Through women- only workshops, mentoring and other efforts at widening participation, the number of women performing at algorave events has increased. Grounded in existing research in feminist technology studies, computing education and gender and electronic music, this article unpacks how techno, social and cultural structures have gendered algorave. These ideas will be elucidated through a series of interviews with women participating in the algorave community, to centrally argue that gender significantly impacts an individual’s ability to engage and interact within the algorave community. I will also consider how live coding, as an embodied techno-social form, is represented at events and hypothesise as to how it could grow further as an inclusive and feminist practice. Keywords: gender; algorave; embodiment; performance; electronic music Joanne Armitage lectures in Digital Media at the School of Media and Communication, University of Leeds. Her work covers areas such as physical computing, digital methods and critical computing. Currently, her research focuses on coding practices, gender and embodiment. In 2017 she was awarded the British Science Association’s Daphne Oram award for digital innovation. She is a current recipient of Sound and Music’s Composer-Curator fund. Outside of academia she regularly leads community workshops in physical computing, live coding and experimental music making. Joanne is an internationally recognised live coder and contributes to projects including laptop ensemble, OFFAL and algo-pop duo ALGOBABEZ. -
Farmers Market Starts 8Th Season at GV T-Llu.UUU WMU, CMU, U of M Flint & Oakland by CARLY SIMPSON Micro-Greens, Honey and Fresh Health Issues,” She Said
Grand Valley State University ScholarWorks@GVSU Volume 48, July 1, 2013 - June 2, 2014 Lanthorn, 1968-2001 6-2-2014 Lanthorn, vol. 48, no. 61, June 2, 2014 Grand Valley State University Follow this and additional works at: https://scholarworks.gvsu.edu/lanthorn_vol48 Part of the Archival Science Commons, Education Commons, and the History Commons Recommended Citation Grand Valley State University, "Lanthorn, vol. 48, no. 61, June 2, 2014" (2014). Volume 48, July 1, 2013 - June 2, 2014. 60. https://scholarworks.gvsu.edu/lanthorn_vol48/60 This Issue is brought to you for free and open access by the Lanthorn, 1968-2001 at ScholarWorks@GVSU. It has been accepted for inclusion in Volume 48, July 1, 2013 - June 2, 2014 by an authorized administrator of ScholarWorks@GVSU. For more information, please contact [email protected]. MONDAY, JUNE 2 WWW.LANTHORN.COM Dilanni accepts coaching position Big Ten university SPORTS, A7 SPORTS, A7 TWO FORMER LAKERS BATTLE FOR STARTING POSITION IN NFL fumwniTFifU: Pew Faculty Teaching & Learning Center Center for Scholarly and Creative Excellence Covered parking area Human Resources,Accounting Student Accounts, Payroll offices Faculty government & conference rooms Accounting, Institutional Marketing LL IL Conference rooms & storage rooms < UJ </> Z UJ> ¥ Office of the President, Provost's Office Various administrative offices BY AUDRA GAMBLE The renovations for the building will Zumberge Hall.” & conference rooms [email protected] be completed within the $22 million The concentration of offices and re ver the 2013-2014 academic year, budget that was originally allotted for sources is beneficial for more than just Grand Valley State University stu the project. -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights.