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Styly Elektronické Taneční Hudby V Rámci České Scény

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Styly Elektronické Taneční Hudby V Rámci České Scény JIHOČESKÁ UNIVERZITA V ČESKÝCH BUDĚJOVICÍCH Pedagogická fakulta Katedra hudební výchovy Styly elektronické taneční hudby v rámci české scény DIPLOMOVÁ PRÁCE Šárka Tomanová 5. ročník, ČJ-HV/ZŠ Vedoucí práce: Mgr. Martin Voříšek, Ph.D. 2012 Anotace Diplomová práce se zaměřuje na žánr elektronické taneční hudby a jeho další stylové rozdělení v rámci české hudební scény. Hlavní část historicky a hudebně vymezuje celkem sedm hlavních stylů ETH a člení je do podstylů, se kterými se posluchači můžou nejčastěji setkávat na domácích tanečních akcích. Dále popisuje vznik, vývoj a současný stav ETH u nás. Práce se orientuje také na zachycení odlišností mezi jednotlivými podstyly pomocí notace rytmických patternů a zvukových ukázek. Anotation This diploma thesis is focused on the topic of electronic dance music and its genre classification within Czech music scene. The main part of the thesis defines seven primary genres of EDM from the historical and musical perspective, and consequently it divides them into the subgenres that the audience can meet on the Czech dance floors most frequently. Moreover, the thesis describes the origin, evolution as well as the current situation of Czech EDM. The thesis also concerns with the differences among the subgenres by means of the drum pattern notation and sonic samples. Prohlášení: Prohlašuji, že jsem svoji diplomovou práci na téma Styly elektronické taneční hudby v rámci české scény vypracovala samostatně pouze s použitím literatury uvedené v seznamu citované literatury. Prohlašuji, že v souladu s § 47b zákona č. 111/1998 Sb. v platném znění souhlasím se zveřejněním své diplomové práce, a to v nezkrácené podobě – v úpravě vzniklé vypuštěním vyznačených částí archivovaných Pedagogickou fakultou elektronickou cestou ve veřejně přístupné části databáze STAG provozované Jihočeskou univerzitou v Českých Budějovicích na jejích internetových stránkách, a to se zachováním mého autorského práva k odevzdanému textu této kvalifikační práce. Souhlasím dále s tím, aby toutéž elektronickou cestou byly v souladu s uvedeným ustanovením zákona č. 111/1998 Sb. zveřejněny posudky školitele a oponentů práce i záznam o průběhu a výsledku obhajoby kvalifikační práce. Rovněž souhlasím s porovnáním textu mé kvalifikační práce s databází kvalifikačních prací Theses.cz provozovanou Národním registrem vysokoškolských kvalifikačních prací a systémem na odhalování plagiátů. Dne 4. 5. 2012 v Českých Budějovicích podpis: Zde bych ráda poděkovala zejména vedoucímu mé diplomové práce Mgr. Martinu Voříškovi, Ph.D. za cenné rady, inspiraci, obětavost, trpělivost a maximální vstřícnost. Dále také všem kolegům z oblasti ETH za podporu a podněty při častých debatách o hudbě, novinářce Janě Kománkové a DJům Akirovi a Philipovi TBC za tvůrčí e-mailové dopisování, v neposlední řadě koordinátorce časopisu UNI, paní Janě Černé, za poskytnutí potřebného čísla časopisu. Obsah 1. ÚVOD ................................................................................................................................. 8 2. ZDROJE .............................................................................................................................. 9 3. POJMY VYUŽÍVANÉ ETH .................................................................................................. 11 4. PŘEDSTAVME SI ELEKTRONICKOU TANEČNÍ HUDBU ...................................................... 13 5. GOD IS A DJ ..................................................................................................................... 18 6. ŽÁNR A STYL - JEJICH VYMEZENÍ A VYTVÁŘENÍ ............................................................... 23 6.1 Žánrová kategorizace obecně .......................................................................................23 6.2 Poukázání na složitosti taxonomických kategorií styl a žánr ........................................23 6.3 Teorie vytváření stylů ETH ............................................................................................25 6.4 Vznik tvrdých (hard) a mírných podstylů ......................................................................28 6.5 Postup při rozdělování ETH do stylů v rámci české scény ............................................29 6.5.1 Vysvětlivky k notovým zápisům ...........................................................................31 7. ELECTRO .......................................................................................................................... 32 7.1 Druhy electra ................................................................................................................34 7.2 Electro v ČR ...................................................................................................................36 8. TECHNO ........................................................................................................................... 38 8.1 Druhy techna ................................................................................................................41 8.1.1 Detroit techno ......................................................................................................42 8.1.2 Acid techno ..........................................................................................................43 8.1.3 Schranz/Hardtechno ............................................................................................43 8.1.4 Freetekno .............................................................................................................44 8.2 Techno v ČR ..................................................................................................................46 9. HOUSE ............................................................................................................................. 49 9.1 Druhy housu .................................................................................................................52 9.1.1 Acid house ............................................................................................................52 9.1.2 Deep house ..........................................................................................................53 9.1.3 Progressive house ................................................................................................54 9.1.4 Tech house ...........................................................................................................54 9.1.5 Electro house ........................................................................................................55 9.2 House v ČR ....................................................................................................................55 10. TRANCE ............................................................................................................................ 57 10.1 Druhy trancu .................................................................................................................60 6 10.1.1 Progressive a euphoria trance .............................................................................60 10.1.2 Goa trance ............................................................................................................61 10.1.3 Psytrance ..............................................................................................................62 10.2 Trance v ČR ...................................................................................................................63 11. BREAKBEAT ...................................................................................................................... 65 11.1 Druhy breakbeatu .........................................................................................................67 11.1.1 Big beat ................................................................................................................67 11.1.2 Funky breaks ........................................................................................................67 11.1.3 Nu skool breaks ....................................................................................................68 11.1.4 Tech-funk..............................................................................................................69 11.1.5 Trip-hop ................................................................................................................70 11.2 Breakbeat v ČR ..............................................................................................................71 12. DRUM AND BASS ............................................................................................................. 73 12.1 Druhy junglu/drum and bassu ......................................................................................75 12.1.1 Ragga jungle .........................................................................................................76 12.1.2 Jump-up ................................................................................................................76 12.1.3 Darside jungle/ darkcore/ darkstep .....................................................................77 12.1.4 Techstep ...............................................................................................................78 12.1.5 Intelligent dnb ......................................................................................................78 12.1.6 Neurofunk ............................................................................................................79 12.1.7 Liquid funk ............................................................................................................80
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