Siriusxm and Pandora to Launch Inaugural 'Sway Fest 2019' on October 18
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What's the Download® Music Survival Guide
WHAT’S THE DOWNLOAD® MUSIC SURVIVAL GUIDE Written by: The WTD Interactive Advisory Board Inspired by: Thousands of perspectives from two years of work Dedicated to: Anyone who loves music and wants it to survive *A special thank you to Honorary Board Members Chris Brown, Sway Calloway, Kelly Clarkson, Common, Earth Wind & Fire, Eric Garland, Shirley Halperin, JD Natasha, Mark McGrath, and Kanye West for sharing your time and your minds. Published Oct. 19, 2006 What’s The Download® Interactive Advisory Board: WHO WE ARE Based on research demonstrating the need for a serious examination of the issues facing the music industry in the wake of the rise of illegal downloading, in 2005 The Recording Academy® formed the What’s The Download Interactive Advisory Board (WTDIAB) as part of What’s The Download, a public education campaign created in 2004 that recognizes the lack of dialogue between the music industry and music fans. We are comprised of 12 young adults who were selected from hundreds of applicants by The Recording Academy through a process which consisted of an essay, video application and telephone interview. We come from all over the country, have diverse tastes in music and are joined by Honorary Board Members that include high-profile music creators and industry veterans. Since the launch of our Board at the 47th Annual GRAMMY® Awards, we have been dedicated to discussing issues and finding solutions to the current challenges in the music industry surrounding the digital delivery of music. We have spent the last two years researching these issues and gathering thousands of opinions on issues such as piracy, access to digital music, and file-sharing. -
Siriusxm Launches National Ad Campaign - "The Home of Siriusxm" - Showcasing the Unique Collection of Talent That Lives at Siriusxm
NEWS RELEASE SiriusXM Launches National Ad Campaign - "The Home of SiriusXM" - Showcasing the Unique Collection of Talent That Lives at SiriusXM 9/7/2021 SiriusXM's largest multi-media ad campaign features stars and artists, many with SiriusXM shows, channels, pop ups: LL COOL J, Kevin Hart, Dave Grohl, Normani, Anitta, Bebe Rexha, Sway Calloway, Je Lewis, Kehlani, Diplo, Brett Favre, Helio Castroneves, Bella Poarch, Storme Warren and the Morning Mashup crew Multi-channel campaign focuses on accessing exclusive SiriusXM programming outside the vehicle on the SXM App NEW YORK, Sept. 7, 2021 /PRNewswire/ -- SiriusXM announced its largest multi-media national ad campaign ever which brings to life the vibrancy and spontaneity of SiriusXM programming, featuring superstar artists, creators, and stars from the worlds of entertainment, music, and sports, many of whom have shows, channels and popups on the SXM App. The campaign – "The Home of SiriusXM'' created in collaboration with Translation, the independent creative agency - debuts on TV, digital, audio, social and out of home beginning this month. The ads personify the variety and depth of content that SiriusXM oers listeners daily – all living under one roof -- and features six humorous spots showcasing a wide cast of famous talent and voices living in SiriusXM's House, from established icons to trending TikTok creators: "Gizmos" starring Kevin Hart and LL COOL J; "Yelling" featuring Dave Grohl and Kevin Hart; "Sunday" featuring LL COOL J, Bebe Rexha, Kehlani, Je Lewis, Helio Castroneves, Anitta and Normani; "Chores" featuring Normani, Diplo and SiriusXM's Sway Calloway; "Bathroom" featuring Bella Poarch and Brett Favre along with Diplo, Normani, and SiriusXM's Sway Calloway, Storme Warren and the Morning Mashup crew from SiriusXM Hits 1. -
The Life & Rhymes of Jay-Z, an Historical Biography
ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life. -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
MTV and VH1 Pay Tribute to Michael Jackson with Live Coverage of the Superstar's Public Memorial Service
MTV and VH1 Pay Tribute to Michael Jackson with Live Coverage of the Superstar's Public Memorial Service MTV Transforms to "Michael Jackson Television" on August 1st for 24-Hour Global Celebration of Jackson's Music on the Network's 28th Birthday NEW YORK and SANTA MONICA, Calif., July 6, 2009 /PRNewswire via COMTEX/ -- MTV, MTV.com, VH1, VH1.com, VH1 Classic and VH1 Soul will continue to honor Michael Jackson's life and legacy with extended coverage of the "King of Pop's" Public Memorial service on Tuesday, July 7, 2009 beginning at 12:00 pm ET / 9:00 am PT. From 1pm-2:30 ET/10-11:30am PT, the music channels will go LIVE and commercial free for Jackson's memorial service taking place at the Staples Center in Los Angeles, where MTV News correspondent Sway Calloway will be reporting. Additionally, all day on Saturday, August 1st, MTV's 28th birthday, the "M" in MTV will stand for "Michael Jackson TV" as the network kicks off a global celebration of his music, reaching more than a half billion households in over 160 countries around the world. During the hour leading up to the live memorial service, MTV and VH1 will air an extensive selection of Jackson's greatest videos, performances and in-depth interviews from deep inside the MTV and VH1 vaults and span the various decades of Michael's music and life. In addition to Sway's reporting from the Staples Center, there will be commentary and analysis from MTV News correspondents Tim Kash, Kim Stolz and Shaheem Reid and VH1's Jim Shearer and VH1 Classic's Mark Goodman, an original MTV VJ, LIVE from the MTV studio. -
SJSU in the Spotlight
SPARTAN DAILY VOLUME 125, NUMBER 02 Serving San Jose State University since 1934 FRIDAY, AUGUST 26, 2005 1111 !rjp SPARTAN DAILY "IT WAS A DARK AND STORMY NIGHT..." JTHEWILL NOT PUBLISH BAD WRITING CONTEST, NEWS PAGE 6 MONDAY. IT WILL RESUME TUESDAY. New Professor directory offered available extra help BY CHEETO BARRERA Daily Staff Writer Memorial service The San Jose State University to be held Saturday online phone directory received a major face-lift at the end of last se- BY JOHN MYERS mester that more than doubled the number of faculty, staff members and departments listed. Journalisin Professm Serena While there are still a few sty- Stantoid is drop anything she listic points to work out, Victor is is doing to help her students. Van Leer, manager for university "I isas ill and I missed a less computing systems, said the new classes." said Gail Evans, associ- system is easier to operate. ate dean of undergraduate ,tudie, The old database required at San Jose State University. "I people to enter phone and e-mail couldn't set up a time to meet with lists by hand, Van Leer said. (Stanford). so she invited me to Now, University Computing and her home and spent several hours Telecommunications, which oper- naming me It was so above and ates the system, uses unclassified beyond what any professor is re- human resource information that quiri'sl ti di allows the database to be more ho spent more than complete and accurate. 30 yews Ii SJSV and retired from "The old phone directory was her position as head of graduate done by hand," Van Leer said. -
March 3, 2021 10:00 AM
1 March 3, 2021 SP/mi TRANSPORTATION COMMITTEE 10:00 A.M. CHAIRPERSONS: Senator Will Haskell, Representative Roland Lemar SENATORS: Cassano, Somers, Daugherty- Abrams, Lopes, Needleman, Osten, Martin, Kissel REPRESENTATIVES: Carney, Berger-Girvalo, Blumenthal, Chafee, Concepcion, Conley, Dauphinais, Devlin, Goupil, Haines, Harrison, Labriola, McCarty Vahey, Meskers, Michel, Morrin Bello, O’Dea, Rebimbas, Reyes, Rosario, Simms, Smith, Steinberg, Thomas, Zawistowski, Zupkus REP. LEMAR (96TH): Good morning, everyone. Welcome to the Transportation Committee’s Public Hearing for March 3rd. This is the third of our four scheduled Public Hearings before the Transportation Committee. We have again a robust agenda before us with about 50 folks who have signed up to testify. We are joined by the Commissioner of Department of Transportation and a number of Deputy Commissioners, they will be kicking off our Public Hearing today. We will proceed for about, up to an hour with that group and then we will turn to the public on the number of issues before our Committee today. With that being said, is there any comments, Representative Carney, or Senator Somers that you would like to make at the beginning? REP. CARNEY (23RD): Nope, just looking forward to a good Public Hearing today. We obviously have a lot of various issues on the agenda so, looking forward to hearing from the public. REP. LEMAR (96TH): I’m not seeing, I know a number of folks are Public Hearing, the Judiciary Committee, and other Committee’s across the Building 2 March 3, 2021 SP/mi TRANSPORTATION COMMITTEE 10:00 A.M. today, so as folks come in you will see them on the screen. -
By NYSD STAFF May 15, 2019
By NYSD STAFF May 15, 2019 The All Stars Project, Inc. (ASP), a national nonprofit that World of Wonder, along with NBA legend Sam Perkins came in AFTERSCHOOL DEVELOPMENT sponsors afterschool development programs to help inner-city support of All Stars’ work in New York City, Newark, Jersey City, youth and their families create success in their lives, raised $2.1 Dallas, Chicago and San Francisco. million at its annual Gala, “Performance Lives! People Grow!” at Lincoln Center on May 6 to support the ASP’s work nationwide The All Stars honored Viacom and Chris McCarthy of MTV, as a leader and innovator in Afterschool Development, using the VH1, CMT and Logo, Colleen O’Neill of EY, Derek DiRisio of power of performance to transform the lives of youth and poor PSEG Services Corporation, and Rose Lavandero of TM Financial communities. Forensics LLC. They are champions of inner-city youth who have made a deep impact in New York, New Jersey, and nationwide. Executive Producer/MTV Host Sway Calloway was the special Additionally, the All Stars presented an Honorary Doctorate of guest host for the Gala. Calloway has toured the All Stars’ 42nd Development to Kwame Anthony Appiah, Ph.D., Professor of Street national headquarters and supports its programs. Philosophy and Law at NYU for his innovative work on identity and cosmopolitanism. Artist/MTV Talent Justina Valentine performed alongside youth at the benefit. Actor Nick Cannon, Peppermint, Alexis Michelle, Milk, Carson Kressley and others from RuPaul’s Drag Race and All Stars board member Amy Doyle of MTV, youth host Juanita Youth host Ivoryona Williams, honoree Chris McCarthy, president of Aboagye, executive producer/MTV Host Sway Calloway, actor Nick MTV, VH1, CMT and Logo with All Stars board member Amy Doyle Cannon and All Stars president and CEO Gabrielle Kurlander. -
Journal of the Society for American Music Eminem's “My Name
Journal of the Society for American Music http://journals.cambridge.org/SAM Additional services for Journal of the Society for American Music: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Journal of the Society for American Music / Volume 3 / Issue 03 / August 2009, pp 341 - 363 DOI: 10.1017/S1752196309990459, Published online: 14 July 2009 Link to this article: http://journals.cambridge.org/abstract_S1752196309990459 How to cite this article: LOREN KAJIKAWA (2009). Eminem's “My Name Is”: Signifying Whiteness, Rearticulating Race. Journal of the Society for American Music, 3, pp 341-363 doi:10.1017/S1752196309990459 Request Permissions : Click here Downloaded from http://journals.cambridge.org/SAM, IP address: 140.233.51.181 on 06 Feb 2013 Journal of the Society for American Music (2009) Volume 3, Number 3, pp. 341–363. C 2009 The Society for American Music doi:10.1017/S1752196309990459 ⃝ Eminem’s “My Name Is”: Signifying Whiteness, Rearticulating Race LOREN KAJIKAWA Abstract Eminem’s emergence as one of the most popular rap stars of 2000 raised numerous questions about the evolving meaning of whiteness in U.S. society. Comparing The Slim Shady LP (1999) with his relatively unknown and commercially unsuccessful first album, Infinite (1996), reveals that instead of transcending racial boundaries as some critics have suggested, Eminem negotiated them in ways that made sense to his target audiences. In particular, Eminem’s influential single “My Name Is,” which helped launch his mainstream career, parodied various representations of whiteness to help counter charges that the white rapper lacked authenticity or was simply stealing black culture. -
3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money -
Kanye West's Use of the Diatribe: an Offensive “Scumbag”
Kanye West’s Use of the Diatribe: An Offensive “Scumbag” or A Modern-Day Cynic? Author: Isabella M. Biedenharn Persistent link: http://hdl.handle.net/2345/2013 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2011 Copyright is held by the author, with all rights reserved, unless otherwise noted. KANYE WEST’S USE OF THE DIATRIBE: An Offensive “Scumbag” or A Modern-Day Cynic? By Isabella Biedenharn A Senior Honors Thesis Submitted to the Department of Communication of Boston College May 2011 Kanye West 2 TABLE OF CONTENTS Page TABLE OF CONTENTS……………………………………………………………….... 2 ABSTRACT……………………………………………………………………………… 4 CHAPTER ONE ……………………………………………………………………….... 5 Introduction………………………………………………………………………. 5 CHAPTER TWO………………………………………………………………………… 8 Background on Kanye West……………………………………………………... 8 CHAPTER THREE……………………………………………………………………… 9 Past Literature……………………………………………………………………. 9 The Modern Concept of “Celebrity”…………………………………….. 9 Implicit Racism in the Media and in Public Perception………………... 11 The Symbiotic Relationship of Celebrities and Media…………………. 13 Apologia and Celebrity Image Restoration……………………………... 15 The Impact of Celebrity Use of New Media……………………………. 17 CHAPTER FOUR………………………………………………………………………. 21 Methodology……………………………………………………………………. 21 The Diatribe…………………………………………………………….. 21 CHAPTER FIVE……………………………………………………………………….. 25 “George Bush Doesn’t Care About Black People!” Kanye West’s Statements During Hurricane Katrina, 2005……………………. 25 Analysis…………………………………………………………………. -
Songs by Artist
Andromeda II DJ Entertainment Songs by Artist www.adj2.com Title Title Title 10,000 Maniacs 50 Cent AC DC Because The Night Disco Inferno Stiff Upper Lip Trouble Me Just A Lil Bit You Shook Me All Night Long 10Cc P.I.M.P. Ace Of Base I'm Not In Love Straight To The Bank All That She Wants 112 50 Cent & Eminen Beautiful Life Dance With Me Patiently Waiting Cruel Summer 112 & Ludacris 50 Cent & The Game Don't Turn Around Hot & Wet Hate It Or Love It Living In Danger 112 & Supercat 50 Cent Feat. Eminem And Adam Levine Sign, The Na Na Na My Life (Clean) Adam Gregory 1975 50 Cent Feat. Snoop Dogg And Young Crazy Days City Jeezy Adam Lambert Love Me Major Distribution (Clean) Never Close Our Eyes Robbers 69 Boyz Adam Levine The Sound Tootsee Roll Lost Stars UGH 702 Adam Sandler 2 Pac Where My Girls At What The Hell Happened To Me California Love 8 Ball & MJG Adams Family 2 Unlimited You Don't Want Drama The Addams Family Theme Song No Limits 98 Degrees Addams Family 20 Fingers Because Of You The Addams Family Theme Short Dick Man Give Me Just One Night Adele 21 Savage Hardest Thing Chasing Pavements Bank Account I Do Cherish You Cold Shoulder 3 Degrees, The My Everything Hello Woman In Love A Chorus Line Make You Feel My Love 3 Doors Down What I Did For Love One And Only Here Without You a ha Promise This Its Not My Time Take On Me Rolling In The Deep Kryptonite A Taste Of Honey Rumour Has It Loser Boogie Oogie Oogie Set Fire To The Rain 30 Seconds To Mars Sukiyaki Skyfall Kill, The (Bury Me) Aah Someone Like You Kings & Queens Kho Meh Terri