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Autechre Basscad,EP mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Basscad,EP Country: UK Released: 1994 Style: IDM, Experimental, Ambient MP3 version RAR size: 1702 mb FLAC version RAR size: 1765 mb WMA version RAR size: 1762 mb Rating: 4.5 Votes: 985 Other Formats: XM AAC AUD MP3 MOD DMF AHX Tracklist Hide Credits 1 Basscadet (Bcdtmx) 6:49 Basscadet (Beaumonthannanttwomx) 2 8:14 Remix – Beaumont Hannant Basscadet (Seefeelmx) 3 6:51 Producer [Reproduced By] – Mark CliffordRemix – Seefeel 4 Basscadet (Tazmx) 6:54 5 Basscadet (Basscadubmx) 9:37 Companies, etc. Phonographic Copyright (p) – Warp Records Copyright (c) – Warp Records Made By – PDO, UK – 10274611 Credits Design – The Designers Republic Keraion Prograam 2049* Written-By, Producer, Engineer – Rob Brown , Sean Booth Notes ℗ 1994 Warp Records. © 1994 Warp Records. Autechre Music Systems from Gescom Transcendental. Made in England. Category appears as WAP 44CD on spine. Category appears as WAP.44CD in text (layout) on back and disc. Barcode and Other Identifiers Barcode (Printed): 5 021603 044029 Matrix / Runout: WAP44CD 10274611 01 & MADE IN U.K. BY PDO Mastering SID Code: none Mould SID Code: none Other versions Category Artist Title (Format) Label Category Country Year Wax Trax! TVT 8717-2 Autechre Basscad,EP (CD, EP) Records, TVT TVT 8717-2 US 1994 Records Basscadetmxs (2 Of 3) 10.WAP.44DP Autechre Warp Records 10.WAP.44DP UK 1994 (10") Basscadet EP (5xFile, WAP44CDD Autechre Warp Records WAP44CDD UK Unknown WAV, EP, RE) Basscadet EP (5xFile, WAP44CDD Autechre Warp Records WAP44CDD UK Unknown FLAC, EP, RE) WAP 44CD Autechre Basscad,EP (CD, EP, RE) Warp Records WAP 44CD UK 1994 Comments about Basscad,EP - Autechre furious ox Interesting but none sound as good as the original on Incunabula betelgeuze BCDTMX was the first track by AE that I ever heard....I saw the video for it on an electronic music show here in Canada back in 1997. My first thought was basically "what the hell is this??" After awhile, it grew on me and I had to find it, also discovering "Incunabula" in the process. After that, there was no looking back. I was hooked on Autechre for good! Since then, I've picked up all the albums and seen them live 5 times... All because I happened to hear this track way back in '97 :) zmejka Nice story. These kind of tracks have special place in heart. Shomeshet How is it possible that I may be the only person on earth that thinks the SeeFeel remix is beyond amazing?! Uylo sound amazing. lets go baby great ep indeed Felhann Beaumont mix is the real work here. Yes the others sound just like extended or techno version of the original. Beaumont's mix of Basscadet might be the most recognizable track in the Autechre catalog. Everyone into idm knows this remix and likes it. It's up there with the most memorable Aphex Twin ever did. But then I'm a sucker for that synth found in this remix. Remixing Autechre is a daunting task I'm sure. You can see the bland attempts here for example. Very dated and forgettable. Except Beaumont saving grace basic synth addition. That is till the dub version. Sublime. 2 good 3 weak. Foginn I initially shared the opinion that this was a rather boring release, or at least a somewhat unspectacular one. It's only after a good couple of listens that I find that this, although not as popular and obviously different in style, is just as strong of an EP as Ae-essentials like Envane or Cichlisuite. Hence I have to disagree with everyone claiming it wouldn't be worth its while.Most of the tracks are simpler in nature than what we are used to from more recent albums, they are all remixes of the same track, yet some barely sound like the original. The album opener is a straight forward and bass heavy version of Basscadet which is quite intense while not very speaker-friendly. Where the roots of this track may be undeniable, the standout track on the EP for me, Tazmx, rather sounds like something that could belong on Amber, yet it is somewhat different than any other Ae- track I've heard, even some hip hop elements shine through. A very unique piece that alone would make the EP worth buying.I suggest to include this EP in your Autechre collection. porosh Probably Autechre's most boring release. This is simply because this EP contains only remixes of Basscadet from the Incunabula album. While they are good remixes, it just feels lacking because the other 9 Autechre EPs contain all new music. Oh well... For what it is though, it does its job well. My favorite remix is probably track 2, Beaumonthannanttwomx (say that 5 times fast!), which sounds the most unique of the bunch in my opinion. The other 4 remixes are crunchy-techno versions of the original. If you're a big fan of their Incunabula album, then this is a nice little companion EP you may want to get for yourself. Related Music albums to Basscad,EP by Autechre Autechre - Cichlisuite Autechre - AE_LIVE_UTRECHT_221114 Autechre - L-event Autechre - Anti EP Autechre - IV VV IV VV VIII Autechre - AE_LIVE_KATOWICE_210815 Autechre - Envane Various - State Of The Art Volume 1 Autechre - Amber Autechre - Chiastic Slide.
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    wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out wip3out _ Introduzione_mondo_Wipeout_ Scheda_tecnica_ Wip3out_ storia_dei_team_ soundtrack_ The_designers_republic_ caillois_system_ zero_ludico_system_ index_ Introduzione_mondo_ wipeout_ Il mito “WipE’out” è nato durante l’av- vento dell’era “gold” dei videogio- chi: la Playstation, nel 1995, sbar- cò sia negli States che in Europa. Il gioco uscì in multipiattaforma: PC MS- DOS, per la Sega Saturn e come uno dei titolo di lancio per la scatola grigia Sony. “What the heck!!!?”, la reazione dei “critici” dei videogames; il gio- co si presenta come il taglio net- to di una katana forgiata dai più grandi maestri del “Nippon”. Unico. Questo racing game anti-gravitaziona- le e con della violenza “sofisticata”, ha folgorato migliaia di appassionati delle corse, del design e della musica. Que- sto futuristico terremoto ha lasciato un segno indelebile. Per la cura grafica e identità del videogame è stato affida- to al prestigioso studio inglese fondato da Ian Anderson: “The Designers Repu- blic”: conosciuti per le cover arts com- missionati dalla label Warp Records, e per il loro stile “maximum-minimal” irriverente e controverso. Quest’ultimi soundtrack che completarono il cerchio due erano entrambi residenti a Shef- frenetico e psichedelico del gioco. field. Con questo primo WipE’out acclamato dalla critica, iniziò un’interessante pe- La scelta musicale diretta verso un’e- riodo videoludico. lettronica e techno underground: CoLD SToRAGE, Leftfield, The Chemi- cal Brothers e Orbital.