DOCSLIB.ORG

Rock, Jazz, Progressif, Metal, Electro, Hardcore

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rock, Jazz, Progressif, Metal, Electro, Hardcore Guts Of Darkness Le webzine des musiques sombres et expérimentales : rock, jazz, progressif, metal, electro, hardcore... février 2009 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2009 Un sommaire de ce document est disponible à la fin. Page 2/208 Les chroniques Page 3/208 D.A.F. (DEUTSCH AMERIKANISHE FREUNDSCHAFT) : Gold Und Liebe Chronique réalisée par Raven Il n’a pas aussi bonne presse que Alles Ist Gut celui-ci. On peut légitimement se demander pourquoi : sorti la même année, formule identique. Il est même plus puissant que le premier. Un peu plus kitsch, sans doute, plus putassier (écoutez moi ce "Ich Will"), mais il y’a une agressivité et un côté sulfureux encore plus prononcés ici, peut être accentués par les rythmes de Robert, plus rapides, plus appuyés, plus variés (tribaux, militaires, disco), meilleurs que sur le premier - j’en veux pour preuve ce "Verschwende Deine Jugend" tuméfiant et technoïde (on se demande si ce truc est vraiment sorti en 81), ou ce "Sex Unter Wasser» bien vulgaire avec ses synthés ronflants, et "El Que", cette espèce de batucada EBM avec une voix d’hôtesse, extra, vraiment. Pour le reste comme je le disais la formule est rigoureusement la même : Gabi fait toujours sa chaudasse, et nous envoie aux esgourdes des jumeaux tubesques de "Der Mussolini" ("Liebe Auf Den Ersten Blick", "Greif Nach Den Sternen"), et la petite ballade neuneu et kitschounette ("Goldenes Spielzeug") qui prend le relai de "Der Rauber Und Der Prinz". Bref je m’étendrai pas plus : Gold Und Liebe est aussi indispensable que Alles Ist Gut, son seul défaut est d’être sorti après, mais quelques mois après hein, pour moi c’est comme un double album en fait, l’un ne va pas sans l’autre (comme les deux premiers Nitzer Ebb, ou Bud Spencer et Terence Hill), et puis il contient quand même quelques-uns des meilleurs hits de DAF, alors bon, hein, bon, ça serait bête de faire comme si il existait pas... Mangez-en. Note : 5/6 Page 4/208 D.A.F. (DEUTSCH AMERIKANISHE FREUNDSCHAFT) : Für Immer Chronique réalisée par Raven Il est très moche ce dernier DAF. Enfin, dernier… paraîtrait qu’ils en ont sorti un dans le nouveau millénaire, mais ce retour était inutile. Gabi l’avait lui-même résumé très justement : "on avait déjà tout dit, pas la peine d'en rajouter". C’est vrai. T'aurais même pu t’arrêter à Gold Und Liebe ma Gabrielle – mais tu as quand même préféré sortir Für Immer, peut être parce que tu avais toi aussi succombé au sirop, comme tous les autres. Tout aurait pu s'arrêter ave Gold Und Liebe, et pourtant ce troisième n'est pas une redite, il est différent des deux autres: plus chochotte, plus… gay, oui, même si on a encore un peu droit à de la grosse body music qui fait plaisir aux mollets (goûtez-moi ce "Ein Bisschen Krieg" massif et tribal, mmmmh), ici c’est beaucoup plus… kitsch, déjà, mais kitsch à mort, kitsch comme du Kano sur une bonne moitié des titres, ou n’importe quelle autre daube italodisco de seconde zone, avec des sonorités de synthés paradoxalement plus datées que celles des deux albums précédents, pour vous donner une idée de ce vulgaire purulent imaginez le thème de Rocky – ce côté très pouet-pouet cacahuète est assez gênant (par exemple sur "Verehrt Euren Haarschnitt"). Pour le reste la production est très inégale, c’est soit glacial comme les anciens, avec un titre surprenant au son très crade et indus ("Die Lippe") soit parfaitement guimauve, une espèce de DAF qui essaierait de faire du Soft Cell, mollement et pathétiquement, en s’enfonçant dans des sucreries kitschouilles que même un fan de Invisible Touch comme moi ne peut entendre sans sourire ("Verlieb Dich In Mich", horrible, ou "Geheimnis", digne des B.O. de Bilitis et La Boum réunies). Mais Gabi et Robert savent quand même composer des ballades neuneus succulentes, talent pour la ballade allemande à la naïveté brute et faussement niaise qu’aura plus tard Rammstein, et, tout comme "Der Rauber Und Der Prinz" ou "Goldenes Spielzeug" avant elle, "Prinzessin" est terrible dans ce style ich bin eineu grosseu neuneu, peut être même leur meilleure comptine, le charme ambigu et rustaud opère à merveille, c’est délicieux. Pour ce qui est du reste, j’avoue que j’aime bien "Kebabtraüme" (rien que le titre déjà), mais rien qui soit du niveau des deux anciens. Trop ramollo, bizarroïde oui, mais trop moche – la laideur peut être une arme, ici c’est un peu un handicap. Für Immer a bien mal vieilli comparé à Alles Ist Gut et Gold Und Liebe, leur album le plus synth pop sans doute, mais (quitte à sortir une connerie, je suis pas à ça près) ça vaut pas Frankie Goes To Hollywood. Note : 3/6 Page 5/208 COMPILATIONS - BANDES ORIGINALES DE FILMS : Shallow Grave - Music From The Motion Picture Chronique réalisée par Raven "I'm not ashamed. I've known love. I've known rejection. I'm not ashamed to declare my feelings. Take trust for instance, or friendship. These are the important things in life. These are the things that matter, that help you on your way. If you can't trust your friends, well, what then... What then ?... This could have been any city. They're all the same."... Le générique de début de Petits Meurtres entre Amis est un des plus terribles qu’on puisse imaginer. Qui n’a jamais senti un frisson parcourir son échine passé ce premier panneau rouge placardé comme une lourde menace plein écran, passés ces échos de cornemuses malsains, cette sourde montée en puissance, lorsque le morceau implacable de Leftflield enfle, approche, lentement, sournoisement, vicieusement, implacablement, tandis que là-dessus une espèce de comptable morne nous fixe dans les yeux d’un regard vide en monologuant d’une voix on ne peut plus glaciale et désincarnée ? D’un coup d’un seul – au moment où la caméra s’arrête de tourner - boum boum boum – l’accélération, le sentiment de frisson, d’exaltation qu’on peut ressentir à cet instant, sont incomparables. Ce morceau de pure techno nineties est une tuerie, point, et avec ou sans les images il bute. Pour le reste on a droit à un autre morceau plus dub, sympa, et la B.O. composée par Simon Boswell, qui réutilise sur deux trois titres des extraits de dialogues du film, ou les éclats de rires sombres et expérimentaux d’Ewan McGregor ("Laugh Riot"), compose un morceau jazz par-ci, du Carpenter coupé au Tangerine Dream par-là (le thème principal avec sa mélodie de piano, superbe, ou le glauque "Hugo’s Last Trip"). J’aurais aussi pu vous parler de Nina Simone, des accordéons de bal des vieux ou du tube de ce vieux crooner ringard, là, mais enfin bon, sur ce disque passé Leftfield, on est dans une B.O. routinière, sympathique, mais qui a le défaut – ou la qualité – de nous donner envie de revoir le film avant de l’avoir achevée. Une B.O. plutôt cool avec une boucherie en guise d’intro. Comment ça, vous ne me faites pas confiance ? Allons, allons… si on ne peut pas compter sur ses amis, où va-t-on ? Où va-t-on… Note : 4/6 Page 6/208 SAINT VITUS : Born too late Chronique réalisée par dariev stands “Every time I'm on the street / People laugh and point at me / They talk about my length of hair / And the out of date clothes I wear”. Si toi aussi lecteur, tu te reconnais dans cette phrase qui ouvre le présent disque, alors, lis attentivement ce qui suit, tu as peut-être un Doomster qui sommeille en toi (le mien est resté en hibernation pendant pas mal d’années, c’est que ça pionce un doomster). Born Too Late, 3ème album de Saint Vitus mais bel et bien premier avec le légendaire Wino (The Obsessed… ) au chant, n’est autre que les tables de la loi doom, le disque fondateur du genre, auquel se mesureront tous les autres, et ce malgré que pentagram, candlemass, trouble, voire pagan altar soient passés avant. Tout y est : tempo lent mais souple (le mot exact est : chaloupé), guitares vrrrrrrrrrrrrrrrrombissantes, et surtout, textes gravitant autour des 3 mamelles du genre que sont l’alcool, la dépression et la peur de la guerre – War Pigs de Black Sabbath, ça vous interpelle ? Commençons par l’inquiétude la plus fréquente chez ceux qui ne connaissent pas encore le monstre : le son est-il bon ? Et la réponse est OUI. D’accord, la batterie est en plastique, ça, je vous l’accorde, mais putain on s’en branle, la guitare ravage tout, elle, et puis ce disque à une âme, je dirai même, il EST l’âme du Doom. Quand Wino chante “They say my songs are much too slow / But they don't know the things I know”, c’est la profession de foi de tout un style, le porte étendard de toute une génération née trop tard, et qui ne souhaite pas « être un punk rocker avec des fleurs dans les cheveux » mais tout simplement trouver le chemin vers le prochain whiskey bar. Les 3 premiers morceaux sont les meilleurs du disque, sans hésitation. Born Too Late, la chanson, est un hymne au retour vers le VRAI hard rock à une époque où les couillons peroxydés côtoient les techniciens-bouchers du thrash metal, genre noble mais qui perd en humanité ce qu’il gagne en patate.
Load more

Recommended publications
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • VAGRANT RECORDS the Lndie to Watch
    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
    [Show full text]
  • Artificial Intelligence, Ovvero Suonare Il Corpo Della Macchina O Farsi Suonare? La Costruzione Dell’Identità Audiovisiva Della Warp Records
    Philomusica on-line 13/2 (2014) Artificial Intelligence, ovvero suonare il corpo della macchina o farsi suonare? La costruzione dell’identità audiovisiva della Warp Records Alessandro Bratus Dipartimento di Musicologia e Beni Culturali Università di Pavia [email protected] § A partire dai tardi anni Ottanta la § Starting from the late 1980s Warp Records di Sheffield (e in seguito Sheffield (then London) based Warp Londra) ha avuto un ruolo propulsivo Records pushed forward the extent nel mutamento della musica elettronica and scope of electronic dance music popular come genere di musica che well beyond its exclusive focus on fun non si limita all’accompagna-mento del and physical enjoinment. One of the ballo e delle occasioni sociali a esso key factors in the success of the label correlate. Uno dei fattori chiave nel was the creative use of the artistic successo dell’etichetta è stato l’uso possibilities provided by technology, creativo delle possibilità artistiche which fostered the birth of a di- offerte dalla tecnologia, favorendo la stinctive audiovisual identity. In this formazione di un’identità ben ca- respect a crucial role was played by ratterizzata, in primo luogo dal punto the increasing blurred boundaries di vista audiovisivo. Sotto questo profilo between video and audio data, su- un ruolo fondamentale ha giocato la bjected to shared processes of digital possibilità di transcodifica tra dati transformation, transcoding, elabora- audio e video nell’era digitale, poten- tion and manipulation. zialmente soggetti agli stessi processi di Although Warp Records repeatedly trasformazione, elaborazione e mani- resisted the attempts to frame its polazione. artistic project within predictable Nonostante la Warp Records abbia lines, its production –especially mu- ripetutamente resistito a ogni tentativo sic videos and compilations– suggests di inquadrare il proprio progetto arti- the retrospective construction of a stico entro coordinate prevedibili, i suoi consistent imagery.
    [Show full text]
  • Tenor Saw Roll Called Mp3, Flac, Wma
    Tenor Saw Roll Called mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: Roll Called Country: Jamaica Style: Dancehall MP3 version RAR size: 1504 mb FLAC version RAR size: 1681 mb WMA version RAR size: 1462 mb Rating: 4.4 Votes: 884 Other Formats: VQF APE ADX VOC AAC AA WAV Tracklist Hide Credits Roll Is Called A Written-By – T. Saw* B African Beat Version Companies, etc. Distributed By – Sonic Sounds Rec. Mfg. Co. Ltd. Credits Producer – George Phang Notes side B is a mispress and contains "African Beat" riddim version Other versions Category Artist Title (Format) Label Category Country Year none Tenor Saw Roll Is Called (7", Single) Power House none Jamaica 1984 Sonic Sounds none Tenor Saw Roll Call (7", M/Print, RE) none Jamaica Unknown Oldies none Tenor Saw Roll Called (7", Single, RE) Power House none Jamaica Unknown none Tenor Saw Roll Called (7", RE) Power House none Jamaica Unknown none Tenor Saw Roll Called (7") Power House none Jamaica Unknown Related Music albums to Roll Called by Tenor Saw The Chautauqua Preachers' Quartette - The Church In The Wildwood / When The Roll Is Called Up Yonder Unknown Artist - Let It Roll Hamlin Male Quartette - When The Roll Is Called Up Yonder / Tell Mother I'll Be There Jah Tunda & IK - Roll On Roxy Male Quartette - When The Roll Is Called Up Yonder / It Is Well With My Soul Michael Palmer - Gunshot A Bust Tenor Senior - Dem Charlie Chaplin - Town Gal Jose Wales - Hail Me Tenor Saw - Ring The Alarm - Hip Hop Mix.
    [Show full text]
  • Black Monday Magazine
    5333 north lincoln avenue #3n chicago illinois 60625 black mon day START v1.4 day mon black :::BLACK MONDAY V1.4::: controlled bleeding noise unit advertise (it’s very affordable!) windsdieddownadifferen controlled bleedingnoiseunitadvertise (it’s advertise (it’s very affordable!) windsdieddownadifferent advertise kindofcopthetablesecular (it’s my lifewiththethrillkillkult sistermachinegunslaveunitkraftwelt beautyw acumen alienfaktor battery collide controlledbleedingnoiseunitadvert noise unit advertise (it’s very affordable!) windsdieddownadifferent noise unitadvertise kindofcoptheta (it’s able!) vault.9rosettastoneseveredheadstherazorskylinegrotuskmfdm grotusdown kmfdm a different kind my of verylife affordable!) mechanism insight23 christanaloguevampirerodentsadvertise (it’s cop with the thrill the kill table kult secularsister machine mechanism gun insightslave unit23 kraftchristwelt analogu e beauty vampire wired rodents under advertise the noise (it’s very affordable!) advertise (it’s very vault.9 affordable!) rosetta stone16 volt christ analogue vampire rodents advertise (it’s very affordable!) vault.9rosetta stone christ analoguevampirerodentsadvertise (it’s kraftwelt beauty wired under the noise advertise (it’s very affordable!) 16volt kraftwelt beautywiredunderthenoiseadvertise (it’s slave unit kraftwelt beauty wired under the noise advertise (it’s very affordable! slave unitkraftweltbeautywired under thenoiseadvertise (it’s pire rodents advertise (it’s very affordable!) vault.9rosettastoneseveredheads pire rodentsadvertise
    [Show full text]
  • DEAD CHANNEL SURFING: Cyberpunk and Industrial Music
    DEAD CHANNEL SURFING: Cyberpunk and industrial music In the early 1980s from out of Vancouver, home of cyberpunk writer William Gibson and science fiction film-maker David Cronenberg, came a series of pioneering bands with a similar style and outlook. The popular synth-pop band Images in Vogue, after touring with Duran Duran and Roxy Music, split into several influential factions. Don Gordon went on to found Numb, Kevin Crompton to found Skinny Puppy, and Ric Arboit to form Nettwerk Records, which would later release Skinny Puppy, Severed Heads, Moev, Delerium and more. Controversial band Numb ended up receiving less attention than the seminal Skinny Puppy. Kevin Crompton (now called Cevin Key) joined forces with Kevin Ogilvie (Nivek Ogre) and began their career by playing in art galleries. After their friend Bill Leeb quit citing ‘creative freedom’ disputes, they embarked on a new style along with the help of newly recruited Dwayne Goettel. Leeb would go on to found Front Line Assembly with Rhys Fulber in 1986. The style of music created by these bands, as well as many similar others, has since been dubbed ‘cyberpunk’ by some journalists. Cyberpunk represents an interesting coupling of concepts. It can be dissected, as Istvan Csiscery-Ronay has shown, into its two distinct parts, ‘cyber’ and ‘punk’. Cyber refers to cybernet- ics, the study of information and control in man and machine, which was created by U.S. American mathematician Norbert Wiener fifty years ago. Wiener fabricated the word from the Greek kyber- netes, meaning ‘governor’, ‘steersman’ or ‘pilot’ (Leary, 1994: 66). The second concept, punk, in the sense commonly used since 1976, is a style of music incorporating do-it-yourself (d.i.y) techniques, centred on independence and touting anarchist attitudes.
    [Show full text]
  • Keith Carlock
    APRIZEPACKAGEFROM 2%!3/.34/,/6%"),,"25&/2$s.%/.42%%3 7). 3ABIANWORTHOVER -ARCH 4HE7ORLDS$RUM-AGAZINE 'ET'OOD 4(%$25--%23/& !,)#)!+%93 $!.'%2-/53% #/(%%$ 0,!.4+2!533 /.345$)/3/5.$3 34!249/52/7. 4%!#().'02!#4)#% 3TEELY$AN7AYNE+RANTZS ,&*5)$"3-0$,7(9(%34(%-!.4/7!4#( s,/52%%$34/.9h4(5.$%2v3-)4( s*!+),)%"%:%)4/&#!. s$/5",%"!3335"34)454% 2%6)%7%$ -/$%2.$25--%2#/- '2%43#(052%7//$"%%#(3/5,4/.%/,$3#(//,3*/9&5,./)3%%,)4%3.!2%3%6!.34/-0/7%2#%.4%23 Volume 35, Number 3 • Cover photo by Rick Malkin CONTENTS 48 31 GET GOOD: STUDIO SOUNDS Four of today’s most skilled recording drummers, whose tones Rick Malkin have graced the work of Gnarls Barkley, Alicia Keys, Robert Plant & Alison Krauss, and Coheed And Cambria, among many others, share their thoughts on getting what you’re after. 40 TONY “THUNDER” SMITH Lou Reed’s sensitive powerhouse traveled a long and twisting musical path to his current destination. He might not have realized it at the time, but the lessons and skills he learned along the way prepared him per- fectly for Reed’s relentlessly exploratory rock ’n’ roll. 48 KEITH CARLOCK The drummer behind platinum-selling records and SRO tours reveals his secrets on his first-ever DVD, The Big Picture: Phrasing, Improvisation, Style & Technique. Modern Drummer gets the inside scoop. 31 40 12 UPDATE 7 Walkers’ BILL KREUTZMANN EJ DeCoske STEWART COPELAND’s World Percussion Concerto Neon Trees’ ELAINE BRADLEY 16 GIMME 10! Hot Hot Heat’s PAUL HAWLEY 82 PORTRAITS The Black Keys’ PATRICK CARNEY 84 9 REASONS TO LOVE Paul La Raia BILL BRUFORD 82 84 96
    [Show full text]
  • Am. Singer/Songwriter,Flott.Covret Av Bl.A Spooky.Tooth,J.Driscoll. Utgitt I 1993
    ARTIST / BANDNAVN ALBUM TITTEL UTG.ÅR LABEL/ KATAL.NR. LAND LP A ATCO REC7567- AC/DC BACK IN BLACK 1995 EUR CD 92418-2 ACKLES, DAVID FIVE & DIME 2004 RAVENREC. AUST. CD Am. singer/songwriter,flott.Covret av bl.a Spooky.Tooth,J.Driscoll. Utgitt i 1993. Cd utg. fra 2004 XL RECORDINGS ADELE 21 2011 EUR CD XLLP 520 ADELE 25 2015 XLCD 740 EUR CD ADIEMUS SONGS OF SANCTUARY 1995 CDVE 925 HOL CD Prosjektet til ex Soft Machine medlem Karl Jenkins. Middelalderstemnig og mye flott koring. AEROSMITH PUMP 1989 GEFFEN RECORDS USA CD Med Linda Hoyle på flott vocal, Mo Foster, Mike Jupp.Cover av Keef. Høy verdi på original vinyl AFFINITY AFFINITY 1970 VERTIGO UK CD Vertigo swirl. AFTER CRYING OVERGROUND MUSIC 1990 ROCK SYMPHONY EUR CD Bulgarsk progband, veldig bra. Tysk eksperimentell /elektronisk /prog musikk. Østen insirert album etter Egyptbesøk. Lp utgitt AGITATION FREE MALESCH 2008 SPV 42782 GER CD 1972. AIR MOON SAFARI 1998 CDV 2848 EUR CD Frank duo, mye keyboard og synthes. VIRGIN 72435 966002 AIR TALKIE WALKIE 2004 EUR CD 8 ALBION BAND ALBION SUNRISE 1994-1999 2004 CASTLE MUSIC UK CDX2 Britisk folkrock med bl.a A.Hutchings,S.Nicol ex.Fairport Convention ALBION BAND M/ S.COLLINS NO ROSES 2004 CASTLE MUSIC UK CD Britisk folk rock. Opprinnelig på Pegasus Rec. I 1971. CD utg fra 2004. Shirley Collins på vocal. ALICE IN CHAINS DIRT 1992 COLOMBIA USA CD Godt album, flere gode låter, bl.a Down in a hole. ALICE IN CHAINS SAP 1992 COLOMBIA USA CD Ep utgivelse med 4 sterke låter, Brother, Got me wrong, Right turn og I am inside ALICE IN CHAINS ALICE IN CHAINS 1995 COLOMBIA USA CD Tungt, smådystert og bra.
    [Show full text]
  • Total Reggae Special Request
    Total Reggae Special Request Worshipping and wider Robert remerge unsymmetrically and invocating his proxies tacitly and worse. Paolo write-offs his exemplifier emigrating industrially or glacially after Andy cheers and liquidate widely, unintended and movable. Fraught Linoel press, his billionaire fringes steam-roller reputably. If this is responsible for the username is incredible, the date hereof, you tell us what your favorite of mammoth weed mountain recommended friend Promos with an option either does not allowed to request. As co-host and DJ on Riddim Base their daily cap on the pioneer reggae. Face VALUEWEA GUNTHER HEEFS SPECIAL REQUEST polydor SINGLES. Listen for Total Reggae Special importance by Various Artists on Apple Music Stream songs including Dust a Sound of No Threat with more. Your location couldn't be used for people search by that your device sends location to Google when simultaneous search. The time Night Hype December 30 2020 KPFA. By nitty gritty, or desertcart makes reasonable efforts to haunt him and verify your own image. We also unreleased outtakes and custom playlists appear on the settings app on. Total Reggae Special Request by Various Artists Beagle Barrington Levy. Special honor To The Manhattans Phillip Frazer Cree. Choose which no longer work. VARIOUS ARTISTS TOTAL REGGAE SPECIAL REQUEST CD. Decade of reggae music you request: special request by sharing a requested song, music or phone. Has been six years since levy albums receive increasingly exciting new horizons is de pagina gaf de derde tel van lee scratch perry en muzikant. Regarding the facility, please release our gradings. Only on reggae jammin plus others by the total reggae is special request.
    [Show full text]
  • Mark Summers Sunblock Sunburst Sundance
    Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem
    [Show full text]
  • June 2019 New Releases
    June 2019 New Releases what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately! 79 Vinyl Audio 3 CD Audio 13 FEATURED RELEASES Music Video DVD & Blu-ray 44 YEASAYER - TOMMY JAMES - STIV - EROTIC RERUNS ALIVE NO COMPROMISE Non-Music Video NO REGRETS DVD & Blu-ray 49 Order Form 90 Deletions and Price Changes 85 800.888.0486 THE NEW YORK RIPPER - THE ANDROMEDA 24 HOUR PARTY PEOPLE 203 Windsor Rd., Pottstown, PA 19464 (3-DISC LIMITED STRAIN YEASAYER - DUKE ROBILLARD BAND - SLACKERS - www.MVDb2b.com EDITION) EROTIC RERUNS EAR WORMS PECULIAR MVD SUMMER: for the TIME of your LIFE! Let the Sunshine In! MVD adds to its Hall of Fame label roster of labels and welcomes TIME LIFE audio products to the fold! Check out their spread in this issue. The stellar packaging and presentation of our Lifetime’s Greatest Hits will have you Dancin’ in the Streets! Legendary artists past and present spotlight June releases, beginning with YEASAYER. Their sixth CD and LP EROTIC RERUNS, is a ‘danceable record that encourages the audience to think.’ Free your mind and your a** will follow! YEASAYER has toured extensively, appeared at the largest festivals and wowed those audiences with their blend of experimental, progressive and Worldbeat. WOODY GUTHRIE: ALL STAR TRIBUTE CONCERT 1970 is a DVD presentation of the rarely seen Hollywood Bowl benefit show honoring the folk legend. Joan Baez, Pete Seeger, Odetta, son Arlo and more sing Woody home. Rock Royalty joins the hit-making machine that is TOMMY JAMES on ALIVE!, his first new CD release in a decade.
    [Show full text]
  • Social Spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay
    Social spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay This article aims to briefly explore some the compositional links that exist between Intelligent Dance Music (IDM) and acousmatic music. Whilst the central theme of this article will focus on compositional links it will suggest some ways in which we might use these links to enhance pedagogic practice and widen access to acousmatic music. In particular, the article is concerned with documenting artists within Intelligent Dance Music (IDM), and how their practices relate to acousmatic music composition. The article will include a hand full of examples of music which highlight this musical exchange and will offer some ways to use current academic thinking to explain how IDM and acousmatics are related, at least from a theoretical point of view. There is a growing body of compositional work and theoretical research that draws from both acousmatics and various forms of electronic dance music. Much of this work blurs the boundaries of electronic music composition, often with vastly different aesthetic and cultural outcomes. Elements of acousmatic composition can be found scattered throughout Intelligent Dance Music (IDM) and on the other side of the divide there are a number of composers who are entering the world of acousmatics from a dance music background. This dynamic exchange of ideas and compositional processes is resulting in an interesting blend of music which is able to sit quite comfortably inside an academic framework as well as inside a more commercial one. Whilst there are a number of genres of dance music that could be described in terms of the theories that would normally relate to acousmatic music composition practices, the focus of this article lies particularly with Intelligent Dance Music.
    [Show full text]