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KC Journal MAGAZINE 2014 05.Indd
KINGSTON COLLEGE OLD BOYS’ ASSOCIATION USA INC. st Annual Reunion Awards Dinner www.kcobany.org31 KCOBA USA Inc. (A Not-For-Profi t [IRS Code 501(c)3 Alumni Organization. Est. 1982) HONOREES: Mr. Basil Anderson Philanthropist & Distinguished Alumni Maj. Michael ‘Q’ Bennett Distinguished Technician & Cadet Master Mr. Livingstone ‘Danny’ Young Distinguished Alumni GUEST SPEAKER Mr. Dave Myrie Principal, Kingston College MASTER OF CEREMONIES Mr. Jefferyson Barnes Sr, OD Attorney At Law “BUILDING FOR THE FUTURE” Saturday, May 3rd, 2014 at Antun’s 96-43 Springfi eld Boulevard, Queens Village, NY 11429 Kingston College Old Boys’ Association, U.S.A. 31st Reunion2014 Table Of The Association . 5 The Program.Contents . 7 Board of Directors . 11 President’s Message . 15 Message from Ambassador Stephen Vasciannie . 17 Board Chairman’s Message. 19 Message from Principal, Dave Myrie . 20 Message from KCDFT – Trust Fund. 23 Assemblyman Nick Perry’s Message. 24 Message from UJAA (U.S.A.) Inc. 25 Message from KCOBA Jamaica . 27 Message from KCOBA South Florida . 29 Message from KCOBA Toronto . 31 Message from KCOBA Atlanta. 33 Message from KCOBA New England . 35 Message from FORTIS PAVILION . 37 KCOBA USA Inc. Merchandise . 42 Penn Relays . 46 Fallen Fortis . 52 Honoree: Mr. Basil L Anderson . 59 Honoree: Mr. Livingstone ‘Danny’ Young. 61 Honoree: Major Michael Anthony ‘Peter’ Bennett ‘Q’ . 63 Guest Speaker: Principal, Dave Myrie . 64 Report on KC Joyce Baxter Math Club . 65 A Fiery Servant: Percival Gibson . 66 Clinton “Fatman” “Clarkie” Clarke- Tributes . 68 Board of Directors (1982-2013) . 71 School Song / Jamaica Pride . 70 Past Awardees . 74 Our Honorees Through The Years . -
A Caribbean Taste TEXT
A Caribbean Taste of Technology: Creolization and the Ways of Making of the Dancehall Sound System Julian Henriques Technosphere Magazine, April 2017 Pre-publication draft, full text available from http://technosphere-magazine.hkw.de/p/18f097c0-0f15-11e7-be53- e1d41ebdbb0f The Caribbean has long been considered a melting pot of Old and New Worlds. Writer, director, and cultural researcher Julian Henriques looks at the Jamaican reggae dancehall sound system to explore how this street technology has found creolizing ways to prevail in the neocolonial power struggle between popular culture and Jamaica’s ruling elite Image 01: A Caribbean Taste of Technology album cover, Ariwa, 1985, artist unaccredited This article takes its name and inspiration from Mad Professor’s album A Caribbean Taste of Technology in response to the theme of this Technosphere issue.1 This makes a good place to start a discussion of creolization and technology – the dub reggae tracks of this album produced British producer Mad Professor and released in 1985, https://www.youtube.com/watch?v=ewDTHfJqLwI So what I present here is a text and ideas version of the album as it were. The album cover artwork sets the tone. The Mad Professor himself lays back in a hammock enjoying the drink in his hand (the glass containing the entire Caribbean archipelago), the sun-soaked beach and the array the latest technological accoutrements of the era together with a selection of tropical fruits.2 The technology is evidently not a threat, but a source of pleasure; he is relaxed about it. This is the key message: in the Caribbean context new technologies are an invitation to be creative, an impulse that leads to Afrofuturism.3 This creativity is nowhere better expressed than in Jamaican music and the global influence this has in terms of sound, rhythm and phonographic performance techniques. -
Media and Advertising Information Why Advertise on Bigup Radio? Ranked in the Top 50,000 of All Sites According to Amazon’S Alexa Service
Media and Advertising Information Why Advertise on BigUp Radio? Ranked in the top 50,000 of all sites according to Amazon’s Alexa service Audience 16-34 year-old trend-setters and early adopters of new products. Our visitors purchase an average of $40–$50 each time they buy music on bigupradio.com and more than 30% of those consumers are repeat customers. Typical Traffic More than 1,000,000 unique page views per month Audience & Traffic 1.5 million tune-ins to the BigUp Radio stations Site Quick Facts Over 75,000 pod-cast downloads each month of BigUp Radio shows Our Stations Exclusive DJ Shows A Strong Image in the Industry Our Media Player BigUp Radio is in touch with the biggest artists on the scene as well as the Advertising Opportunities hottest upcoming new artists. Our A/R Dept listens to every CD that comes in selecting the very best tracks for airplay on our 7 stations. Among artists that Supporting Artists’ Rights have been on BigUp Radio for interviews and special guest appearances are: Rate Card Beenie Man Tanya Stephens Anthony B Contact Information: Lil Jon I Wayne TOK Kyle Russell Buju Banton Gyptian Luciano (617) 771.5119 Bushman Collie Buddz Tami Chynn [email protected] Cutty Ranks Mr. Vegas Delly Ranx Damian Marley Kevin Lyttle Gentleman Richie Spice Yami Bolo Sasha Da’Ville Twinkle Brothers Matisyahu Ziggi Freddie McGregor Jr. Reid Worldwide Reggae Music Available to anyone with an Internet connection. 7 Reggae Internet Radio Stations Dancehall, Roots, Dub, Ska, Lovers Rock, Soca and Reggaeton. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Neuheiten-Katalog Einzelhandel
IRIE RECORDS GMBH IRIE RECORDS GMBH BANK CONNECTION: NEW RELEASE CATALOGUE NO. 300 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7"/DVDs) 48159 MUENSTER ACC. NO. 35 60 55, (27.11.2010 - 13.12.2010) GERMANY SORT CODE 400 501 50 TEL. 0251-45106 SPARKASSE MUENSTERLAND OST HOMEPAGE: www.irie-records.de MANAGING DIRECTOR: K.E. WEISS IBAN: DE32 4005 0150 0000 3560 55 EMAIL: [email protected] REG. OFFICE: MUENSTER/HRB 3638 SWIFT-BIC: WELADED1MST ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- OPENING HOURS: MONDAY/TUESDAY/WEDNESDAY/THURSDAY/FRIDAY 13 – 19; SATURDAY 12 – 16 ______________________________________________________________________________________________________________ CD CD CD CD CD CD 1) 1) 1) 1) 1) 1) CD CD JAPAN-IMPORT-CD CD CD CD 1) PLEASE NOTE: SPECIAL SALE PRICE ONLY VALID FOR ORDERS RECEIVED UNTIL 30.12.2010! IRIE RECORDS GMBH NEW RELEASE-CATALOGUE 12/2010 #1 SEITE 2 *** CDs *** CD CD CD CD CD CD CARLTON & FAMILY MAN BARRETT...... MACKA DUB..(back in stock!)... CLOCKTOWER/ABRA (CAN) (--/94). 14.99EUR JIMI D............................ MULTIPLE PERSONALITY DISORDER. JIMI D......... (USA) (10/10). 17.99EUR TONY GREENE....................... EXPRESSION.................... UPSTAIRS MUSIC. (USA) (10/10). 19.49EUR KAALE & THE TRUTH................. PATIENCE CULTIVATED........... LONELY ONE..... (USA) (10/10). 15.99EUR KNOWLEDGE......................... KEBRA NAGAST.................. TAMOKI WAMBESI. (GBR) (--/10). 17.99EUR MASTER DEE........................ SMILE (AFRICAN REGGAE)........ RICHIE S....... (RSA) (02/02). 16.99EUR MISTER KALI....................... STEP FAST..................... DREAD I ARTS... (USA) (10/10). 16.99EUR MURO (JAPAN-IMPORT-CD)............ DUB TRUMP PT. II.............. 11154/KING..... (JPN) (10/10). 25.99EUR POWPOW MOVEMENT (MIX-CD) (feat. -
Spanglish Code-Switching in Latin Pop Music: Functions of English and Audience Reception
Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 II Spanglish code-switching in Latin pop music: functions of English and audience reception A corpus and questionnaire study Magdalena Jade Monteagudo Master’s thesis in English Language - ENG4191 Department of Literature, Area Studies and European Languages UNIVERSITY OF OSLO Spring 2020 © Magdalena Jade Monteagudo 2020 Spanglish code-switching in Latin pop music: functions of English and audience reception Magdalena Jade Monteagudo http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo IV Abstract The concept of code-switching (the use of two languages in the same unit of discourse) has been studied in the context of music for a variety of language pairings. The majority of these studies have focused on the interaction between a local language and a non-local language. In this project, I propose an analysis of the mixture of two world languages (Spanish and English), which can be categorised as both local and non-local. I do this through the analysis of the enormously successful reggaeton genre, which is characterised by its use of Spanglish. I used two data types to inform my research: a corpus of code-switching instances in top 20 reggaeton songs, and a questionnaire on attitudes towards Spanglish in general and in music. I collected 200 answers to the questionnaire – half from American English-speakers, and the other half from Spanish-speaking Hispanics of various nationalities. -
Hard Dancehall Murderer 1985-1989 Mp3, Flac, Wma
Various King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Reggae Album: King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989 Country: Japan Released: 2017 Style: Dancehall MP3 version RAR size: 1486 mb FLAC version RAR size: 1639 mb WMA version RAR size: 1852 mb Rating: 4.9 Votes: 596 Other Formats: VOC AIFF MP1 AHX ADX MP2 MP3 Tracklist 1 –Gregory Isaacs The Ruler 2 –Nitty Gritty Butter Bread 3 –Echo Minott I Am Back 4 –Echo Minott Trouble Nobody 5 –Johnny Osbourne Chain Robbery 6 –Banana Man Musical Murder 7 –King Kong Can't Ride Computer 8 –Robert Lee Come Now 9 –Pad Anthony By Show Down 10 –Nitty Gritty Rub A Dub Kill You 11 –Wayne Smith Like A Dragon 12 –Tonto Irie Ram Up Every Corner 13 –Pad Anthony Murderer 14 –Admiral Bailey Mi Ah The Danger 15 –Bunny General* Midnight Hour 16 –King Jammy Dangerous System Version 17 –Prince Jammy I Am Back Version 18 –Prince Jammy One Time Girlfriend Version 19 –King Jammy Chain Robbery Version 20 –Prince Jammy Musical Murder Version Barcode and Other Identifiers Barcode: 4571179531559 Other versions Category Artist Title (Format) Label Category Country Year King Jammys Dancehall 3: Hard Dub Store DSRLP019 Various Dancehall Murderer 1985-1989 DSRLP019 Japan 2017 Records (2xLP, Comp) Related Music albums to King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989 by Various King Kong / Nitty Gritty - Move Insane/ Mix Up// Sound Bwoy Bangarang King Jammy's Presents Various - Sleng-Teng Extravaganza Prince Jammy - Dub Culture Various - King Jammys Dancehall 2: Digital Roots & Hard Dancehall 1984-1991 Prince Jammy With Sly & Robbie / Black Uhuru - Uhuru In Dub Nitty Gritty - Letting Off Steam Jose Wales / King Jammy All Stars - Naw Left Ya Various - 5 The Hard Way D.J. -
WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Interview with Donovan Germain 25 Years Penthouse Records
Interview with Donovan Germain 25 Years Penthouse Records 02/19/2014 by Angus Taylor Jamaican super-producer Donovan Germain recently celebrated 25 years of his Penthouse label with the two-disc compilation Penthouse 25 on VP Records. But Germain’s contribution to reggae and dancehall actually spans closer to four decades since his beginnings at a record shop in New York. The word “Germane” means relevant or pertinent – something Donovan has tried to remain through his whole career - and certainly every reply in this discussion with Angus Taylor was on point. He was particularly on the money about the Reggae Grammy, saying what has long needed to be said when perennial complaining about the Grammy has become as comfortable and predictable as the awards themselves. How did you come to migrate to the USA in early 70s? My mother migrated earlier and I came and joined her in the States. I guess in the sixties it was for economic reasons. There weren’t as many jobs in Jamaica as there are today so people migrated to greener pastures. I had no choice. I was a foolish child, my mum wanted me to come so I had to come! What was New York like for reggae then? Very little reggae was being played in New York. Truth be told Ken Williams was a person who was very instrumental in the outbreak of the music in New York. Certain radio stations would play the music in the grave yard hours of the night. You could hear the music at half past one, two o’clock. -
The Dub Issue 28 September 2018
1 2 Editorial Dub Cover photo – Natty HiFi (Garvin Dan & Leo B) at Elder Stubbs Festival 2018) Dear Reader, Welcome to issue 28 for the month of Zebulon. Festivals big and small this month – Leo B returned to Boomtown to record their 10th anniversary and interviewed the legendary Susan Cadogan. Meanwhile the Natty HiFi crew returned to the Elder Stubbs Festival, held at Rymers Lane Allotments in Oxford for the tenth year in a row and Dan-I reached Notting Hill Carnival once again. Tune in for reports from the One Love Festival next month. We finally interview one of our own writers this month, giving Steve Mosco his due respect as founder of the Jah Warrior sound and label, as well as the pioneering online reggaemusicstore. I also get to review my teenage heroes Fishbone who came on a brief tour to the UK, now busy supporting the revitalized Toots and the Maytals (who play in Oxford on Saturday 13th October at the O2) and George Clinton’s Parliament/Funkadelic on some of their US dates. We have a new column by the founder of The Dub, Natty Mark Samuels, who brings us African Herbsman, which this month gives us advice from the motherland about herbs for the treatment of asthma. We also have our regular Cornerstone and From The Roots Up columns. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free every month at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.