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MAGAZINE #14 - December 2011

INTERVIEW

Derajah I-Taweh Dax Lion King Spinna Records

Tribute to Fattis Burrell - One Love Sound Festival - Round Up C-Sharp Launch - and in Paris ’s Dynasty - Grammy 2012 United Reggae Magazine #14 - December 2011 Want to read United Reggae as a paper magazine? Now you can... In addition to the latest United Reggae news, views and videos online each month you can now enjoy a SUMMARY free pdf version packed with most of United Reggae content from the last month. 1/ NEWS EDITORIAL by Erik Magni 2/ INTERVIEWS • Bob Harding from King Spinna Records 10 • I-Taweh 13 • Derajah 18 • Ken Boothe 22 • Dax Lion 24 • Susan Cadogan 26

3/ REVIEWS

• Derajah - Paris Is Burning 29 • Dub Vision - Counter Attack 30 • Dial M For Murder - In Dub Style 31 • - African Museum + Tads Collection Volume II 32 • The Album Cover Art of Studio One Records 33 Reggae lives on • Ashley - Land Of Dub 34 • - Sacred Fire 35 • Return of the Rub-A-Dub Style 36 This year it has been five years since the inception of United Reggae. Our aim • Boom One - Japanese Translations In Dub 37 in 2007 was to promote reggae music and reggae culture. And this still stands. 4/ REPORTS During this period lots of things have happened – both in the world of reg- • Jamaica Round Up: November 2011 38 gae music and for United Reggae. Today United Reggae is one of the leading • C-Sharp Album Launch 40 global reggae magazines, and we’re covering our beloved music from the four • and The Sidewalk Doctors at London’s Jazz Cafe 41 corners of the world – from Kingston to Sidney, from Warsaw to New York. • Reggae Grammy 2012 Nominees 42 • One Love Sound Festival 2011 43 • Pablo Moses in Brussels 45

• A Night Of Love in Bahamas 48 In 2012 we will continue to write about the biggest reggae superstars, and • Hollie Cook in Paris 50 also enlighten you about artists that you didn’t know existed. We will also • in Rotterdam 51 broaden our scope and cover on a more regular basis. • Frankie Paul and Cocoa Tea in Paris 54 • at London’s Brixton Hootananny 56 Reggae music has blasted from speakers in Jamaican yards for half a century. • I-Wayne Album Launch 57 Help us make this versatile genre stay alive for at least another 50 years. 5/ PORTRAITS

• King Jammy’s Dynasty - The Next Generation 58 • Tribute to Fattis Burrell 60

All the articles in this magazine were previously published online on http://unitedreggae.com. This magazine is free for download at http://unitedreggae.com/magazine/. Not for resale. Cover photo by CHRISTIAN BORDEY United Reggae. All Rights Reserved. Any reproduction in whole or in part is prohibited. ------ity, perhaps like never before leased in 2009. usual heavy as lead bass line ing for some really strong ma- in both cases. of other well-known singers. that Curtis Lynch is known for. terial. It’s About Time The new album is set to drop in by Barrington Reportedly there’s an album early 2012 and its first single He was also part of the rasta re- “What impresses me about Lea So named after a giant tune Levy in the works from Jah Van I Murderer is now available on naissance in the 90’s and instru- Anna is her song writing skills previously featured on the for Royal Warrior Muzik which several digital platforms. It’s mental in shaping the careers of and her easy delivery of a track track via the outstanding Nap------would be really interesting. Un- a fine slice of 80’s-tinged reg- , Luciano and Turbulence. that keeps the listener captivat- tali, Oneness also serves up a Pioneering dancehall singer til then, check out the digital gae, and promises well for the ed. Unfortunately for the man very strong list of vocalists on Barrington Levy announces single release for Down A Yard, album. The output from the Xtermin- who she is talking about in this the Redeemer. Also on board what is said to be his final al- which also includes a dubbed tor camp slowed down when track, she is a no-nonsense are the likes of , Jun- bum. His most well-known out version of the , a Sizzla, Luciano and Mikey Gen- type of lady who is putting his ior Kelly, Fantan Mojah, Mark songs includes anthems such backing version of the track eral left the label in the late things out the door for the last Wonder & Al Pancho and oth- as Here I Come and Under Me and an instrumental as well - in 90’s. With his son Kareem, he time,” says Curtis Lynch in the ers. Also, interestingly, the Sensi. stores now. has recently put out a num- press release. riddim crosses cultures and ber of new on the features tunes done in both ‘It’s About Time’ features – just Xterminator imprint showcas- French and Spanish as well as his previous album ‘Living ing both old and new talents. from artists across the globe. Dangerously’ – several high- profile local and international A start to get acquainted with Oneness Records’ releases singers, deejays and rappers. the Xterminator label is the are always top notch and the Among them Snoop Dogg, Jada compilation ‘Rough inna Town: Redeemer Riddim is certainly Kiss, Busta Rhymes, Damian ------The Xterminator Sound’ on no exception to the rule. Find Marley and the late Heavy D. Maximum Pressure. Included out just how exceptional it is Phillip Fatis are the wicked Luciano & Jo- when one of the better rid- Healthy is the first single of the Burrell Passed sey Wales & Charlie Chap- dim of 2011 arrives album and features Damian Away lin combination Rebel With A in stores on December 2. Marley, and is expected to drop Cause or Luciano’s own chesty in early 2012. ------Gunzalis with a echo-laid ------Dubtonic Kru Phillip “Fatis” Burrell – one saxophone. You can also lis- The Redeemer of Jamaica’s greatest and ten to mixes Xterminator Spe- Jah Van I’s Drops New Sin- most important producers – Riddim Down A Yard gle off Upcom- passed away last night fol- cial volume 1 and volume 2. ------ing Album lowing compilations from ------Increasingly respected German The always impressive Jah Van ------a stroke about two weeks Gave Her imprint, Oneness Records, re- I is back at work with Royal ago, reports several sources. turns in December with yet an- It has been a fruitful year for My Love other sterling addition to their Warrior Muzik from out of Mar- Jamaican five piece band Dub- tinique on a heavy new single Phillip Burrell was born in Ja- by Lea Anna catalog, the Redeemer Riddim. tonic Kru. In March they won maica, but moved to the UK This release follows several which is currently available, the Global Battle of the Bands ------Down A Yard. The singer has as a child. However, as a teen- UK producer Curtis Lynch la- other big compositions from where they were up against ager he moved back to his na- the label such as the General ------an extensive history doing big bands from 17 other countries, bel dedicated to material with the label and this tive country where he later material – Necessary Mayhem Key, the Soul Riddim and most Mr Vegas and just last month they were started a career as a producer. recently the Backstabber from latest release may just be the honored by a U.S. representa- Classics – drops a new digital Wants To Save crowning jewel of that musi- download single on 16 Decem- earlier this year and it falls right tive and awarded the Simba His breakthrough came in in line with the already well es- Foundation cal union. The old school vibed Award. ber. track is a sublime social com- the early 90’s when he set up tablished high-quality level of Reggae his Xterminator label produc- Oneness. The Redeemer is a mentary which really showcas- Now they are getting ready for New star Lea Anna is respon------es Jah Van I’s sterling vocals as ing artists such as Freddie sible for microphone duties on glowing modern Roots track Jamaican dancehall superstar their third album, the follow-up McGregor, , Be- and, turned over to the artists, well as his strong lyrical abil- to the diverse ‘Dub Tonic’ re- Gave Her My Love on the Ohh Mr. Vegas is concerned that res Hammond and a truck load Baby riddim, a riddim with the it makes for an excellent back- reggae music is dying and be- -ing replaced by hip-hop grooves, hypnotic funk and nize veterans such as Da’Ville ------views and live performances sounding beats. danceable jazz. and Peetah Morgan, while the with the singer himself as well latter are represented by Rico- The Road as interviews with artists such Therefore he urges fellow mu- ‘Reclamation’ is their follow- chae and Loyal Flames. To Bush by as dancehall deejay Assassin sicians and music fans to sign up to last year’s debut album. Sherkhan aka Agent Sasco and dub poet the Save Foundation Reggae It mixes vocal cuts handled by Among the cuts you’ll also find Mutabaruka. Petition. It’s an appeal to radio Trinibagoan Ras Roni and rap- no less than five combinations. ------disk jockeys to play at least ten per Lil Gzues with instrumen- Sherkhan – French producer Grab this opportunity and get minutes of foundation reggae tals and dub versions. The Feel Good riddim hits the living in Jamaica – has pro- to know this spiritual and phil- music in their program. streets as digital download on duced several reggae and osophical singer. The original version of ‘Rec- 9 December. dancehall riddims with a hip------“Some radio disk jockeys do lamation’ is already on the hop feeling, the latest addition not pay homage to foundation shelves and can be picked up ------is the Electricity riddim with Learn To Read reggae music, it is not even on as CD, LP and digital down- The Bobo Ting contributions from artists such by Sizzla their playlist, while others have load. A deluxe digital only ver- as Perfect and Sizzla. ------shelved foundation reggae and sion drops on 19 December and Riddim His latest project ‘Brain Freeze’ Sizzla has dropped a new an- replaced it with hip hop sound- includes two bonus cuts. ------them for the youths, and aims Island Life Records is proud is in the same vein. It is an in- ing beats that is being pro- to encourage and empower the to present its wonderful crea- strumental effort where each duced in Jamaica,” states the younger generation. petition, and concludes: tion, the sprawling modern song is illustrated with a video. set, the Bobo The first track from the project His new single – aptly titled Ting Riddim and with it, it’s is The Road to Bush, and is cur- “Our youths are not exposed Learn to Read – speaks on the sure to bring the attention of rently available on Bandcamp. to the work that our icons did importance of education, as many fans of the genre. Why? to set the foundation and art------he advocates young people to In just a few tracks, the label ists like , Alton learn to read and write and to ------has assembled one of the bet- I-Wayne Tells Elis, Culture, , invest in the intellect, as a way ter lineups of artists on a sin- His Story in Cynthia Schloss, Hortense El- Reggae to overcome ignorance. lis and Gregory Isaacs are no Reasoning gle project in 2011. Appearing Documentary on the Bobo Ting are the likes longer here to showcase their “Telling the youths about the Riddim of Capleton, Luciano, Anthony ------work, so we must play our part About a month ago Jamaican brilliance of education, and B, Lutan Fyah, the legendary U- in keeping their legacy alive.” ------singer I-Wayne dropped his teaching them the importance ------Roy and others and that’s only Reggaeland Records from third album ‘Life Teachings’, of it, will empower them,” who you’ll hear on the vocals. If you want to help Mr. Vegas Feel Good Spain has dropped a new rid- an album that has been well- states Sizzla in a press release. to save foundation reggae you Riddim dim titled Reggae Reasoning. received. Appearing behind the scenes can sign the petition here: Learn to Read has undertones ------on the riddim are the likes of http://www.gopetition.com/ This uplifting and guitar-lead United Reggae is proud to have of a political agenda, one for Special Delivery Music from big names Lynford ‘Fatta’ Mar- petitions/save-foundation-reg- riddim features eight vocal had the opportunity to inter- the betterment of the in France presents their new rid- shall, Colin ‘Bulby’ York and gae.html. cuts, four remix versions and view this soft spoken and shy Jamaica, and can be viewed as dim Feel Good, a bouncy lovers the incomparable . ------one instrumental. Singers such singer earlier this year. a way of starting a debate on styled riddim with memorable All mixed up in various func- as Mikey General, Chantelle Er- education before the upcoming Reclamation by guitar picking and tight organ tions combined with big vocal- nandez and the severely under To get even more acquainted elections in Jamaica. This sin- work. ists mean on big project. The Strides recorded Jahmali are assigned with I-Wayne you can now also gle is the first tune voiced on ------to microphone duty, while catch a 25 minute long docu- the Gal Block riddim, produced The eleven cuts are handled by How big exactly? You don’t have Australia’s ten piece ensemble production is taken care of by mentary that features I-Wayne by Glenroy “Frosty” Jackson for vocalists from Europe, Jamaica to wait to find out. The Bobo – including a three piece horn Genis “Genious” Trani. Reggae and people close to him. his Lion House Music Produc- and the U.S. and feature the Ting Riddim from Island Life section – The Strides offers an Reasoning was released on tion. It is now available via the usual mix of well-known names Records is currently available explosive blend of funky afro- digital platforms on 30 Novem- The Life Teachings documen- usual digital platforms world- and more unknown ones. ber. on etailers across the globe. beat, heavy reggae, hip-hop Among the former you’ll recog- tary features in-depth inter- wide. ------India and Poland. These gath- eous lyrics. -ducers from around the world. erings are an assembly of The self-produced EP The Real Awards are presented across Dub-Satsang persons who listen to, talk The 13 tracks are produced by Leah, the Marlon Asher combi- several categories with the by Mooji about, and assimilate the truth Icall and Ridimik and based on nation Amsterdam and the Cur- winners of these finding it has ------through the reading of scrip- three different riddims – Rwan- tis Lynch produced Do U Like helped promote international tures, reflection, discussion da, Culture over Complexion on his Dancehall Style riddim interest in the unique music and assimilating their mean- and Firedrop. being just three examples. and culture of Jamaica and ing, meditating on the source given way to the opportunity of these words, and bringing A follow-up set is currently in Sunny Days is available of further international recog- their meaning into one’s daily the making. Icall has teamed through Likkle Green Records nition and distribution in their life. up with drummers Rashaun and various digital platforms. work. “Blackush” McAnuff of the Up- Jonahgold says of the album rising Roots band and Randev- Further information and En- “I feel I have a new concept of on “Randy” Patrick of the C- try Forms can be found on the reggae, with an updated ver- Sharp group as well as four of JFA website: www.jamaicafilm sion of dub “poetry”. I’ve put the singers appearing on the academy.org. music to the words of Jamai- ‘By Any Drums Necessary’ set. ------Out now on Goldheart Music is can born Mooji, who is a direct Live At The a 13-track album that crosses disciple of Sri Harilal Poonja, ‘By Any Drums Necessary’ is reggae with Indian philoso- the renowned Indian advaita available as digital download Turntable Club phies. The album, titled ‘Dub- master. This is the most direct through Soundquake and as ------Satsang’, is from Mooji who no-nonsense approach to the CD in selected stores. that preserves on film the oral Live at the Turntable Club’ was released the free song Embodi- core-instruction shared by all ------memories of a culture that that recorded in London in 1974 and ment of Truth earlier this year. real mystical traditions, reli------emerged from the features performances from gions and philosophies: Know Sunny Days by movement and spread to and Dennis Brown, Delroy Wilson, Thyself! Enjoy.” Leah Rosier Reggae Film Mooji was born Anthony Paul Festival 2012 been honored by the world. It and the little-known Moo-Young on 29th January ------is hoped that next years festi- Alexander Portious. 1954 in Port Antonio, Jamaica, The album is digitally available Dutch singer Leah Rosier has ------val will carry on this fine tradi- before moving to the UK in worldwide now with free listen- ventured into the music busi- The Jamaica Film Academy has tion and feature many aspects The production were handled 1969. He is presently living in ing at Soundcloud. ness and formed her own label put out an international call for of Jamaica’s Reggae music cul- by Winston “Niney” Holness, Brixton, London where he has ------Likkle Green. The first release entries to their 2012 Jamaica ture in feature, documentary the backing band was The Soul worked in the capitals ‘West By Any Drums is her own brand new single Reggae Film Festival, to be and short films as well as ani- Syndicate Band and at the end’ as a street portrait art- Sunny Days on Not Easy At All held during April in Kingston. mation and music videos. controls were two of Jamaica’s ist for many years, then as a Necessary Productions’ Lie to Me riddim. The ‘Make A Film In 24 Hours’ most accomplished engineers painter and a stained glass art------It is five years since this an- competition sponsored by RBC – , Errol “Errol T” ist as well teaching at Brixton ‘By Any Drums Necessary’ is “I wrote the lyrics a few years nual festival began and in that Bank - Jamaica, will be held Thompson – alongside Dennis College. a new compilation with14 con- ago after one of those typical time the academy has show- again, with last years seeing 15 Thompson. scious emerging artists from summers in Holland (rain), pay- cased more than 200 films film crews competing to shoot His style is not that of a singer eastern Jamaica. The only es- ing homage to the good ones. highlighting reggae culture a 5-minute film on a selected The original release was on but rather a poet whose deliv- tablished name is Natty King, This year, after another stormy made by Jamaicans, as well as theme in just 24 hours for cash in 1975, and ery has a natural flow that falls who contributes with a combi- summer, I decided to put them global reggae researchers and prizes and awards. The festival the reissue adds an extensive beautifully into this style of nation together with Blynk. on this lovely riddim by my fel- fans from all around the world. will also include the introduc- booklet including an interview music. low Dutch’s and wonderful reg- Many of these documentaries tion of a new ‘International Pro- with Turntable Club owner Win- This project is the brainchild gae producers Not Easy At All,” have focused on the history of gramme’, of films outside the ston “Merritone” Blake. Mooji often holds Satsang, of producer Icall, and aims says Leah Rosier. Jamaican music and its mak- reggae genre, so as to enable not just in the UK but in Spain, to showcase the talent of un- ers, leaving the Jamaica Film the inclusion of entries already ‘Live at the Turntable Club’ hits Italy, Germany, Sweden, North known artists and to uplift lis- Earlier this year Leah Rosier Academy with an archive of received from Africa, the USA the streets as CD and digital America, Argentina, Brasil, teners with positive and right- teamed up with various pro- historical material on the genre and the Middle East including download on 23 January. an entry from Iran! Bob HarDing from King Spinna Records “We don’t want to detail in design, packing and reissue label. We would like liner notes. With Blood and to do some new material as to be exactly Fire you could usually buy the well. Like from veteran Jamai- like Blood and album regardless the artist or can deejays, or maybe Horace Fire. It’s about producer. It was just that good. Andy. I mean how much stuff is left out there to reissue? Most music we think But in 2007 Blood and Fire is probably pretty average,” is worth put- went out of business. Unfor- says Bob Harding on the phone ting out there, tunate management decisions from his home where he also along with a challenging music has his office, and adds: reissue or not” industry were two issues that ------could be blamed. “We don’t want to be exactly Bob Harding tells the ------like Blood and Fire. It’s about issue on CD,” says Bob, and ning a label is thankless and of the business.” music we think is worth putting continues: you have to be insane to start a ------King Spinna story King Spinna out there, reissue or not.” label today. Bob is familiar with ------has a wider remit ------“I was around from the begin- such views, and explains how “Dis rare” Bob Harding and Dom Sotgiu ning. We went to Jamaica in it all started. ------Blood and Fire starts – formerly at the now folded Now, four years later, Bob Hard- 1993 and that trip wasn’t par- He makes it clear that there Blood and Fire label – have ing – co-founder and formerly ------ticularly successful. We were “Blood and Fire finished in July will probably not be any other started a new label – King Managing Director at Blood Along with Steve Barrow, Mick supposed to meet or August 2007. Since then I’ve releases from King Spinna this Spinna. The label launched in and Fire – has along with his Hucknall, Elliot Rashman and and he would have done all the applied for hundreds of jobs, year. But the initial release Dub mid September with its first former assistant Dom Sotgiu Andy Dodd he formed Blood introductions, but he was still but didn’t get any. I couldn’t Will Change Your Mind has had release Dub Will Change Your established the King Spinna and Fire in 1993 with the objec- in London,” he laughs. find work. The music business a pretty good response so far Mind by Bunny Lee & The label. It’s a business similar to tive of reissuing reggae with ------is the only thing I know,” he ex- according to Bob, even though Agrovators. United Reggae the integrity of jazz reissues. plains, and continues: it hasn’t been a straight road. Blood and Fire, but with a wid- “Insane to start a tradi- got a chat with Bob Harding er scope. Initially only on CD. about the music business and tional label” “You have to be insane to start “We’ve had problems with why King Spinna will succeed The label name comes from a “Blood and Fire started from a ------a traditional label. But we have our first release. The pressing when others don’t. tune by , and was conversation in 1992 or 1993. Earlier this year United Reggae no office. I work from home. plant was terrible and we had suggested by Bunny Lee. Mick Hucknall thought that interviewed veteran label own- We don’t have much overhead to move to a different one. It’s a Blood and Fire was a British there weren’t any decent reg- er and producer Adrian Sher- and very limited funds and take bit unfortunate since it’s been reggae known for “King Spinna is not strictly a gae reissues on CD. No good wood. According to him, run- one step at a time. Neither I nor on order.” its great releases and attention standard. So we started to re Dom have taken any money out “The Blood and Fire sound sys- tem did three shows with U Roy in Japan in 2006, and would be a good release. But we have to I-Taweh have clearances from all the copyright owners. Bunny Lee “Ras starts album? won’t be a problem and neither from birth. will Niney. But it’ll take a while,” It’s been a fire that’s been explains Bob, and adds: If you light a burning through all those years fire and put it touring behind Sugar, Gregory “U Roy wants us to do it, but under the bed Isaacs and all those people. I it’s difficult to get all the clear- was singing in Mystic Revela- ances.” it’s going to tion Of Rastafari. I used to be burn the house the lead chanter for many tours The King Spinna sound – oper- down” so I know what it feels like to do ated by Dom who also ran the it. It’s a fire that was burning so Blood and Fire sound system hot and so deep but I know and If you listened to some visiting I always knew that I was going – was booked to perform at a reggae artists giving interviews festival in the UK in May, but it to be the main man some day. in Europe you might think no I just wanted to sing my songs. had to be cancelled due to bad one was consuming roots mu- weather. Bob explains that he I was writing songs for so long sic in Jamaica. But one of many went on tour with an assem- before I started singing them would like the sound system to exhibits for the defence that bly of friends known as the perform along with veteran Ja- that it’s like I get old with my have surfaced in recent times Bad Black Roots Band. In 1998 songs. I don’t even want to sing maican artists such as Ranking has been the late blooming I-Taweh joined the legendary Joe or . some songs anymore because success of backing musician Nyahbinghi drumming collec- when I sing it and somebody turned frontman I-Taweh. Born tive Mystic Revelation of Rasta- hears it they’re like “Whoa, Donovan Cunningham in the fari and spent a decade on the is that new?” and I’m like “No little village of Grants Moun- road. But all the while striking man, it’s 13 years old!” (laughs) tain in St Ann’s parish before out on his own was in his mind, So I know it’s something I have Dom Sotgiu and moving to the farming commu- and a fortuitous meeting at to do from in the gut long time nity of Prickly Pole at the age the turn of the millennium with ago. ‘Dub Will Change Your Mind’ ple know about these ’. So I of three, I-Taweh began strum- the French group Broussai, led contains extremely rare pro- transferred them to my com- to the first recording sessions ming the guitar at church to ac- But at what stage did you de- ductions from Bunny Lee, and puter, and last year I met Bun- company elder ladies “Who’d that would result in his debut he didn’t almost recognize ny Lee in London and got an never tell you what chord they album ‘Overload’. Released af- cide to make this happen? them himself. In October last agreement with him.” were singing!” Relocating to ter 17 years as a touring player, year Bunny Lee said “Where ------St Ann’s Bay – just five doors in January 2011, on I-Taweh’s Well after touring for a long you get dis? Dis rare”. time I got sick and I was in the Several ideas for the down from Burning Spear – own Tap Nat Muzik label, it has “We don’t have anything set he enlisted in the Ocho Rios reached Richie B’s Jamaican emergency room for a minute “It’s a funny story,” says Bob, future yet and the sound system is High School band, coming sec- album chart’s top five, with with stomach problems and and continues: ------waiting to take off.” ond in a schools competition the title track entering the reg- stuff like that so I just decided Even though King Spinna has in Kingston, which gave him gae singles top 20. Angus Tay- “You know what? Enough is “I got a friend who runs an on- no set plans for the future, Bob the confidence to move to the lor spoke to I-Taweh from his enough. If I’m going to get sick line second hand record store, capital and start a professional home in California, about how from doing this I want to be has lots of ideas. He reveals Interview by Erik Magni and I would help him list a that he’s thinking about a live music career. In the early nine- his dreams came to pass... doing my music”. It was about bunch of records on Discogs. album with U Roy and having a ties he was taken under the three years ago. I listened to some of the discs sound system going. wing of the renowned “youth At what point did you decide and thought ‘I don’t think peo- ../.. promoter” and to go solo and do your own Now as well as the French was a cold cat, he was really, ally think about it, it’s really to man, I’m telling you. So Brave- musicians you have a lot of really serious. Whatever you do with each country. There’s a heart is not just going out for top Jamaican musicians play- wanted that guy would get world of countries where they Garfield, it’s going out for a lot might have exactly the same of youths who want to choose ing on your album like Dean it for you. He’s not afraid of views on a load of things like that road. I’m trying to tell you Fraser. Was this through all anybody, he’s tough in front Jamaica, but they don’t get half “Don’t take that road because the links you made as a musi- of the cops or the prime min- of the crap that Jamaica gets. it leads to destruction”. cian? ister, he’s just like that. After The sadness of that is that no- school, when we left Prickly body’s really addressed the How did you come to be based real issue. They haven’t tried to in the United States? Yeah. Dean Fraser is like my Pole, he left to live with his address the real political thing elder. Nambo is not on the dad in Spanish Town. Span- and tried to change it, they just album but he should be be- ish Town is a tough commu- went after artists. The artists Well, I was touring with Ever- aren’t going to change shit. ton Blender for a while. I have cause we toured so much nity, so people have a lot to a three year work permit so I together in Europe. Dean is see, some people pick up They’ll stop doing those songs but you put pressure on the was working here. Before that my brethren and I really ap- that touring was worth it to and played Deliver Me for the gun, some people start governments or you say that I was married in Jamaica to my wife Kristi, who is from the preciate him coming in and get links with all these peo- him. I seriously wasn’t think- to rob, do whatever to sur- the system or the law is wrong finding a minute to play vive. Garfield got caught in then it makes more sense. United States but I didn’t want ple? ing about that song in the re- to come to the United States something on it for real. I cording. If you check it’s to- that bubble and he got killed because I was touring so much There seems to be a lot of talk have Computer Paul who did It was man, it was! I don’t tally different except that we by the cops. I can’t say that in Europe and I just love it over in the media at the moment music for Akon, Jimmy Cliff, have one minute of regret. I say “Deliver me” twice. I was he had a bad upbringing that that side. After touring with about trying to dismantle the Everton Blender for a while and Shabba Ranks and things got sick but it was because just listening to Tony Tuff and made him have to choose political garrisons. I won- with Sugar Minott, I was with like that. I have Bongo Her- of me not taking 100% good my song in my car and I was that lifestyle, it’s just some- dered whether you had any this band called the Yellow Wall man. I have Delroy Pottinger care of myself, not just tour- like “Wow the chorus” you one who really just wants to Dub Squad touring with the Ab- thoughts on that. as the engineer, who mixed ing. You can let yourself go know? If I have to give him to be bad. There are two roads yssinians, , for Sly & Robbie and all them and you can hold it togeth- credit for saying “Deliver me, before you; you can choose Sister Carol, Frankie Paul, Jun- I have a lot of views on that. I’m ior Reid. When that work permit cats a lot. I have Horsemouth er you know? It’s what you deliver me”, sure, no prob- one and I think he chose the from Jamaica where it’s rough. Wallace playing one track, road for destruction. As a was about to be done, I had kids choose. lem! I wasn’t thinking about We see a lot of innocent peo- with my wife and I was caught the killer drummer man! I it - not the vaguest thought good friend, seriously, that’s ple get killed by the police. I between two worlds. I didn’t even have Sly playing the what happened to him. saw one of my good friends get know what to do, whether to Dean plays on your re-do of in my mind! shot right in front of my house big drum, I have Sticky play- Tony Tuff’s great Deliver Me go back or to take care of my Some of the lyrics went be- by the police. So many things. situation here. I was just about ing percussion, I have Count From My Enemies. How did Tell me a bit about the song You want to be on the right side yond being politically incor- on the way out when more peo- Ossie Junior from when we you decide to revisit that Braveheart, is that based on a and you want to support the rect though... ple get involved and say “Hey, toured together with Mys- great song? true story or is it drawn from law but when the police come maybe you should just do your tic. I have Remi Kabaka on and kill somebody innocent, if papers because you’re already many experiences? I think the media made scape- percussion. To have a wide it somebody who’s not close to married and it’s easier for you It wasn’t a re-do! You’re the goats out of the artists but they you but when it’s your brother to travel and stuff like that”. range of musicians, I hope I should have made a statement second person who has said It is a true story. It’s about a or your son you’re going to So yeah, I’m here and it’s good don’t miss any of them out! about the country and the cul- that! I wasn’t even thinking friend of mine. We went to really start to think and you because I was in Jamaica all ture. You’re not going to go to about Tony Tuff’s song un- might do something. Jamaica my life and it was hard for me school together, we were in Saudi Arabia and demonstrate That’s a very impressive en- is a place that is hard right to do my CD. I couldn’t really til after my song was done! the same class and we grew because they’ll have exactly semble of musicians for a first now for people to stay on top get it done with all the back- Even though I toured with up together. Originally his the same views, if not more of the right thing because the ing band scene around me, album. So would you say all extreme. I would say if you re- Tony Tuff and Sugar Minott name was Garfield Smith. He situation is so crazy over there somebody would always call me and then I’m gone. So here, just taking the kids to school, I’ve found myself with a lot of time to think, work on my mu- sic, go to different studios, call different musicians to play. It took me seven years or more to make this CD. I hope the next one won’t take so long!

Having taken seven years to make it, were you surprised by the extremely positive re- action it’s had, entering the single and album charts in Ja- maica? How do you feel about I see it. Overload and somebody will it all? love it, you know? That’s how There’s a perception outside I want to make it. Root music I feel really good about it. It of Jamaica that the roots mu- lives, man! The only thing that wasn’t a surprise because I makes my blood pump and sic that you play is not popu- have a little thing deep down gives me those little goose- inside me, maybe it’s a little lar inside Jamaica, but your bumps, for real! It’s roots. to be a Rasta” and I’m like “Oh, shine, you know? coming I’ll be doing an album needle or something, that tells position in the charts sug- I think I have to go all the way. promotion tour. We have this me when I have a good song. gests that’s wrong. How did Rasta come to you Face the same tribulations that So what’s next for you? What’s concert we’ve been doing with When I’m playing it or singing yourself? all the Rasta before me faced, the next project going to be? a vineyard over here called the it in the studio and I listen to it, Yeah, that’s wrong. If you make to know”, you know? It’s a life Frey Vineyard. Tap Nat Musik I can tell and hear “Yeah, that good music and you try to Well, as a kid growing up, my that I love. I believe Haile Se- I’m working on the next al- and the Frey Vineyard present a one was good”. Then some- make the people hear it, then parents they’re Christian and lassie is the Almighty. I believe bum right now. I was just in show called the Beneficial Reg- body else tells me “Yeah man, I the people are going to accept I had to attend church every in repatriation. I believe in all the studio with Squidly Cole gae which is growing. We’re love that song”. It’s like I know it. I think the people are hungry day. I used to carry the lamp of the Rasta belief and religion. laying some tracks for me. I’m starting to think about the from deep within that I have for having something they can and hang it in the church, I was That’s why I call myself I-Taweh going down to do some more next event. Those are the main good music. With what’s go- hold onto for a while and say the first one to be there and because Bahetawe is the name work with Horsemouth and things we’re thinking about. ing on in Jamaica right now, not “Yes, this is a good song”. Eve- everything. But growing up I that they call the Rasta in my friend Sandra who played ------a lot of people want to do the rything doesn’t have to be three just loved being around Rasta Ethiopia, in the hills. They call with Yellow Wall. It’s going Interview by Angus Taylor roots anymore because there’s months. I used to be a backing so much, hearing Rasta talk. I them Bahetawe. Some friends to be a total roots album. I’m so many things to be done. I’m band musician, imagine; this love the cooking so much I just of mine who travelled to Afri- confused in between if I need saying that I don’t think the artist has this song that I prac- wanted to be around Rasta eve- ca and come back, every time to make a double disc CD or world really learned how to tise so much and I love to play ryday and my mum always said they come back to Jamaica they something because I have dance reggae as yet, the origi- it, in rehearsal we were like “Oh to me “Why you always want always say “Hey, Bahetawe!” so many acoustic songs and nal reggae, so we need to play man yeah, let’s do this song!”, to be around Rasta so much?” you know? So I kind of spell it they’re untouched, you know? I it some more for them! (laughs) if in three months the artist and I’m like “Mum, I just love a little bit different and call my need to make the people hear I want to be one of the roots said to you “I’m not doing that what they say and I love the name I-Taweh. It’s a thing from them, so I’m thinking maybe I who stick around and play the song man, that’s an old song”. way they cook, and I think I’m birth, Ras starts from birth. just do something on my guitar music like Culture and Burn- I don’t want to make music like going to be a Rasta” and she’s What is within you is going to and shove it in with the CD. The ing Spear, Bob and Peter and that, I want to make music that like “No, you already have that come out. If you light a fire and next thing, I’m going to Jamaica those guys used to play. That’s 15, 20 years from today I can vibe in you like you’re a Rasta, put it under the bed it going to in two weeks to do an album how I want to do it, that’s how still take up my guitar and play you don’t have to grow the hair burn the house down. Make it launch. I’m hoping this January When you were young did day my brethren came by and meet Jah Youth”. Big Youth you want to be a deejay or a said to me “Derajah, I need held onto my hand and he Derajah singer? to take you to meet one of my said to me “I am Jah Youth brethren, a good musician. He also” and shakes my hand and “I didn’t know where in the music I wanted to be, When I was young I didn’t know played with and laughs. But putting out songs I just knew I wanted to be a part of it” where in the music I wanted to he played with all the legends, I didn’t want the name to cre- be, I just knew I wanted to be the great singers.” So we left ate any confusion. My cousin and went straight to Chinna always looked at me and told Derajah Mamby was born in a part of it. The sound system Smith’s yard where he was me that “Derajah, you know East Kingston in Rollington coming out and playing, the playing music on his veranda. your name is a very powerful Town but moved back and fashion and the style and the He was playing the type of mu- name, man. It is very distinct forth between the two sides people, them coming out for sic that I wanted to hear. As I and there isn’t another artist of the capital, spending some the dance. Even if it was be- heard his guitar play I started who goes by that name Dera- of his formative years on the ing in producing or involved to sing and everything was so jah. You should use it on your musical hotspot (immortal- in promotion. I was just want- connected because he was records”. ized by Bim Sherman in song) ing to be a part of all of that. going deeper inside of what Chancery Lane. His father was I can remember recording my he was doing and I was go- a Rastafarian while his mother first song in my house. I had ing even more higher in what I was a church-going Christian, a recorder and a tape player, a was singing and I noticed that an upbringing which not only music box. So I’d take my tape tears were running from my allowed the young Derajah an inside the bathroom and I’d eyes and I’m like “Wow! This equal amount of exposure to put a cassette inside the tape moment is magical!” The rest both secular and sacred music player and play the rhythm is history. It all started right but also provided a supportive from the tape and then the there. environment of acceptance to recorder that I had, I’d cap- follow his own spiritual path. ture everything on it. That was Recorded and encouraged my first recording before go- You originally took the name by Sugar Minott in the early ing into studio. I got a reverb Jah Youth when you released 2000s his first real break came sound and everything coming with Inna De Yard project but when he was introduced to Earl back and when I was listen- then you changed your name Chinna Smith and joined the ing to it I was like “Oh, this is back to your own name. legendary guitarist’s acous- amazing. I need to take this tic collective Inna De Yard. further, I need to go in a studio Since I came into music I’ve Since then you’ve sung under The group’s releases through with this”. been called Jah Youth. I re- French label Makasound gave your own name and you’ve member one morning when I Derajah a profile in France, been very honest in your How did you link with Chinna was living in east Kingston, helped by the release of the and join Inna De Yard? close to Rockfort I hailed an lyrics, particularly in talk- David Commeillas documen- elder and he was like “Yes, ing about people dear to you tary ‘Natural Mystic Reggae’ I was living downtown on Jah Youth, wha gwaan”. As a that you’ve lost. Would you where he sang My Sister, the Chancery Lane. My brethren young Rasta in those times I harrowing tale of his sister’s say that being real, not just used to work in Augustus Pa- felt special because the name murder by gunmen. In 2007 being a performance, is part blo’s record shop and Augus- Jah Youth came to me by this he linked up with the French tus Pablo’s brother, his name elder. Then when I went down- of what you do? backing band Donkey Jaw Bone is Garth, he’s a good friend of town now, my family and and began work on his de- cut at Donkey Jaw Bone’s ana- jah as he was preparing for its mine. Sometimes I would go to friends were already friends I’ve always been real to the but album, ‘Paris Is Burning’, logue-only studio in Paris rep- eagerly anticipated release on the record shop and freestyle with Big Youth, which is the music because I can tell you whose issue was postponed resents a unique blending of the label that rose from Maka- while my friend played the ver- original Jah Youth. So they that music to me is my life, when Makasound went into different eras of roots music. sound’s ashes, Chapter Two. sion in the shop and me and take me to meet Big Youth my upbringing, my growing administration. The record, Angus Taylor spoke to Dera- ../.. him would vibe and thing. One and say “Big Youth! Come and up. Music is everything to me. Here in Jamaica, I’ve heard like these youths to be prop- brethrens making songs and erly educated so that they can just talking about his ride and take Jamaica further on and his girls and some of these make Jamaica a better Jamaica things that they are singing and the world a better world about, it is not actually what at large. Agriculture just the is happening in their life. He same. The government they’re don’t even own a car. I become fighting against marijuana more real because I think that and we see where marijuana the realer I get, the more you is doing a lot, not just smoking get connected with persons purpose but medicinally, mari- because we are dealing with juana has been helping in the real life situations. I know that pharmaceutical department, persons share the same pain, marijuana has been helping share the same earth. We all in different areas. The govern- share so much in common. So ment need to set up a ganja I just decided to keep it real ple of years ago, I was going in an analogue studio with as a free download to pro- songs and offering your songs trade right now for the youths and just be real for me. through my messages on MyS- to plant marijuana and they vintage equipment. Is that mote the album. Is that the to the public for free and they pace and when I noticed some can export it for proper usage. something you approve of? way to make an album sell don’t pay a penny for it. But Do you think that’s a part of guys from France were saying money is still making in the I’ve been to Holland and I’ve to me “Oh Derajah, we love to people in this age? What why your music has been so Yes, I do because to be frank music, and we do the music seen it’s not such a crime for your music and you are doing with you I’m coming from a do you think about the way more for arts and the best us to smoke marijuana in be- warmly received in Europe, something great. We’re a band school where we really appre- the internet has changed the thing is getting the music out, cause the president’s made for example? from France and we’d love to ci-love analogue sound deep- so the good and the bad just sure he’s set up something to get in touch with you, if pos- music business? ly. Working with Chinna Smith balance the scale for us. We facilitate the use of marijuana. Well, to be honest with you sible do some work”. So from For a land like Jamaica, where for all these years I’ve learned I’ve seen that a lot. A lot of really appreci-love everything yes. I remember that my breth- there we keep communicating herb is from, the best herb a lot about sound and what record shops are no more that’s happening, both good ren was saying to me that “De- and communicating and the can be found here. It would brings you back in time and on the mall or on the plazas, and bad. rajah, do you think that your guys decide that they are go- have been good for Jamaica to you know, the equipment that they are now online. You used material is a little too heavy?” ing to come to Jamaica to see set up a ganja trade, so that can give you that sound. So to be able to walk into record Finally, you sing a lot about and I was saying to him that I me. I was saying to them “It’s we can use hemp in different these guys they were already stores and get different songs understand what he was say- more appropriate for you guys violence and how it has af- ways to make shoes, clothes, in analogue sound, they were and stuff like that, now it’s ing and maybe it is a little bit to come down. Come feel the fected you personally. What cologne, oil, all this different already where I was, so it was more online. It’s good and it’s too heavy, maybe it’s not, you reggae vibe and come check stuff that it can be used for, even much easier for them and bad, and I think good and bad do you see as the way for- understand? It’s just what the out what’s happening on the instead of fighting against me to connect together as a is what makes life go on be- ward for Jamaican society? people want to hear. But yes island”. They came and I took marijuana. Of course, I don’t team. For instance we were us- cause it is actually a balance. of course, being real you are them to Earl Chinna Smith’s have a problem with the prime ing acoustic pianos and stuff The good is that, of course, I’d like to see them look out more accepted, being real, not place and introduced them to minister or whoever else is like that. It’s something that persons can easily access the more for the youths of tomor- just as an artist but in every- Earl Chinna Smith. Earl Chinna coming, but just make prepa- we really, deeply appreci-love songs and millions of persons row because the youths are the thing that you do. Smith was saying to me “Ok ration for the youths because and that we’re working with can easily access the songs future. I create great emphasis Derajah, this means that you the youths are the future. One for quite some time, we keep a click away. The bad thing is on education because educa- Tell me a bit about how you are going to make the next love. the sound a certain way. that after you do such an in- tion is most valid. It’s what’s made the link with the band step towards this mission. going to take us further, take ------These guys they really like vestment in paying musicians Donkey Jaw Bone, in King- the next generation further. you. They like your style, they You made a new cut of the and paying studio time and Interview by Angus Taylor ston, and started recording tune Who Yeah Yah that you paying those girls to sing so I’d like to see the youths in Ja- like your vibe. They are here to maica get a proper education. Photos by Sarah Palmer at . work with you”. did with the Inna Di Yard nice the harmonies and stuff like that, after all of this there I’m talking about even my and Anaïs Goasdoué project. It’s been given away is still a site that is doing your youth coming up right now, I’d I remember one day, a cou- The album was finished off we are – people. We’re all the same. The color of a man’s skin Ken Boothe is as the same significance as the color of his eyes,” he says, “Color is not the in the reggae vein as well. It can bring people together.” and adds: Ken Boothe is 63 years old and answer – the His greatest commercial suc- comes from a musical family. “Color is not the answer – the answer is you cess was when he worked with He met his wife when he was answer is you and me,” he ex- and me” producers and only 17 and has many children; plains and points to his and my the late . the oldest is 46 years old head. ------Together with the former he re- “I grew up in a family that Breaking barriers Ken Boothe corded the albums ‘Let’s Get it loved music. My sister was the ------is on a journey On’ and ‘’ with first who took me on stage. But smash hits such as Crying Over I was the first and the last that His music has taken him ------You and the Bread-cover Every- pursued a music career.” around the world, and the mu- The legendary Ken Boothe thing I Own, a light-reggae tune sic has also, according to him- started his career in the late that reached number one in the self, made him something of a messenger. He wants to bring 50’s as Ken in the Stranger & UK Singles charts in 1974. people together. Ken duo. About 50 years later Ken Boothe was a singer in he is still active and tours Eu- demand and in the 70’s he re- “The main thing I believe in is rope and other parts of the corded for many of Jamaica’s humanity. I want to break bar- world. United Reggae met top producers, including Keith riers,” he explains, and contin- ues: him backstage after his per- Hudson and . formance at Uppsala Reggae ------“I love music. I could do this Festival in Sweden. Started touring Europe without getting any money, but five years ago I’ve to survive,” he says and Ken Boothe’s gritty soulful tone ------smiles. is one of the most distinctive in ------reggae music. He started his Ken Boothe hasn’t recorded recording career in the late 50’s much in recent years, but his Interview by Erik Magny music is still very much in de- and begun singing in the Photos by Christian Bordey early 60’s as a duo with Stran- mand, and that’s one of the ger Cole. reasons why he has started touring Europe, among other ------places. On a journey to make a He is also talkative. It’s actu- ferent races, because racism He evolved with the music and ally hard to ask him anything. is a subject that he is keen to change moved on to record a string of It seems that he knows what he talk about – both on stage and classics for Stu- “I started this journey in Ja- maica. Then I came to England, ------wants to talk about. There’s not afterwards. dio One – The Train is Coming, Ken Boothe is in a great mood much room for anything else. When I Fall in Love and Arti- Italy, France, Holland and now Sweden,” he says when we and turns out to be very hospi- “I don’t want to wake up and bella. These, and many other table. He offers my journalist He explains that he’s on a jour- only see black people. I want to beautiful tunes, have given him meet after his performance, and continues: colleague his phone number, ney to make a change and meet see color. I personally love all the epithet Mr. Rocksteady. both mobile and landline, since people. “Come together and in- people, whether color,” he ex- he has a big house in Jamaica plains, and continues: And for many people he is Mr. “I started touring Europe five teract,” as he puts it. years ago. I love Europe. I see with both a museum and room Rocksteady, but he has cer- for visitors. “You must see us for what tainly recorded several classics what music can do for people. Preferably with people of dif- Meet Dax Lion, an up and all about the LOVE.” coming 23 year old musi- cian and singer from King- Gas Pon It has been avail- ston Jamaica. Dax’s lyrics able online for some time and unique voice make him now can you give me the stand out among other Reg- meaning behind it? gae artists. I caught up with Dax in the U.S. upon his “We are all born with love in return from Jamaica. My in- our hearts. It is people and terview falls days after Dax life that makes us some- released two new tracks on- times angry and upset. But line. if we look inside and put I’ve listened to the new some Gas Pon It the love in tracks Gwan Natty with Big- our hearts will burn forever. gz General and Reggae Jam Take that love all over the Jam and asked Dax to clas- world to share with people sify his music for me. as we are all One. This song brings a tear to my eye when “I like to classify my gen- I sing it” re as Music. I like to call it Seasoned Music”. Dax ex- As I wrap up the inter- plained that he has been view I ask Dax to share his reworking songs he wrote thoughts. “I wanna take when he was in high school. my music and vibes to the “You can’t rush music to re- world, so many people need lease it. Seasoning takes to hear my message. I am time to make it exactly what not gonna stop till someday you want it to be.” they all hear it. I wanna per- form in front of them so they I asked about his recent trip can see my emotions when to Jamaica. Dax explained I sing and to feel the vibes that he met with Ron Mush- we are sending. My biggest ette from IRIE FM. When performance dreams are to asked about the feedback perform in Africa.” from Ron, Dax replied “Ron Mushette liked the new Dax and his Manager, Wil- tracks and called my music liam Watts shared some Reggae Pop.” Ron has been unreleased tracks from his playing Gwan Natty on air forthcoming album with me since the meeting. during my visit. Each song DAX LION was as good as the first. I’ll Gwan Natty was inspired be one of the first to pur- by his mother. “My Mother chase a copy upon release “I like to classify my genre as Music. I like to call asked me to make music in early 2012. it Seasoned Music” that she could listen to and ------be proud of. The song is about the true meaning of Interview by Marc Marino JAH.” When Dax is writing he keeps his lyrics clean. “It’s I guess the first question I around the time of Bob”. overnight hit. To be picked should ask is how well do Actually he wrote Who Is up by Peter Waterman, who you know ? Mr Brown? you know, one turned into Stock, Aiken of Bob’s? And he used to and Waterman and have so (laughs) play... you know I think, we much history! Of being with used to say that Glen Ad- Peter Waterman every day, Well I really got to know him ams shuffle. He had a real of his producing my first well when we were in Jamai- way of touching the organ album. So BBC charts and ca when , you and loved him, London have always meant know the keyboardist, was they took him on tour. It’s a a lot to me, this is where I’m dying. He was at the hospi- pity that he didn’t get to see known, you know? Europe tal with me. I’d met him on all that he wanted happen and things - more so than in tour with the Slackers way before he died, you know? my own country and by my back in 2004, but I really own people. got to know him well since December last year. Do you feel that you’ve achieved the amount of rec- Can I ask you about Glen? I ognition you deserve in your know you were very close career? once upon a time... Well, for me it doesn’t really Yes. Actually in 1975... well, bother me. What I really love I suppose everybody knows is just the music and doing because it’s in print... it. Sometimes I wish that Glen and myself were kind I could really earn and get of romantically involved what was due to me so that (laughs). So and then I didn’t I could live off of it so that What do you think of the TV see Glen again until 2001 I wouldn’t have to work and worry, you know? Because I talent shows that Pete Wa- when we worked together terman’s involved in now? and we made two albums, really haven’t earned much Susan Cadogan from music. But the recog- we did some tours and stuff, You mean Pop Idol? “I did an album for Lee Perry and got a mil- you know? So we were really nition - sometimes I think I good, good friends and I’m get so much! I didn’t even lion-seller. Who could ask for more?” glad I was there with him at realise I was so well known! Yes. the end. (laughs) Interview opportunities can lie Jackson’s Hurt So Good distinctive “whop!” sound I watch them! I love to see appear when you least ex- and arguably sowed some on her classic follow-up to That’s a great way of look- people sing and I find them pect them – and disappear of the seeds of lovers rock. Hurt So Good; Nice and Easy! What’s your abiding memory ing at it! You were exposed entertaining and also good just as easily! When Angus The interview had to be ter- of Glen? because there’s so much Taylor was covering the final minated, however, when Su- Susan: Capone! Dennis! Oh he to the mechanics of the Brit- talent out there that goes day of the One Love Festival san’s friend and fellow musi- don’t see me. Dennis! Dennis! (laughs) Oh Glen was so ish music industry at a young unfound, unrecognised. I for United Reggae on August cal legend Dennis Alcapone (laughs) miserable! You know he age. think they’re ok; you’ve got 21st 2011 he got the chance hit the stage. But not before kind of felt like he didn’t get some great singers from to have an impromptu chat Susan had reminisced on her ../.. enough recognition for the I was like 22 when I did Hurt them, some of them haven’t with Susan Cadogan, the career, her relationship with work he had done, as do a So Good and luckily for me, done that well, you know? Jamaican librarian-turned- the late keyboard maestro lot of people, because other a lot of people work so hard Simon Cowell - since I’ve singer who hit the UK pop Glen Adams, reality TV sing- people think that “Well, Bob and battle for years in the been here I’ve seen this X charts in 1975 with the Lee ing competitions and most Marley is great but Glen was business to get a hit, I had an Factor thing, which is more Perry produced cover of Mil- importantly, who made the or less the same thing. Pop Idol, X Factor, American Idol, America’s Got Talent; people love reality shows. Derajah Did you take part in tal- ent shows when you were young? Paris Is Burning voice (think a calmer Fantan Never! Never. I used to sing A solid and in- Mojah) and unusually frank au- in the church choir. I used triguing debut, tobiographical lyrics are a good to just love to sing and then fit for the Donkey Jaw Bone’s one night all of a sudden I that should ap- hand percussion heavy, filmic, got the opportunity to sing peal to both the Light Of Saba indebted back- this song for a friend. I was French market ings. By far the strongest track, doing it at Perry’s Studio and Bun Dem To Rass, features a he asked me to sing Hurt So and beyond. lovely rework of the rhythm to Good, and I did an album for Inna De Yard colleague Kiddus him and got a million-seller. “Jamaican music has wan- I’s Graduation In Zion. Run Run, Who could ask for more? dered from the path”, begins Mad Professor. I really hope The Miracles sang it, Do It a duet with deejay legend Big Lucky Susan! (laughs) the official Derajah bio sent he comes but I don’t think Baby. I used to go to Perry by his label, Chapter Two. And Youth (who inspired Derajah’s trying to impress a live audi- they have the equipment every Sunday and record, original moniker Jah Youth) re- ence rather than a home listen- You’re meant to be perform- Kingston singer-deejay Dera- he needs, so not sure but I and I loved it so I said “Per- jah Mamby’s long awaited first visits Burning Spear’s Swell ing one while, by contrast, the ing with Mad Professor to- have tracks. ry, can I record Do It Baby?” album, with tight if somewhat Headed. production feels a little flat and day... and he laid the rhythm, and scholarly French backing band restrained. But the majority of If you play what can people and Glen Adams The Donkey Jaw Bone, is aimed But Chapter Two’s predeces- tracks make this a solid and in- I’m hoping to perform with expect tonight? were there and they put on squarely at those who feel this sor Makasound’s mischievous triguing debut, that should ap- Mad Professor! He’s sup- the (sings) “Whop, whop, is an inalienable truth. and at times iconoclastic ap- peal to both the French market posed to play. He has pro- Most people of course whop”... and you know, we proach to roots music has not and beyond. duced three albums for me. know Hurt So Good. Hurt did it. Recorded using only vintage been forgotten. Just as it mixes In 1991 I did some shows in So Good is amazing after analogue equipment ‘Paris Is eras, this album also has in- Review by Angus Taylor Germany with him and his 36 years and it’s still hurt- (DENNIS ALCAPONE CAN BE Burning’ aligns the fundamen- ternational elements that will Robotics Band, then when ing so good. I have Fever, I HEARD ON STAGE) tals of 70s roots with the fire gently prod the purists. The ti- the music business started have some new tracks with and fervour of the 90s revival tle song, whose message is not to give, when records and Mad Professor. I did a cover Oh! Dennis is about to go on that first galvanized the reg- a reference to the 2007 riots CDs weren’t selling so much, of Not With Your Boy and I’m stage! gae movement in France. Sev- as much as the cleansing fire he found a new way of put- Still In Love With You, Nice eral tunes are re-recordings of of Derajah as a positive force ting himself on stage, so he And Easy. Well I’ll let you go and watch old compositions such as My in France, starts with some al- takes his mixing board and him. Thanks for the inter- Sister, the candid account of a most Gregorian chant like har- he does a dub. So he used monies. Meanwhile the jaunty I was going to ask if you were view – I’ve always wanted to sibling’s murder, and an elec- to take me on tour with him harmonica on the Green Bay going to play Nice and Easy. know who made that noise! tric version of the Inna De Yard and I would sing and he hit Who Yeah Yah, given away rhythmed My Sister, gives it a would dub and thing. So Can you tell me a bit about ------as a free download to promote distinctly Gallic touch. now that they asked me to that tune? It’s my personal Interview by Angus Taylor the set. do this show he offered to At times the band’s showy favourite. Photos by Michael Magnus play: Susan Cadogan meets Derajah’s mournful husk of a flourishes sound like they are Dub Vision Dial M For Murder Counter Attack In Dub Style the likes of the Mighty Dia- A band name ditional dubs recorded around monds, Bushman, Blaaklung, No need to call 1979-80 at Channel One. The that may lead Roots Natty and Groundation the police, it’s a players include “Riddim Twins” amongst others. In fact her vo- you to expect on drum and cal on the Jah praising Child of musical murder different things bass, the aforementioned Kal- Israel is one of the highs of the them a charge phat and on keys from what you album and she is in no way left for. and piano, Rad Brian on guitar overshadowed by Mr Carlos’s actually get. and Tommy McCook and Her- three outings. Although producer Phil Pratt man Marquis on horns. Like Sly “Never judge a book by its cov- has never received the same and Robbie’s other recordings This band might be called Dub er” is how an old saying goes wide acclaim as King Tubby, Joe as the Revolutionaries (Dawn Vision but this is no dub album and that is definitely the case Gibbs or Lee Perry, his roots of Creation, Reaction In Dub), rather one full of uplifting and here for this album with its so are band who know a thing and dub productions rank the compositions emphasize with dramatic peaks and val- positive vibes that exemplifies cheery cartoon cover of three or two about constructing rid- among some of the late 1970s Sly’s choppy ta-tat-tat-tat snare leys. Tracks like Natty Culture different styles of reggae and Mafiosi looking types flying a dims that are melodious and and early ‘80s best. Early on flourishes and steady four-four (a fantastic Big Youth version) proves that it was definitely helicopter while blasting out, display a deftness of touch. though, Pratt sang with Ken kick drum patterns. Robbie’s and Dr. Bash have a bluesy, about time this band travelled what I presume is this album, Boothe in a vocal combo and bass is commanding while se- earthy feel featuring haunting from the back to be front of at people dancing in the street The album starts and ends cut sides such as Reach Out for rious organ stabs and eerie organ runs, while the overall stage. below and with a band name with instrumentals, with album ’s Caltone label and reverb-laden guitars fill in the studio mix sounds as pressur- Dub Vision may lead you to opener and title track Coun- later worked with influential corners and crevices. Pratt ex- ized as an inclement storm sys- expect all different types of ter Attack, heralding a bright, Review by Karl Pearson producer Bunny “Striker” Lee. ercises austere restraint in the tem. The drums are perpetually things from those of what you brass bursting fanfare that fea- Pratt eventually set up the pro- effects and delay department, submerged in a foggy reverb actually get. tures the trombone of Balboa lific Sunshot label and record- allowing only minimal snippets and vocals just barely emerge Becker, while closer Extrication ed Dennis Brown, Big Youth, Al of organ, voice, horn or guitar for air. In short, this is a dread So what do you get, well you is darker and more muted with Campbell, Horace Andy, Linval to drift in over the foundational affair that features glorious Sly get an album of deftly crafted trumpeter Gavin Distasi taking Thompson, , Bobby rhythm streams. The effect is and Robbie musicianship and contemporary roots styled the lead. Kalphat and other stars in the mesmerizing. Phil Pratt’s expert touch. No reggae from a band that has mid-to-late ‘70s. Pratt had need to call the police, it’s a honed its craft backing the Sandwiched in between these plenty of rhythms to experi- Songs like Don’t Watch My musical murder them a charge legendary Don Carlos on vari- are eight vocal tracks on which ment with from those abun- Size, Walking Razor, or Sting- for. ous tours since 1999 as well as the band have enlisted the dant sessions and Pressure er are classic steppers roots help of Don Carlos, Hodge, Jimi supplying backing on his excel- Sounds’ reissue showcases his creations -- the kind of sides Review by Tomas Palermo lent ‘Changes’ album from last D, Maka and veteran singer subtle studio mastery in the Jah Shaka is famous for play- year. They have also during and drummer Wadi Gad plus dub arena. ing at his sessions. The latter their time worked with the likes the Puerto Rican songstress is a version of Ken Boothe’s of , Charlie Chaplin, Malika Madremana who now This edition of ‘Dial M For Mur- oft covered You’re No Good Sister Carol, Everton Blender resides in California and has der’ features the vinyl album’s (originally recorded by R&B and many other reggae artists performed in the past with original 10 tracks plus four ad- star Betty Everett) and is mixed Gregory Isaacs The Album Cover African Museum Art of Studio One + Tads Collection Records Studio One sleeves show- Volume II cased by Soul Jazz. Another trib- released in 2007. It includes 41 tracks from Gregory Isaacs’ A few months ago I heard that ute to the Cool sublime catalogue spanning Soul Jazz Records was back on Ruler. from the 70’s up until his more track reissuing material from recent material. Part of the Studio One Records. It was Since Gregory Isaacs’ untimely proceeds from the sales of the terrific news and it almost felt death last year several tribute album will benefit the Gregory like a good old friend had been albums and tunes have ap- Isaacs Foundation. heard from again. Because the peared. The earliest was The nearly 30 releases from Soul Tamlins & Naggo Morris & Gregory Isaacs and Tad’s Re- Jazz with music from Studio Dillinger & ’s Oh What cords CEO Tad Dawkins have One are all essential. They’re It’s clear that several of the A Story on a relick of one of a musical history together, beautifully packed and contain songs on this compilation over- Gregory Isaacs’ biggest tunes so this compilation naturally music that has helped define lap with those on VP’s ‘The – Soon Forward. includes some of his produc- and refine reggae. A virtual tions, such as All I Have is Love Ruler 1972-1990’. However, the who is who in the world of reg- latter also includes a bonus Other notable releases include Love Love, Tenement Yard and gae in the 60’s and 70’s record- DVD and extensive liner notes. saxophonist Dean Fraser’s Continent Woman, all of which ed for Studio One at some point all-star project ‘We Remem- were recorded in the mid 80’s. in their career – Ken Boothe, Gregory Isaacs’ catalogue is ber Gregory Isaacs’, Suga Roy , Bob Marley, Al- to Reggae and co-founder of esting since it shows that sev- certainly strong enough for & Conrad Crystal’s ‘Univer- Other producers include Greg- ton Ellis, Burning Spear and so Blood and Fire Records. It in- eral of the releases changed two compilations, and both sal Tribute to Gregory Isaacs’ ory Isaacs himself, Winston forth. The list could go on and cludes hundreds of Studio appearance over the course of sets are a great mix of lovers and VP’s compilation ‘Gregory “Niney” Holness, Sly & Robbie on and on. The first project that One sleeves, of which many I time. Some releases had up to and cultural tunes, on which Isaacs – The Ruler 1972-1990’. and Errol “Flabba” Holt, with has been materialized from the haven’t seen before nor even five different sleeves. ‘The Al- Gregory Isaacs’ showcases his whom Gregory Isaacs recorded revitalized cooperation is ‘The heard of. It’s divided in eight bum Cover Art of Studio One slick, laid-back style. Always The latest addition is Tad’s Re- his smooth international hit Album Cover Art of Studio One different sections – artists, ca- Records’ is a goldmine for de- cool, always easy and always cords‘ two disc compilation song Night Nurse, included Records’, a deluxe 200 pages lypso, dub, gospel, showcase, signistas and reggae aficiona- excellent. ‘The African Museum + Tad’s here in a delightful extended plus 12×12” hardback, with labels, and versions. dos alike. Collection II’, and follows in version. an introduction by Steve Bar- Review by Erik Magni row, author of the Rough Guide the footsteps of the first part The versions section is inter Review by Erik Magni Ashley Jimmy Cliff Land Of Dub Sacred Fire A mystical, and almost terri- tory guitar licks, also it’s one of Jimmy Cliff uplifting and the tracks with better sounding with an sometimes idi- horns. attitude. osyncratic jour- Situation Dub with its swirly up- ney through lifting and pitch shifting vibe Award-winning musician/actor/ dub. laden with reverb plates deep in singer/ and producer the mix. Controlling Dub with its Jimmy Cliff is back with a fresh crucial manic riddim track and and sparkling attitude. What interests me when listening sparse guitar melodies and what to today and it’s many appears to be a Glockenspiel but His new EP ‘Sacred Fire’ – a pre- sub genres is when I get to hear isn’t (sorry ain’t got a clue what curser to an album due in April the more unusual approaches to the more straight forward instru/ it is but it sounds great!) Ancient next year – is produced by Tim mixing and instrument choice ap- dub workouts that wont set the Dub 2 with its heavy use of multi Armstrong, punk rocker and front plied to album works, the use of world on fire but it’s the far left layered voice synth settings cre- man in Rancid. instruments not usually heard in field cuts that grab my ears and ating a forboding vibe. reggae for example, the use of make this listening experience is by no means a speed and pitch shift controls on on the whole a very interesting Dub Valley Mix 1 is just mellow stranger to reggae. He was one of synths and keyboards, forward and versatile one. A synth heavy niceness. the driving forces behind Hellcat and reverse mixing and plenty blend of different tropical tem- Records and has also collabo- usage from an array of unusual peratures underpinned by force- Ashley has grabbed hold of Ja- rated with Buju Banton and mem- percussive instruments such ful and varied tempo drum rid- maican dub and has displayed his bers of . as Glockenspiel and Xylophone dim tracks with the bass sound version of it in a different art like style sounds and exotic stringed sometimes pure reggae boom approach adding to it what would But Jimmy Cliff’s ‘Sacred Fire’ is instruments like the Sitar, well, and sometimes played with more normally not be added which I’m neither conscious dancehall nor versions by and Rancid a delicious teaser. ‘Land Of Dub’ by Ashley has all Jazzier leanings this is a very well sure will appeal to a wider range British ska. This is reggae heav- respectively. these and more, of course there structured album and well mixed, of world listeners to that of the ily influenced by the sounds that ‘Sacred Fire’ is available as CD, are the more traditional reggae the only let down for me sound more classic dub die hard’s from came from Jamaican label Bev- The riddims and the backing are digital download and a limited instruments used that we’re ac- wise is the poor digital horn time. erly’s run by late producer Les- uncompromising and injected edition 12”, which includes the customed to hearing indeed sound setting used on a couple of lie Kong, for whom Jimmy Cliff with loads of attitude. Jimmy Cliff bonus cut World Upside Down. Ashley utilizes sirens and clas- the tracks Dub The Riddim for ex- A mystical, uplifting and some- recorded in the beginning of his singing is surprisingly low-key sic sampled snare drum rim shot ample which doesn’t do this oth- times idiosyncratic journey nearly 50 year long career. and peaceful, but with great sen- intros as well as the obligatory erwise superbly mixed heavy dub Review by Erik Magni through dub. sibility and affection. ‘chanka chank’ pianos along side tune the justice it deserves. ‘Sacred Fire’ features one origi- echo’s and creative use of ghost nal, three covers and one dub It’s not known if Tim Armstrong reverb effects in the mix down. Stand out tracks on ‘Land Of Dub’ Review by Gibsy version. Jimmy Cliff’s versions of handles production duties on the for me are Passage Of Dub with punk anthems Guns of Brixton full-length album as well, but I There are on this album 2 or 3 of it’s atmospheric subliminal sitar and Ruby Soho excel the original certainly hope so. Because this is Return of the Boom One Sound System Rub-A-Dub Style Japanese Translations In Dub A welcome known Jamaican artists as well as more unknown U.S. peers. the same name, a large zither-like return of the Among the Jamaican legends East meets instrument that on this showing rub-a-dub included are , West on this is an instrument that deserves to style. Welton Irie, Ranking Joe, Scien- charismatic see more use in this environment. tist, Tristan Palma and the late Sugar Minott. debut. The cover art leans towards the Soundsystems are the founda- classic dub album covers used tion of reggae music. It begun The crew behind the documen- Boom One Sound System (BOSS) by , Lee ‘Scratch’ Perry in the 50’s and grew through- tary has found several origi- is a group of American songwrit- and others and helps to make out the 60’s and 70’s. nators from 70’s, and this is a ers, beat creators and entertain- this a very charismatic debut that great way to hear their story ers, who formed in 2009 and use is available to download now at And in the late part of the 70’s and catch them live in action. current events as a catalyst to iTunes, Juno, Amazon and other a new musical style took form, help them fuse the elements of tranquil vibe. online music stores. and it emerged from the Jamai- It comes as a two disc digipak dub, hip-hop and electronica to can soundsystem dances. It create unique beats with heavy The first cut is Sa-kura, a track – one with the documentary Review by Karl Pearson was labeled rub-a-dub or just and one with 17 fresh rub-a- bass lines and synthesizing based around a traditional Japa- dancehall with producers, sing- dub tracks, where singers and rhythms that merge with influ- nese melody celebrating the ers and deejays such as Henry deejays such as Lone Ranger, story is amazing. ences of world music. This col- cherry blossom, that with the use “Junjo” Lawes, Barrington Levy Prince Jazzbo and Jimmy Riley lective have performed across of deft instrumentation shows and . showcase their talents. File this one right next to your the USA, Canada and Japan and this blend of East meets West copy of UK soundsystem docu- have now released their debut with aplomb. Basho Haiku breaks The importance of soundsys- The album is produced by Tom mentary Musically Mad. EP, on the Dutch label TerraLogica away from instrumental to include tems and the rub-a-dub cul- Chasteen and Anthony Camp- Records, titled ‘Japanese Trans- a heavily reverbed and echoed al- ture is now explored in the 60 lations in DUB’, four songs that most robotic vocal that is based bell and was recorded in Los Review by Erik Magni minute music documentary Angeles and Kingston. It’s were inspired by their last tour in on translations of the celebrated Return of the Rub-A-Dub Style heavy, vivacious and organic Japan and the tsunami that hap- 15th century Japanese poet Mat- directed by Steve Hanft and in a foundation style with bass, pened there in early 2011. suo Basho. The translated poems produced by Tom Chasteen. guitar, drums, percussion and were carefully chosen for their The former was responsible for keys. The skanking is immedi- The EP blends ancient Japanese subject matter which even after Beck’s internationally recog- ate and inescapable, and the melodies and poetry with classic some 500 years still contains a nized Loser, while album itself would actually be 70’s bassy roots reggae and thick relevance to what is happening the latter has been a DJ and a worthwhile investment. psychedelic dub production. Tra- today in our troubled times. musician for 20 years, and now ditional Japanese music I have runs the Dub Club in Los Ange- If you have read a reggae book always regarded as music that Third track Yagi Bushi is a tradi- les, where the live material in or two this documentary will has something of a sedate feel, tional folk song re-visioned in the documentary was filmed. probably not provide you with but these cuts are paceier with a a heavy, dubwise fashion while any fresh news or unheard of steppers feel that still manages the closer Koto features the tra- It features interviews and blaz- information. But, seeing these to retain something of an inner ditional Japanese instrument of ing live footage of both well- legends live and telling their Jamaica Round Up: November 2011

Back A Yard: Jamaica to the Bustamante Children’s Jazz Festival launch, Hospital. BMW Launch, Mag- Tanya Stephens performed to num Crank Up, Tanya a jam packed crowd at Stu- Stephens and Shag- dio 38 for the second time in gy Foundation less than a year. After singing This week saw BMW launch- close to thirty eight songs the ing the M Lounge at the Tracks audience was well satisfied and Records sports bar at the with her performance. Market Place in Kingston. Magnum Tonic Wine launched BMW is a sponsor of Olympic their Crank It Up Christmas record holder Usain Bolt and Party recently at the Escape they have decided to have a in New Kingston. Along with special lounge in the sports the Magnum girls the event bar dedicated to him. will feature some dancehall Organisers of the Jamaica acts along with new acts that Jazz Festival recently an- were discovered in the Mag- nounced the line up for next num Dancehall Kings and year’s event. Among the big Queens competition. Crank it headliners scheduled to per- Up is scheduled to take place form are Celine Dion, Kelly December 2, 2011 at the Na- Rowland and June Carol, a Ja- tional Stadium parking lot. maican residing in Canada. In celebration of Jamaica’s 50th anniversary the art and music Report and photos production has also included by Steve James reggae singers John Holt, and Yellow Man. The local artistes are scheduled to per- form on the Thursday night of the festival. The and Friends Make A Difference Founda- tion held its concert launch on Wednesday November 16th at the Bustamante Chil- dren’s Hospital. Among the artistes scheduled to perform this year are Lauryn Hill, Ne- Yo, Denise Williams, Stephen Marley, Coco Tea, Half Pint and many more. As always, 100% of the proceeds will go C-Sharp Album Launch Ernest Ranglin and The Sidewalk Doctors at London’s Jazz Cafe Jamaican band C- Sharp launched their album in Kingston on After a five year absence, the maes- November 15th. tro returns...

The band C-Sharp launched Having been instrumental in the birth of both ska their sophomore album yester- and reggae, guitarist Ernest Ranglin, O.D., is a day Tuesday, November 15th true giant of music. No wonder then, that London’s at the Edna Manley School Jazz Café was just as crammed as it was when he of Arts, Kingston. The album last passed through five years before, with local which is titled ‘The Invitation’ reggae legends Mafia & Fluxy in tow. consists of thirteen tracks and This time the band was a simple drums, bass includes collaboration with and baby grand piano configuration. Their jazzier Busy Signal and Third World. sound was perfect for a ninety minute set almost Well known musicians in the exclusively drawn from his 1996 Island crossover business such as producer/ar- album ‘Below The Bassline’ – which brought his ranger , Dean Fraser jazz, ska and reggae adventures together as one. and songwriter Mikey Bennett all contributed to the produc- For the first three tunes – Ball Of Fire, Congo tion of the album. MC for the Man Chant and a hobbling cantankerous Satta night Tony Rebel reminded the Amassagana – he said nothing at all: occasionally audience that he was the first ambling up and down the stage to go eyeball to person to take them on a Euro- eyeball with the bassist, letting his fingers do the pean Tour and it was from then talking. Then he began to address the audience, he realised that they would be jovially threatening to sing a song, prior to an- one of the live bands of the nouncing King Tubby Meets The Rockers (the work future. of “a king”) and the stratospheric Nana’s Chalk Pipe (inspired by “old Jamaican ladies”). At 79 himself, Ranglin still navigates the fretboard The band which consists of all with remarkable verve and vigour, playing with a those great rocksteady and reggae covers con- graduates from the Edna Man- surprisingly dirty tone. His theme-tune, Surfin’, temporaneous with the Fab Four rather than the ley School of the Arts were well started with just guitar, adding bass then drums crooning standards that followed their demise) supported on the night by both then piano, slowly creeping into both hips and that really loosened up the crowd. past and present students and minds. For the encore, after being demanded as London plays host to another Jamaican guitar also key players in the music in- raucously as a laid back Jazz Café could manage, hero, in the Wailers Julian “Junior” Marvin, who dustry. Their next performance he returned for Lively Up Yourself and Below The follows Ernest to the capital with a show at Open will see them at the Karl Hen- Bassline, before, clutching his sheet music and in- The Gate on December 2nd. drickson auditorium at Jamaica strument, he ascended the stairs for good. College on December 9th. Support came from London’s own Sidewalk Doc- tors, who are as likeable as their 60s enthused Report and photos Report and Photos by music. They played a selection from their new six by Angus Taylor Steve James track EP ‘Music Is Medicine’, although it was their cover of the Beatles All My Loving (which recalled Reggae One Love Grammy Sound 2012 Festival 2011 Nominees The festival took place in Worclaw, Po- I’m still laughing. land on November 26th. The Grammy nominees for best reggae album have been an- This was my first time visiting nounced. The proud nominees Poland, I didn’t see much of it are ’s ‘Harlem- but what I did see I liked, a lot! Kingston Express Live!’, ’s ‘Reggae Knights’, We flew from London on Satur- Stephen Marley’s ‘Revelation day morning to Worclaw, after Pt 1: The Root of Life’, Ziggy spending far too long on buses Marley’s ‘Wild and Free’ and taking us all over Worclaw and Shaggy’s ‘Summer in Kingston’. nowhere near the venue for One Love Sound Fest, it was As usual parts of the Marley I can’t say I have much trust in Angeles, and I hope – and I getting dark and we finally ar- family are nominated along these experts nor the Academy could also bet on it - that Ste- rived at the venue. with the usual odd choices. members when it comes to reg- phen Marley walks home with gae. However, it’s hard to be a gramophone under his arm. The venue was not open yet To be a part of the Grammy too critical since I have no idea and there was a large crowd nomination procedure you have what albums that actually have waiting at the entrance. When to submit a physical copy of the anybody appeared inside to been submitted for selection. Article by Erik Magni recording to the National Acad- even come close to the doors emy of Recording Arts and Sci- The nominees that have been the crowd of excited fans be- ences (NARAS). And once the presented are pretty far away gan to cheer. The doors opened work is entered it’s reviewed from my own list. I’d have add- and we were in! by more than 150 said to be ex- ed Alpheus and Takana Zion perts from the recording indus- and their excellent albums. The venue for the festival was try. These experts then decide And if you would like more well- very impressive, there was a if the work is eligible or not. known artists you could check variety of food on offer, official the albums from Sizzla, Richie merchandise for sale and other The resulting list is circulated Spice and Alborosie, who re- things for the excited punters to all NARAS members, and cently won the MOBO Award. to purchase. they are the ones that make the final decision about the winner Last year I wrote that the Reg- We headed for the main stage in each category. The Academy gae Grammy is a joke, and I’m where they were still sound members are required to vote still laughing, even though checking. The first few acts based upon quality alone. This I hope that this event will on the main stage were Me- means that they should not be promote and highlight the sajah and Star Guard Muffin influenced by the commercial real gems in reggae music. although we could not under- success of an album, which is stand the lyrics because these The Grammy Awards 2012 will probably easier said than done. were Polish artists; the per- be held on 12 February in Los formance was great and really Pablo Moses in Brussels enjoyable. The fans that could are there holding your ground the flight home to England! understand the lyrics really for the next eight hours but loved it and were going crazy! not here, you could come and The festival was situated just Reggae legend copper go freely and still get a front outside of the city centre, there fastens his status. Next up were Dub Incorpora- row position which was great! was no curfew as far as we tion, a group I have wanted to were aware with the last act As time takes its toll on a gal- see for several years now. They took to the stage next. scheduled to come on stage at axy of reggae musicians who did not disappoint, an awe- After seeing Etana in London two thirty in the morning. The have been called ashore by some performance! However, for The One Love Peace Festi- line up for the festival was re- Jah, it is a real privilege to wit- like we had trouble understand- val in the summer I was looking ally impressive with artists ness one of the living legends ing the Polish artists it seemed forward to seeing her again. A from all around the world. We doing what he does best. And the Polish fans had trouble great show once again, singing unfortunately missed many so, in late November Pablo Mo- understanding the English songs like Blessings, August of these due to poorly timed ses treated Brussels - the city speaking French artists. When Town and bob Marley clas- flights, we missed out on see- of bureaucrats, business and the crowd were asked to nod sics like Is This Love although ing Pablo Moses from Jamai- big buildings - to a musical producer/keyboardist Geoffrey though like many of his con- their heads they started clap- due to the language barriers ca, Jahdan Blakkamore from feast of conscious roots reg- Chung. Reflecting the nature of temporaries, his biggest mar- ping, when they were asked to again when the microphone the USA, Pow Pow Movement gae. As part of a double bill the music business this clas- ket is in Europe, with France bounce to the left they began was turned to the crowd to sing from Germany which was a real featuring the soberly serious sic album was well received featuring predominantly. In the waving, however it did not take the chorus the crowd was very shame! However we are check- Linton Kwesi Johnson, it was but unprofitable for Moses. course of a show running well long before the whole crowd quiet which was disappointing. ing dates now for when we can encouraging to see ‘old school’ This prompted 2 years study at over an hour Moses and his were bouncing! Although it ap- catch up and see these artists, reggae draw a full house and the Jamaica School of Music, 5 piece Revolutionary Dream After another set change on peared frustrating for the art- hopefully it won’t be to long! light up the annual Brussels’ though ten successive albums Band rightly replaced Brussels’ came Alborosie the highlight ists at first, everyone was en- ‘Festival of Liberties’. The festi- failed to emulate this mid-70s preoccupation with a ruinous of the festival for myself, the You really do get your monies joying themselves. I have seen val is described as a globalized classic. Now after a 15 year gap recession with some real roots artist I had most been look- worth with this festival. A real videos of ‘jump up again’ and expression of continuous ac- comes ‘The Rebirth’ - adorned rock reggae. Nevertheless this ing forward to and wanting to chilled out festival with long I wasn’t sure how this would tivity in defence of the rights, by Jamaica’s very finest ‘play- was no ‘forget your troubles see for a long time. Alborosie sets by lots of awesome art- work with the language bar- liberties and values of univer- ers of instruments’. At last we and dance’ Marley-esque type said how he had been told by ists in a really cool location! riers between the artists and sal democracy, despite the fact have a real contender for high event. Moses is renowned for somebody whilst he was play- fans. However after a short that it is held in a vast historic office, with Moses back to his highlighting the ills of inequal- ing at a gig in France how ‘the With many major budget air- while everyone got down low and beautiful former muni- best and the promise to see ‘at ity and injustice, greed, corrup- Polish like ska music and they lines offering cheap flights ready to jump up again and tions/armaments store! Now in least three more new original tion, racism, sexism, war, the love dancing’. This is true and from a variety of airports in Eng- when they did, they really went his 60s, but defying the laws conscious albums in the space abuse of mother Earth and the they proved it! Alborosie gave land going directly to Worclaw for it and loved every moment of nature and biology, Moses of four years’. So put on your succour afforded him by Ras- some dancing tips to his fans and hostels in the lively city of it! I have never seen so much dispelled any lingering doubts seat belt for what should be a tafarianism. Moses explains and the crowd went wild for centre, for only eight pounds energy from a crowd before! as to whether he would be able lively ride, starting with ‘The ‘I am always considered to be ‘Patricia / ’ mix. per night, bus tickets for sixty to deliver a high energy perfor- Rebirth’, hosting 13 tracks with controversial. And I want to re- The crowd may of had so much Alborosie smashed it! Whip- pence per day, this is a festival mance of distinction. Without the cream of Jamaica’s reggae main that way’. However he is energy from being able to re- ping the crowd up in a frenzy to which can be done on a tight question, this is exactly what veterans on board, including eminently capable of address- lax at times.. During the set classics from his ‘Soul Pirate’ budget and is well worth it! he does. Sly and Robbie, Dean Fraser, ing these themes in a lively changes between artists there album: Waan The Herb, Police I look forward to One Love Skully, Sticky Thompson and manner, via intricate musical would be around twenty min- and Still Blazing along with Moses shot to fame in the mid- Sound Festival 2012 and we will Dwight Pinkney. arrangements overlaid with his utes spare. People would sit on songs from his new album ‘2 1970s on the back of the classic be booking hotels so we can husky to haughty height voiced the floor and chill out, pop out Times Revolution’ like Respect ‘Revolutionary Dream’ album, stay for the whole festival next Pablo Moses has been touring delivery and theatrical manner. for something to eat or drink. and La Revolucion. Unfortu- year and explore Worclaw more! engineered at the infamous extensively in South, Central Which was a very different ex- nately we couldn’t stay for the ‘Black Ark’ studio by the mer- and North America, Canada, Indeed such was the impact of perience for me. Normally you whole of his set due having to Report and photos by curial Lee ‘Scratch’ Perry, un- Europe, Scandinavia, Japan his crack 5 piece support (in get to the front row and you get back to the airport to catch Andrew Thompson der the watchful eye of the late and the Caribbean for decades, the form of Patrick Anderson (drums), Andrade Bowen (key- over the world. Regrettably the moving beyond one’s ‘com- boards), Keith Francis (bass), sound faltered temporarily at fort zone’ can be costly, as re- Patrick Frazer (keyboards) and this point, but Moses didn’t. flected in one reviewer’s (se- Kevin Patterson (guitar)) that Turning to the plague of shoot- vere) categorisation of his 1995 the absence of a horns/brass ing and looting he pleaded ‘modern roots and light dance- section was barely noticeable. with his old pal ‘Charlie’ (from hall’ album as ‘contemporary Dressed in a white peaked cap, his 1990 ‘We Refuse’ CD) to crap’! However Moses is no bright yellow top roaring ‘JA- leave this Rasta in peace, inter- stranger to adversity – includ- MAICA’, white pants with rasta spersed with extensive stage ing a skull drilling after a 4 day colour stripes and comfortable stalking, handshakes and ‘call coma prompting ‘The Rebirth’ - slipper type boots adorned and response’ techniques with and it is consoling to note that with yet more signs of Ras- his adoring audience. Having his first encounter with the Ja- tafarianism the messiah ap- spun the audience into a musi- maican police on the charge of peared to a rapturous welcome cal fever Moses then took the blowing ganga smoke into the risk of (successfully) silenc- face of children prompted his Opening with greetings to ing all before unleashing ‘A first (and still most famous hit) Brussels and his pleasure at Song’ from his 1980 album of what would pass for military ‘I Man A Grasshopper’. the invitation to perform he the same name, accompanied manoeuvres from the maestro swung promptly into ‘I Am A Though ‘highs’ and ‘lows’ are by manic hand movements as Moses. There was only one an- Rastaman’, confirming that he a feature of all lives, it is en- he directed proceedings with swer to his question “do you was ‘armed and ready’ with his couraging to see Moses return inspiration from his Majesty. want more?” enabling ‘Ready ‘love melody’ for the ongoing to his roots and what he does Moving steadily through his ex- Aim Fire’ to bring the audience revolution. Pursuing the same best, via ‘The Rebirth’ album. tensive back catalogue Moses to yet another high as Moses theme he followed with a frown Long may this founding father then selected the 1981 release displayed even more energy upon ‘So Much’ shooting, cry- of roots and culture reggae ‘Pave The Way’ to ease us into and agility than was evident ing and fighting before raising live. his admonition of ‘Bad Boy’ in his lively opening number. the roof with the incomparable Johnny whose lifestyle does And so it was time for Moses ‘Dubbin Is A Must’ suitably ac- not appeal the high standards to say ‘Merci Beaucoup’ leav- companied by a jump that many of this Rastaman. Moses then ing the audience the way every Report by Gerard McMahon half his age would not dare at- propelled his microphone to great artist leaves an audience Photos by Philippe Vermeiren tempt! There followed a heav- the sky like his namesake is – wanting more and more and ily echo-laden rendition of the reputed to have done with his more .... popular and bouncy ‘Outlaw’ staff when parting the Red Sea from his ‘Tension’ CD of the when leading the Israelites out Reviewing his life’s fortunes, mid 1980s. Now in full flow Mo- of slavery in Egypt. This was Moses explains that – with- ses then advised his audience the signal for his most famous out diluting the message of that ‘Rasta’ is ‘no gimmick’ and of all songs ‘Revolutionary consciousness - he has fre- ‘no glamour’! Accompanied by Dream’, as he pleaded with his quently attempted to reach much signalling, gesticulating, audience to ‘Come on, let me out to the ‘now generation’ remonstrating and extended hear you, hear you’, which he – including those enamoured dance movements the maestro surely did for a song that will by the ‘dancehall style’: “I try repeatedly exhorted his audi- surely outlive Moses and his to adapt to changing styles ence to ‘Hail Jah’ before com- audience! The new album ‘The of music. I’m trying to reach petently cooling the tempo and Rebirth’ then got an airing via the dancehall crowd, not warning that ‘we are living in a ‘Mama Yeah’, ‘More Than You just with the beat, but with a world of sin’ via the easy flow- Can Chew’ and ‘Born To Be message that is cultural and ing ‘Woo-oo’ which reminded Bad’, appropriately warranting sociologically connected”. us that people are starving all much audience acclaim and However the price paid for A Night Of Love in Bahamas

Beres Hammond, Tanto Metro and Devonte, TOK, Gramps and Pe- ter Morgan, Bennie Man and more live in Bahamas.

November 18th and 19th saw A Night of Love being held on the beautiful island of Nassau, Bahamas. The first night which was staged at the Bowling Alley saw a number of dance- hall artistes performing to a super packed venue. Several local DJs were spinning their selections before the real heavyweights took the stage. Among the headliners for that night were Lexxus, Tanto Metro & Devonte, TOK and .

A Night of Love Part 2 was held in the ball room of the Wyndham, Nassau. The lineup was mixed and included overseas acts like Jaheim and R&B singer Joe along with reg- gae artistes Gramps & Peetah Morgan, and the Harmony House Sing- ers. Joe thrilled the audience with his numerous hits and had the Bahamian audience singing to his every note. Beres Hammond delivered close to an hour of solid reggae music. The crowd got into a frenzy when Joe joined Beres Hammond on stage to do an impromptu piece. Additionally, while Beres Hammond performed Can You Play Some More he was joined by Tanto Metro who delivered the DJ portion of the song normally done by Buju Banton. All in all, A Night of Love turned out to be a tremendous success.

Report and photos by Steve James Alborosie Hollie Cook in Rotterdam in Paris It’s a long time since the reg- On 1 December UK singer gae community welcomed Hollie Cook visited the Gaite a newcomer to its fold with Lyrique in Paris supported the same enthusiasm as has by The Shaolin Temple De- been extended to Alborosie. fender and Horseman. Yet this 34 year old Italian son of a policeman has now Hollie Cook is no rookie in emerged as the most unlike- the music business. Her fa- ly ‘great white hope’ of a reg- ther Paul Cook was drum- gae renaissance. Fuelled by mer in legendary punk band the ‘best reggae act’ MOBO , and Hollie her- award for 2011 – which self has also tried her wings brought him ‘great joy’ - and in this genre, as part of The a new album release, the Al- The Rotterdam show was . And all the while Slits. borosie and Shengen band prefaced by the surprising Alborosie was bringing the reggae roadshow hit the announcement of Burning audience to a peak, chal- The Shaolin Temple De- mid-point of its 15 date tour Spear’s imminent arrival lenging them to dance ska fender – a band mixing funk, in Rotterdam and Utrecht in – date to be announced! better than all their prede- rhythm & blues and soul late November. Thereafter the maestro cessors in Lyon the night – was the warm-up act and sprung forth, with the band before. delivered a heavy set. Supported by the talent- swinging into Kingdom of ed brass-infused 10 piece Zion and Alborosie preach- Drawing on his 3 works of Hollie Cook was backed by reggae band Danakil from ing that there be No Cocaine art (i.e. C.D.’s ‘Soul Pirate’, a band delivering power- France on both nights, the because instead he Waan ‘Escape From Babylon’ and ful reggae, dub and electro bar was set high for the main the Herb as he’s a Herbal- the latest ‘2 Times Revolu- rhythms, which accompa- act. But wielding a righteous ist (“if you love marijuana tion’), the audience were nied her delicate voice well. attitude - via an 8 member say yaay!” he exhorts his treated to a musical feast. entourage - comprised of Al- audience in the ‘no smok- Though loftily calling in the On stage she was accompa- borosie, 2 female vocalists, ing’ venue). Prancing, sig- new album’s title for a spir- nied by the U-Roy sounding 2 pianos\synth, lead and nalling, remonstrating and itual and musical revolution, deejay Horseman. This duo bass guitar, stirred up by smiling at his audience, a the package presents as a is certainly a breath of fresh determined drumming, the high powered rendition of remarkably coherent and air on the reggae scene. main act certainly deserved Real Story followed, before high quality mix of roots its status. Rotterdam’s Off- the rap-infused treatment reggae, Latin, hip-hop, soul, Report and photos by Corso and Utrecht’s Tivoli was given to Camilla. This lovers’ rock, 80s synth-lite, Franck Blanquin venues rocked on consecu- provoked a rapturous re- 90s rap-infused and tradi- tive nights for over one and a sponse, as Sandy Smith lit tional toasting ingredients. quarter hours to the sounds the night segueing into My It is rare for any artist to from this new high priest of Boy Lollipop, ably aided by fuse such influences whilst reggae. Giuseppe\Tony Tarantino’s retaining the purist’s impact – but Alborosie manages it you guys betray me’. So it extended warm greetings to Yet it was a notable reloca- with aplomb, both on disc was apt that he should re- his Rotterdam and Utrecht tion given that many other and in action (live). mind us all that he cannot audiences. stalwarts of the business be stopped as he’s Rolling were moving out of this im- Money (introduced with Like A Rock, so please step Alborosie has succeeded poverished and strife-torn Marleyesque ‘Y- Ooos’), Re- away, don’t get in my way. where many have failed. island (e.g. the legendary spect, Police and Sound Killa O.K., no argument there. Blessed with a wondrous and incomparable Burning kept the show’s tempo at fe- voice - together with the ca- Spear’s shift to New York). ver pitch. Alborosie may not Having introduced his fellow pacity to play guitar, bass, But it was this relocation, say much between songs, musicians, the show’s en- drums and keyboard, on top together with a burgeoning but he has plenty to say in core featured I Can’t Stand It of an apprenticeship as a musical reputation, that has the lyrics that come pump- (with space odyssey sound sound engineer and produc- enabled him to work with ing out at a remarkably high effects remarkably well re- er – this force of nature com- many other musical luminar- velocity. The precision vo- strained in a dub roots reg- petently combines the vari- ies such as ’s cals (and choreography) of gae format) together with ous strands of the reggae Mykal Rose, Luciano, Kym- the female singers Annakim International Drama a beau- family in a single showing. ani Marley, U Roy, Horace discrimination, Alborosie is to have no such ambitions. and Smith again came to tiful ‘one drop’ Italian im- In summary, the key asset in Andy, , Sizzla, prepared to take a wider lens But the smart money is on the fore in Still Blazing, al- port allowing Tarantino to this artist’s bank is his won- Etana, Gentleman, , on the world’s wickedness, this genius going the dis- lowing them to hit the high indulge his considerable Pa- derfully rich vocal versatil- Beenie Man, Morgan Herit- even daring to demand that tance. Much respect! notes - serving to sharply varotti-style talents. Little ity, used to give expression age\Gramps, Steel Pulse, America should ‘call back yet sweetly contrast with doubt but that the set’s last to a host of influences and , Sizzla, Shab- your soldiers’ from foreign Report by Gerard McMahon the serious gravel pit vocal song Kingston Town reflects to present as all things to all ba Ranks, Queen Latifah shores. Photos by Magda Herter effect of Alborosie himself. Alborosie’s desire to see the people in the reggae arena. and by gift of technology, end to a tough but success- with the late Dennis Brown. In this artist’s opinion ‘peo- It was fitting that the art- ful tour, enabling him to re- He has worked hard to build Some serious networking ple remember you not be- ist then took time to ad- treat to and recover at his a musical career, effectively going on here! A tantalising cause you have a big house vise his audience that a life home in Jamaica. starting at 14 years of age. treasure from these liaisons and big cars’. Whatever the ‘without spirituality is like a His first recording contract is the recently released lim- future holds for Alborosie, tree without roots” – hence As part of a 15 date Europe- was signed (by his father ited edition ‘Alborosie Spe- he will certainly be remem- the warning: ‘Jesus He’s an tour the following even- on his behalf) at the age of cialist and Friends’ double bered – and still have the Coming’. This was the mo- ing saw the party hit that 17, prompting a decade of C.D. with 27 tracks – surely option of a ‘big house and ment for another superb quaint cobblestoned city of touring and ~8 album re- to be a collectors’ item in big cars’. His fortunes will rendition, wonderfully aug- Utrecht – where the play- leases. Not least amongst time to come. be closely monitored by mented by the girls’ vocals list varied little from the his efforts was – despite many. Hopefully unlike his – whose presence ably com- previous night. Despite the considerable popularity in Unlike some of his contem- predecessor and hero Bob pensated for the absence impact of the international Italy - a move to Kingston, poraries, Alborosie has no Marley this will not include of a brass section. After recession and the fact that Jamaica in 2000, which was time for homophobia. Like- the C.I.A.! Whilst it’s clearly the band’s drummer (and the concerts were held mid- a ‘not nice’ experience in wise unlike most of his reg- a case of ‘so far so good’, leader, Dave ‘Prime Time’ week, both were very well the early days. Allegedly gae contemporaries he is the prospects for a reggae Green) had taken the micro- attended - ensuring a big this move had little to do not afraid to jeopardise pop- chartbuster a la Marley or phone to unleash Murderer, welcome for ‘the man from with being a musician, as he ularity by speaking his mind. UB4O now seem strong. The Alborosie returned to stage Sicily and Jamaica’. Unlike claims he ‘could have been Whilst the reggae genre has genre and the artist could teasing his audience with some of his contemporaries a fisherman’. However for a been to the fore in raising do with it ... though you the accusation that: ‘I leave this artist has a keen sense man with accumulated mu- consciousness about the don’t always get what you the stage for one minute and of his whereabouts, as he sical success enabling him injustices wrought by racial want and Alborosie claims Frankie Paul and Cocoa Tea in Paris

Two veterans recently mashed up the place in Par- is. Frankie Paul and Cocoa Tea gave a great show and it was pure niceness in the dance.

Frankie Paul performed some of his biggest tunes – a Channel One showcase.

Cocoa Tea enjoyed himself and didn’t want to leave the stage, despite desperate pleas from his manager. And the crowd went wild during the final parts of his show.

This evening might just have been the best show in Paris during 2011.

Report and Photos by Franck Blanquin Leroy Smart I-Wayne Album at London’s Launch Brixton His very first CD ‘Lava Hootananny Ground’ followed by ‘Book of Life’ proved to be very Some personalities are successful. I-Wayne is well described as “larger than known for hits such as Can’t life”. Some artists are bet- Satisfy Her, Living In Love ter known for their life than and Life Seeds and is look- their work. But Alpha Boys Pride and Ambition - with tics. His habitual stopping ing for great things from his School alumnus Leroy Smart some colourful language and starting of the Hootan- new album. With the album is one of the few whose along the way. anny’s conglomerate Artist out, the singer says that he eventful life and extraordi- band and incessant patter will now concentrate on pro- nary back catalogue are at a You couldn’t fault the Don’s between verses drew a few motion in 2012. constant standoff. abilities as a performer. His boos and shouts of “play astonishing anguished voice the song” mixed in with the The event was attended by December 11th’s Hootanan- sounded just like his records. applause. But the divisive several people in the mu- ny show (postponed from its And, while he stopped short Don has always done things sic fraternity and fans of original date of November of the back flips of folklore his own way, and as the full the reggae singer. Artistes 13th) was even more packed that accompanied his shows house demonstrated, is in- such as Fred Locks, Sizzla, than usual for an artist who back in the day, he moved variably a memorable sight Protoje and Bongo Herman has played only sporadically with a sinuous grace of a and sound to behold. could be seen in the crowd in London since the 80s. “At youth. The reaction he got lending their support to I- Brixton Academy I was only from female audience mem- Support came from the Wayne. Even with the many here for a short thing now bers of the was astonish- tall, casually dressed lov- other events being held on I am doing the long thing” ing so it’s understandable ers singer Leroy Simmons the same night, I-Wayne’s said the flamboyantly at- that, as a proud man who and the diminutive besuited album launch was very suc- tired singer to a throng; their successfully navigated the singjay Tad Hunter who both cessful. sweltering collective body roots/dancehall transition, performed over backing heat as fierce as the cold he would want to celebrate tracks. Report and photos by outside. He was referring to the latter side. He did sing Steve James a Reggae Valentines bill in his roots classic Jahoviah on Promoter Cecil Reuben told 2005 where he prematurely the Every Tongue rhythm, United Reggae that The left the stage. This time ar- although it would have been Hootananny is putting on a riving at midnight (after nice to hear at least one tune second, send off show on an hour’s selection by MC from his early 70s asso- January 8th before Mr Smart Trooper and Brother Culture) ciation with Jimmy Radway, returns to his Jamaican he stayed for 70 minutes: even if it was never likely to home. opening with his 1982 Vol- happen. cano hit I am The Don before Report by Angus Taylor building to his Channel One Some punters seemed to Photo by Veronique Skelsey smashes Ballistic Affair and take exception to his an the clashes again. In a senti- houses down from the James sic (“except stupid music”). ment echoed by each of his family. gave I was fortunate to be there children, he maintained that him the name Baby Giant as for his first weekly party King Jammy’s keeping the studio in Water- a child because he was so held in the yard, Nipples Dynasty - The house is crucial to the mu- tall but it was shortened to Tuesday (sounds titillating, sic, that this is where their Baby G as he grew up to the sic). His two young sons can Next Generation roots are. He said he has no name, which he jokes can frequently be found at the plans for retirement and is stand for gangster, genius, studio as well so I can only Discover the sons of King proud that his children are sort of an open ended moni- speculate that they will be Jammy, John John, Baby G in music full time as well. ker. In 1998 he hooked up a part of the third generation and Jam 2. small studio with equipment of the Jammy’s dynasty. John John is the oldest and his father wasn’t using to What must it be like growing was the first to work the start recording with Wayne. Upstairs, in addition to the up in Waterhouse, Kingston sound system with his fa- When asked what tune put newly built second studio, 11, across the street from ther. Photos of their early Baby G on the map, he re- is the beginning of what will one of most highly respect- clash victories can be seen plied Mavado’s On the Rock, either become suites for the ed studios in Jamaica? For around the studio. His most done on the Mission Riddim use of clients of the studio a start, you probably didn’t recent project is Sizzla’s first recorded for Stephen or a nightclub. There is talk hang out playing video critically acclaimed ‘The and Damian Marley. He feels of an all inclusive recording games or watching tv after Scriptures’ album. He told like Jamaica is lacking in experience whereby produc- Josh his name comes from quality control right now and ers and artists could fly into school; you were usually in machines have churned out Junior Gong, just released a man named Flingfoot, no needs to step up to quality Kingston, be assured of a that very studio, watching some great sounds over the the Captain Riddim, com- real idea why, but it stuck. mixing and mastering. Baby prompt and safe ride from and listening to everything years, while the full ProTools plete with video mix on He admits to teaching Bobby G is currently working with one of the Jammys staff, that was going on around suite is utilized as well and youtube. Jam 2 and Camar Digital how to cut dubs on a Patexxx, part of the Alliance work any and all hours in the you as literally thousands those huge Tannoy speak- Doyles comprise Jam2 Pro- lathe but insisted he learned next generation. An album studio and keep the vibe go- of hit records were created. ers bring out every nuance ductions (and sometimes much from Bobby as well as is in the works and plans ing. Right across the street Or at least that’s how I im- Block 17 Productions), pro- of sound. agined it and it turns out to King Tubby. His first hit, I’m are being made for touring. they could eat breakfast, ducing artists such as Gyp- in the Middle by Johnny P He also continues to co-pro- lunch and dinner or have a be true. Josh Chamberlain aka Soul tian, Jah Cure and , and Foxy Brown,came out duce with Damian Marley. few Red Stripes at the for- of the Lion recently visited just to name a few. Earlier in on the Father and Son label mer James home, now being Apparently the result was with the family at Jammy’s his career, Jam 2 was known but he later felt the need to Jammy James, pka Jam 2, is refurbished as a restaurant/ three equally talented sons St. Lucia Road studio to re- for dancehall anthems such establish his own label, John the youngest son but he’s bar. The complete package of the legendary King Jammy cord a radio documentary as ‘Beyonce Wine’ by Vybz John Records. He said he re- already fully into the mu- is still in the planning stages and Iris James: Lloyd ‘John on Jammy’s, the next gen- Kartel. I guess it’s just in the ally enjoys working with sic as well, usually with his but both top of the line stu- John’ James Jr., Trevor ‘Baby eration, with a special em- genes. Sanchez, Bounty Killer, Ter- production partner Camar dios are open for business G‘ James Jr. and Jammy ‘Jam phasis on sound systems, ror Fabulous and Sizzla. He Doyles, who’s also a record- and clients can be housed at 2’ James. (Actually, son #4, as he is writing his doctoral And with the completion of has Sanchez, Michael Rose ing artist. They are working nearby hotels. Christopher ‘CJ’ James is thesis on that topic. In their a second studio, general and Tony Curtis albums in on an album with Lisa Hype also a producer living in Can- conversation, King Jammy upgrades all around the the works and is excited by and another with Dre Island, Come and check out the his- ada.) It’s definitely a family noted that sound systems Jammys complex and an in- a new female artist he’s re- a new conscious artist. Jam tory and future of reggae/ business these days, as the used to be the main promo- novative studio package in cording, Tazurdee. 2 says his father taught him dancehall music for yourself. ‘James Gang’ alternate late tional vehicle for new songs, the works, the James Gang Baby G was born in the U.S. everything he knows, that nights in the studio. Name whereas now music goes are still busy turning out but grew up in Jamaica be- he’s the person he looks up any of the great dancehall new hits around the clock. straight to radio and digital artists and 99 times out of fore migrating to Canada to. Although he considers his Article by Susan De Leon You can record either analog to work for a time, then re- sound unique, he admits to 100, John John has produced However, King is bringing or digital or both here, unu- turning to the family studio. tapping into the King’s bass them. Baby G, in addition back his sound system be- sual in this day and age, but He first began working with frequencies. At heart he’s a to co-producing tracks with cause people seem to want those Otari 32-track track who lived 3 music lover, all types of mu- cannot mistake the distinctive Under his Xterminator label, his guitar sang Sweep Over Tribute to sounds. he successfully managed the My Soul for him at his bedside. Fattis Burrell careers of Luciano, Sizzla, If you heard I Could Beat My- Diana Rutherford and many Xterminator has during the self by Beres Hammond, more. It is widely debated that last year started to produce “He was really dedicated Where There is Life by Luciano Luciano’s best work with his and release material again. to his music and a great or Praise Ye Jah by Sizzla, you albums ‘Where There is Life’ The production has been han- contributor to the frater- would never make the con- and ‘Messenger’ were done dled by Burrell’s son Kareem nity and humanity” nection unless you are in the under the tutelage of Phillip Burrell. music business. Yet, producer Burrell. He produced a num- Veteran producer and hit Phillip Burrell has been an in- ber of hits for Cocoa Tea, Be- “He was a great influencer, maker Phillip “Fattis” Burrell tegral part of the music indus- res Hammond, Turbulence, great father figure and great died on Saturday December try since the early 90’s. Ini Kamoze, Prince Malachi, producer,” says Kareem Bur- 3rd suffering complications Sanchez and Frankie Paul to rell, who was beside his father of a stroke. He has worked He was born in Trench town name a few. until his final hours. with several of Jamaica’s and left for the UK where he most successful artists, and spent most of his teenage “The industry has lost a great Among some of the top selling had many friends. United years. Upon returning to Ja- individual and producer,” says albums produced by The Xter- Reggae has talked to some maica he later got into the mu- a well-known and successful minator label was ‘Full Atten- of them. sic industry. Jamaican artist, who wants to tion’ by Beres Hammond. This be anonymous. album provided chart success After suffering a mild stroke, “I’m heartbroken over my old with hits like Freedom, Full At- veteran producer Phillip friend from Birmingham. So Luciano worked with Burrell tention, Empty Inside, No More “Fattis” Burrell was admit- many memories and so many extensively in the 90’s and Pain and Love Means Never to ted to the University Hos- reasons to feel grateful to- was a part of the Xterminator Say I’m Sorry. pital of the West Indies in wards him. He did a great deal Crew for a number of years. Kingston on November 17th. for me and I’ll never forget One cannot either forget the His condition later worsened him,” says John Masouri, jour- Luciano’s two albums for Bur- many hits from Sizzla’s ‘Praise and he was placed in the In- nalist for Echoes Magazine in rell - ‘Where There is Life’ and Ye Jah’ album and other songs tensive Care Unit where he the UK and a close friend to ‘Messenger’ - are still regard- like Babylon a Listen, No White spent his last two days. Burrell, and continues: ed as hallmarks of the singer’s God and Dem Ah Try and Thing. catalogue. They produced He passed away on Satur- “He is the last of the great Ja- such classics as Lord Give Me Additionally, Ini Kamoze’s day, December 3rd, after maican record producers. The Strength, Over The Hills, How worldwide smash hit Here suffering several conditions stable of artists and musicians Can You and Guess What’s Comes the Hot Stepper – fea- which included kidney fail- Fattis had around him during Happening. tured in the motion picture ure, stroke, pneumonia, pul- the 90’s could rival those of Prêt-à-Porter –was a remake monary embolism and other or . “He was really dedicated to his of the original hit song Hot complications. He was 57 Like them he had an instantly music and a great contributor Stepper produced by Phillip years old. recognizable sound, and made to the fraternity and human- Burrell. the kind of timeless music that ity. He will be greatly missed, Mention the name Phillip Bur- reggae lovers will be playing condolences to his family,” The list could easily go on and rell and few might recognize for many years to come. He says Luciano, who had the op- on about Phillip Burrell – this it. Seeing him walking into a was also Birmingham’s finest portunity to visit Burrell while remarkable producer. room you could not ignore his musical export, but not many in the hospital and armed with giant stature. Listen to some people know that!” Article by Steve James of his productions and you MAGAZINE

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