Pablo Moses INTERVIEW
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O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
Wir Machen Betriebsferien Vom 22.07.2001 Bis Zum 29.07.2001 Sind Unser Mailorder Departement Und Shop Wegen Betriebsferien Geschlossen
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 99 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10"&12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 04.06.2001 BIS 30.06.2001) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 2,- DM (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTER EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ WIR MACHEN BETRIEBSFERIEN VOM 22.07.2001 BIS ZUM 29.07.2001 SIND UNSER MAILORDER DEPARTEMENT UND SHOP WEGEN BETRIEBSFERIEN GESCHLOSSEN. PLEASE NOTE: OUR MAILORDER DEPARTEMENT AND SHOP WILL BE CLOSED FROM 22.07.2001 TO 29.07.2001 AS WE TAKE OUR BUSINESS HOLIDAY. WIR BITTEN UM BEACHTUNG: SEIT 01.07.2001 HABEN SICH DIE VERSANDPREISE GEÄNDERT. (SIEHE VERSAND/ZAHLUNGSBEDINGUNGEN) PLEASE NOTE: WE HAD TO ADJUST THE SHIPPING COSTS TAKING EFFECT FROM THE 01.07.2001 (CHECK VERSAND/ZAHLUNGSBEDINGUNGEN AT THE BOTTOM OF THE CATALOGUE) IRIE RECORDS GMBH NEUHEITEN-KATALOG 07/2001 SEITE 2 *** CDs *** ADMIRAL TIBBET....(AB 20.07.01)... TRY TO REACH THE TOP.......... BRICKWALL...... (USA) (01/01). 39.95 DM ANTHONY B......................... THAT'S LIFE (+ 4 BONUS)....... VP............. (USA) (01/01). 39.95 DM EVERTON BLENDER (feat. ANTHONY B /TONY REBEL/BEENIE MAN).......... VISIONARY (16 NEW TRACKS!).... HEARTBEAT EUROP (NED) (01/01). -
Read Or Download
afrique.q 7/15/02 12:36 PM Page 2 The tree of life that is reggae music in all its forms is deeply spreading its roots back into Afri- ca, idealized, championed and longed for in so many reggae anthems. African dancehall artists may very well represent the most exciting (and least- r e c o g n i z e d ) m o vement happening in dancehall today. Africa is so huge, culturally rich and diverse that it is difficult to generalize about the musical happenings. Yet a recent musical sampling of the continent shows that dancehall is begin- ning to emerge as a powerful African musical form in its own right. FromFrom thethe MotherlandMotherland....Danc....Danc By Lisa Poliak daara-j Coming primarily out of West Africa, artists such as Gambia’s Rebellion D’Recaller, Dancehall Masters and Senegal’s Daara-J, Pee GAMBIA Froiss and V.I.B. are creating their own sounds growing from a fertile musical and cultural Gambia is Africa’s cross-pollination that blends elements of hip- dancehall hot spot. hop, reggae and African rhythms such as Out of Gambia, Rebel- Senegalese mbalax, for instance. Most of lion D’Recaller and these artists have not yet spread their wings Dancehall Masters are on the international scene, especially in the creating music that is U.S., but all have the musical and lyrical skills less rap-influenced to explode globally. Chanting down Babylon, than what is coming these African artists are inspired by their out of Senegal. In Jamaican predecessors while making music Gambia, they’re basi- that is uniquely their own, praising Jah, Allah cally heavier on the and historical spiritual leaders. -
Reggae / Dancehall / Hip
forment le fondement de sa vision artistique. Il s'est produit avec des légendes du dancehall tels que Capleton, Kiprich, De Marco ou Antony B, sans oublier de mentionner de nombreux prix remportés comme le 1er prix du meilleur singjay de Genève en 2002, 1er prix du meilleur singjay de Suisse en 2006, et 1er prix de la meilleure chanson reggae européenne en 2009. Créateur et porte-parole de la jeunesse actuelle, Charly B est unique en son genre. Non seulement côté et reconnu, il est aussi l'esclave de sa muse, cette passion créatrice qui l'habite, et qui est à l'origine de ce son neuf. Ce chef-d’œuvre de la musique franco-jamaïcaine est sans doute l’album le plus abouti de sa carrière. Le flow de Charly B est dynamique et entrainant. Son timbre de voix bien particulier est addictif. On trouve différents tempos dans cet opus, allant du très lent et doux aux rapides et motivant CHARLY B – Forever (French Edition) pour les soirées endiablées. Charly B chante et parfois rape, toujours avec un bon message. Que ce www.iwelcom.tv/charlyb soit une musique pour club ou plus relaxante, l’album Forever propose toutes sortes de vibes. http://www.charlyb.com Sachant s'adapter à différents styles (reggae, dancehall, hip hop, fusion Afrique, Caraïbes) l'artiste http://www.charlybmusic.com + Myspace + Reverbnation + Sonicbids.com = /charlyb propose avec "FOREVER" 15 titres de qualité grâce auxquels il nous emmène dans son univers. Son Facebook + Twitter + Soundcloud.com = /charlybmusic inspiration y a été débordante, si l’on considère les différents flows, styles, rimes et lyrics choisis. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering
Verge 5 Blatter 1 Chant Down Babylon: the Rastafarian Movement and Its Theodicy for the Suffering Emily Blatter The Rastafarian movement was born out of the Jamaican ghettos, where the descendents of slaves have continued to suffer from concentrated poverty, high unemployment, violent crime, and scarce opportunities for upward mobility. From its conception, the Rastafarian faith has provided hope to the disenfranchised, strengthening displaced Africans with the promise that Jah Rastafari is watching over them and that they will someday find relief in the promised land of Africa. In The Sacred Canopy , Peter Berger offers a sociological perspective on religion. Berger defines theodicy as an explanation for evil through religious legitimations and a way to maintain society by providing explanations for prevailing social inequalities. Berger explains that there exist both theodicies of happiness and theodicies of suffering. Certainly, the Rastafarian faith has provided a theodicy of suffering, providing followers with religious meaning in social inequality. Yet the Rastafarian faith challenges Berger’s notion of theodicy. Berger argues that theodicy is a form of society maintenance because it allows people to justify the existence of social evils rather than working to end them. The Rastafarian theodicy of suffering is unique in that it defies mainstream society; indeed, sociologist Charles Reavis Price labels the movement antisystemic, meaning that it confronts certain aspects of mainstream society and that it poses an alternative vision for society (9). The Rastas believe that the white man has constructed and legitimated a society that is oppressive to the black man. They call this society Babylon, and Rastas make every attempt to defy Babylon by refusing to live by the oppressors’ rules; hence, they wear their hair in dreads, smoke marijuana, and adhere to Marcus Garvey’s Ethiopianism. -
Alborosie “Alborosie & Friends“ Album
ALBUM INFO.ENGLISH ALBOROSIE “ALBOROSIE & FRIENDS“ ALBUM Specialist presents “Alborosie & Friends”: Fine double CD set of 24 combination tracks (duets) recorded over the past 10 years, with many songs taken from Jamaican 7Inch singles making their CD debut and including a number of unreleased songs! Also available as LP vinyl with ten selected tracks. LP-Tracklisting: A1. Guess Who’s Coming To Dinner featuring Black Uhuru A2. Outernational Herb featuring The Tamlins A3. Burning And Looting featuring Kymani Marley A4. Tribal War featuring Luciano A5. Meditation featuring Sizzla B1. Waan The Herb featuring Mykal Rose ALBOROSIE B2. Life featuring Jah Cure „ALBOROSIE & FRIENDS “ [ALBUM] B3. Marathon featuring Spiritual B4. Celebration featuring Gentleman VÖ-DATUM: 27. JUNI 2014 LABEL: GREENSLEEVES RECORDS B5. Ganja Don featuring Jah Son VERTRIEB: GROOVE ATTACK / VP RECORDS Alborosie is again the artist to watch in 2014, with multiple projects TRACKLISTE: CD 1 as a singer, songwriter, producer and dub master hitting the market, 01. WAAN THE HERB FEAT. MYKAL ROSE his name and his stock are growing! 02. CELEBRATION FEAT. GENTLEMAN 03. STEPPING OUT FEAT. STEEL PULSE 04. I SURRENDER TO YOUR LOVE FEAT. Here is his double CD of combination tracks (duets) recorded over I EYE the past 7 years. The tracks feature a big range of veteran Reggae 05. MONEY FEAT. HORACE ANDY artists like Steel Pulse, Dennis Brown, Black Uhuru, Horace Andy, 06. TRIBAL WAR FEAT. LUCIANO 07. BURNING AND LOOTING FEAT. The Tamlins or Ranking Joe. The 90ties & current generation is KYMANI MARLEY represented by stars like Busy Signal, Etana, Jah Cure, Luciano, 08. -
JAMAICA MUSIC COUNTDOWN Apr 20
JAMAICA MUSIC COUNTDOWN BY RICHARD ‘RICHIE B’ BURGESS APR 20 - 26, 2018 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 14 Family – Popcaan – Pure Music Productions (1wk@#1) U-1 02 3 13 Body Of A Goddess – Mitch & Dolla Coin – Emperor Productions U-1 03 1 14 Pine & Ginger – Amindi K. Fro$t, Tessellated & Valleyz – Big Beat Records (1wk@#1) D-2 04 6 12 A Mill Fi Share – Shane O – Kswizz Music U-2 05 7 11 They Don’t Know – Masicka – TMG Production U-2 06 9 7 Bawl Out – Dovey Magnum – Journey Music U-3 07 4 17 Yabba Dabba Doo – Vybz Kartel – Purple Skunk Records (1wk@#1) D-3 08 10 9 Stay So – Busy Signal – Warriors Musick Productions U-2 09 5 16 Lebeh Lebeh – Ding Dong – Romeich Entertainment (pp#3) D-4 10 12 8 Mad Love – Sean Paul & David Guetta feat. Becky G – Virgin U-2 11 13 6 Walking Trophy – Hood Celebrity – KSR Group U-2 12 14 6 Love Situation – Jada Kingdom – Popstyle Music U-2 13 15 6 Breeze – Aidonia & Govana – 4th Genna Music & JOP Records U-2 14 8 19 Graveyard – Tarrus Riley – Head Concussion Records (2wks@#1) D-6 15 11 17 Duh Better Than This – Bounty Killer – Misik Muzik (pp#7) D-4 16 18 5 Duffle Bag – Spice – Spice Official Ent. U-2 17 19 5 I’m Sanctify – Sean Paul feat. Movado – Troyton Music U-2 18 20 4 Simple Blessings – Tarrus Riley feat. Konshens – Chimney Records U-2 19 16 19 Suave - Alkaline – Chimney Records (1wk@#1) D-3 20 22 4 War Games – Shabba Ranks feat. -
JAMAICA MUSIC COUNTDOWN Dec 1
JAMAICA MUSIC COUNTDOWN BY RICHARD ‘RICHIE B’ BURGESS DECEMBER 1 – 7, 2017 TOP 25 DANCE HALL SINGLES TW LW WOC TITLE/ARTISTE/LABEL 01 2 10 Mhm Hm – Vybz Kartel – Jones Avenue Records (1wk@#1) U-1 02 1 13 She Nah Leggo – Lanz – Music Records (2wks@#1) D-1 03 3 18 Fling Yuh Shoulda – Ding Dong – Romeich Entertainment (1wk@#1) NM 04 5 11 No Worries – D’Angel & Spice – Good Good Productions U-1 05 4 22 Laugh & Gwan – Mavado – Lee Milla Production (1wk@#1) D-1 06 7 11 Can’t Believe – Kranium feat. TY Dolla Sign & WizKid – Atlantic Records U-1 07 8 10 Grim Rim Rave – Tommy Lee Sparta – Silver Birds Records U-1 08 11 11 No Wahala – Demarco feat. Akon & Runtown – KonLive Music U-3 09 10 13 Nothing Dem Nuh Have Ova Mi – Shenseea – Krish Genius Music U-1 10 12 8 Girlfriend – Busta Rhymes feat. Vybz Kartel & Tory Lanez – Epic Records U-2 11 6 16 Shake Your Bam Bam – RDX – Apt 19 Music (pp#4) D-5 12 14 7 Golden Hold – Alkaline – Lee Milla Productions U-2 13 15 6 El Chapo – Popcaan – Notnice Records U-2 14 9 22 Gyalis Pro – Alkaline & Sean Paul – DJ Frass (1wk@#1) D-5 15 17 7 Hide – Deepjahi – TJ Records/VPAL Music U-2 16 18 6 10 Outta 10 – Massicka – Good Good Productions U-2 17 19 4 All Aboard – Vybz Kartel – TJ Records U-2 18 20 4 Hot Tool – Aidonia – 4th Genna Music U-2 19 21 4 Mi Belly – Ishawna – TJ Records U-2 20 22 3 Jump – Major Lazer feat. -
Coping with Babylon: the Proper Rastology (2005): Mutabaruka
Coping with Babylon: The Proper Rastology (2005): Mutabaruka, Half P... http://www.popmatters.com/pm/film/reviews/50538/coping-with-babylo... CALL FOR PAPERS: PopMatters seeks feature essays about any aspect of popular culture, present or past. Coping with Babylon: The Proper Rastology Director: Oliver Hill Cast: Mutabaruka, Half Pint, Luciano, Freddie McGregor, Barry Chevannes (2005) Rated: Unrated US DVD release date: 7 October 2007 (MVD) by Matthew Kantor Burning All Illusion Tonight Rastafari is known to the world through reggae music. Many interviewees in Oliver Hill’s Coping with Babylon: the Proper Rastology, who live Rastafari in their daily lives, cite Bob Marley, Peter Tosh, and Dennis Brown in particular as ambassadors of Jamaica’s great folk religion, never seeking to diminish these musicians’ roles in spreading the word. Rastafarian imagery has infiltrated popular culture not just through reggae and other kindred music, but also in the form of clothing, fashion, and general iconography. Despite the well-established co-option of the religion’s trappings and the tremendous popularity of many reggae, dub, and dancehall artists, Coping with Babylon: the Proper Rastology takes a sober, relatively non-musical path in broadcasting the views and roles of Rastafari in the early twenty-first century. Musicians including Luciano and Freddie McGregor are interviewed but so are leaders of various Rastafarian sects in addition to everyday followers of the faith in both Jamaica and New York. The film serves to remind viewers that Rastafarianism is a religion that deeply affects its practitioners and that music is only one aspect of it. And, like most religions, different sects vary in some of their more significant approaches and practices.