Teatrova Presents

TEATROVA PRESENTS

ARTBIENTALIST PROJECT AMAZON REGION

(2020-2021)

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401 Programa Artbientalistas – Teatrova (2020-2021)

The Artbientalistas Amazon Region Project is formulated in accordance with Ordinary Session 024 of May 20, 2020. In compliance with the provisions of the program, the following format is completed:

SEMI-TERM FORMAT OF TERRITORIAL INTENTION ARTBIENTALIST PROGRAM

No Sessión 024

Date and Time 20/03/2020 7:30 A.M. – 8:50 P.M.

JUAN SEBASTIAN MANRIQUE PINZON // 1030656192 BOGOTÁ D.C GERENTE PROGRAMA ARTBIENTALISTAS KADIR ABDEL RAHIM GARZON // 79378589 BOGOTÁ D.C DIRECTOR TEATRO CASA TEATROVA Members JANETH CRISTINA ORTIZ MARTÍNEZ // 1013586684 BOGOTÁ D.C PRODUCTORA TEATRO CASA TEATROVA DANIEL FRANCISCO ROJAS BERNATE // 1030540638 BOGOTÁ D.C LUNIMOTECNICO TEATRO CASA TEATROVA

"The Amazon is a region that represents the multiculturalism and biodiversity of Colombia, its environmental conditions and its relationship with life manifestations, make its culture and artistic representations reflect a deep ecology and a special sense of identity and belonging to the territory.

It is important for the Artbientalistas program to formulate a series of projects in this region given the current difficult social, environmental and cultural conditions, in which business and political conflicts of interest, deforestation, suspicious fires, irregularities in land use planning are reflected. , persecution of environmental leaders, land accumulation, among other situations that affect the conservation and development of the Colombian Amazon.

On the other hand, the effects of hyper culturality have gradually reached these communities; loss of identity, history and sense of belonging to native cultures is a latent risk. The need for a healthy, Proposal inclusive, formative, tolerant, sustainable cultural artistic connection is vital for the protection of general communities and other living and cultural manifestations of the territory.

In this primary order of ideas, I propose to build a true sense of progress through the protection of environmental and cultural wealth, the Program must be presented there to found the path of this cultural and environmental movement in the construction of public opinion, inclusive and diverse vis-à-vis the ordering of the territories, first recognizing the native peoples and the Great Covenant of Good Living. The present formulation is also considered pertinent given the circumstances of connection of the Amazon Region with Peru, Venezuela; Brazil and Peru and their cultural wealth given these conditions. I propose that we continue to carry out a departmental analysis of the region JUAN SEBASTIAN MANRIQUE P.

Some concerns were raised regarding mobility by Daniel Rojas, on the other hand, the initiative presented by the manager was supported. The theater producer Cristina Ortiz also expressed her doubts about the project given the complex conditions of order and security of the territory. On the other hand, the director of the Kadir Theater Abdel Rahim insisted on the need for the implementation of this program in the Amazon because of the need to share experiences through Partial contributions workshops and dialogues of cultural fabric such as puppet plays and theater that can be a transformative axis in these communities. It was also concluded that since this region is the largest in the nation, it is possibly our most important training and cultural exchange project so far. Analysis was continued.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

TERRITORIAL DEPARTMENTAL ANALYSIS TERRITORIAL DEPARTMENTAL AMAZONÍA REGION

GUAVIARE http://www.guaviare.gov.co/tema/territorios DEPARTMENT

SAN JOSÉ DEL GUAVIARE – EL RETORNO – MIRAFLORES – CALAMAR ( 4 ) MUNICIPALITY

It has 12 ethnic groups and 14 indigenous reservations. It is considered a multi-diverse and multi-ethnic department product of its immersed and immense natural wealth, its great artistic potential is reflected in its crafts and dance samples that commemorate the origins and worldviews of the territory. http://inirida- guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Cultura.pdf Indigenous artisans inhabit the Coco Viejo community who for millennia have transformed clay and natural fibers into beautiful TERMS handicrafts, ovens, vases, vases, fruit bowls, vases and hot holders that they offer to their visitors. CULTURAL https://www.elespectador.com/vivir/buen-viaje-vip/guainia-intercambio-cultural-en-un-tesoro-escondido-articulo-728411 . From August 16 to 19 of each year.

(+57)3192148025 (+57)3192148025 http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=94&COLTEM=215

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TeatroCasa Teatrova Great conflicts and socio-environmental pressures as shown in the map http://siatac.co/web/guest/ano-2016 in the 4 municipalities in the table expressed. A rich ecosystem biodiversity is found http://siatac.co/Ecosistemas100K/Mapas/Condicion_distritos_biomas.jpg and ENVIRONMENTAL

– at http://siatac.co/Ecosistemas100K/Mapas/Eco2014v1_Carta.jpg. The ordering of the territory occurs mainly by the Interior. CONDITIONS

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Programa Artbientalistas

(+57)3362401 https://cda.gov.co/. environmental planning file: /// C: /Users/USUARIO%20FAMILIA/Downloads/Presentacion_PGAR_2011_2020.pdf

Despite having great potential for social and economic development, cultural policies and the development of cultural plans, programs and projects that allow it to have an organized, systematized and continuous cultural projection have not been defined, thus causing

trauma and disarticulation. total of artistic and cultural processes. Reading is a problem that indicates governance and one of its cultural RISKS objectives. There is also a lack of knowledge of cultural heritage. We can see their cultural problems and objectives in this document CULTURAL http://inirida-guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Cultura.pdf. The portal of the cultural indicators of indigenous reservations fails http://siatac.co/web/guest/productos/territorios-ancestrales/resguardos-indigenas

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Teatrova (2020 According to these environmental indicators

https://sinchi.maps.arcgis.com/apps/opsdashboard/index.html#/df30d0db241544b9aaa8e9e32d730b90 There is evidence of a RISKS continuous loss of forests, 27 hectares a year, the transformation of natural ecosystems, conflicts over areas and agricultural borders and ENVIRONMENTAL forest burning. https://sinchi.maps.arcgis.com/apps/opsdashboard/index.html#/8231915cb08948f7ad93c0e2fbeed68e There are some threatened species

- The Project is believed to be viable, the connection to most municipalities is in good condition. In addition to being a cultural nucleus 2021)

that needs interaction, as expressed by its Government when expressing the need for cooperation in its cultural relations that, in addition VIABILITY to strengthening and visualizing them, protect and conserve them. We can donate 50 unpublished books of our environmental works to answer your reading problems and objectives. Miraflores is the furthest from all.

VAUPÉS http://www.vaupes.gov.co/

CARARÚ- MITÚ- TARAIRA – PAPANAUA -PACOUA – YAVARATÉ ( 6 )

In Vaupés, indigenous people celebrate most expressions of nature such as the raising of fish and the harvest of cultivated and wild fruits, among others, through dance. In this way the Yuruparí dance, the dance with yarumo and plumage, the dance with maracas, the dance with mavaco are important. Most dances are done in pairs, except for the Yuruparí, which is danced individually. http://www.conservation.org.co/programas/Conservacion-para-el-desarrollo/http://www.conservation.org.co/programas/Conservacion-para-el- desarrollo/ For 2019 there were high hopes for the different artistic stimulus programs, https://www.mincultura.gov.co/prensa/noticias/Paginas/Vaup%C3%A9s-fortalece-sus-saberes-y-tradiciones-culturales.aspx however it is not known if its implementation was successful. The Prayer and the Dabacury are activities of deep cultural importance in the (+57)3192148025 (+57)3192148025 territory:https://cda.gov.co/es/noticias/recuperacion-de-tradiciones-culturales-en-vaupes

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TeatroCasa Teatrova E The terrain, in general, is flat. The tables of Bubiyí and Cararú are staked, and the hills of Japan, Camarao, Omudo and Tipicaca. The waterways are widely used and the routes can be done through the Vaupés, Negro and Amazon rivers, which is why fishing and hunting are highly practiced. It is ideal for

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16. BogotáD.C. ecological and adventure tourism. Most of the inhabitants are of indigenous ethnic groups and preserve their dialect and culture, the food is indigenous,

Programa Artbientalistas

(+57)3362401 therefore, its tourist attraction. Secretary of Education and Culture http://www.vaupes.gov.co/directorio-institucional/secretaria-de-educacion-y-cultura.

The loss of the proto dances of the department is the most latent risk. The department only has roads or trails to communicate the populations and they

depend on the climate to be able to travel. Vapupes have been mentioned many times as the land of oblivion, even so the chicha, the casaba and its

gastronomy attract much attention from tourists https://www.eltiempo.com/archivo/documento/MAM-1685051 But enhancing this appeal is very difficult due to its remoteness.https://repository.urosario.edu.co/bitstream/handle/10336/13748/Vaupes%20German%20Duque.pdf;jsessionid=E34341EB8BE9B1576BC00E 5F28F79CDE?sequence=4

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Teatrova (2020 In the 1970s, fishing exploitation and crops were exchanged for exotic animals, due to the value and high demand from developed countries. https://encolombia.com/educacion-cultura/geografia/departamentos/vaupes/ some illicit crops are part of the territory, the Bonanza coquera ends traditional crops. Socio-environmental pressures are evident in 4 of the 6 municipalities in the department Forest burning is also a latent risk

2021) The project is believed to be viable mainly because the municipalities are few and have connectivity between them, and these, with some indigenous reservations and this can greatly enhance the program We can only reach Mitú by plane, the connection between their municipalities is by river.

AMAZONAS http://www.amazonas.gov.co/departamento/nuestro-departamento

PUERTO ALEGRÍA – LA CHORRERA – EL ENCANTO- PUERTO SANTANDER – PUERTO ARICA- MIRITÍ PARANÁ – LA VICTORIA- LA PEDRERA – TARAPACÁ – LETICIA – PUERTO NARIÑO (11)

La s cultural traditions of the Amazon region of Colombia are linked to its history and ethnic origins as well as its natural environment, including their ways of life, ancestral knowledge and their spirituality.https://www.lifeder.com/cultura-region-amazonica-colombia/ This part of the Region is a vital and powerful cultural nucleus that cares for, protects its rites, its dances. This event, unique in the region, began in 1987 and takes place between July 15 and 20, every year. In 2002 she turned 15 years old, during which time the department of Amazonas and the municipality of Leticia have taken a leading role in the regional festive celebrations of the participating countries. http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=91&COLTEM=215 We also rescued the youth parade

(+57)3192148025 (+57)3192148025 held on July 19 IMPORTANT DOCUMENT:http://www.corpoamazonia.gov.co/files/Planes/biodiversidad/diagnostico/AMAZONIA_C3.pdf

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TeatroCasa Teatrova

[email protected] Evidently the environmental conditions of this department are reflected in the immense biodiversity of the Amazon http://siatac.co/web/guest/productos/catalogoespecies The environmental conditions of this department has broken records https://wwf.panda.org/es/que_hacemos/sitios_prioritarios/amazonia/la_amazonia_naturaleza/. We found an environmental baseline in which all complex

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Programa Artbientalistas - environmental components are described http://siatac.co/c/document_library/get_file?uuid=dea85a4e-ddbe-44e9-93cb-58f826deab8a&groupId=762.

(+57)3362401 https://www.cepal.org/sites/default/files/news/files/folleto_amazonia_posible_y_sostenible.pdf Environmental regulation is of vital importance.

The use of native language is ending. https://sostenibilidad.semana.com/impacto/articulo/indigenas-al-rescate-del-amazonas-de-su-cultura-y- territorio/36076 hyperculturality has meant in some of these communities the change of their customs adopting foreign activities. Loss of governance is also a very large cultural risk, since participatory force is the structuring axis of these communities.

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Teatrova (2020 The relationship between man and fauna has taken unexpected turns, in this department there are high rates of commercialization of wildlife https://sostenibilidad.semana.com/impacto/articulo/rescatan-en-tulua-a-cachorro-yaguarundi-domesticado/51239 The risks that also the construction of highways affect the environmental and ecological communion of these territories immensely. According to the catalog of threatened species http://siatac.co/web/guest/productos/especiesamenazadas

2021) It is considered very pertinent to incorporate the department of the Amazon, given its environmental and cultural niche and as a strategy of consolidation, training and circulation of art.

CAQUETÁ http://www.caqueta.gov.co/

ALBANIA- BELEN- CARTAGENA – CURILLO- EL DONCELLO – EL PAUJIL – FLORENCIA – LA MONTAÑITA – MORELIA- PUERTO MILAN – PUERTO RICO – SAN JOSE DEL FRAGUA- SAN VICENTE DEL CAGUAN – SOLANO – SOLITA – VALPARAISO (16 )

It is made up of 24 indigenous reservations. Its habitat was located between the Caquetá and Putumayo rivers. Their presence in the department of Caquetá dates from the 17th century and they have occupied different places, as they have been evicted by the settlers, first on the banks of the Caquetá river, near Solano; then they went up the Orteguaza, Yari and Caguán rivers. http://sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=18&COLTEM=216 Its capital is Florence, and these are known as Florentines. This city is also known as the "Golden Gate of the Amazon" or the "Green Heart of Colombia" Festival of Performers and Composers of Colombian Folk Music "The Golden Settler"http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=18&COLTEM=215 THE INDIGENOUS MEETING

(+57)3192148025 (+57)3192148025 IS HELD ON ALL AUGUST.

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TeatroCasa Teatrova Although it is surrounded by forests, it is considered the most important territory in the region for agricultural production activities. Its environmental jurisdiction is Corpoamazonía http://www.corpoamazonia.gov.co/files/Documento_Caquet%C3%A1.pdf SIAC's environmental indicators also demonstrate that it is an area of high biodiversity. The formalization of your PMA leads you to Family well-being

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Programa Artbientalistas - https://www.icbf.gov.co/sites/default/files/procesos/pl7.sa_plan_de_gestion_ambiental_regional_caqueta_v3.pdf Protection is directed by the Caquetá

(+57)336240 protection network https://www.redcaquetapaz.org/ambiental/

We believe that the risks are represented by the pressures of the territories and the loss of identity due to other life activities.

1 Low support for music and dance. This territory is the most affected by socio-environmental pressures in the entire region, which is a more than latent risk to culture and peace. There are examples of the poor implementation of culture policies in Caquetá. https://hsbnoticias.com/noticias/vida- moderna/cultura/arte-y-cultura-nacionales-en-caqueta-258540 . The low strengthening of indigenous participation in democratic public opinion is reflected https://pacifista.tv/notas/la-cruzada-de-los-indigenas-del-caqueta-para-preservar-su-cultura/

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The departments of the municipality of Caquetá have deficiencies in terms of public services such as aqueduct and sewerage. There is also no light, http://www.corpoamazonia.gov.co/files/Documento_Caquet%C3%A1.pdf. Mining is a latent and cruel risk for the rivers where indigenous communities Teatrova (2020 are established, the use of asphalt harms the soil, feldspar, mica, is currently developing oil exploitation activities which are also of concern to communities and environmental leaders. Alert reporting ANLAhttp://portal.anla.gov.co/sites/default/files/biblioteca_web_anla_pdf/reportalecaqueta-ver4_0.pdf

2021) Access to Florence can be given by land or air. It is the department most affected by socio-environmental conflicts in the region

GUAINÍA http://www.guainia.gov.co/

BARRANCOMINAS – CACAHUAL – INIRIDA – LA GUADALUPE – MORICHAL NUEVO – PANA PANA – PUERTO COLOMBIA – SAN FELIPE ( 8 )

The hidden cultural exchange of the Guainía is a treasure that is found deep in the Amazon. Its richness in dances, scenic expressions and gastronomy are of enormous importance for the territory.http://iiniridacultural.blogspot.com/, The workshops of the current government administration formulate https://www.mincultura.gov.co/prensa/noticias/Paginas/Ministerio-de-Cultura-ratifica-su-compromiso-con-creadores-y-gestores-culturales-de- Guain%C3%ADa.aspx On the occasion of the anniversary of the foundation and subsequent creation of the Municipality of Inírida, capital of the department of Guainía, the Festival of Colonies and "Meeting of Three Cultures" was created, an event whose central axis is the integration of the various colonies that inhabit Inírida, and that at the same time integrate and relate to indigenous cultures, to outline a new mestizo culture, which has been called the third culture or new culture. http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=94&COLTEM=215 (+57)3192148025 (+57)3192148025 IMFORMACION IMPORTANTE http://inirida-guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Cultura.pdf

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TeatroCasa Teatrov All its ecosystems, rivers, ravines, hills and natural reserves make it a treasure that locals and national and foreign tourists must discover.. https://www.elespectador.com/vivir/buen-viaje-vip/guainia-intercambio-cultural-en-un-tesoro-escondido-articulo-728411 The Environmental Management plan is directed by the Family Well-beingar

– https://www.icbf.gov.co/sites/default/files/procesos/pl27.sa_plan_de_gestion_ambiental_regional_guainia_v2.pdf There the difficult conditions of public

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Programa Artbientalistas

(+57)3362401 services of the communities are established, however, the values and natural wealth of the territory are also rescued. Biodiversity http://inirida- guainia.gov.co/Transparencia/BancoDocumentos/Informaci%C3%B3n%20Ambiente.pdf Documentación fiscal http://cdguainia.gov.co/centro-de-

a According to the environmental and cultural leaders of the Guainía, the implementation of cultural agreements have drawbacks and delays

https://www.mincultura.gov.co/prensa/noticias/Paginas/Ministerio-de-Cultura-ratifica-su-compromiso-con-creadores-y-gestores-culturales-de-

Guain%C3%ADa.aspx In addition to its natural wealth, culture is one of its most representative characteristics. Indigenous communities with their ancestral wisdom and natural knowledge allow a cultural exchange and unique days surrounded by nature, indigenous culture and new experiences that will make all visitors fall in love conserving them is a deep commitment. The implementation of cultural programs is believed to be limited by the territorial dispersion of communities. The integrity of its territory is limited https://trochandosinfronteras.info/guainia-riqueza-miseria-y-lucha/

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Teatrova (2020 The mining behavior of the area affects the soil and the structured biomes http://polux.unipiloto.edu.co:8080/00003688.pdf _ We can also show some levels of socio-environmental pressure that concern the sustainable development of the area. Deforestation is the most relevant problem https://sostenibilidad.semana.com/medio-ambiente/articulo/deforestacion-en-guainia-las-selvas-empiezan-a-sucumbir-ante-la-ganaderia/38923 , extensive ranching also contributes to the loss of forest cover in the department

2021) Access is limited, however, it is believed feasible to reach the department and formulate the project

PUTUMAYO https://www.putumayo.gov.co/

COLON- MOCOA – ORITO – PUERTO ASIS – PUERTO CAICEDO – PUERTO GUZMAN – PUERTO LEGUIZAMO- SAN FRANCISCO – SAN MIGUEL – SANTIAGO – SIBUNDOY – VALLE DEL GUAMUEZ – VILLAGARZON ( 13 )

It is the largest Afro-Colombian population in the Amazon Region http://www.corpoamazonia.gov.co/files/Planes/biodiversidad/diagnostico/AMAZONIA_C3.pdf 254/5000 Putumayo's indigenous population amounts to approximately 30,000 people. There are 126 councils and 39 reservations that correspond to the towns began, inga, cofán, siona, murui, coreguaje, muinane, andoque, huitoto, nonuya, okaina, bora, emberá and paz. http://www.sinic.gov.co/SINIC/ColombiaCultural/ColCulturalBusca.aspx?AREID=3&SECID=8&IdDep=86&COLTEM=216 The indigenous carnivals are celebrated in Mocoa on the Sunday, Monday and Tuesday before Ash Wednesday. Their necks are adorned by both men and women with abundant multi-

(+57)3192148025 (+57)3192148025 colored necklaces, called beads, and they paint their faces with dots and lines of various colors, predominantly red. Putumayo can be traveled in a chalupa

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TeatroCasa Teatrova According to corpoamazonia, which is the regulatory body for the department's environmental policies http://www.corpoamazoniagov.co/files/Ordenamiento/Determinantes/Determinantes_Putumayo.pdf The territory is in a constant strengthening of natural park policies, and has several flora and fauna sanctuaries. The environmental characterization is given below

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16. BogotáD.C. http://www.corpoamazonia.gov.co/files/documento_putumayo.pdf in it the immense natural wealth is rescued. The Environmental Management plan is also

Programa Artbientalistas

(+57)3362401 managed by the Colombian Institute of Family Welfare https://www.icbf.gov.co/sites/default/files/procesos/pl31.sa_plan_de_gestion_ambiental_regional_putumayo_v2.pdf

Much of the cultural treasure is deposited in the force of the youth of the communities who are in charge of guarding and protecting customs.

http://revistasum.umanizales.edu.co/ojs/index.php/plumillaeducativa/article/view/841/2694 The indigenous people are in a constant social movement that rescues their customs and constantly fight for the recognition of their knowledge. The sustainability of the Putumayo culture is an analyzed postulate inhttp://www.mamacoca.org/docs_de_base/Cifras_cuadro_mamacoca/Indigenas_Putumayo_buscan_recuperar_su_cultura_2002.pdf Opening this department extractive activities generates a cultural shock: https://revistas.udistrital.edu.co/index.php/colfor/article/view/3382/4919. We know that the Putumayo has enormous artistic potential, in a way we can say that it is the cultural and artistic entrance to the region, this makes it even more fragile.

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The dispute over territory and socio-environmental conflicts are the main concern in this regard. There are also many records of serious and irreversible Teatrova (2020 environmental damage from the oil spill. https://www.minambiente.gov.co/index.php/noticias-minambiente/1846-graves-e-irreversibles-danos-ambientales- causo-derrame-de-crudo-en-putumayo-ministro-vallejo There is a complex situation and social and environmental order due to the militarization of the area and the presence of various violent actors, water and natural resources are the most affecteds https://prensarural.org/spip/spip.php?article19229v Illegal micro mining also greatly affects the territory, and is exponentially increasing https://www.elespectador.com/noticias/judicial/micromineria-ilegal-amenaza- putumayo-articulo-669010-0

2021)

Putumayo is the cultural gateway to the Amazon Region, our presence as an Environmental Artistic Program in said area is more than viable. In addition, we have contacts as artists and leaders who can contribute to the development of the activities that are formulated.

Programa Artbientalistas – Teatrova (2020-2021)

The information previously presented was searched and socialized by each of the project participants during the session. Several points of opinion were made, where the low management of the governments was rescued by the implementation of a solid and conscious cultural policy, which cares about saving the lives of the territories in terms of identity, memory and rituals. Voices of encouragement were also heard that encouraged and strengthened the project for its innovation and justification; however, voices that doubted the accessibility and scope of the project also emerged in a mission that engages isolated communities.

Kadir Abdel Rahin (director) supported the initiative by proposing that we start contacting artist friends from Sibundoy (Putumayo), who attended as artists at the VII International Festival of Mascara in Teatrova. Initiative that opens the artistic and cultural ties of the project since each of the attendees in this session met the teacher Carlos Humberto Mutumbajoy Jakanamejoy and received his artistic teachings. SOCIALIZATION

Janeth Ortiz (Producer) supports the initiative as a professional proposing methodology from the pedagogy of language, and artistic exercises for the formulation of deep, necessary activities related to cultural conditions. She initially proposes that we develop a series of dialogues with an environmental focus by Colombian authors such as our founder Carlos Parada Arango, and others like Enrique Buenaventura given that they have a familiar aspect, however, she also insists on bringing our most recognized work “The Colonized Gold ”, given that it is a work that identifies us as an artistic organization and helps the exercise of recognition of communities in a deep and popular way.

Sebastián Manrique (Manager) proposes to bring more than 200 original books printed by Teatrova to libraries, schools, gardens, universities, theater groups of the territory as an exercise in cultural strengthening of the region.

The Amazon Region of Colombia has 6 departments and 58 municipalities. The cultural information of the project will be extracted from SINIC, while the environmental information will be determined by SIAT-AC and the regional autonomous corporations, we also believe it pertinent to make use of ICBF's environmental reports. The project routing will be formulated according to geographic information from IGAC.

The project is believed to be very viable, and it is also an enormous necessity for the consolidation of cultural and sustainable policies; Our project would be the first to be postulated as a reconstructive and protective exercise of the scenic and plastic samples and other recognized cultural principles in the Amazon.

OUR INITIAL PROPOSAL

CONCLUSION Circulate theatrical dramaturgy books of our founder and playwright Carlos Parada as an exercise: 50 books 50 books 50 books

Formulate an environmental-cultural diagnosis of the communities and the departments that includes a final report by regional and departmental. A documentary of the experience impacts and results of the project. And the construction of a contact database for artists and managers in the region.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

DATABASES FOR PROJECT FORMULATION GOVERNMENTS

http://www.guaviare.gov.co/ http://www.vaupes.gov.co/ http://www.amazonas.gov.co/ http://www.caqueta.gov.co/ http://www.guainia.gov.co/ https://www.putumayo.gov.co/

CULTURAL INFORMATION http://www.sinic.gov.co/sinic/

ENVIRONMENTAL INFORMATION (Amazonas, Caquetá, Putumayo) http://www.corpoamazonia.gov.co/ ENVIRONMENTAL INFORMATION (Vaupés, Guainía, Guaviare) OBSERVATIONS https://cda.gov.co/

ROUTES, MAPS AND ACCESS https://igac.gov.co/

POSSIBLE PARTNERS

https://fcds.org.co/quienes-somos-fcds/ http://www.otca-oficial.info/about/member_countries/3 http://www.conservation.org.co/programas/Conservacion-para-el-desarrollo/ https://amazoniacolombiana.fiu.edu/diversidad-cultural/ https://wwf.panda.org/es/que_hacemos/sitios_prioritarios/amazonia/la_amazonia_naturaleza/

Firms:

SEBASTIAN MANRIQUE JANETH ORTIZ

KADIR ABDEL RAHIM

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

INTENTION PHASE

1. GENERAL TERRITORIAL INTENTION FORMAT PROJECT ARTBIENTALISTAS REGION AMAZONICA Once the territory has been selected and partially analyzed, the basic and necessary information for the development of the proposal is integrated.

GENERAL FORMAT OF TERRITORIAL INTENTION ARTBIENTALIST PROJECT AMAZON REGION

Artbientalientas Amazonia is a project of artistic cooperation, training, and protection; based on the objective of reaching the 6 departments of the Amazon region of Colombia. We want to consolidate the first artistic project of a recognized organization in the country

in the Amazon.

Carry more than 200 books of unpublished works by our author Carlos Parada Arango to promote the exercise of reading and the performing arts, works that also rescue a sense of Description democratic and popular opinion on environmental problems and the Spanish conquest, General accompanied exercise of their respective medium format presentation. Accompanied by a series of dialogues, workshops, and interviews with an environmental sense for the consolidation of a cultural artistic documentary bearing the name "Las Flores del Sur"

Finally, it is desired to deliver a series of environmental-cultural reports from the region to each of the departments involved in the project in order to strengthen the cultural, social, environmental, intercultural, and intercultural ties that may be related.

DEPARTMENT OF THE AMAZON Leticia (9 days) Air Access

CAQUETÁ DEPARTMENT Florence (3 days) Land and Air Access Puerto Rico (3 days) Land Access San Vicente del Caguán (3 days) Land Access

GUAINÍA DEPARTMENT Inírida (3 days) Air Access Places times and Cumaral (3 days) Fluvial Access accesses Cacahual (3 days) Fluvial Access

GUAVIARE DEPARTMENT San José del Guaviare (3days) Land and Air Access The Return (3 days) Land Access Squid (3 days) Land Access

PUTUMAYO DEPARTMENT Mocoa (3 days) Land and Air Access Sibundoy (3 days) Land Access Colon (3 days) Land Access

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

VAUPES DEPARTMENT Mitú (9 days) Air Access

An invitation is made to be an active part of the project to:

1. KADIR ABDERL RAHIM (DIRECTOR Y ACTOR) 2. JANETH CRISTINA ORTIZ (PRODUCTORA Y ACTRIZ)

3. DANIEL FRANCISCO ROJAS (LUMINITÉCNICO Y ESCENOGRAFO) Miembers 4. LAURA CAMILA POVEDA (PUBLICISTA Y MEDIOS AUDIOVISUALES) 5. IVAN NOSSA (MUSICO) 6. CRISTIAN LUNA (PERCUSIONISTA) 7. IVAN ESLAVA (GESTOR AMBIENTAL)

Firm

JUAN SEBASTIAN MANRIQUE MANAGER OF THE ARTBIENTALIST PROGRAM

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

2. INTENTION SOCIALIZATION FORMAT FOR THE ARTBIENTALIST PROJECT IN THE AMAZON REGION This document describes in a more grounded way the reason why the operation of the project is objective and necessary.

INTENTION SOCIALIZATION FORMAT ARTBIENTALIST PROJECT AMAZON REGION

Date 20/05/2020

Project partial name ARTBIENTALIST PROJECT AMAZON REGION

1. JUAN SEBASTIAN MANRIQUE (MANAGER) 2. KADIR ABDERL RAHIM (DIRECTOR AND ACTOR) 3. JANETH CRISTINA ORTIZ (PRODUCER AND ACTRESS) 4. DARINEL ALHUCEMA (CINEMATÓGRAFO Y ACTOR) 5. DANIEL FRANCISCO ROJAS (LIGHTING AND SCENOGRAPHER) Members 6. LAURA CAMILA POVEDA (PUBLICIST AND AUDIOVISUAL MEDIA) 7. IVAN NOSSA (MUSICIAN) 8. CRISTIAN LUNA (PERCUSIONIST) 9. IAN ESLAVA (ENVIRONMENTAL MANAGER)

• Sow a culture that promotes reading and recognition of the performing arts with a sustainable identity: Carrying more than 300 unpublished drama books, Teatrova, Colombian works that promote reading, protect the environment and rescue the identity of indigenous communities. Those books are "El Dorado Colonizado" "Rumba Ambiental" and "La Fabulosa Carrera" Works that will be carried and socialized by our cultural managers in schools, universities, houses of culture.

• Make the cultural and environmental wealth of the Amazon visible: Through two strategies. The consolidation of a good format documentary where the experience of cultural and environmental training around artistic expressions is captured. And the consolidation of an artistic and environmental platform that can make visible, promote, increase their capacities and also their needs Objectives regarding art and the environment, is a blog of constant opinion that seeks to establish cultural relations with the official and independent organizations of the territory to view them.

• Create a circular and organic cultural experience: Presenting different artistic puppet shows and theater in each of the communities, relating these experiences to conversations and dialogues with which possible connections and existing cultural strengths are analyzed. Finally, Teatrova agrees to bring an artistic and cultural exponent of the Amazon Region to the next International Mask Festival where the final results of the project will be shared.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

FOR THE CULTURE OF THE AMAZON And for establishing healthy and respectful artistic ties that allow the region to develop its culture with other actors in the exercise of understanding, sustainable development, consolidation of strategies of democratic, inclusive and diverse public opinion. For visualizing and magnifying their ethnic groups and customs to the world and sharing new exercises of cultural communion.

FOR THE BIODIVERSITY OF THE AMAZON And contribute to the development of a protective, critical and objective vision against Justificatión the planning of its territory and use of natural resources.

FOR THE PEACE OF COLOMBIA And the defense of environmental and social leaders, who, in many ways, are the protective base of cultures and expressions, by visualizing them and their communities

BY TEATROVA And to be the first recognized theater group in Colombia to carry out a program of cultural exchanges with a sustainable approach

Contact with Governors April 2021 Contact with mayors May 2021 Formalization of Partners June 2021 Partial dates Team Preparation June 2021 Operation Phase Jun 2021 - Aug 2021 Dec 2021 – Jan2022 Environmental Publications Mar 2022 Cultural publications April 2022

The members of the project were in accordance with the present initial formulation, documents of the biannual format of intention were presented which were of vital importance to explain the reasons for the present project. Our producer Janeth Ortiz Contributions suggested that the date of operation be reformulated to December 2021, however, it was concluded that it is on the dates of July and August that the most cultural activities are carried out in the region and therefore it was believed more timely.

SEBASTIAN MANRIQUE JANETH ORTIZ

KADIR ABDEL RAHIM Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

3. INITIAL LETTERS OF THE ARTBIENTALIST PROTECTION OF THE AMAZON REGION

It is important to make the progress of the Project visible, so a series of presentation-intention letters were sent to the different research organizations, with which it is desired to formulate a reliable basis for the final formulation of the project. The following letters were forwarded, requesting a response.

● The research groups that are part of the program are: COMMITTEE ON RESEARCH BIOETICS CBI-UD / UNIVERSIDAD DISTRITAL RESEARCH GROUP ON ENVIRONMENTAL STUDIES UD. G.E.A. / DISTRICT UNIVERSITY

● The organizations that are part of the program are ONIC NATIONAL INDIGENOUS ORGANIZATION OF COLOMBIA

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Bogotá, 23 de mayo de 2020

Señores, COMITÉ DE BIOÉTICA DE INVESTIGACIONES CBI -UD UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS Asunto: Presentación e intención de formulación Proyecto Artbientalistas Región Amazonía

Reciban un cálido y artístico saludo por parte de la Asociación Cultural Casa Teatrova, extendemos nuestra empatía hacia su organización, hacia sus integrantes y representantes. El motivo de la presente recae en la motivación que tiene Teatrova para afianzar nuestras fuerzas y alianzas (artísticas, sociales, académicas) con el fin de cumplir el objetivo compartido del redescubrimiento del bien vivir y la protección del medio ambiente través de las ciencias ambientales y las artes escénicas. Deseamos compartir con ustedes nuestros nuevos compromisos territoriales descritos en la fase de intención del Programa Artbientalistas Región Amazonía que anexamos. Allí deseamos justificarles nuestra intención de formular un proyecto territorial en la zona de los seis departamentos de la Región Amazónica de Colombia Estamos abiertos a los aportes, comentarios y dudas. Teatrova agradece el compromiso y el interés por el arte y el repensamiento de los territorios, esperamos seguir fortaleciendo la lucha que nos une y construir juntos ciudadanías democráticas, artísticas y ambientalistas.

Cordialmente

KADIR ABDEL RAHIM Director Teatrova

SEBASTIAN MANRIQUE PINZON Gerente Programa Artbientalistas ASOCION CULTURAL TEATROVA NIT 800.098.091-3 CALLE 24 # 4A – 16 Bogotá / 3362401 Teatrova.com.co

Bogotá, 23 de mayo de 2020

Señores, GRUPO DE ESTUDIOS AMBIENTALES UD – GEA UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS Asunto: Presentación e intención de formulación Proyecto Artbientalistas Región Amazonía

Cordialmente

KADIR ABDEL RAHIM Director Teatrova

SEBASTIAN MANRIQUE PINZON Gerente Programa Artbientalistas ASOCION CULTURAL TEATROVA NIT 800.098.091-3 CALLE 24 # 4A – 16 Bogotá / 3362401 Teatrova.com.co

Bogotá, 23 de mayo de 2020

Señores, ORGANIZACIÓN NACIONAL INDIGENA DE COLOMBIA - ONIC

Asunto: Presentación e intención de formulación Proyecto Artbientalistas Región Amazonía

Cordialmente

KADIR ABDEL RAHIM Director Teatrova

SEBASTIAN MANRIQUE PINZON Gerente Programa Artbientalistas ASOCION CULTURAL TEATROVA NIT 800.098.091-3 CALLE 24 # 4A – 16 Bogotá / 3362401 Teatrova.com.co

Programa Artbientalistas – Teatrova (2020-2021)

FORMULATION PHASE

1. FORMULATION OF THE ARTBIENTALISTAS PROJECT IN THE AMAZON REGION

The territorial project was formulated considering the following format:

ARTBIENTALISTAS PROJECT FORMULATION AMAZON REGION BASICS DATES

Project's name PROYECTO ARTBIENTALISTAS REGIÓN AMAZÓNICA

It is a Project of cultural strengthening of the Amazon Region, whose purpose is to promote democratic, inclusive, and diverse opinion regarding the cultural and General description environmental organization of the territory. While executing strategies that make visible the cultural and environmental wealth of the región.

• Make the cultural and environmental wealth of the Amazon visible: Through two strategies. The consolidation of a good format documentary where the experience of cultural and environmental training around artistic expressions is captured. And the consolidation of an artistic and environmental platform that can make visible, promote, increase their capacities and also their needs regarding art and the Objectives environment, is a blog of constant opinion that seeks to establish cultural relations with the official and independent organizations of the territory to view them.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

The Amazon region is very rich in ethnic groups, while most of its population are people who preserve their customs, their language, their culture and also their traditions. They have always been living in harmony with their environment, working hard on preserving the Amazon. We can mention that there are the nukaks (they are nomads), the Ticunas, the Tucanos, the Camás, the Huitotos, the Yaguas and the Ingas. Most of the Amazon culture practices some form of animism. This belief system sees the jungle as the home of spiritual life, with all Environmental and the flowers, plants, animals ... and they all have their own spirit. cultural background The Amazon region occupies almost 40% of the territory of Colombia, it is also the least populated area in the country. Its territory is flat with jungles, it has a huge part known as the Amazon 'foothills', because it is located right next to the eastern mountain range. Their food is obtained by native agriculture and they fish with special methods. In the Amazon region there are some exotic fruits such as the copoazú, the arazá and the caimarón. Within this region are the Andes, in addition, Colombia has 9 incredible parks to preserve the richness of biodiversity and to create a sanctuary for different species of plants and animals that live in the parks and are respected.

Municipality Coordinates Means of access 70°24'22.86" O MITU AER /TER 0°58'20.6” N 1°36′51″ N, FLORENCIA AER /TER 75°36′42″ W 1°54′27″ N, PUERTO RICO TER 75°9′30″ W 2°6′55″ N, SAN VICENTE DEL CAGUAN TER 74°46′12″ W 3°52′15″ N, INIRIDA AER 67°55′16″ W 3°31′31″ N, CACAHUAL FLU 67°24′57″ W 3°31′31″ N, Spaces CUMARAL FLU 67°24′57″ W 2°33′55″ N, SAN JOSÉ DEL GUAVIARE AER /TER 72°38′19″ W 2°19′50″N EL RETORNO TER 72°37′40″O 1°57′40″ N, CALAMAR TER 72°39′10″ W 1°8′57″ N, MOCOA AER /TER 76°38′47″ W 1°12′12″ N, SIBUNDOY TER 76°55′9″ W 1°11′25″ N, COLON TER 76°58′26″ W

Contact with Governors January 2021 Contact with mayors February 2021 Formalization of Partners March 2021 Times Team Preparation April 2021 Operation Phase Jul 2021 - Aug 2021 Environmental Publications Nov 2021 Cultural publications Dec 2021

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

FOR THE BIODIVERSITY OF THE AMAZON And contribute to the development of a protective, critical and objective vision against the planning of its territory and use of natural resources. Justification FOR THE PEACE OF COLOMBIA And the defense of environmental and social leaders, who, in many ways, are the protective base of cultures and expressions, by visualizing them and their communities

BY TEATROVA And to be the first recognized theater group in Colombia to carry out a program of cultural exchanges with a sustainable approach

GOBERNATIONS http://www.guaviare.gov.co/ http://www.vaupes.gov.co/ http://www.amazonas.gov.co/ http://www.caqueta.gov.co/ http://www.guainia.gov.co/ https://www.putumayo.gov.co/

CULTURAL INFORMATION http://www.sinic.gov.co/sinic/

Important documents AMBIENTAL INFORMATION (Amazonas, Caquetá, Putumayo) http://www.corpoamazonia.gov.co/ AMBIENTAL INFORMATION (Vaupés, Guainía, Guaviare) https://cda.gov.co/

RUTAS, MAPAS Y ACCESOS https://igac.gov.co/ POSIBLES SOCIOS https://fcds.org.co/quienes-somos-fcds/ http://www.otca-oficial.info/about/member_countries/3 http://www.conservation.org.co/programas/Conservacion-para-el-desarrollo/ https://amazoniacolombiana.fiu.edu/diversidad-cultural/ https://wwf.panda.org/es/que_hacemos/sitios_prioritarios/amazonia/la_amazoni a_naturaleza/

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

Peace Agreements

The Artbientalistas Amazon Region Project contributes to the formalization and consolidation of the Peace Accords of Colombia signed in 2012, opening the possibility of opening dialogues around culture, the rescue of knowledge and the protection of the environment, factors that are direct victims of the armed conflicts in Colombia.

SUPPLEMENTARY INFORMATION OF THE REGION

Coca, corn and Yaheé are natural manifestations of the spiritual Memories and and ancestral power of his animism. They are very fragile and old ancestralities memories that can be heard among the malokas of the original communities.

In the southern region of the Colombian Amazon, the diversity of the environment has been accompanied by multiple cultural forms that have not only developed special expressions of adaptation, but also different means of intervention and environmental modification, through cumulative and complex knowledge and practices.

It is a region where the human variety, represented in the diversity of habits, customs, worldview of the world, beliefs, rites and local histories of its inhabitants, has been carved through thousands of years of adaptation to the natural environment and it is possible to distinguish as ethnic-cultural groups, peasants, Afro-Colombians and indigenous people.

Folklore is closer to folklore from neighboring countries Brazil and Identity Peru. In the Amazonian departments of Caquetá and Putumayo, the so-called Andean Merengue has been created. It is Andean because it was developed based on Andean peasant rhythms from the Andean Putumayense region

Working raw material by hand has been an ancient activity of the Amazonian peoples. Weaving baskets, making traps, fishing and hunting instruments, clay pots, clothing and ceremonial ornaments, or tools for preparing cassava products.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

DEPARTMENTS OF CAQUETÁ AND PUTUMAYO

PROBLEMS CAUSES CONSEQUENCES SOLUTIONS ACTIONS RESOURCES COSTS COMPLIANCE

HUMANS

(1) CULTURAL MANAGER The violence of the Communities must adapt to HUMANS department on behalf new lifestyles, abandoning Encourage dialogue (1) CULTURAL COP 800000 C /U of organized criminal traditions and other acts that in the face of cultural MANAGER organizations, the highlight their territorial organization around a (1) (1) ENVIRONMENTAL National Army, identity, since their fragile sense of peace and ENVIRONMENTAL MANAGER guerrilla groups and connection with their care for all forms of Respectful formulation of UNESCO MANAGER drug trafficking environment is continuously life manifested. (3) dialogues of cultural (1) ADVERTISER networks. broken. interaction, around the COP 8000000 CONVENTION ON THE construction of a society PROTECTION AND

for peace and (1) ADVERTISER PROMOTION OF THE reconciliation. 800000 DIVERSITY OF CULTURAL Deterioration in EXPRESSIONS (2005) the cultural The attention of the identity and life Generate a critical Negative and harmful communities focuses on how habits of the sense of the A. protect and promote the intercultural, to adapt to the new ways of TECHNOLOGICAL original usefulness and diversity of cultural technological and life brought from the West and (1) VIDEO BEAM communities of relevance of (1) COMPUTER expressions. human dynamic neglect the preservation of Caquetá. technology in (1) USB TECHNOLOGICAL interactions. their identity and ways of E. promote respect for the communities. (1) COP 1,350,000 learning and developing in life. diversity of cultural TRANSPORT (1) COP 1,600,000 expressions and raise CULTUREE Forced displacement Conflicts are generated (2) TRIP GO AND (1) ALREADY HAS

of the original between communities, RETURN CAQUETA TRANSPOSET awareness of their value at Implementation (5) the local, national and communities, product affecting harmony and the Promote the AND TWO MORE COP 800,000 territorial cultural international levels. of socio- willingness of its members to development of a MUNICIPALITIES WATERTIGHT AND management workshops environmental form an environment around culture of good living, FOOD that contribute to pressures. peace where a democratic WATERTIGHT AND COP 800,000 generating opinion in the sense is integrated FOOD ADVERTISING community through a against the cultural 3 days COP 800,000 Absence of the State Power passes to other democratic exercise of organization of the to generate organizations, social and diverse and inclusive territory. ADVERTISING participation cultural control and balance is interaction. (1) mechanisms. subject to private interests

The incursion into the Exercise healthy and Artistic representation (3) HUMANS commercial, industrial The communities abandon F. Reaffirm the importance of organic cultural of the play "El Dorado (2) ACTOR COP and extractive sectors their worldview to a certain HUMANS the link between culture and Loss of knowledge exchange Colonizado" inviting 800,000 C / U into the territory and extent when carrying out (2) ACTOR development for all and indigenous mechanisms that reflection on the (1) DIRECTOR therefore the new practices that generate (1) DIRECTOR countries, especially worldview respect the barriers appropriation of the COP 800,000 economic models that environmental impacts, (2) MUSICIANS developing countries, and of autonomy and territory and care for its (2) MUSICIANS affect customs and breaking the integral bond support activities carried out identity. cultural conditions COP 8,000,000 worldviews. that unites them to the jungle. at the national and

international levels to que se artistic representation (1) reconozca el auténtico valor Transformation of the way of of the puppet show de ese vínculo. thinking of some individuals "Rumba Ambiental" inviting Religious Missions (To from the original communities, reflection on the some extent) abandoning their worldview to appropriation of the a foreign practical philosophy. territory and care for its cultural conditions

Low interest of cultural regulatory Low formulation and entities to sensibly operation of cultural projects HUMANS promote the culture of in the territory Direction and publication of (1) the department. a cultural documentary HUMANS CINEMATOGRAPHER Carry out strategies from Caquetá and other (1) COP 800,000 in which the cultural departments in the CINEMATOGRAPHER Low cultural Low visibility and structure of Caquetá Amazon region. participation of native Low levels of cultural TECHNOLOGICAL cultural exchange and other Highlighting their identities TECHNOLOGICAL communities in artistic interaction with art groups (1) Medium format rates departments of the and origins. (1) Medium format I. strengthen international events and calls. recording set Amazon Region are recording set cooperation and solidarity in 4000000 coupled and exalted Cultural interactions a spirit of collaboration, in

Low levels of citizen between Teatrova and the (1) Video editing set order to strengthen, in (1) Video editing set participation in the communities. particular, the capacities of devaluation of the cultural 100,000 formulation of cultural developing countries to influences of the territory events and projects in protect and promote the the department diversity of cultural expressions.

Low levels of information and Low reading rates in interpretation of everyday Circulation of Circulate and socialize the department situations. dramaturgy of more than 150 copies of

Colombian plays that the work "El Dorado

have a sense of Colonizado" Author. Carlos

rescue of the original Stop in libraries, schools, PHYSICAL D. promote interculturality in cultures gardens, houses of culture. PHYSICAL 50 Low rates of Little encouragement Little connection to important 50 order to develop cultural cultural education to writing and cultural authors, low levels of PRINTED THEATER interaction, in the spirit of PRINTED THEATER and training storytelling exercises cultural learning intention. EXAMPLES building bridges between EXAMPLES peoples. Dramaturgy COP 0 Circulate and socialize circulation of more than 150 books of the Colombian puppet Low levels of support Low levels of intercultural work "Rumba Ambiental" plays that have a for consolidation of contact between artistic Author. Carlos Stop in sense of territorial groups in the department with libraries, schools, gardens, environmental experimental theater the rest of the country and the houses of culture. groups world reflection

DEPARTMENTS OF CAQUETÁ AND PUTUMAYO ENVIRONMENTAL PARTNER PRESSURES FOREST DEGRADATION

AMAZONAS AND VAUPÉS DEPARTMENTS PROBLEMS CAUSIS CONSEQUENCES SOLUTIONS ACTIONS RESOURSES COSTS COMPLIANCE

Encourage dialogue HUMAN HUMAN in the face of (1) CULTURALCOP (1) CULTURAL cultural ordination MANAGER 800000 C/U(1) MANAGER(1) Communities' attention is around a sense of ENVIRONMENTAL Respectful ENVIRONMENTAL focused on how to adapt to peace and care for MANAGER COP 8000000(1) Negative and harmful formulation of (3) MANAGER(1) UNESCO new life forms brought from all forms of life PUBLICIST 800000 interactions in dialogues of cultural PUBLICIST the West and neglect the manifested. intercultural, interaction, around CONVENTION ON THE preservation of their technological and human the construction of a PROTECTION AND identity and ways of dynamics. To generate a society for peace and PROMOTION OF THE learning and developing in critical sense in the reconciliation. DIVERSITY OF CULTURAL life. Deterioration in face of the EXPRESSIONS (2005)

the cultural usefulness and

identity and life relevance of habits of the technology in TRANSPORTE A. protect and promote original communities. TRANSPORTE the diversity of cultural communities of (2) VIAJE IDA Y COP 800,000 expressions. VUELTA CAQUETA Y A Vaupés Implementation (5) DOS MUNICIPIOS MÁS territorial cultural ESTANCAIA Y E. promote respect for the Promote management ALIMENTACIÓN diversity of cultural Conflicts between development a ESTANCAIA Y workshops that expressions and raise Forced displacement of communities arise, affecting culture of good ALIMENTACIÓN contribute to COP 800,000 awareness of their value at the original communities, the harmony and living, where a 3 dias generating opinion in the local, national and the product of socio- willingness of its members democratic sense of the community Advertising international levels. environmental pressures. to form an environment cultural ordination PUBLICIDAD through a democratic COP 800,000 around peace of the territory is COP 800,000 CULTUREE exercise of diverse integrated. and inclusive interaction.

The incursion is the Communities abandon their artistic representation commercial, industrial worldview to some extent (3) of the play "El and extractive sectors to by performing practices that Dorado Colonized" the territory and F. Reafirmar la importancia generate environmental inviting reflection of del vínculo existente entre therefore the new Exercise healthy impacts, breaking the appropriation of the la cultura y el desarrollo economic models that and organic cultural Loss of integral link that binds them territory and care of HUMAN HUMAN para todos los países, en affect customs and exchange indigenous to the jungle. its cultural conditions (2) ACTOR (1) (2) ACTOR COP 800,000 especial los países en worldviews. mechanisms that knowledge and DIRECTOR (2) C/U (1) COP DIRECTOR desarrollo, y apoyar las respect the barriers worldview MUSICOS 800,000(2) COP 8000,000 actividades realizadas en el of autonomy and artistic representation Transformation of the way plano nacional e identity. (1) of the puppet work of thinking of some internacional para que se "Rumba Ambiental" Religious Missions (To individuals from the original reconozca el auténtico inviting reflection of Some extent) communities abandoning valor de ese vínculo. appropriation of the their worldview to a foreign territory and care of practical philosophy. its cultural conditions

Low cultural participation addressing and Low levels of cultural of the original publishing a cultural interaction with artistic I. strengthen international communities in artistic To carry out documentary from groups cooperation and solidarity events and calls. strategies in which Caquetá and other HUMANS HUMAN in a spirit of collaboration, the cultural departments in the Low visibility and (1) (1) in order to strengthen, in structure of Amazon region. cultural exchange CINEMATOGRAPHER CINEMATOGRAPHERCOP particular, the capacities of Caquetá and other Highlighting their rates Low levels of citizen 800,000 developing countries in departments of the identities and origins. participation in the devaluation of the order to protect and Amazon Region is formulation of cultural territory's cultural promote the diversity of coupled and exalted Cultural interactions events and projects in the influences cultural expressions. between Teatrova and department communities.

Low levels of information Low reading rates in the Circulate and socialize and interpretation of department Circulation of more than 150 copies everyday situations. dramaturgy of of the work "El Colombian plays Dorado Colonizado"

that have a sense of Author. Carlos Stop in Little connection cn rescue of native libraries, schools, PHYSICAL D. promote interculturality Little promotion of writing important cultural authors, cultures gardens, houses of Low rates of 50 PHYSICAL in order to develop cultural exercises and storytelling low levels of cultural culture. education and learning intent. PRINTED 50 PRINTED COPIESCOP interaction, in the spirit of cultural training THEATRICAL 0 building bridges between Circulate and socialize peoples. Circulation of EXAMPLES more than 150 books Low levels of intercultural dramaturgy of Low levels of support for of the work "Rumba contact between artistic works by Colombian consolidation of Ambiental" Author. groups in the department puppets that have a experimental territorial Carlos Stop in with the rest of the country sense of theatre groups libraries, schools, and the world environmental gardens, houses of reflection culture.

AMAZONAS AND VAUPÉS DEPARTMENTS ENVIRONMENTAL PARTNER PRESSURES FOREST DEGRADATION

GUAVIARE AND GUAINÍA DEPARTMENTS

PROBLEMS CAUSES CONSECUENCES SOLUTIONS ACTIONS RESOURSES COSTS CUMPLIANCE

The violence of the Communities must adapt to department on Encourage dialogue HUMAN new lifestyles, abandoning HUMAN behalf of organized in the face of (1) CULTURALCOP traditions and other acts that (1) CULTURAL criminal cultural ordination MANAGER 800000 C/U(1) highlight their territorial MANAGER(1) organizations, around a sense of ENVIRONMENTAL identity, as their fragile ENVIRONMENTAL National Army, peace and care for MANAGER COP 8000000(1) connection to their Respectful formulation MANAGER(1) guerrilla groups and all forms of life PUBLICIST 800000 UNESCO environment is continually of (3) dialogues of PUBLICIST drug trafficking manifested. broken. cultural interaction, networks. CONVENTION ON THE around the PROTECTION AND construction of a PROMOTION OF THE society for peace and Communities' attention is DIVERSITY OF CULTURAL To generate a critical reconciliation. Deterioration in Negative and focused on how to adapt to EXPRESSIONS (2005) sense in the face of the cultural harmful interactions new life forms brought from the usefulness and identity and in intercultural, the West and neglect the relevance of lifestyle habits of technological and preservation of their identity A. protect and promote the technology in TRANSPORTE the communities human dynamics. and ways of learning and diversity of cultural communities. TRANSPORTE originating in developing in life. expressions. Caquetá. (2) VIAJE IDA Y COP 800,000 VUELTA CAQUETA Y A E. promote respect for the Forced displacement DOS MUNICIPIOS MÁS Conflicts between ESTANCAIA Y diversity of cultural of the original Implementation (5) communities arise, affecting ALIMENTACIÓN expressions and raise communities, the Promote the territorial cultural ESTANCAIA Y the harmony and willingness awareness of their value at product of socio- development of a management ALIMENTACIÓN of its members to form an COP 800,000 the local, national and environmental culture of good workshops that 3 dias environment around peace international levels. CULTUREE pressures. living, where a contribute to Advertising democratic sense of generating opinion in PUBLICIDAD Power becomes other COP 800,000 Absence of the State cultural ordination the community (1) bodies, social and cultural to generate of the territory is through a democratic control and balance is mechanisms of integrated. exercise of diverse and contingent on particular participation. inclusive interaction. interests The incursion is the commercial, Artistic representation

industrial and Communities abandon their (3) of the play "El F. Reafirmar la importancia

extractive sectors to worldview to some extent by Dorado Colonized" del vínculo existente entre la Exercise healthy and the territory and performing practices that inviting reflection of cultura y el desarrollo para organic cultural therefore the new generate environmental appropriation of the HUMAN HUMAN todos los países, en especial Loss of indigenous exchange economic models impacts, breaking the territory and care of its (2) ACTOR (1) (2) ACTOR COP 800,000 los países en desarrollo, y knowledge and mechanisms that that affect customs integral link that binds them cultural conditions DIRECTOR (2) C/U (1) COP DIRECTOR apoyar las actividades worldview and worldviews. to the jungle. respect the barriers MUSICOS 800,000(2) COP 8000,000 realizadas en el plano of autonomy and artistic representation nacional e internacional para Transformation of the way of identity. (1) of the puppet work que se reconozca el Religious Missions thinking of some individuals "Rumba Ambiental" auténtico valor de ese (To Some extent) from the original inviting reflection of vínculo. communities abandoning appropriation of the

their worldview to a foreign territory and care of its practical philosophy. cultural conditions

Under the interest of cultural Low formulation and regulatory entities operation of cultural projects to sensibly promote addressing and in the territory the culture of the publishing a cultural department. To carry out documentary from strategies in which Caquetá and other HUMAN Low cultural HUMANS the cultural departments in the (1) Low visibility and participation of the Low levels of cultural (1) structure of Caquetá Amazon region. CINEMATOGRAPHERCOP cultural exchange original communities interaction with artistic CINEMATOGRAPHER and other Highlighting their 800,000 rates in artistic events and groups I. strengthen international calls. departments of the identities and origins. cooperation and solidarity in Amazon Region is a spirit of collaboration, in

Low levels of citizen coupled and exalted Cultural interactions order to strengthen, in participation in the between Teatrova and particular, the capacities of formulation of devaluation of the territory's communities. developing countries in cultural events and cultural influences order to protect and projects in the promote the diversity of department cultural expressions.

Low levels of information Low reading rates in and interpretation of Circulate and socialize Circulation of the department everyday situations. more than 150 copies dramaturgy of of the work "El Dorado Colombian plays Colonizado" Author. that have a sense of Carlos Stop in libraries, rescue of native Little connection with schools, gardens, PHYSICAL D. promote interculturality in cultures Low rates of Little promotion of important cultural authors, houses of culture. 50 PHYSICAL order to develop cultural education and writing exercises and low levels of cultural PRINTED 50 PRINTED COPIESCOP interaction, in the spirit of cultural training storytelling learning THEATRICAL 0 building bridges between intent. EXAMPLES peoples.

Circulation of Circulate and socialize

dramaturgy of works more than 150 books Low levels of support for Low levels of intercultural by Colombian of the work "Rumba consolidation of contact between artistic puppets that have a Ambiental" Author. experimental groups in the department sense of Carlos Stop in libraries, territorial theatre with the rest of the country environmental schools, gardens, groups and the world reflection houses of culture.

GUAVIARE AND GUAINÍA DEPARTMENTS ENVIRONMENTAL PARTNER PRESSURES FOREST DEGRADATION

Programa Artbientalistas – Teatrova (2020-2021)

COMPLIANCE WITH STATUTES Statute Compliance

OBJECTIVES A. protect and promote the diversity of cultural expressions.

C. foster dialogue between cultures in order to guarantee the widest and most balanced cultural exchanges in the world in favor of intercultural respect and a culture of peace.

UNESCO D. promote interculturality in order to develop cultural interaction, in the spirit of building

bridges between peoples. CONVENTION ON THE To level PROTECTION AND E. promote respect for the diversity of cultural International PROMOTION OF THE expressions and raise awareness of their value at DIVERSITY OF the local, national and international levels.

CULTURAL F. Reaffirm the importance of the link between EXPRESSIONS (2005) culture and development for all countries, especially developing countries, and support activities carried out at the national and international levels so that the true value of that link is recognized.

I. strengthen international cooperation and solidarity in a spirit of collaboration, in order to strengthen, in particular, the capacities of developing countries to protect and promote the diversity of cultural expressions.

Statute Compliance Article 118. Social and cultural rehabilitation. In order to reestablish the social and cultural fabric affected by causes associated with Article 3 of this decree, with the participation of the communities the State will adopt MINISTRY OF CULTURE intercultural measures such as support for spaces for ceremonies and collective To level DEC 4633 /2011 and individual rites, and for recovery of National http://www.suin- cultural traditions and practices; guaranteeing internal and collective juriscol.gov.co/viewDoc meetings for reflection, analysis and

ument.asp?ruta=Decret search for solutions to collective os/1547958 problems and, in general, measures to strengthen indigenous governance and the empowerment of people with special constitutional protection.

Article 126, Section h) Promote the carrying out of specialized studies on the

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

social, cultural, environmental and economic impacts that indigenous peoples have suffered as a consequence of the armed conflict and the underlying factors, and on the historical discrimination they have suffered, through scholarships and other incentives for students and research centers

Article 131 Number d) Participation of international human rights organizations that consider indigenous peoples and communities. Statute Compliance

STRATEGIES

Alliances with indigenous peoples is an intercultural strategy that seeks to unite efforts that make it possible to understand and energize To level processes that are aimed at strengthening Regional STRATEGIES SIAT – AC traditional knowledge associated with biodiversity, guaranteeing their physical and cultural permanence in their territories, with the autonomous exercise of governance; it allows the consolidation of institutional relations with indigenous organizations and the latter with other local associations

Statute Compliance

OBJECTIVE

To level SECRETARIATS OF Coordinate tourism and cultural development Local TOURISM AND policies, plans and projects that allow the CULTURE strengthening of the training, promotion and strengthening processes of each one of the sectors.

FULFILLMENT OF VALUES TEATROVA would be the first recognized artistic group to take a cultural training and interaction tour in the Amazon, having a cultural documentary on the Amazon gives us the opportunity to demonstrate to the world that we are Innovation rescuing our knowledge, traditions and origins while building a cultural movement of meaning participatory, democratic, inclusive and diverse that strengthens the construction of identity in the territories. This project has an environmental component attached given the organic relationship that culture has with the natural conditions of the environment. That is why for this project we are accompanied by an environmental management Sustentability methodology, made by environmental managers of the District University, which allows us to strengthen the project and approach it with a responsible and respectful sense against all manifestations of life.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

The formulation of this project can be used in other areas of environmental management and artistic training in communities.

Replicability Artbientalistas has been thought to become a social, cultural, and environmental movement, our methodologies are available to anyone who needs them, we build a permanent network of information, training and cultural consolidation in Colombia.

MANAGEMENT MODELS Cultural management models Cultural Actions Description Implementation proposal

The gatherings of approx. 20 people among citizens, families, community, cultural and environmental leaders. We They consist of community propose to start by reciting "Las Flores gatherings, where cultural and del Sur" where the cultural, environmental Cultural Dialogues "From environmental cartography is and ancestral values of the Amazon the Forest to the Word” carried out through word circles Region are rescued and exalted. To then where spaces are opened to the open a space for opinions on cultural opinion of the inhabitants of the issues under the direction of our Cultural territory. Manager (Janeth Cristina Ortiz). In order to articulate a series of socio-spatial data that can be analyzed in the future.

We propose to carry out workshops with an animistic focus in each of the cultural

houses or mayors of the municipalities to They consist of theatrical body visit to promote artistic interaction workshops, with an animistic between different cultural groups. approach to nature and its animal Scenic workshops "From the Working with groups of approx. 15 and plant manifestations; where Jungle to the Scene" people movements of proto Andean and made up of artists, cultural leaders, Amazonian dance are promoted. citizens, families. Under the direction of Kadir Abdel Rahim (Director Casa Teatrova)

They consist of the circulation and Socialization and delivery of more than socialization of plays and puppets 300 Colombian theater dramaturgy books by renowned Colombian authors, 150 issues of “El Dorado Colonizado” Reading strategies "From whose dramaturgy reflects the 150 issues of "Rumba Ambiental" the jungle to the story" rescue of the original traditions and Author Carlos Parada in schools, theaters, the protection of the environment cultural centers, city halls etc. and its natural resources.

Publication of a documentary titled "Las Flores del Sur", Directed by the cinematographer Darinel Alhucema in Consolidation of a documentary in Documentary "Flores del media such as "El Tercer Canal" "Canal which the evidences and Sur"” 13", "TV Agro"; that reflects the journey of experiences of the strategies of exchange and cultural strengthening of cultural strengthening in the field the Amazon Region by a group of the are captured. Artbientalistas Project and UNESCO.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

They consist of a series of activities that include the search for cultural Cultural sessions in cultural centers or city Cultural exchanges "Spaces leaders to offer them the halls where theatrical and dance art forms under construction for the formulation of cultural are woven between Teatrova and the imagination" strengthening strategies, while community. developing activities with real scenographies offered by Teatrova ”

No observations.

FIRMS

SEBASTIAN MANRIQUE JANETH ORTIZ

KADIR ABDEL RAHIM

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

2. REQUEST FOR GUARANTEES For the final consolidation of the formulation of this project, environmentalists proceed to send a request for endorsement from the following groups, ● The research groups that are part of the program are: COMMITTEE ON RESEARCH BIOETICS CBI-UD / UNIVERSIDAD DISTRITAL RESEARCH GROUP ON ENVIRONMENTAL STUDIES UD. G.E.A. / DISTRICT UNIVERSITY

● and organizations that are part of the program, ONIC NATIONAL INDIGENOUS ORGANIZATION OF COLOMBIA

In order to request review and endorsement and receive suggestions, comments, opinions that can reformulate the project and enrich it professionally and scientifically. Next, we present the endorsement requests of the ARTBIENTALISTAS PROJECT OF THE AMAZON REGION

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Bogotá, 23 de mayo de 2020

Señores, COMITÉ DE BIOÉTICA DE INVESTIGACIONES CBI -UD UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS Asunto: Solicitud de aval a Proyecto Artbientalistas Región Amazonía

Reciban un cálido y artístico saludo por parte de la Asociación Cultural Casa Teatrova, extendemos nuestra empatía hacia su organización, hacia sus integrantes y representantes. El motivo de la presente recae en la motivación que tiene Teatrova para afianzar nuestras fuerzas y alianzas (artísticas, sociales, académicas) con el fin de cumplir el objetivo compartido del redescubrimiento del bien vivir y la protección del medio ambiente través de las ciencias ambientales y las artes escénicas. Deseamos compartir con ustedes nuestros nuevos compromisos territoriales descritos en la FASE DE FORMULACIÓN del Programa Artbientalistas Región Amazonía que anexamos. Allí deseamos presentarles nuestros objetivos, estrategias y recursos del proyecto territorial en la Región Amazónica de Colombia Estamos abiertos a los aportes, comentarios y dudas y redireccionamientos. Teatrova agradece el compromiso y el interés por el arte y el repensamiento de los territorios, esperamos seguir fortaleciendo la lucha que nos une y construir juntos ciudadanías democráticas, artísticas y ambientalistas.

Cordialmente

KADIR ABDEL RAHIM Director Teatrova

SEBASTIAN MANRIQUE PINZON Gerente Programa Artbientalistas

ASOCION CULTURAL TEATROVA NIT 800.098.091-3 CALLE 24 # 4A – 16 Bogotá / 3362401 Teatrova.com.co

Bogotá, 23 de mayo de 2020

Señores, GRUPO DE ESTUDIOS AMBIENTALES UD – GEA UNIVERSIDAD DISTRITAL FRANCISCO JOSE DE CALDAS Asunto: Solicitud de aval a Proyecto Artbientalistas Región Amazonía

Reciban un cálido y artístico saludo por parte de la Asociación Cultural Casa Teatrova, extendemos nuestra empatía hacia su organización, hacia sus integrantes y representantes. El motivo de la presente recae en la motivación que tiene Teatrova para afianzar nuestras fuerzas y alianzas (artísticas, sociales, académicas) con el fin de cumplir el objetivo compartido del redescubrimiento del bien vivir y la protección del medio ambiente través de las ciencias ambientales y las artes escénicas. Deseamos compartir con ustedes nuestros nuevos compromisos territoriales descritos en la FASE DE FORMULACIÓN del Programa Artbientalistas Región Amazonía que anexamos. Allí deseamos presentarles nuestros objetivos, estrategias y recursos del proyecto territorial en la Región Amazónica de Colombia Estamos abiertos a los aportes, comentarios y dudas y redireccionamientos. Teatrova agradece el compromiso y el interés por el arte y el repensamiento de los territorios, esperamos seguir fortaleciendo la lucha que nos une y construir juntos ciudadanías democráticas, artísticas y ambientalistas.

Cordialmente

KADIR ABDEL RAHIM Director Teatrova

SEBASTIAN MANRIQUE PINZON Gerente Programa Artbientalistas

ASOCION CULTURAL TEATROVA NIT 800.098.091-3 CALLE 24 # 4A – 16 Bogotá / 3362401 Teatrova.com.co

Bogotá, 23 de mayo de 2020

Señores, ORGANIZACIÓN NACIONAL INDIGENA DE COLOMBIA - ONIC

Asunto: Solicitud de aval a Proyecto Artbientalistas Región Amazonía

Reciban un cálido y artístico saludo por parte de la Asociación Cultural Casa Teatrova, extendemos nuestra empatía hacia su organización, hacia sus integrantes y representantes. El motivo de la presente recae en la motivación que tiene Teatrova para afianzar nuestras fuerzas y alianzas (artísticas, sociales, académicas) con el fin de cumplir el objetivo compartido del redescubrimiento del bien vivir y la protección del medio ambiente través de las ciencias ambientales y las artes escénicas. Deseamos compartir con ustedes nuestros nuevos compromisos territoriales descritos en la FASE DE FORMULACIÓN del Programa Artbientalistas Región Amazonía que anexamos. Allí deseamos presentarles nuestros objetivos, estrategias y recursos del proyecto territorial en la Región Amazónica de Colombia Estamos abiertos a los aportes, comentarios y dudas y redireccionamientos. Teatrova agradece el compromiso y el interés por el arte y el repensamiento de los territorios, esperamos seguir fortaleciendo la lucha que nos une y construir juntos ciudadanías democráticas, artísticas y ambientalistas.

Cordialmente

KADIR ABDEL RAHIM Director Teatrova

SEBASTIAN MANRIQUE PINZON Gerente Programa Artbientalistas

ASOCION CULTURAL TEATROVA NIT 800.098.091-3 CALLE 24 # 4A – 16 Bogotá / 3362401 Teatrova.com.co

Programa Artbientalistas – Teatrova (2020-2021)

INTERACTION PHASE

1. INFORMED CONSENT Since the project establishes diverse models of cultural and environmental management; leaders, representatives and communities must sign an informed consent where it is clearly stipulated that their role within the project is that of beneficiaries, the interaction they have with us is due to a sense of integration of the Teatrova organization with the cultural conditions of the country and although obviously They represent our structuring axis, their contributions contribute to the formalization of the projects but they are not formulated together.

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

TEATRO CASA TEATROVA PROGRAMA ARTBIENTALISTAS

PROYECTO ARTBIENTALISTAS REGIÓN AMAZÓNICA

Formato de consentimiento Informado

Departamento:

Municipio:

Parte I: Información general

Este formulario de consentimiento informado se dirige a personas, familias, líderes artísticos y ambientales involucrados en nuestro proyecto. Yo Juan Sebastián Manrique Pinzón soy el gerente del presente proyecto, como información general le informo que soy Gestor y Administrador Ambiental. Actualmente estoy vinculado como actor y gestor cultural y ambiental del Asociación Cultural Casa Teatrova de Bogotá.

Usted puede decidir el momento para participar o no, cualquier duda o inquietud será resuelta con la diligencia requerida. El desarrollo del proyecto no generará materiales o actividades peligrosas, no impactará negativamente el ambiente, sin embargo, puede abordar temas sensibles en las comunidades de carácter social, religioso, de género o político.

Propósitos Se aclara que el propósito principal del proyecto tiene que ver con el fortalecimiento cultural de la Región Amazónica, cuyo propósito es fomentar la opinión democrática, incluyente y diversa frente a la ordenación cultural y ambiental del territorio. Mientras se ejecutan estrategias que visibilicen la riqueza cultural y ambiental de la región.

Tipo de Intervención de Investigación Para ello, serán realizadas actividades de interacción cultural como diálogos, talleres artísticos, lecturas dramáticas, además de entrevistas y observaciones, donde se harán registros fotográficos y audiovisuales.

Selección de participantes Los participantes se han elegido teniendo en cuenta criterios culturales del territorio.

Participación Voluntaria Se aclara que la participación en el proyecto es voluntaria, usted tiene derecho a obtener una copia del presente documento y a retirarse posteriormente si así lo desea en cualquier momento, no tendrá que firmar ningún documento para hacerlo, ni informar las razones de su decisión, si no desea hacerlo. Usted no tendrá que hacer gasto alguno durante la participación.

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Duración Esta proyecto será desarrollado en el periodo del 2021-2022 . En cualquier momento que lo requiriera le será informado el estado en el que se encuentra la información obtenida a través de las entrevistas y del material audiovisual.

Efectos Secundarios Al ser este estudio de carácter cualitativo, no presenta ningún riesgo directo en la vida humana o de cualquier ser vivo.

Riesgos Se enfatiza que al recurrir a herramientas de investigación cualitativas no se presenta algún riesgo directo en la vida humana o de cualquier ser vivo.

Beneficios No se recibirá beneficio personal de ninguna clase por la participación en este proyecto. Sin embargo, se espera que los resultados obtenidos permitirán mejorar los procesos de intercambio cultural en la Región amazónica.

Incentivos Se aclara que la participación en el estudio es voluntaria y no incluye algún beneficio económico. No obstante, se reitera que los resultados del presente estudio estarán a disposición de los participantes.

Confidencialidad Toda la información obtenida y los resultados de la investigación serán tratados confidencialmente, si es de su interés mantener el anonimato su nombre e identificación serán reconocidos a través de un código de manejo. Los resultados personales no pueden estar disponibles para terceras personas como empleadores, organizaciones gubernamentales, compañías de seguros u otras instituciones educativas.

A Quién Contactar Si tiene alguna duda o pregunta puede contactar a JUAN SEBASTIAN MANRIQUE PINZON, número de celular 3165551990, correo electrónico [email protected]

Esta propuesta ha sido revisada y aprobada por Comité de Bioética del Centro de Investigaciones y Desarrollo Científico de la Universidad Distrital Francisco José de Caldas, que es un comité cuya tarea es asegurarse de que se protege de daños a los participantes en proyectos. Si usted desea averiguar más sobre este comité, contacte a Giovanni Tarazona Bermúdez, correo electrónico [email protected].

Parte II: Formulario de Consentimiento

Hago constar que el presente documento ha sido leído y entendido por mí en su integridad de manera libre y espontánea. He tenido la oportunidad de preguntar sobre ella y se me ha contestado satisfactoriamente las preguntas que he realizado.

Consiento voluntariamente participar en el proyecto “PROYECTO ARTNIENTALISTAS REGIÓN AMAZÓNICA” como participante y entiendo que tengo el derecho de retirarme del proyecto en cualquier momento sin que me afecte en ningún manera.

Nombre: Firma: Documento de identidad No. de Día/mes/año:

Genera Copio.

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Programa Artbientalistas – Teatrova (2020-2021)

EVALUATION PHASE

The artbientalist projects are evaluated according to the territory chosen in the Ordinary Session of the members of the Art Environmental Program every six months; in said session, a final analysis is made of the criteria formulated, complying with the following format:

ARTBIENTALIST PROJECT EVALUATION FORMAT

PROJECT'S NAME ARTBIENTALIST PROJECT AMAZON REGION

MEMBERS

PLACES

OBJECTIVES

SCOPE AND ENVIRONMENTAL IMPACTS

SCOPE AND CULTURAL IMPACTS

EXPERIENCES

THE COMMUNITIES AND LEADERS

Observations: Of each one of the members.

Firms, of the evaluators (members of the Artbientalistas Program)

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401

Programa Artbientalistas – Teatrova (2020-2021)

Teatro Casa Teatrova Calle 24 No 4ª–16. Bogotá D.C. [email protected] (+57)3192148025 - (+57)3362401