February 2, 1987
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
E Tails of Young Democrats, Republicans Ebate Announced
'*•>•- f ^g^8^ - "'. • • ••: - • .... - - - . -""^Sj. \ ! Non-Profit Org. I U.S. Posiage PAID Bronx, NY 10458 PermilNo.7608 P.O. Box B Fordham Univ. Bronx, NY 10458 FORDHAM UNIVERSITY Rose Hill Campus, Bronx, New York; Lincoln Center Campus, New York, New York miles addresses voting University receives End the Catholic tradition $9 million grant By Catherine Sabatos egy from the beginning. Fordham on which the country was founded. STAFF WRITER became part of a package deal involv- Dulles said that Pope John Paul II once ing several other universities seeking Through the combined efforts of a praised the United States Constitution aid. Fordham team, state Senator Guy for the freedom it allows its people to The government finally agreed to Velella and Assemblyman George live the truth of what and who they are add schools to the list of those receiv- Friedman, Fordham University re- according to God. Dulles said that it ing grants. The grant will be distrib- ceived a $9 million government grant was this religious freedom on which uted between the next fiscal year and for the construction of its Regional this country was founded. 1996, stemming mainly from the Ur- Educational Technology Center to be According to Dulles, the fact that ban DevelopmentCorporation's (UDC) located in the new Shedrick Library. 25% of the population of this country sale of bonds on the open market with Fordham first approached the state is Catholic leads to the conclusion that the added assistance of the state's capi- government after Governor Mario Catholics can make a difference. tal projects budget. -
Sexuality in the Horror Soundtrack (1968-1981)
UNIVERSITY OF CALIFORNIA Los Angeles Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Morgan Fifield Woolsey 2018 © Copyright by Morgan Fifield Woolsey 2018 ABSTRACT OF THE DISSERTATION Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) by Morgan Fifield Woolsey Doctor of Philosophy in Musicology University of California, Los Angeles, 2018 Professor Raymond L. Knapp, Co-Chair Professor Mitchell Bryan Morris, Co-Chair In this dissertation I argue for the importance of the film soundtrack as affective archive through a consideration of the horror soundtrack. Long dismissed by scholars in both cinema media studies and musicology as one of horror’s many manipulative special effects employed in the aesthetically and ideologically uncomplicated goal of arousing fear, the horror soundtrack is in fact an invaluable resource for scholars seeking to historicize changes in cultural sensibilities and public feelings about sexuality. I explore the critical potential of the horror soundtrack as affective archive through formal and theoretical analysis of the role of music in the representation of sexuality in the horror film. I focus on films consumed in the Unites States during the 1970s, a decade marked by rapid shifts in both cultural understanding and cinematic representation of sexuality. ii My analyses proceed from an interdisciplinary theoretical framework animated by methods drawn from affect studies, American studies, feminist film theory, film music studies, queer of color critique, and queer theory. What is the relationship between public discourses of fear around gender, race, class, and sexuality, and the musical framing of sexuality as fearful in the horror film? I explore this central question through the examination of significant figures in the genre (the vampire, the mad scientist/creation dyad, and the slasher or serial killer) and the musical-affective economies in which they circulate. -
Liste Gebrauchtware Privatkunden Datum
TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN -
Alice Cooper: El Rei Del Shock Rock
It's only rock & roll | Pep Saña | Actualitzat el 30/08/2017 a les 12:56 Alice Cooper: El rei del Shock Rock Fill d'un predicador, Vincent Damon Furnier (nascut el 4 de febrer de 1948 a Detroit Michigan), degut a complicacions amb la seva salut durant l'adolescència, va haver de mudar-se amb la seva família a Phoenix, Arizona, on va aconseguir graduar-se en belles arts. Més endavant conegut com Alice Cooper, va ser un dels pioners en associar rock i espectacle als seus concerts, muntar petites històries teatrals a l'escenari mentre tocava la banda de rock i crear de si mateix un personatge sorgit del més sòrdid dels malsons. Amb maquillatges d'aspecte sinistre, inquietants lletres i concerts que incloïen execucions amb guillotina, cadires elèctriques o aparicions amb serps enormes (com la famosa boa constrictor), il?lustraven els continguts dels seus àlbums, molts dels quals explicaven una història, en la més pura línia de l'àlbum conceptual. Alice Cooper, seria el primer a desenvolupar amb més sofisticació les posades en escena respecte a altres músics influenciats per l'estètica glam teatral, com David Bowie o Peter Gabriel. Aquesta característica escènica influenciaria notablement a grups com KISS, Mötley Crüe o Twisted Sister entre d'altres. El seu show en escena el mostra tallant bebès amb una destral o presentant-se a president dels Estats Units. Alice Cooper també és famós per la seva carismàtica personalitat fora de l'escenari, estant escollit com l'artista de heavy metal més estimat, publicat per la famosa revista Rolling Stone. -
234 MOTION for Permanent Injunction.. Document Filed by Capitol
Arista Records LLC et al v. Lime Wire LLC et al Doc. 237 Att. 12 EXHIBIT 12 Dockets.Justia.com CRAVATH, SWAINE & MOORE LLP WORLDWIDE PLAZA ROBERT O. JOFFE JAMES C. VARDELL, ID WILLIAM J. WHELAN, ffl DAVIDS. FINKELSTEIN ALLEN FIN KELSON ROBERT H. BARON 825 EIGHTH AVENUE SCOTT A. BARSHAY DAVID GREENWALD RONALD S. ROLFE KEVIN J. GREHAN PHILIP J. BOECKMAN RACHEL G. SKAIST1S PAULC. SAUNOERS STEPHEN S. MADSEN NEW YORK, NY IOOI9-7475 ROGER G. BROOKS PAUL H. ZUMBRO DOUGLAS D. BROADWATER C. ALLEN PARKER WILLIAM V. FOGG JOEL F. HEROLD ALAN C. STEPHENSON MARC S. ROSENBERG TELEPHONE: (212)474-1000 FAIZA J. SAEED ERIC W. HILFERS MAX R. SHULMAN SUSAN WEBSTER FACSIMILE: (212)474-3700 RICHARD J. STARK GEORGE F. SCHOEN STUART W. GOLD TIMOTHY G. MASSAD THOMAS E. DUNN ERIK R. TAVZEL JOHN E. BEERBOWER DAVID MERCADO JULIE SPELLMAN SWEET CRAIG F. ARCELLA TEENA-ANN V, SANKOORIKAL EVAN R. CHESLER ROWAN D. WILSON CITYPOINT RONALD CAM I MICHAEL L. SCHLER PETER T. BARBUR ONE ROPEMAKER STREET MARK I. GREENE ANDREW R. THOMPSON RICHARD LEVIN SANDRA C. GOLDSTEIN LONDON EC2Y 9HR SARKIS JEBEJtAN DAMIEN R. ZOUBEK KRIS F. HEINZELMAN PAUL MICHALSKI JAMES C, WOOLERY LAUREN ANGELILLI TELEPHONE: 44-20-7453-1000 TATIANA LAPUSHCHIK B. ROBBINS Kl ESS LING THOMAS G. RAFFERTY FACSIMILE: 44-20-7860-1 IBO DAVID R. MARRIOTT ROGER D. TURNER MICHAELS. GOLDMAN MICHAEL A. PASKIN ERIC L. SCHIELE PHILIP A. GELSTON RICHARD HALL ANDREW J. PITTS RORYO. MILLSON ELIZABETH L. GRAYER WRITER'S DIRECT DIAL NUMBER MICHAEL T. REYNOLDS FRANCIS P. BARRON JULIE A. -
Council Gives up Responsibility on New Curriculum Faculty Vents
Volume 8, Number A College At Lincoln Center, Fordham University, New York October 8-October 2% 1986 Council Gives Up Responsibility On New Curriculum Faculty To Decide In Referendum By Lisa Volpe need to be involved.. .but in matters of cur- riculum, particularly when we're talking'about the Amid confusion and heated debate, the College major issue of core curriculum, a faculty which Council voted to turn the decision on the proposed averages 20 years of teaching... happen to be the core curriculum over to the faculty through a expert witnesses on this matter." referendum, giving up its authority in the matter. "I think the report is complicated enough," According to CLC Dean William Tanksley, Chair- argued Professor Grafton Mouen. "I can't imagine man of the College Council, the Coancil's motion the faculty members, in the course of 45 minutes, for a faculty referendum "is not staying it approves to come up with something which we, the College !ory Comes To Fordham Page 3 the Mellon Committee's proposal, it just means Council, haven't." we're passing the ultimate decision to the faculty." "This is the body that should be deciding on the The Council also agrees that a student referendum proposal," Mouen said, "not giving away that may be held by the USG. power." The faculty must now review the Mellon Com- Assistant Dean of Students, Normand Parenteau Faculty Vents Frustration mittee's core curriculum proposal and formulate suggested that the Council motion for a student a recommendation, which will be given to Univer- referendum as well as a faculty referendum. -
Teenagers, Everyday Life and Popular Culture in 1950S Ireland
Teenagers, Everyday Life and Popular Culture in 1950s Ireland Eleanor O’Leary, BA., MA. Submitted for qualification of PhD Supervised by Dr Stephanie Rains, Centre for Media Studies, National University of Ireland, Maynooth Head of Department: Dr Stephanie Rains Submitted October 2013 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD, is entirely my own work and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed: ____________________________________ ID No. ____________________________________ Date: ____________________________________ Table of Contents List of Illustrations ...................................................................................................................................... 2 List of Tables ............................................................................................................................................... 4 Abstract ........................................................................................................................................................ 5 Acknowledgements ..................................................................................................................................... 6 Introduction ................................................................................................................................................. 8 Chapter 1 – Education and Opportunities........................................................................................... -
I Excavating the Ghetto Action Cycle (1991-1996): a Case Study for A
Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study by Amanda Ann Klein B.A. in English, Cornell University, 1999 M.A. in English, University of Pittsburgh, 2001 Submitted to the Graduate Faculty of Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 i UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Amanda Ann Klein It was defended on July 24, 2007 and approved by Dr. Jane Feuer, Associate Professor, Department of English Dr. Neepa Majumdar, Assistant Professor, Department of English Dr. Paula Massood, Associate Professor, Department of English (Brooklyn College) Dissertation Chair: Dr. Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Amanda Ann Klein 2007 iii Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-Based Approach to Genre Study Amanda Ann Klein, Ph.D. University of Pittsburgh, 2007 The following dissertation, “Excavating the Ghetto Action Cycle (1991-1996): A Case Study for a Cycle-based Approach to Genre Theory,” traces an historical, cultural and theoretical genealogy for the ghetto action cycle. This controversial cycle, which was initiated by the success of films like Boyz N the Hood and Menace II Society, participated in the period’s broad cultural debates about race, class, crime and youth. As film cycles are strongly shaped by audience desire, financial viability, current events and studio whims, I argue that they retain the marks of their historical, socioeconomic and generic contexts more precisely than genres, which, because of their longevity and heterogeneity, can be unwieldy objects of study. -
Guilt Is Found Jury by BAILIE SCHRAEGER Ways with the State
Baseball Team SEE PAGE 14 Smny/pteaant Why aBf to- maww. Clem; nffld tonight FINAL Suupj and wuiiuer Sunday,' Red Bank, Freehold Long Branch EDITION Monmontli County's Home Newspaper for 92 Years VOL 93 NO. 212 RED BANK, N.J., FRIDAY^ JUNE 11,1971 Guilt Is Found Jury By BAILIE SCHRAEGER ways with the state. Mr! Ansell's case was limited to defense came to him with sexual problems. The film was adjudged to nostic Center, Menfo Park, he said the doctor had "patently exhibits, oral argument, and cross-examination of state wit- be not obscene because it was found to have redeeming social- violated the canons of the Supreme Court of the United FREEHOLD - Supplied with quantities of exhibits, many nesses. I • • - value.) _• States... He equated sex with obscenity and he equated nu- of them photographs of mate nudes used to illustrate homosex- Two Witnesses Presented Judge McGann denied Mr. Ansell's motion to strike the dity with obscenity." ' ual literature, a jury deliberated for only 35 minutes yes- Assistant Prosecutor Steven C. Rubin produced a psy- testimony of the expert witnesses. Mr. Ansell said the state He said the testimony of both experts was "confused." terday before finding an Elizabeth man guilty in an .obscenity chiatrist and a Methodist minister, both of whom testified they bad produced "no expert on literature" and Uiat "we are talk- Judge McGann said he thought both witnesses had tried to case. felt that the materials in question were obscene. ing about literary works here." 'answer questions carefully and that their opinions were mere- Robert I. -
It's Alive! Frankenstein At
It’s Alive! Frankenstein at 200 Online Teacher Curriculum It’s Alive! Frankenstein at 200 THIS PAGE: Boris Karloff and Marilyn Harris, Frankenstein (1931), 1931 Photograph, Core Collection Production Files, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Courtesy of Universal Studios Licensing LLC, © 1931 Universal Pictures Company, Inc. COVER, TOP: Roman Freulich, Elsa Lanchester and Boris Karloff in The Bride of Frankenstein, (1935), 1935, Photograph, Core Collection Production Files, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences, Courtesy of Universal Studios Licensing LLC, © 1935 Universal Pictures Company, Inc.; LEFT: Richard Rothwell (1800–1868), Portrait of Mary Wollstonecraft Shelley, painted 1831, exhibited 1840, oil on canvas, © National Portrait Gallery, London; CENTER: Mary Wollstonecraft Shelley (1797-1851), Frankenstein: It was on a dreary night in November 1816-1817, Pen on paper, The Bodleian Libraries, The University of This curriculum is designed to complement the Morgan’s exhibition It’s Alive! Frankenstein at 200. These curriculum materials, recommended for grades 9-12, are provided to educators for use both during school visits to the Morgan, in the classroom, and are available after the exhibition closes. You may download PDFs of the entire section or search for a specific curriculum area. Each resource section includes: • Condensed catalogue essays • Objects with discussion and activity prompts to facilitate open-ended exploration • High quality images • Vocabulary definitions • A listing of supplemental resources that include books, films, a timeline and family tree, biographies, and additional online resources For links to the Standards please see page 6 and the Supplementary pages. It’s Alive! Frankenstein at 200 Online Curriculum is made possible through the generosity of the Carnegie Corporation of New York. -
Perpetual Motion
PERPETUAL MOTION The Making of a Mathematical Logician by John L. Bell Llumina Press © 2010 John L. Bell All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from both the copyright owner and the publisher. Requests for permission to make copi es of any part of this work should be mailed to Permissions Department, Llumina Press, 7915 W. McNab Rd., Tamarac, FL 33321 ISBN: 978-1-60594-589-7 (PB) Printed in the United States of America by Llumina Press PCN 2 Contents New York and Rome, 1951-53 14 The Hague, 1953-54 18 Bangkok, 1955-56 28 San Francisco, 1956-58 34 Millfield, 1958-61 54 Cambridge, 1962 93 Exeter College, Oxford, 1962-65 101 Christ Church, Oxford, 1965-68 146 London, 1968-73 178 Obituary of E. H. Linfoot 225 3 My mother in the 1940s My parents in the 1950s 4 Granddad England and I, Rendcomb, 1945 5 Myself, age 3 My mother and myself, age 3 6 Myself, age 6, with you-know who 7 Granddad Oakland and his three sons, 1938 8 The Four Marx Brothers, 1969 9 Mimi and I (The Three “Me’s”), 1969 10 Myself, 2011 11 When you’re both alive and dead, Thoroughly dead to yourself, How sweet The smallest pleasure! —Bunan Some men a forward motion love, But I by backward steps would move; And when this dust falls to the urn, In that state I came, return. -
ALICE COOPER – Ol' Black Eyes Is Back Tour – 13
ALICE COOPER – Ol' Black Eyes Is Back Tour – 13. September 2019 – Berlin, Max-Schmeling-Halle – Support: BLACK STONE CHERRY – Text und Fotos: Holger Ott COOPER könnte sich in Berlin gleich 'ne Wohnung nehmen, so oft wie er in letzter und kommender Zeit hier zu sehen und hören ist, hätte er es dann nicht so weit zu seinen Terminen. Erst er mit Band, dann mit seinen 'Vampiren', dann wieder er und im kommenden Frühjahr mit 'Rock Meets Classic'. Nebenbei fummelt ALICE noch an einem neuen Album. Der Mann ist so beschäftigt, dass er anscheinend völlig vergisst, dass er bereits seit einiger Zeit die wohl verdiente Rente genießen könnte. Doch unerlässlich stirbt er fast jeden Abend auf der Bühne, um nach wenigen Minuten einen neuen Kopf nachwachsen zu lassen. COOPER ist also nicht totzukriegen und in den letzten Jahren ist sein Beliebtheitsgrad zudem enorm gestiegen. Bei jeder Tour werden die Hallen größer. Selten war jemand im hohen Alter so angesagt wie er und schlau wie er ist, nutzt er das in vollen Zügen aus. I hm zur Seite, bzw. im Vorprogramm stehen BLACK STONE CHERRY auf der Bühne der Max-Schmeling-Halle. Die, noch recht junge Band, hat sich in kürzester Zeit einen sehr guten Namen gemacht und mindestens ein Drittel in der Halle sind ihretwegen hier. Sie sind heute Abend durch zwei Gastmusiker am Keyboard und den Congas verstärkt. Die Jungs sprühen auch nur so vor Energie. Stillstand ist ein Fremdwort. Da wird gerannt und gesprungen und man fragt sich, wie die dabei überhaupt noch ordentlich spielen können. Wie das geht, beweist Drummer JOHN FRED YOUNG, der x-mal beim Herumwirbeln seine Sticks verliert und seinen Part locker mit einer Hand spielt.