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Sebastian Jakub Konefał – Redaktor Prowadzący Numeru Grzegorz Fortuna Jr
FILM / NOWE MEDIA / SZTUKI WIZUALNE www.panoptikum.pl Adres do korespondencji: Mapowanie Północy Redakcja „Panoptikum” ul. Wita Stwosza 58/109 80-952 Gdańsk tel. (058) 523 24 50 [email protected] REDAKCJA: Mapping the North Grażyna Świętochowska – redaktor naczelna / [email protected] Sebastian Jakub Konefał – redaktor prowadzący numeru Grzegorz Fortuna Jr. – [email protected] Monika Bokiniec – [email protected] R ADA NAUKOWA: prof. Krzysztof Kornacki (Uniwersytet Gdański, Polska), prof. Ewa Mazierska (University of Lancashire, UK), prof. Mirosław Przylipiak (Uniwersytet Gdański, Polska), prof. Jerzy Szyłak (Uniwersytet Gdański, Polska), prof. Piotr Zwierzchowski (Uniwersytet Kazimierza Wielkiego, Polska) RECENZENCI: • Lyubov Bugayeva (Saint Petersburg University, Rosja) • Lucie Česálková (Masarykova Univerzita, Czechy) • Konrad Klejsa (Uniwersytet Łódzki, Polska) • Rafał Koschany (Uniwersytet im. Adama Mickiewicza w Poznaniu, Polska) • Arkadiusz Lewicki (Uniwersytet Wrocławski, Polska) • Constantin Pârvulescu (Universitatea de Vest din Timisoara, Rumunia) • Tadeusz Szczepański, Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi, Polska) • Balázs Varga (Eötvös Loránd University, Węgry) • Patrycja Włodek (Uniwersytet Pedagogiczny w Krakowie, Polska) Redakcja językowa: Grzegorz Fortuna Jr., Martyna Skowron (język angielski) Projekt graficzny, okładka, layout i skład: Jacek Michałowski / Grupa 3M / [email protected] Promocja numeru: Tomasz Pupacz / [email protected] Materiały zdjęciowe udostępnione za zgodą właścicieli praw autorskich. Wydawca: Uniwersytet Gdański (http://cwf.ug.edu.pl/ojs/) Akademickie Centrum Kultury Uniwersytetu Gdańskiego „Alternator” Publikacja jest efektem badań akademickich przeprowadzonych w 2016 roku dzięki wsparciu udzielonemu z funduszy norweskich i funduszy EOG, pochodzących z Islandii, Liechtensteinu i Norwegii. This publication is the effect of the academic researches supported in 2016 by the Norway Grants and the EEA Grants with the financial contributions of Norway, Iceland and Liechtenstein. -
Nine Inch Nails Pretty Hate Machine Free
FREE NINE INCH NAILS PRETTY HATE MACHINE PDF Daphne Carr | 144 pages | 03 May 2011 | Bloomsbury Publishing PLC | 9780826427892 | English | London, United Kingdom Nine Inch Nails - Wikipedia The album consists of reworked tracks from the Purest Feeling demo tape, as well as songs composed after its original recording. The album, which features a heavily synth-driven electronic sound blended with industrial and rock elements, bears little resemblance to the band's subsequent work. Conversely, much like the band's later Nine Inch Nails Pretty Hate Machine, the album's lyrics contain themes of angst, betrayal, and lovesickness. The record was promoted with the singles " Down in It ", " Head Like a Hole ", and " Sin ", as well as the accompanying tour. A remastered edition was released in Although the record was successful, reaching No. Pretty Hate Machine was later certified triple-platinum by RIAAbecoming one of the first independently released albums to do so, and was included on several lists of the best releases of the s. During working nights as a handyman and engineer at the Right Track Studio in ClevelandOhioReznor used studio "down-time" to record and develop his own music. The sequencing was done on a Macintosh Plus. With the help of manager John Malm, Jr. Reznor received contract offers from many of the labels, but eventually signed with TVT Recordswho were known mainly for releasing novelty and television jingle records. Much like his recorded demo, Reznor refused to record the album with a conventional band, recording Pretty Hate Machine mostly by himself. I became completely withdrawn. I couldn't function in society very well. -
Dining Hall Initiates Efficiency Program
THE: TUFTS DAILY Where You Read It First Friday, March 11,1994 Vol XXVIII, Number 32 WINTER IS STILL HERE Shortage of students to lead Explorations by STEPHEN KARP program has been extremely suc- Daily Staff Writer cessful and popular throughout its Recently, the leaders of the existence and has gained national Experimental College expressed recognition. concern over the number of stu- Howard Woolf, assistantdirec- dents who are interested in lead- tor of the Experimental College, ing an Explorations or Perspec- talked about the benefits of teach- tives class. ing an Explorations class. According to Robyn Gittleman, “I wonder if students realize director of the Experimental Col- how rare an opportunity it is to be lege, the number of students turn- able to teach as an undergraduate? ing in applicationsis considerably You can count on one hand the smallerthaninpreviousyears. The colleges where it’s possible to do Experimental College estimated so,” he said. that nearly 100 groups of possible “What’s interestingis how well Explorations and Perspectives the experience has served leaders leaders would have picked up ap- after they graduate. A few have plications by this time. However, goneintoeducationordoneTeach Gittleman said that only “half that for America. The large majority, number have been taken so far.” however, never teach again, yet ‘We have made a great effort to they are forever telling us how get students to at least come down much the leadershipand organiza- Photo by Judy Eastetbrvok andpick up an application.I know tional skills they have developed With all of the recent rain and snow the Dast few davs. -
Sex in Question: French Materialist Feminism
Sex in Question Feminist Perspectives on The Past and Present Advisory Editorial Board Lisa Adkins, University of Kent, Canterbury, UK Harriet Bradley, University of Bristol, UK Avtar Brah, University of London, UK Barbara Caine, University of Sydney, Australia Mary Evans, University of Kent at Canterbury, UK Gabriele Griffin, Leeds Metropolitan University, UK Jalna Hanmer, University of Bradford, UK Maggie Humm, University of East London, UK Sue Lees, University of North London, UK Diana Leonard, University of London, UK Terry Lovell, University of Warwick, UK Maureen McNeil, University of Birmingham, UK Ann Phoenix, University of London, UK Caroline Ramazanoglu, University of London, UK Sue Scott, University of Stirling, UK Penny Summerfield, University of Lancaster, UK Martha Vicinus, University of Michigan, USA Christine Zmroczek, Roehampton Institute of Higher Education, UK Sex in Question: French materialist feminism Edited by Diana Leonard and Lisa Adkins UK Taylor & Francis Ltd, 1 Gunpowder Square, London, EC4A 3DE USA Taylor & Francis Inc., 1900 Frost Road, Suite 101, Bristol, PA 19007 First published 1996 This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © of collection, Diana Leonard and Lisa Adkins, 1996 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, -
'No Justice~ No Peace~
In Sports In Section 2 An Associated Cql/egiate Press Four-Star All-American Newspaper AU! Women's Bobby Brown soccer wins is back ••• first game unfortunately page BS page B1 :FREE . FRIDAY 'No_justice~ no peace~ Press conference shows discontent with police By Doug Donovan and her way around the Newark police Robyn Furman officer, the officer tried to stop her Stal Repotrt!l5 verbally, and then he grabbed her Concerned Black Students of the ann as she tried to go around him. university held a press conference Haskins was screaming yesterday morning in an attempt 10 profanities at the officer and he "appeal to the university's placed her under arrest for consistent lack of concern and disorderly conduct. welfare of African American She then began to swing her students," a representative said. arms when another student, Tiea B. Three representatives of the Thorton, 21, also grabbed the Concerned Black Students spoke in officer. the Rodney Room before a crowd The three people toppled to the of about 250 and said wmecessary ground and Haskins' flailing arms police brutality was used during an knocked the officer's glasses off his an incident that occured at the face and gave him a bloody nose. Christiana West Towers early In the struggle the officer Sunday morning. thought that Thorton was trying to The incident occured after the "grab and/or strip his gunbelt gear" alleged domestic dispute between and in response to his fear of her Keita Malloy (AS JR) and a female possibly obtaining firearms, he university student that lead to sprayed caps-stun. -
• 1800 Words Including Reference List • 7-10 References O One Is from Class
1800 words including reference list 7-10 references o One is from class reading o One is from other academic paper o Others games referenced Oral analysis o 26-168 on Tuesday “I think one way of thinking of a personal read is asking yourself how your text differs from other critics writing about the same game. It’s about making the text feels inherently unique because, while it’s about the same game, it’s clear that it only could’ve been written by you. I see what you’re saying about the Persona paper. I still feel that Harper does a good job of creat- ing and dissecting categories that make his reading surface as clear, but not trivial. There are def- initely aspects of colonialism as well as exploration/exploitation in Pikmin 2, and they’re both interesting, but as you allude to, it should be possible to go deeper than just describing either theme with examples. What does it really mean that these themes are used in a Japanese space exploration video game. Does it matter, and in that case why?” Avoid hyperlinks lift analysis to higher level in conclusion Include things about identity / other backgrounds of experience? Japanese colonialism (see below) Add pictures in there Playthrough – see paper notes. Probably not enough time to finish up last playthrough (haha or current playthrough) Scholarly Notes Ai no Uta o “Unexpectedly, the song actually outsold the game it has advertised, even beating Pikmin's sales figures shortly after its release as a single." o A side: "We'll fight, be silent, and follow you, But we won't ask you to love us." o B side: "And I didn't say that I loved you" o I think this is kinda selling it short and oversimplifying it. -
“The Speciesism Gaze!?” an Ethical Discursive Analysis of Animal Right Posters from a Postcolonial, Eco- Critical and New Materialist Feminist Perspective
“The Speciesism Gaze!?” An ethical discursive analysis of animal right posters from a postcolonial, eco- critical and new materialist feminist perspective. ”Blicken av speciesism!?” En etisk diskursiv analys av djur rätts posters, utifrån postkolonial, eko-kritisk och new materialist feministiska perspektiv. Lena Johansson Faculty of Arts and Social Sciences Gender Studies III Basic level, 15hp Supervisor: Wibke Straube Examiner: Ulf Mellström Date: June 7, 2017 Serial number Abstract Our western society and lifestyle is to a considerable extent depended on the way we perceive and treat our co-existing non-human species. Industrial farming, vivisection, sports, circuses etcetera are just a few examples of how human use and exploit animal bodies for own gain. A phenomenon that in many ways, is perceived, as natural and normal, and therefore seldom discussed. The thesis purpose is to problematize this phenomenon by examine, what I call “The Speciesism Gaze”, through analysis of posters that promote animal rights, selected online, through the search domain Google. The theoretical framework used, are theories focusing on intersectionality, derived within postcolonial-, eco-critical and new materialist feminism. A brief introduction of animal right movements, its linking to feminism activism and theories derived within affect theory is presented as background for the analysis. As method, I use critical discourse analysis, focusing on intertextuality of the posters context. Asking what discourses emerge, challenging the anthropocentric and androcentric western dualistic hierarchy, whilst displaying mutually reinforced structures of sexism, racism and speciesism? I discuss the western historical and cultural human idea that the human species is separated from nature and animal, and where the “right” human subject standard is perceived as male, white, heterosexual and western in the Anthropocene age. -
THE “SIGH—CALL 'Og'” of “Thorn” (“Þorn”)
THE “SIGH—CALL ‘O-g’” of “THorn” (“þorn”) The Latin letter “þ” is imagery of “c” in “time-OUT” with its F-A-C-E to the “wall.” [cf. Ezekiel 4:3, 41:25 / 2 Kings 20:2 / Isaiah 38:2 / Proverbs 24:31 / Ezekiel 12:12, 38:20] “And lest I should be exalted above measure through the abundance of the revelations, there was given to me a thorn in the flesh, the messenger of Satan to buffet me, lest I should be exalted above MEASURE.” —2 Corinthians 12:7 [cf. Judges 8:7] “ 1 Then Pilate therefore took Jesus, and scourged him. 2 And the soldiers platted a crown of thorns, and put it on 3 his head, and they put on him a purple robe, And said, Hail, King of the Jews! and they smote him with their hands. 4 Pilate therefore went forth again, and saith unto them, Behold, I bring him forth to you, that ye may know that I find no fault in him. 5 Then came Jesus forth, wearing the crown of thorns, and the purple robe. And Pilate saith unto them, Behold the man!”—John 19:1-5 HIGH road = Place of LOW road = Place of Unfruitfulness Conception (mouth) You take the high road and I’ll take the low road Genesis 13:6-12 “ 6 And the land was not able to bear them, that they might dwell together: for their substance was great, so that they 7 could not dwell together. And there was a strife between the herdmen of Abram's cattle and the herdmen of Lot's 8 cattle: and the Canaanite and the Perizzite dwelled then in the land. -
Sexuality in the Horror Soundtrack (1968-1981)
UNIVERSITY OF CALIFORNIA Los Angeles Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Morgan Fifield Woolsey 2018 © Copyright by Morgan Fifield Woolsey 2018 ABSTRACT OF THE DISSERTATION Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) by Morgan Fifield Woolsey Doctor of Philosophy in Musicology University of California, Los Angeles, 2018 Professor Raymond L. Knapp, Co-Chair Professor Mitchell Bryan Morris, Co-Chair In this dissertation I argue for the importance of the film soundtrack as affective archive through a consideration of the horror soundtrack. Long dismissed by scholars in both cinema media studies and musicology as one of horror’s many manipulative special effects employed in the aesthetically and ideologically uncomplicated goal of arousing fear, the horror soundtrack is in fact an invaluable resource for scholars seeking to historicize changes in cultural sensibilities and public feelings about sexuality. I explore the critical potential of the horror soundtrack as affective archive through formal and theoretical analysis of the role of music in the representation of sexuality in the horror film. I focus on films consumed in the Unites States during the 1970s, a decade marked by rapid shifts in both cultural understanding and cinematic representation of sexuality. ii My analyses proceed from an interdisciplinary theoretical framework animated by methods drawn from affect studies, American studies, feminist film theory, film music studies, queer of color critique, and queer theory. What is the relationship between public discourses of fear around gender, race, class, and sexuality, and the musical framing of sexuality as fearful in the horror film? I explore this central question through the examination of significant figures in the genre (the vampire, the mad scientist/creation dyad, and the slasher or serial killer) and the musical-affective economies in which they circulate. -
Liste Gebrauchtware Privatkunden Datum
TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN -
Song Name Artist
Sheet1 Song Name Artist Somethin' Hot The Afghan Whigs Crazy The Afghan Whigs Uptown Again The Afghan Whigs Sweet Son Of A Bitch The Afghan Whigs 66 The Afghan Whigs Cito Soleil The Afghan Whigs John The Baptist The Afghan Whigs The Slide Song The Afghan Whigs Neglekted The Afghan Whigs Omerta The Afghan Whigs The Vampire Lanois The Afghan Whigs Saor/Free/News from Nowhere Afro Celt Sound System Whirl-Y-Reel 1 Afro Celt Sound System Inion/Daughter Afro Celt Sound System Sure-As-Not/Sure-As-Knot Afro Celt Sound System Nu Cead Againn Dul Abhaile/We Cannot Go... Afro Celt Sound System Dark Moon, High Tide Afro Celt Sound System Whirl-Y-Reel 2 Afro Celt Sound System House Of The Ancestors Afro Celt Sound System Eistigh Liomsa Sealad/Listen To Me/Saor Reprise Afro Celt Sound System Amor Verdadero Afro-Cuban All Stars Alto Songo Afro-Cuban All Stars Habana del Este Afro-Cuban All Stars A Toda Cuba le Gusta Afro-Cuban All Stars Fiesta de la Rumba Afro-Cuban All Stars Los Sitio' Asere Afro-Cuban All Stars Pío Mentiroso Afro-Cuban All Stars Maria Caracoles Afro-Cuban All Stars Clasiqueando con Rubén Afro-Cuban All Stars Elube Chango Afro-Cuban All Stars Two of Us Aimee Mann & Michael Penn Tired of Being Alone Al Green Call Me (Come Back Home) Al Green I'm Still in Love With You Al Green Here I Am (Come and Take Me) Al Green Love and Happiness Al Green Let's Stay Together Al Green I Can't Get Next to You Al Green You Ought to Be With Me Al Green Look What You Done for Me Al Green Let's Get Married Al Green Livin' for You [*] Al Green Sha-La-La -
Alice Cooper: El Rei Del Shock Rock
It's only rock & roll | Pep Saña | Actualitzat el 30/08/2017 a les 12:56 Alice Cooper: El rei del Shock Rock Fill d'un predicador, Vincent Damon Furnier (nascut el 4 de febrer de 1948 a Detroit Michigan), degut a complicacions amb la seva salut durant l'adolescència, va haver de mudar-se amb la seva família a Phoenix, Arizona, on va aconseguir graduar-se en belles arts. Més endavant conegut com Alice Cooper, va ser un dels pioners en associar rock i espectacle als seus concerts, muntar petites històries teatrals a l'escenari mentre tocava la banda de rock i crear de si mateix un personatge sorgit del més sòrdid dels malsons. Amb maquillatges d'aspecte sinistre, inquietants lletres i concerts que incloïen execucions amb guillotina, cadires elèctriques o aparicions amb serps enormes (com la famosa boa constrictor), il?lustraven els continguts dels seus àlbums, molts dels quals explicaven una història, en la més pura línia de l'àlbum conceptual. Alice Cooper, seria el primer a desenvolupar amb més sofisticació les posades en escena respecte a altres músics influenciats per l'estètica glam teatral, com David Bowie o Peter Gabriel. Aquesta característica escènica influenciaria notablement a grups com KISS, Mötley Crüe o Twisted Sister entre d'altres. El seu show en escena el mostra tallant bebès amb una destral o presentant-se a president dels Estats Units. Alice Cooper també és famós per la seva carismàtica personalitat fora de l'escenari, estant escollit com l'artista de heavy metal més estimat, publicat per la famosa revista Rolling Stone.