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My Morning Racket Is a Weekly Two-Hour Radio Show Produced in Penticton British Columbia at Peach City Radio (CFUZ-FM)
My Morning Racket is a weekly two-hour radio show produced in Penticton British Columbia at Peach City Radio (CFUZ-FM). Host Dave Del Rizzo thumbs his nose at the conventional kid gloves used to wake folks via radio music by playing loud unapologetic distortion-laden music for breakfast. Mix in a little talk and the occasional interview, and voila, welcome to My Morning Racket. Email: [email protected] Frequency: Weekly Release: Mondays after 0900h Pacific Time Season 4 Episode 3 Serial 134 Original Air Date: January 15, 2021 Length: 118:00 Title: Dirtying Up the Airwaves Host: Dave Del Rizzo Guests: None Bonus track(s) - only appear in repeat/podcast broadcast * - language 1 Parquet Courts Wide Awake! Wide Awake! 2.40 2 Extraworld Starless Radial Velocity 5.37 3 Stillness & Stars Three Rideau 4.08 4 butter city poster boys toploft idlejoy high noon 4.09 5* TOBACCO Hot Wet & Sassy Body Double 2.52 6 OH SEES Panther Rotate Don't Blow Experiment 5.09 7 Front Line Assembly Mechanical Soul Purge 5.23 8 Nine Inch Nails Pretty Hate Machine Down In It 3.46 9 Hex Beat A Series of Kicks Earning 3.43 10 LIGHTSOCKET At issue with everything It's never a good time 3.05 11 applewhite New Bohemia Absurd 4.45 12* Random Ideas We Met In The Womb Leave Me Alone 3.17 13 The Pack A.D. Positive Thinking Sorrow 4.01 14 Property Think Electric! In Gloom 3.33 15 Real Estate In Mind Stained Glass 3.54 16* J. -
Sebastian Jakub Konefał – Redaktor Prowadzący Numeru Grzegorz Fortuna Jr
FILM / NOWE MEDIA / SZTUKI WIZUALNE www.panoptikum.pl Adres do korespondencji: Mapowanie Północy Redakcja „Panoptikum” ul. Wita Stwosza 58/109 80-952 Gdańsk tel. (058) 523 24 50 [email protected] REDAKCJA: Mapping the North Grażyna Świętochowska – redaktor naczelna / [email protected] Sebastian Jakub Konefał – redaktor prowadzący numeru Grzegorz Fortuna Jr. – [email protected] Monika Bokiniec – [email protected] R ADA NAUKOWA: prof. Krzysztof Kornacki (Uniwersytet Gdański, Polska), prof. Ewa Mazierska (University of Lancashire, UK), prof. Mirosław Przylipiak (Uniwersytet Gdański, Polska), prof. Jerzy Szyłak (Uniwersytet Gdański, Polska), prof. Piotr Zwierzchowski (Uniwersytet Kazimierza Wielkiego, Polska) RECENZENCI: • Lyubov Bugayeva (Saint Petersburg University, Rosja) • Lucie Česálková (Masarykova Univerzita, Czechy) • Konrad Klejsa (Uniwersytet Łódzki, Polska) • Rafał Koschany (Uniwersytet im. Adama Mickiewicza w Poznaniu, Polska) • Arkadiusz Lewicki (Uniwersytet Wrocławski, Polska) • Constantin Pârvulescu (Universitatea de Vest din Timisoara, Rumunia) • Tadeusz Szczepański, Państwowa Wyższa Szkoła Filmowa, Telewizyjna i Teatralna im. Leona Schillera w Łodzi, Polska) • Balázs Varga (Eötvös Loránd University, Węgry) • Patrycja Włodek (Uniwersytet Pedagogiczny w Krakowie, Polska) Redakcja językowa: Grzegorz Fortuna Jr., Martyna Skowron (język angielski) Projekt graficzny, okładka, layout i skład: Jacek Michałowski / Grupa 3M / [email protected] Promocja numeru: Tomasz Pupacz / [email protected] Materiały zdjęciowe udostępnione za zgodą właścicieli praw autorskich. Wydawca: Uniwersytet Gdański (http://cwf.ug.edu.pl/ojs/) Akademickie Centrum Kultury Uniwersytetu Gdańskiego „Alternator” Publikacja jest efektem badań akademickich przeprowadzonych w 2016 roku dzięki wsparciu udzielonemu z funduszy norweskich i funduszy EOG, pochodzących z Islandii, Liechtensteinu i Norwegii. This publication is the effect of the academic researches supported in 2016 by the Norway Grants and the EEA Grants with the financial contributions of Norway, Iceland and Liechtenstein. -
And Picked up By
s:recoil of President the effect of a singleAot '`Shooting at taped melons t 'dt:iVen away from:the, rifle •„eotion. We. analyse previous •er film by cri and failure of t 41,60,0h* „4., Alvaro-z)` .clit6h) Aze .listed here is meant, to indicate content' is the work of k, The tests of a hypothesis by L.W. 4 whia the report to yen fOr: your el-Lab:it*. flents. of article on the- .p ygic's 'of,the problem to 1 for physicists. i...1e 0 distribute port to studentsOf't sport after been considered, and after ort version e Phyttics Today article well, picked up by Ahis Material strictly confidential at#this time. -t 1970 ,eastrertypy aer,the Report of the aarran C-laission on Der busheid ow, that s;lerpky, Dbmwrneadaltion of,Proidont Irisready bas booth. question of the number nairaiwoulse ~U. & looked Itsettelt 11101.4. .001-410411sWer the sate fired. If shots oar from two dIffc-rent directions, notion is *nigh* mast ha* isemmitia4 /21110‘ shit ligpeleals,heme boom a conspiracy. Critics of the Whrren hour: have drawn from the treat, es this Dr...46 J4 IMOOWN401161C, 41, 0MOOtkagainst the Commission's conclusions from the principal physical ph ysiclat adlimarelegists 100004 of the assassination, a 25-second color film taken by amateur photographer &simony lbw** hit* a projarte3044 is. Uproar* given a sale& that deratiom as that of the RweJwwtillow At a shoot* , the ducks fall 404,4,0011,the sat detailed study yet published of this and other photographs of martini s. athwart if someone is shot, advise eat strelmealoWthe of rersiX will* 047 400 ,,,igio.empoggiaamien is ALE &mood* ew Xnllss, by Haver/oral philosophy professor toward - the (Page Deseahasis added) • ' • 1 . -
Lessons Unlearned—The Gun Lobby and the Siren Song of Anti
Lessons Unlearned The Gun Lobby and the Siren Song of Anti-Government Rhetoric Violence Policy Center April 2010 The Violence Policy Center (VPC) is a national non-profit educational organization that conducts research and public education on violence in America and provides information and analysis to policymakers, journalists, advocates, and the general public. This report was authored by VPC Executive Director Josh Sugarmann and VPC Policy Analyst Marty Langley. The study was funded in part with the support of the David Bohnett Foundation, The Joyce Foundation, and the Public Welfare Foundation. Past studies released by the VPC include: ! Target: Law Enforcement—Assault Weapons in the News (February 2010) ! Black Homicide Victimization in the United States: An Analysis of 2007 Homicide Data (January 2010) ! When Men Murder Women—An Analysis of 2007 Homicide Data (September 2009) ! Law Enforcement and Private Citizens Killed by Concealed Handgun Permit Holders—An Analysis of News Reports, May 2007 to April 2009 (July 2009) ! Indicted: Types of Firearms and Methods of Gun Trafficking from the United States to Mexico as Revealed in U.S. Court Documents (April 2009) ! Iron River: Gun Violence and Illegal Firearms Trafficking on the U.S.-Mexico Border (March 2009) ! Youth Gang Violence and Guns: Data Collection in California (February 2009) ! “Big Boomers”—Rifle Power Designed Into Handguns (December 2008) ! American Roulette: Murder-Suicide in the United States (April 2008) ! An Analysis of the Decline in Gun Dealers: 1994 to 2007 (August -
The Catchiest Disease “Hesitation Marks” Embodies a Ruined Man Many a Personal Downfall in This Album by Max Robison Contributing Writer Especially
Tuesday, Features Sept. 10, 2013 11 “Get to Know a Retriever” Meet Arash Fallah, a student driven to succeed at UMBC have been mentoring me club wrestling team but I would really like to see I really look up to their the team be elevated to a andhumility, I’ve learned grace, aclass lot from. and formal collegiate level. Beverage choice that’s wisdom.is extremely Farrah intelligent,Daham is indicative of your onetrustworthy, of my role models.nuanced She personality? characteristics I admire in anda person. beautiful. Those are Pepsi,Keep Calmit’s sweet and and_________? dark. What is your favorite COURTESY ARASH FALLAH part about UMBC? RelaxHow has UMBC helped Arash Fallah rides a carousel at Whatever you want to you achieve success? Pentagon mall. With little exception, there importance of failure BY DAVID POZNANSKY doare atfew UMBC, obstacles you keepingcan do. It’s taught me the Contributing Writer you from pursuing your understanding that few passions. andadvantages success. comeAs well from as Name, Major, Year? taking a position of conceit. Sports team you’d be most excited to see play a measured impact by Arash Fallah, History and live? I’veapplying learned the lessonshow to of make tact. PoliticalFrom? Science, 2015 Potomac, Maryland challenge myself by taking LosWhat Angeles sport Lakers or activity It’s also encouraged me to Do you have any should UMBC compete in than merely coasting role models? What on a collegiate level? difficultthrough college.courses rather characteristics of theirs do you admire? have such an outstanding [email protected] I think it’s great that we There are two people who The catchiest disease “Hesitation Marks” embodies a ruined man many a personal downfall in this album BY MAX ROBISON Contributing Writer especially. -
The Sound of an Album Cover: Probabilistic Multimedia and IR
The Sound of an Album Cover: Probabilistic Multimedia and IR Eric Brochu Nando de Freitas Kejie Bao Department of Computer Science Department of Computer Science Department of Computer Science University of British Columbia University of British Columbia University of British Columbia Vancouver, BC, Canada Vancouver, BC, Canada Vancouver, BC, Canada [email protected] [email protected] [email protected] Abstract We present a novel, flexible, statistical approach to modeling music, images and text jointly. The technique is based on multi-modal mixture mod- els and efficient computation using online EM. The learned models can be used to browse mul- timedia databases, to query on a multimedia database using any combination of music, im- ages and text (lyrics and other contextual infor- mation), to annotate documents with music and images, and to find documents in a database sim- ilar to input text, music and/or graphics files. 1 INTRODUCTION An essential part of human psychology is the ability to Figure 1: The CD cover art for “Singles” by The Smiths. identify music, text, images or other information based on Using this image as input, our querying method returns associations provided by contextual information of differ- the songs “How Soon is Now?” and “Bigmouth Strikes ent media. Think no further than a well-chosen image on Again” – also by The Smiths – by probabilistically cluster- a book cover, which can instantly establish for the reader ing the query image, finding database images with similar the contents of the book, or how the lyrics to a familiar histograms, and returning songs associated with those im- song can instantly bring the song’s melody to mind. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Russell-Mills-Credits1
Russell Mills 1) Bob Marley: Dreams of Freedom (Ambient Dub translations of Bob Marley in Dub) by Bill Laswell 1997 Island Records Art and design: Russell Mills (shed) Design assistance, image melts: Michael Webster (storm) Paintings: Russell Mills 2) The Cocteau Twins: BBC Sessions 1999 Bella Union Records Art and design: Russell Mills (shed) Design assistance and image melts: Michael Webster (storm) 3) Gavin Bryars: The Sinking Of The Titanic / Jesus' Blood Never Failed Me Yet 1998 Virgin Records Art and design: Russell Mills Design assistance and image melts: Michael Webster (storm) Paintings and assemblages: Russell Mills 4) Gigi: Illuminated Audio 2003 Palm Pictures Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Jean Baptiste Mondino 5) Pharoah Sanders and Graham Haynes: With a Heartbeat - full digipak 2003 Gravity Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Paintings and assemblages: Russell Mills 6) Hector Zazou: Songs From The Cold Seas 1995 Sony/Columbia Art and design: Russell Mills and Dave Coppenhall (mc2) Design assistance: Maggi Smith and Michael Webster 7) Hugo Largo: Mettle 1989 Land Records Art and design: Russell Mills Design assistance: Dave Coppenhall Photography: Adam Peacock 8) Lori Carson: The Finest Thing - digipak front and back 2004 Meta Records Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Lori Carson 9) Toru Takemitsu: Riverrun 1991 Virgin Classics Art & design: Russell Mills Cover -
Fall 09 Course Consolidated
Introduction to Mindfulness Meditation Online Course Materials by Gil Fronsdal and Ines Freedman www.audiodharma.org/onlinecourses.html Copyright Information We strive to follow the long tradition of giving Dharma teachings freely to all. You may make and/or distribute copies of any material available, provided that: 1. For audio files, the name of the speaker is clearly identified; 2. For written works with an attributed author, the attribution is reproduced on the copy; and 3. This notice is included with all copies, thus extending the same rights of free access and distribution to all recipients. © Insight Meditation Center, 2009 2 Table of Contents Copyright Information..........................................................................................................................2 Introduction .........................................................................................................................................5 Week 1: Mindfulness of Breathing........................................................................................................5 Assignment: Week 1.....................................................................................................................................................................................6 Postures for Meditation:.............................................................................................................................................................................7 Introduction......................................................................................................................................................................................................7 -
Annual Report 2018
2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.