TIME LIFE Presents UBERMORGEN.COM Feat. JAMES
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BA Oppgave.Pages
! ! ! ! ! ! ! ! ! «…It’s nothing but torture» It’s time for a serious reaction to music torture ! Inger-Maren Helliksen Fjeldheim May 18th! 2018 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "1 av "17 !Abstract For years music has been used as a method of torture in American run prisons such as Bagram and Guantanamo. The American government calls it harsh interrogation and claim the music torture is kinder and less severe as it does not inflict physical damage on the prisoner. ! It is not within our power to know whether death is worse a fate for humans than a life of trauma. !Before we know this for certain, we cannot to claim that one fate is better or worse than the other. Musicians have known for a long time that their music is used for torture, and yet there as been little to no reaction. As musicians and music lovers we cannot sit idly by while what is supposed to be a source of comfort and happiness, is used for such deplorable purpose. It is time for a serious reaction to music torture. ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "2 av "17 Index ! Abstract 2 ! I Introduction 3 ! II Music and Torture- What it is and where it comes from 4 ! III The Use of a Song- Drowning Pool and their song Bodies 5 ! IV What happens in Guantanamo 8 ! V Discussion- Time to react 8 ! VII Bibliography 11 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! "3 av "17 Introduction Music as a phenomenon is universal to all humans and can be found in every human culture past and present.1 It has been used through history for pleasure, and for sorrow, in religion and everyday life alike. -
By the Rivers of Babylon
Salvaging Exile Why did Christ heal the sick and suffering if he didn’t consider such external conditions important? Why is the kingdom of God equated with the deaf hear, the blind see? . And where do we get the incredible presumption to spiritualize these things that Christ saw and did very concretely? We must end this audacious, sanctimonious spiritualization of the gospel. Take it as it is, or hate it honestly! –Dietrich Bonhoeffer1 Exile, as we often hear it in the church, refers to a “spiritual” experience, our sense of being “strangers in a strange land” but not strangers in a strange actually land. In this book, I argue the theological language of exile is inescapably bound up with the fleshy language of being an exile. Theologically, exile is flesh it and is spirit. Exile, indeed, may signify a disruptive paradigm shift, or a felt anxiety, or the modern sense of “homelessness,” the idea that, as George Steiner puts it, we are “monads haunted by communion.”2 While not denying the power of those understandings, when exile comes to signify such broad and diffuse notions of experience, it can happen that we lose sight of the actual exile. Exile may refer to more than the exile of the body, but we must always remember that it will never be less than the exile of the body: the body deported, the body put into shackles, the body bruised, the body profiled, the body tortured, the body crucified. This book takes the body, the flesh experience of exile, seriously, which is to say, this book takes it theologically. -
Scenes from the Old Testament Daniel in Babylon 24 January 2016 Christopher Rowland
Scenes from the Old Testament Daniel in Babylon 24 January 2016 Christopher Rowland Daniel 1: 1–20 1 Corinthians 1: 20 – 2: 5 Rembrandt Harmenszoon van Rijn (1606–69), Belshazzar’s Feast (c. 1638), National Gallery, London1 Throughout its history the Book of Daniel has been a happy hunting ground for those who would construct a map of the future of the world, but it is less these visions about the finitude of world empires and more the narrative context, which is my particular concern this evening. The stories tell of educated young men suddenly being transported from life in their home city, Jerusalem, to the strange, opulent, world of the court of the king of Babylon, and finding themselves at odds with the surrounding culture. Throughout the Bible, from the stories of the Exile to Babylon through to the dramatic vision of Babylon seated on the many-headed beast in the Book of Revelation, Babylon has represented being confronted by another set of values, cultural and political dislocation, and the necessity of negotiating a way of existing in that situation. It is the kind of disorientation with which a subaltern people has to learn to come to terms, as they find a way of coping and surviving, assuming, that is, that they do not accommodate themselves completely to their oppressors’ culture. Life in ‘Babylon’ was not easy. It is evoked in the opening verses of Psalm 137, an experience with which many have resonated down the ages: By the rivers of Babylon there we sat down and there we wept when we remembered Zion. -
Bob Denson Master Song List 2020
Bob Denson Master Song List Alphabetical by Artist/Band Name A Amos Lee - Arms of a Woman - Keep it Loose, Keep it Tight - Night Train - Sweet Pea Amy Winehouse - Valerie Al Green - Let's Stay Together - Take Me To The River Alicia Keys - If I Ain't Got You - Girl on Fire - No One Allman Brothers Band, The - Ain’t Wastin’ Time No More - Melissa - Ramblin’ Man - Statesboro Blues Arlen & Harburg (Isai K….and Eva Cassidy and…) - Somewhere Over the Rainbow Avett Brothers - The Ballad of Love and Hate - Head Full of DoubtRoad Full of Promise - I and Love and You B Bachman Turner Overdrive - Taking Care Of Business Band, The - Acadian Driftwood - It Makes No Difference - King Harvest (Has Surely Come) - Night They Drove Old Dixie Down, The - Ophelia - Up On Cripple Creek - Weight, The Barenaked Ladies - Alcohol - If I Had A Million Dollars - I’ll Be That Girl - In The Car - Life in a Nutshell - Never is Enough - Old Apartment, The - Pinch Me Beatles, The - A Hard Day’s Night - Across The Universe - All My Loving - Birthday - Blackbird - Can’t Buy Me Love - Dear Prudence - Eight Days A Week - Eleanor Rigby - For No One - Get Back - Girl Got To Get You Into My Life - Help! - Her Majesty - Here, There, and Everywhere - I Saw Her Standing There - I Will - If I Fell - In My Life - Julia - Let it Be - Love Me Do - Mean Mr. Mustard - Norwegian Wood - Ob-La-Di Ob-La-Da - Polythene Pam - Rocky Raccoon - She Came In Through The Bathroom Window - She Loves You - Something - Things We Said Today - Twist and Shout - With A Little Help From My Friends - You’ve -
Russell-Mills-Credits1
Russell Mills 1) Bob Marley: Dreams of Freedom (Ambient Dub translations of Bob Marley in Dub) by Bill Laswell 1997 Island Records Art and design: Russell Mills (shed) Design assistance, image melts: Michael Webster (storm) Paintings: Russell Mills 2) The Cocteau Twins: BBC Sessions 1999 Bella Union Records Art and design: Russell Mills (shed) Design assistance and image melts: Michael Webster (storm) 3) Gavin Bryars: The Sinking Of The Titanic / Jesus' Blood Never Failed Me Yet 1998 Virgin Records Art and design: Russell Mills Design assistance and image melts: Michael Webster (storm) Paintings and assemblages: Russell Mills 4) Gigi: Illuminated Audio 2003 Palm Pictures Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Jean Baptiste Mondino 5) Pharoah Sanders and Graham Haynes: With a Heartbeat - full digipak 2003 Gravity Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Paintings and assemblages: Russell Mills 6) Hector Zazou: Songs From The Cold Seas 1995 Sony/Columbia Art and design: Russell Mills and Dave Coppenhall (mc2) Design assistance: Maggi Smith and Michael Webster 7) Hugo Largo: Mettle 1989 Land Records Art and design: Russell Mills Design assistance: Dave Coppenhall Photography: Adam Peacock 8) Lori Carson: The Finest Thing - digipak front and back 2004 Meta Records Art and design: Russell Mills (shed) Design assistance: Michael Webster (storm) Photography: Lori Carson 9) Toru Takemitsu: Riverrun 1991 Virgin Classics Art & design: Russell Mills Cover -
Make Me an of Thy Peace Lord, Make Me an Instrument of Thy Peace
Bethel University presents 2021 Spring Music Festival (Virtual) Lord, InstrumentMake Me an of Thy Peace Lord, Make Me an Instrument of Thy Peace Prayer of the Children . Royal Register Kurt Bestor; Arranged by Andrea S. Klouse Can you hear the prayer of the children On bended knee, in the shadow of an unknown room? Empty eyes with no more tears to cry Turning heavenward toward the light. Cryin’, “Jesus, help me to see the mornin’ light of one more day, But if I should die before I wake, I pray my soul to take.” Can you feel the hearts of the children Aching for home, for something of their very own. Reaching hands with nothing to hold onto But hope for a better day, a better day. Cryin’, “Jesus, help me to feel the love again in my own land, But if unknown roads lead away from home, give me loving arms, ‘way from harm.” Can you hear the voice of the children Softly pleading for silence in their shattered world? Angry guns preach a gospel full of hate, Blood of the innocent on their hands. Cryin’, “Jesus, help me to feel the sun again upon my face,” For when darkness clears, I know You’re near, bringing peace again.” Da li čujete sve dječje molitve? [Can you hear the prayer of the children?] Can you hear the prayer of the children? Alleluia! Laudamus Te . Wind Symphony and Organ Alfred Reed By the Rivers of Babylon . Lucia Chorum, Piano, and Percussion Susan Brumfield Amen…. By the rivers of Babylon, where he sat down, And there he wept, as he remembered Zion. -
Jackie Classic 100 - 2020
Jackie Classic 100 - 2020 Jackie Classic 100 1 – 10 1. Bohemian Rhapsody – Queen 2. I Gotta Feeling – Black Eyed Peas 3. Love is all around – Wet Wet Wet 4. You’re the one that I want - John Travolta & Olivia Newton John 5. It wasn’t me – Shaggy 6. Rivers of Babylon – Boney M 7. Relax – Frankie Goes to Hollywood 8. Can’t get you out of my Head – Kylie 9. Eye of the Tiger – Survivor 10. Poker face – Lady Gaga Jackie Classic 100 11 – 20 11. Imagine – John Lennon 12. Believe – Cher 13. YMCA – Village People 14. Don’t you want me – Human League 15. Day Tripper – Beatles 16. Price Tag – Jessie J 17. Two Tribes – Frankie Goes to Hollywood 18. Crazy – Gnarls Barkley 19. Heart of Glass – Blondie 20. Bad Romance – lady Gaga Jackie Classic 100 21 – 30 21. It’s now or never – Elvis Presley 22. Baby one more Time – Britney Spears 23. Careless Whisper – George Michael 24. Somebody that I used to know – Gotye 25. Another Brick in the Wall – Pink Floyd 26. Forget You – Cee Lo Green 27. Hey Jude – Beatles 28. Karma Chameleon – Culture Club 29. Don’t stop believing – Journey 30. Dancing Queen – Abba Jackie Classic 100 - 2020 Jackie Classic 100 31 – 40 31. Wonderwall – Oasis 32. Firework – Katy Perry 33. Come on Eileen – Dexy’s Midnight Runners 34. Wannabe – Spice Girls 35. Counting Stars – OneRepublic 36. I Feel Love – Donna Summer 37. Call me Maybe – Carly Rae Jepson 38. Don’t Stop moving’ – S Club 7 39. Hit me with your Rhythm Stick – Ian Dury & the Blockheads 40. -
Drummer Bracket Template
First Round Second Round Sweet 16 Elite 8 Final Four Championship Final Four Elite 8 Sweet 16 Second Round First Round Peter Criss-Kiss Robert Bourbon-Linkin Park Neal Sanderson-Three Days Grace Neal Sanderson-Three Days Grace Morgan Rose-Sevendust Morgan Rose-Sevendust Matt Sorem-GNR Paul Bostaph-Slayer Clown-Slipknot Charlie Benante-Anthrax Paul Bostaph-Slayer Paul Bostaph-Slayer Morgan Rose-Sevendust Clown-Slipknot Ray Luzier-KoRn Matt McDonough-Mudvayne Neal Peart-Rush Matt Cameron-Pearl Jam Ginger Fish-Manson Ray Luzier-KoRn Winner Matt Cameron-Pearl Jam Joey Kramer-Aerosmith Matt McDonough-Mudvayne Matt McDonough-Mudvayne Neal Peart-Rush Neal Peart-Rush Chad Gracey-Live Matt McDonough-Mudvayne Vinnie Paul-Pantera Neal Peart-Rush Sam Loeffler-Chevelle Lars Ulrich-Metallica Tommy Lee-Motley Crue Shannon Larkin-Godsmack Taylor Hawkins-Foo Roy Mayogra-Stone Sour Lars Ulrich-Metallica Taylor Hawkins-Foo Fighters Ben Anderson-Nothing More Jay Weinberg-Slipknot Jay Weinberg-Slipknot Ron Welty-Offspring Ron Welty-Offspring Alex Shelnett-ADTR Jay Weinberg-Slipknot Taylor Hawkins-Foo Fighters Butch Vig-Garbage Vinnie Paul-Pantera Tre Cool-Green Day Tommy Lee-Motley Crue Shannon Larkin-Godsmack Eric Carr-Kiss John Alfredsson-Avatar Tre Cool-Green Day Neal Peart-Rush Robb Rivera-Nonpoint Robb Rivera-Nonpoint Bill Ward-Black Sabbath Tommy Lee-Motley Crue Shannon Larkin-Godsmack Shannon Larkin-Godsmack Tommy Lee-Motley Crue Chris Adler-Lamb of God Tommy Lee-Motley Crue Neal Peart-Rush Vinnie Paul-Pantera Joey Jordison-Slipknot Sean Kinney-Alice -
Fast Lane by Kristen Ashley
FAST LANE BY KRISTEN ASHLEY Acknowledgments Many moons ago, I had the occasion to really listen to the song “Life in the Fast Lane” by The Eagles. I’d heard it before, tons of times. But on that listen, something struck me. Being a romantic at heart, a romance novelist and addicted to romance for as long as I can remember, that song captured me as lyrics often do. Especially if a love story is told. Any kind of love story. Even the ones without happy endings. Maybe especially ones without happy endings. So much said in a few spare lines. So many emotions welling. And as is the magic of music, on each new listen, it happens again like you’d never heard that song before. I became obsessed with it, inspired by this cautionary tale, and determined to find the right story that would fit that inspiration. It was something I thought I’d fiddle with “someday,” which is where a great number of my ideas or inspirations are relegated. Then I read Taylor Jenkins Reid’s Daisy Jones and the Six. I have never, in my life, put down a book because I was loving it so much, I had to draw it out for as long as I could. And then, weeks later, I picked it up, only begrudgingly, because I knew opening that book again would mean finishing it, and I never wanted it to end. The fresh, unique way TJR told that story as an oral history of a 70s rock band blew my mind. -
Compound AABA Form and Style Distinction in Heavy Metal *
Compound AABA Form and Style Distinction in Heavy Metal * Stephen S. Hudson NOTE: The examples for the (text-only) PDF version of this item are available online at: hps://www.mtosmt.org/issues/mto.21.27.1/mto.21.27.1.hudson.php KEYWORDS: Heavy Metal, Formenlehre, Form Perception, Embodied Cognition, Corpus Study, Musical Meaning, Genre ABSTRACT: This article presents a new framework for analyzing compound AABA form in heavy metal music, inspired by normative theories of form in the Formenlehre tradition. A corpus study shows that a particular riff-based version of compound AABA, with a specific style of buildup intro (Aas 2015) and other characteristic features, is normative in mainstream styles of the metal genre. Within this norm, individual artists have their own strategies (Meyer 1989) for manifesting compound AABA form. These strategies afford stylistic distinctions between bands, so that differences in form can be said to signify aesthetic posing or social positioning—a different kind of signification than the programmatic or semantic communication that has been the focus of most existing music theory research in areas like topic theory or musical semiotics. This article concludes with an exploration of how these different formal strategies embody different qualities of physical movement or feelings of motion, arguing that in making stylistic distinctions and identifying with a particular subgenre or style, we imagine that these distinct ways of moving correlate with (sub)genre rhetoric and the physical stances of imagined communities of fans (Anderson 1983, Hill 2016). Received January 2020 Volume 27, Number 1, March 2021 Copyright © 2021 Society for Music Theory “Your favorite songs all sound the same — and that’s okay . -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Jon Dylewski to Him (Tuesda Y, November 22)
XSS VOL^ NCvl2 MERCYHURSTCOLLEGE'S WEEKLY STUDENT NEWSPAPER December 8,^994 Mercyhurst loses talented musician By Craig Rybczynski Grant "He saw things the way Harrisburg, Pennsylvania and Editor in Chief they ought to be and was con- captured second place in the Penn- cerned aboutwha t was wrong and sylvania Yamaha high school pi- "He was very upset over some how things get done," she said. ano state competition. personal things that happened and uH e wasn't impressed with the His love for the instrument didn't what to play the game," system." brought him to Mercyhurst. said Cathy Grant, mo t h e r e o f Roommate Dan Hilfiker ech- "He was an excellent piano Mercyhurst student Jonathan oed the statements. player and was very talented, " Dylewski who took his own life u'He!wante d toi change the said Jennifer Hancock, a music Friday, November 25, near his world," he said. education major. "He wrote a lot home in Erie. 'q Jon was involved with several of compositions. He wrote one Shock w a s the word most asso- projects before his death and (Hymn for the City) for the con- ciated with the incident leaves behind his music as a last- cert choir and I was*very im- "When Ahmed said that Jon ing testimony to his life and mul pressed. died I couldn't believe it," said sical ability. "But I really didn't know him Jason Giffen. uH e was the organist at the bas- too well. I think very few people Accord ing to Ahmed Kossongo, ketball! games and was talking really knew who he was." one of h i s roommates, <fHe seemed about doing the hockey games," One person who "really" knew in good spirits the last time I spoke his mother said.