The Ascent, 1986 October
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Alice Cooper
Bienvenidos a la pesadilla ALICE COOPER Publicado originalmente en Octubre de 2008 Antes de Marilyn Manson y sus “cortes” en el pecho, antes que Rob Zombie trajera su ambiente gore, antes que Gene Simmons vomitara “sangre”, un joven de Detroit y su banda se atrevieron a llevar los miedos y las pesadillas al escenario en lo que fue en nacimiento del shock-rock. Alice Cooper es un nombre ya clásico en la historia de la música. Su rostro pálido, con enormes manchas de maquillaje negro en alrededor de los ojos y líneas marcadas en las comisuras de los labios, letras provocadoras y actos dignos del mejor cine de horror de clase B, inició su carrera en una época conservadora, desafiando a los estándares sociales y revolucionando el rock al llevarlo más allá de la música, influenciando a otros artistas que llevarían este primer paso a extremos insospechados. ¡Nadie imagina lo que depara el futuro! Y es que quienes de entrada observan a Alice en uno de sus espectáculos, difícilmente imaginarían que este individuo desciende de una familia con altos valores religiosos. Su abuelo fue apóstol de la Iglesia de Jesucristo y su padre fue máxima autoridad de la misma iglesia, pero el nacido como Vincent Furnier el 4 de febrero de 1948 tenía otro destino, siendo así que después de ser un niño enfermizo, comenzó a interesarse en la música. El destino es curioso. En 1964 Vincent formó su primera banda –The Earwigs- con otros compañeros de escuela ¡sin saber tocar un instrumento! ¡Pero lograron ganar un concurso de talento haciendo mímica de canciones de The Beatles! La experiencia les fue tan grata que se pusieron a estudiar las bases para ser un grupo de verdad –o que al menos tocara sus instrumentos-, cambiando su nombre a The Spiders, adornando sus presentaciones con una enorme telaraña al fondo del escenario. -
I 100 Migliori Dischi Glam Metal
I TIFONI 5 www.tsunamiedizioni.com Web Tsunami Facebook Copyright © 2012 A.SE.FI. Editoriale Srl Tsunami Edizioni è un marchio registrato di proprietà di A.SE.FI. Editoriale Srl Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - [email protected] Prima edizione, ottobre 2012 - I Tifoni 5 Curatore: Federico Martinelli Progetto copertina: Moreno Lissoni Gra ca interna: Eugenio Monti Stampato in digitale nel mese di ottobre 2012 da Rotomail Italia S.p.A ISBN: 978-88-96131-46-6 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato, senza l’autorizzazione scritta dell’Editore Sebbenewww.tsunamiedizioni.com sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L’editore rimane a disposizione per essere contattato dagli aventi diritto. i 100 migliori dischi glam metal www.tsunamiedizioni.com INDICE Introduzione ..........................................................................................................9 Aerosmith permanent vacation .......................................................... 14 Alice Cooper Trash .......................................................................................... 16 alleycat scratch deadboys in trash city .................................................... 18 almighty (the) soul destruction ................................................................20 asphalt ballet asphalt ballet .....................................................................22 Babysitters (THE) -
Tcu Daily Skiff
TCU DAILY SKIFF Vol. 84, No. 57 FRIDAY, JANUARY 23, 1987 Fort Worth, Texas Financial aid limited for foreign students By Jerry Madden former president of the International "It's like comparing apples and pay for schooling at TCU, Quinney from government sources, he said. scholarships especially for interna- Students Association. oranges," Brubaker said. "You have to said. "The thought is that American dol- tional students. Staff Writer "I'd rather live here under these look at the traditions behind each of "International students can't get lars should go to American students," "It's a lot cheaper for me to go to For most American college stu- conditions than over there," Quinney the systems." financial aid here," she said. Brubaker said. school in England," Quinney said. dent, school financial aid is a source said. He also said that in America, fami- The only aid foreign students are Brubaker said most international The cost of tuition in England is 500 of continuing headaches. It would Quinney, a native of England, said lies have the primary rcsponsiblity for eligible for, Quinney said, is a scho- students receive the majority of their pounds, or about $750, regardless of probably seem like a dream if they students in America live in better con- educating children. In Europe, larship of $1,000 per year given by the support from family sources. Some which university one goes to, Quin- didn't have to pay for tuition. ditions than do students in England. education is the state's responsibility. International Student Affairs Office. students work directly for the uni- ney said. -
Collection "Hard, Punk, Hardcore Etc..80'S 90'S 2K Et +" De Boosty
Collection "Hard, Punk, Hardcore etc..80's 90's 2K et +" de boosty Artiste Titre Format Ref Pays de pressage (hed) Pe Broke 2LP RR12-88146 Japon Ac/dc Powerage LP ATL 50 483 France Ac/dc Let There Be Rock LP ATL 50 366 Portugal Ac/dc If You Want Blood You've Got I...LP 50 532 France Ac/dc Highway To Hell LP ATL 50628 Allemagne Ac/dc High Voltage LP ATL 50 257 Allemagne Ac/dc For Those About To Rock (we Sa...LP ATL K 50 851 France Ac/dc Dirty Deeds Done Dirt Cheap LP ATL 50 323 Allemagne Ac/dc Back In Black LP ATL 50 735 Allemagne Agnostic Front Another Voice LP DMR 0021-1 Etats Unis Amerique Alice Cooper Trash LP 465130 1 Pays-Bas Alice Cooper Raise Your Fist And Yell LP 255 074-1 Allemagne Alice Cooper Constrictor LP 254 253-1 Allemagne Almighty (the) Powertrippin' LP 519 104-1 Royaume-Uni Almighty (the) Crank LP 7243 8 30820 1 8 Royaume-Uni Angry Samoans Back From Samoa LP AG 0014 Allemagne Annihilator Ballistic, Sadistic LP SLM066P46 EU Bad Brains I Against I LP INLP 4.00231 J Allemagne Bad Brains Bad Brains LP RUSLP8223 Etats Unis Amerique Badlands Voodoo Highway LP 7567-82251-1 Allemagne Badlands Badlands LP 781 966-1 Allemagne Balance In For The Count LP 85787 Pays-Bas Biohazard Urban Discipline 2LP RRCAR 8290-1 Allemagne Biohazard State Of The World Address LP 9362-45595-1 Allemagne Biohazard New World Disorder LP MOVLP539 EU Biohazard Biohazard LP ML 1067 Etats Unis Amerique Black Country Communion Black Country Communion 2LP M 7319 1 Pays-Bas Black Country Communion Bcciv 2LP M75321 EU Black Country Communion Afterglow LP M 7398 -
DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
E Tails of Young Democrats, Republicans Ebate Announced
'*•>•- f ^g^8^ - "'. • • ••: - • .... - - - . -""^Sj. \ ! Non-Profit Org. I U.S. Posiage PAID Bronx, NY 10458 PermilNo.7608 P.O. Box B Fordham Univ. Bronx, NY 10458 FORDHAM UNIVERSITY Rose Hill Campus, Bronx, New York; Lincoln Center Campus, New York, New York miles addresses voting University receives End the Catholic tradition $9 million grant By Catherine Sabatos egy from the beginning. Fordham on which the country was founded. STAFF WRITER became part of a package deal involv- Dulles said that Pope John Paul II once ing several other universities seeking Through the combined efforts of a praised the United States Constitution aid. Fordham team, state Senator Guy for the freedom it allows its people to The government finally agreed to Velella and Assemblyman George live the truth of what and who they are add schools to the list of those receiv- Friedman, Fordham University re- according to God. Dulles said that it ing grants. The grant will be distrib- ceived a $9 million government grant was this religious freedom on which uted between the next fiscal year and for the construction of its Regional this country was founded. 1996, stemming mainly from the Ur- Educational Technology Center to be According to Dulles, the fact that ban DevelopmentCorporation's (UDC) located in the new Shedrick Library. 25% of the population of this country sale of bonds on the open market with Fordham first approached the state is Catholic leads to the conclusion that the added assistance of the state's capi- government after Governor Mario Catholics can make a difference. tal projects budget. -
Sexuality in the Horror Soundtrack (1968-1981)
UNIVERSITY OF CALIFORNIA Los Angeles Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Morgan Fifield Woolsey 2018 © Copyright by Morgan Fifield Woolsey 2018 ABSTRACT OF THE DISSERTATION Monstrous Resonance: Sexuality in the Horror Soundtrack (1968-1981) by Morgan Fifield Woolsey Doctor of Philosophy in Musicology University of California, Los Angeles, 2018 Professor Raymond L. Knapp, Co-Chair Professor Mitchell Bryan Morris, Co-Chair In this dissertation I argue for the importance of the film soundtrack as affective archive through a consideration of the horror soundtrack. Long dismissed by scholars in both cinema media studies and musicology as one of horror’s many manipulative special effects employed in the aesthetically and ideologically uncomplicated goal of arousing fear, the horror soundtrack is in fact an invaluable resource for scholars seeking to historicize changes in cultural sensibilities and public feelings about sexuality. I explore the critical potential of the horror soundtrack as affective archive through formal and theoretical analysis of the role of music in the representation of sexuality in the horror film. I focus on films consumed in the Unites States during the 1970s, a decade marked by rapid shifts in both cultural understanding and cinematic representation of sexuality. ii My analyses proceed from an interdisciplinary theoretical framework animated by methods drawn from affect studies, American studies, feminist film theory, film music studies, queer of color critique, and queer theory. What is the relationship between public discourses of fear around gender, race, class, and sexuality, and the musical framing of sexuality as fearful in the horror film? I explore this central question through the examination of significant figures in the genre (the vampire, the mad scientist/creation dyad, and the slasher or serial killer) and the musical-affective economies in which they circulate. -
Liste Gebrauchtware Privatkunden Datum
TWS-Source Of Deluge - Delmenhorst -- FON 04221-452011 -- FAX 04221-452012 Liste Gebrauchtware Privatkunden Seite: 1 Artikelnummer Interpret Titel Jahr Preis Beschreibung 310 G 42269 13 ENGINES A BLUR TO ME NOW 1991 7,00 € cut out 310 G 55515 28 DAYS UPSTYLEDOWN 2000 5,00 € limited edition with cd rom 320 G 60594 38 SPECIAL TOUR DE FORCE 1983 12,00 € LP 327 G 44956 38 SPECIAL YOU KEEP RUNNING AWAY 1982 4,00 € 7" vinyl single, written on 310 G 11847 40 GRIT NOTHING TO REMEMBER 2003 3,00 € 310 G 5454 454 BIG BLOCK YOUR JESUS 1995 2,00 € 327 G 44777 46 SHORT / KROMBACHERKELLERKINDER SPLIT 5,00 € 7" clear vinyl single 313 G 48055 4LYN LYN 2001 2,00 € MCD 310 G 13839 4LYN SAME 2001 5,00 € 327 G 44860 707 HELL OR HIGH WATER / MEGA FORCE 1982 3,00 € 7" Single 310 G 7738 88 CRASH FIGHT WICKET PENCES 1993 2,00 € 310 G 25423 A D SAME 1993 3,00 € 327 G 61780 A FLOCK OF SEAGULLS I RAN 1982 8,00 € LP Vinyl Maxi Single small 310 G 30902 A PERFECT CIRCLE THIRTENTH STEP 2003 9,00 € 320 G 12156 AARON, LEE CALL OF THE WILD 1985 4,00 € LP 327 G 61726 AARON, LEE POWERLINE 1987 4,00 € one sided 7 inch single, 320 G 23334 AARON, LEE SAME 1987 4,00 € LP 320 G 64407 AARON, LEE SAME 1982 5,00 € LP 310 G 6181 ABADDON I AM LEGION 2000 5,00 € 310 G 8810 ABOMINATION RITES OF THE ETERNAL HATE 2000 5,00 € 310 G 47223 ABSORBED SUNSET BLEEDING 1999 16,00 € 310 G 64482 ABSTUERZENDE BRIEFTAUBEN DER LETZTE MACHT DIE TÜR ZU 7,00 € 310 G 53022 ABSTÜRZENDE BRIEFTAUBEN AUSSER KONTROLLE 1992 7,00 € 60 minute live cd 310 G 55825 ABSTÜRZENDE BRIEFTAUBEN DAS KRIEGEN WIR SCHON HIN -
Catalogo ARTISTA TITULO for ANO OBS STOCK PVP
Catalogo ARTISTA TITULO FOR ANO OBS STOCK PVP 1927 ISH +2 CD 1989 20 th Anniversary Edition X 27,00 1927 THE OTHER SIDE CD 1990 AOR X 22,95 21 GUNS KNEE DEEP CDS 1992 Melodic Rock X 5,00 220 VOLT 220 VOLT CD Japanese Edition X 25,00 220 VOLT EYE TO EYE -Japan Edt.- CD 1988 Japan reissue remastered +2 tracks X 20,99 24 K PURE CD 2000 X 7,50 30 SECONDS TO MARS 30 SECONDS TO MARS CD X 17,95 38 SPECIAL FLASHBACK CD 1987 Best of 16,95 38 SPECIAL ICON CD 2011 Best of X 10,95 38 SPECIAL ROCK & ROLL STRATEGY CD 20,95 38 SPECIAL STRENGTH IN NUMBERS CD 1986 X 11,99 38 SPECIAL TOUR DE FORCE CD 1983 X 10,95 38 SPECIAL WILD-EYED SOUTHERN BOYS CD 1978 10,95 38 SPECIAL WILD-EYED SOUTHERN../SPECIAL FORCES CD 1978 1980 & 1982 2013 reissue 2 Albums 1 CD X 12,99 AB/CD CUT THE CRAO CD 12,95 AB/CD THE ROCK 'N''ROLL DEVIL CD 12,95 ABC THE CLASSIC MASTERS COLLECTION CD Best of X 12,95 AC/DC BACK IN BLACK CD 1980 2003 remastered X 14,95 AC/DC BACK IN BLACK -LTD 180G- CD 1980 2009 LTD 180G X 22,95 AC/DC BALLBREAKER CD 12,95 AC/DC BLACK ICE CD 2008 Remasters digipack X 17,95 AC/DC BONFIRE 5CD X 27,95 AC/DC DIRTY DEEDS DONE DIRT CHEAP 4DVD X 25,00 AC/DC DIRTY DEEDS DONE DIRT CHEAP CD 1976 Remasters digipack 9,95 AC/DC FLICK OF THE SWITCH CD 12,95 AC/DC FLY ON THE WALL CD 12,95 AC/DC HELL AIN'T A BAD PLACE TO BE BOOK X 8,95 AC/DC HIGHWAY TO HELL CD 12,95 ARTISTA TITULO FOR ANO OBS STOCK PVP AC/DC HIGHWAY TO HELL -180G- LP 1979 2009 ltd 180G X 22,95 AC/DC IF YOU WANT BLOOD YOU'VE GOT IT CD 12,95 AC/DC IN CONCERT BLRY 2012 98 min X 12,95 AC/DC IT''S A LONG WAY TO THE TOP DVD X 7,50 AC/DC LET THERE BE ROCK DVD X 10,95 AC/DC LIVE 92 2LP 1992 Live X 25,95 AC/DC LIVE 92 2CD 1992 Live X 24,95 AC/DC NO BULL DVD X 12,95 AC/DC POWERAGE CD 10,95 AC/DC RAZOR'S EDGE CD 1990 Remasters digipack X 14,95 AC/DC STIFF UPPER LIP CD Remasters digipack 10,95 AC/DC T.N.T. -
Alice Cooper: El Rei Del Shock Rock
It's only rock & roll | Pep Saña | Actualitzat el 30/08/2017 a les 12:56 Alice Cooper: El rei del Shock Rock Fill d'un predicador, Vincent Damon Furnier (nascut el 4 de febrer de 1948 a Detroit Michigan), degut a complicacions amb la seva salut durant l'adolescència, va haver de mudar-se amb la seva família a Phoenix, Arizona, on va aconseguir graduar-se en belles arts. Més endavant conegut com Alice Cooper, va ser un dels pioners en associar rock i espectacle als seus concerts, muntar petites històries teatrals a l'escenari mentre tocava la banda de rock i crear de si mateix un personatge sorgit del més sòrdid dels malsons. Amb maquillatges d'aspecte sinistre, inquietants lletres i concerts que incloïen execucions amb guillotina, cadires elèctriques o aparicions amb serps enormes (com la famosa boa constrictor), il?lustraven els continguts dels seus àlbums, molts dels quals explicaven una història, en la més pura línia de l'àlbum conceptual. Alice Cooper, seria el primer a desenvolupar amb més sofisticació les posades en escena respecte a altres músics influenciats per l'estètica glam teatral, com David Bowie o Peter Gabriel. Aquesta característica escènica influenciaria notablement a grups com KISS, Mötley Crüe o Twisted Sister entre d'altres. El seu show en escena el mostra tallant bebès amb una destral o presentant-se a president dels Estats Units. Alice Cooper també és famós per la seva carismàtica personalitat fora de l'escenari, estant escollit com l'artista de heavy metal més estimat, publicat per la famosa revista Rolling Stone. -
February 2, 1987
James Madison University Monday, February 2,1987 vol. 64 No. 33 Senate supports free tuition for JMU staff, faculty families By Mike Wilson free, he said. assistant news editor Also, allowing family members to attend the university without paying tuition might provide The immediate families of full-lime university faculty and staff members with greater "incentive to faculty and staff should be allowed to attend JMU do a good job," Dubenezic said. "We will have a without paying tuition, according to a Faculty Senate better climate for students and faculty to work in." bill passed unanimously Thursday. The proposal was first brought up in the senate "It would be a real morale booster for the faculty during fall 1985. At that time, the senate asked that a and staff," said Dr. Charles Dubenezic, speaker pro committee be set up to investigate the proposal. tempore of the senate, and a member of a "We had to determine if it was legal and feasible," subcommittee established to investigate the proposal. Dubenezic said. Under the proposal, the spouses and children of all The committee worked with Dr. Russell Warren, full-time faculty and staff would have their tuition then-vice president for academics affairs, and Roscoc waived by the university, Dubenezic said. However, Roberts of the attorney general's office to determine if participants in the program still would have to meet the proposal violated any state laws. The group found all regular university entrance requirements. no laws that would prohibit the bill, Dubenezic said. Universities in at least 19 other states have similar "It appears that there is nothing to prevent JMU's programs, he said.