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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Pandoras Box CD-List 06-2006 Short
Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim. -
Scanned Image
INSIDE Singleschart, 6-7;Album chart,17; New Singles, 18; NewAlbums, 13; Airplay guide, 14-15; lndpendent Labels, 8; Retailing 5. June 28, 1982 VOLUME FIVE Number 12 65p RCA sets price Industry puts brave rises on both face on plunging LPs & singles RCAis implementing itsfirst wide- ranging increase in prices since January Summer disc sales 1981. Then its new 77p dealer price for singles sparked trade controversy but ALL THE efforts of the record industryfor the £s that records appear to be old the rest of the industry followed in due to hold down prices and generate excite-hat. People who are renting a VCR are course. ment in recorded music are meeting amaking monthly payment equivalent to With the new prices coming into stubbornly flat market. purchasing one LP a week," he said. effect on July 1, RCA claims now to be Brave faces are being worn around the Among the major companies howev- merely coming into line with other major companies but itis becominger, there is steadfast resistance to gloom. companies. clear that the business is in the middle of Paul Russell, md of CBS, puts the New dealer price for singles will be an even worse early Summer depressionproblem down to weak releases and is 85p (ex VAT) with 12 -inch releases than that of 1981. happy to be having success with Joan costing £1.49, a rise of 16p. On tapes The volume of sales mentioned by theJett, The Clash, Neil Diamond andWHETHER IT likes it or not, Polydorand albums the 3000 series goes from RB chart department shows a decline ofAltered Images with the prospect of bigis now heavy metal outfit Samson's£2.76 to £2.95, the 6000 series from between 20 and 30 percent over the samereleases from Judas Priest and REOrecord company. -
Nilda Fernandez 15 Skunk Anansie 16 the Nits 17 SKUNK ANASIE
NUMÉRO 148 JANVIER 2010 ET AUSSI... SKUNK ANANSIE BB BRUNES VAMPIRE WEEKEND KOOL SHEN + CAHIER DVD LES OGRES DE BARBACK LE MAGAZINE DES DISQUAIRES INDÉPENDANTS RUBRIQUES Imports Albums 05 Start Top 05 BB BRUNES NEWS Festivals / Concerts 06 Jacno 06 Alain Bashung 06 KOOL SHEN The Undertones 07 Rihanna 07 CHRONIQUES Pop/Rock 18 NUMÉRO 148 JANVIER 2010 Electro 21 Rap 21 Français 22 Autres musiques 23 DVD du mois 24 DVD 26 VAMPIRE WEEKEND Livres 30 INTERVIEWS Les Ogres de Barback 08 BB Brunes 10 Kool Shen 11 Christoph Waltz 12 Vampire Weekend 14 Nilda Fernandez 15 Skunk Anansie 16 The Nits 17 SKUNK ANASIE START-UP est édité par RÉDACTRICE EN CHEF PUBLICITÉ Héléna McDouglas, Florence les Éditions PRÉLUDE ET FUGUE Melody LEBLOND Tristan THOMAS Rajon-Rocher, Bertrand Rocher. 29, rue de Châteaudun [email protected] [email protected] PHOTOGRAVURE 75308 PARIS Cedex 09 MAQUETTE RÉDACTION Express-Expansion Tél.: 01 75554344 Didier FITAN Paul Alexandre, Antoine Beretto, IMPRIMÉ EN FRANCE Fax: 0175554111 DIRECTRICE RÉGIE David Bouseul, Hervé Crespy, Maury / Issn: 1263-5855 DIRECTEUR DE PUBLICATION Véronique PICAN Laurent Denner, Hervé Éditions Prélude & Fugue Marc FEUILLÉE Guilleminot, Maxime Goguet, Illustration couverture D.R. | Janvier 2010 | Start Up 3| SELECTION IMPORT LE START TOP JANVIER 2010 RELEVÉ DES MEILLEURES VENTES CD DVD DAVE MATTHEWS BAND BON JOVI POP/ROCK DES DISQUAIRES EUROPE 2009 LIVE AT MADISON 3CD + DVD SQUARE GARDEN NOVEMBRE / EMINEM METALLICA RELAPSE - REFILL COFFRET COLLECTOR - DÉCEMBRE 2009 DELUXE 2CD LIVE MEXICO 2CD+2DVD MARY J BLIGE METALLICA VANESSA PARADIS Best of UNIVERSAL STRONGER WITH ORGULLO PASIN Y RENAUD Molly Malone.. -
WESTFIELD LEADER the Leading and Moat Widely Cireutated Weekly Newspaper in Union County M O •
,"••*,: •;c.V-'-rig|^Hf 0*- TJ1 : i -•".''•.^:'>;V 'V. "•• " • WESTFIELD LEADER The Leading and Moat Widely Cireutated Weekly Newspaper In Union County m o •- Sacond Obuu P»Uo P»liJ l'ubllshod 24 Pafirea—15 Cents f > •£ g] VENTH YEAR — NO- '48 at .Wutfleld, N. J. WESTFIELD, NEW JERSEY, THURSDAY, JUNE 23, 1977 Every Thursday x idyers' Appeal 578 Graduate from WHS Donna Anthony and Leonard Shen were Postponed 'til July recognized as the top students among five who Hearing on a Community for the building of the council which they felt was achieved perfect 4.0 Players, appeal to permit clubhouse extension which discriminatory to their averages at Westfield High the local theater group to contains a theater. operation. School during com- . hold more than four Area residents on a Also postponed, before of mencement exercises productions a year at its number of occasions have a lengthy zoning board Tuesday night. The other clubhouse at 1000 North Ave. expressed concern over agenda, was the appeal by three are Nancy Chapman, was held over to the July parking and traffic, noise Frank J. and Theresa M. Susan Grausam and Jeanne 18 meeting of the Board of and other factors connected Cardillo for permission to Steele. Adjustment at a meeting with the theate's operation, install a below ground pool Diplomas were awarded Monday of the zoning board: and last year the Players at 1101 Wychwood Rd. to 578 seniors by Clark S. The Players were themselves appeared before Scheduled for a fourth Leslie, president of the restricted to the four the Town Council to object hearing next month was Westfield Board . -
D'eurockéennes
25 ans d’EUROCKÉENNES LE CRÉDIT AGRICOLE FRANCHE-COMTÉ NE VOUS LE DIT PAS SOUVENT : IL EST LE PARTENAIRE INCONTOURNABLE DES ÉVÉNEMENTS FRANCs-COMTOIS. IL SOUTIENT Retrouvez le Crédit Agricole Franche-Comté, une banque différente, sur : www.ca-franchecomte.fr Caisse Régionale de Crédit Agricole Mutuel de Franche-Comté - Siège social : 11, avenue Elisée Cusenier 25084 Besançon Cedex 9 -Tél. 03 81 84 81 84 - Fax 03 81 84 82 82 - www.ca-franchecomte.fr - Société coopérative à capital et personnel variables agréée en tant qu’établissement de crédit - 384 899 399 RCS Besançon - Société de courtage d’assurance immatriculée au Registre des Intermédiaires en Assurances sous le n° ORIAS 07 024 000. ÉDITO SOMMAIRE La fête • 1989 – 1992 > Naissance d’un festival > L’excellence et la tolérance, François Zimmer .......................................................p.4 > Une grosse aventure, Laurent Arnold ...................................................................p.5 continue > « Caomme un pèlerinage », Laurent Arnold ........................................................p.6 Les Eurockéennes ont 25 ans. Qui l’eut > Un air de Woodstock au pied du Ballon d’Alsace, Thierry Boillot .......................p.7 cru ? Et si aujourd’hui en 2013, un doux • 1993 – 1997 > Les Eurocks, place incontournable rêveur déposait sur la table le dossier d’un grand et beau festival de musiques > Les Eurocks, précurseurs du partenariat, Lisa Lagrange ..................................... p.8 actuelles (selon la formule consacrée), > Internet : le partenariat de -
Magma Köhntarkösz Mp3, Flac, Wma
Magma Köhntarkösz mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Rock Album: Köhntarkösz Country: Russia Released: 2009 Style: Fusion, Jazz-Rock, Prog Rock MP3 version RAR size: 1654 mb FLAC version RAR size: 1568 mb WMA version RAR size: 1615 mb Rating: 4.2 Votes: 140 Other Formats: XM VOC MP1 MIDI ASF DXD VOX Tracklist 1 Köhntarkösz (Part I) 15:22 2 Köhntarkösz (Part II) 15:55 3 Ork Alarm 5:28 4 Coltrane Sündïa 4:11 Companies, etc. Phonographic Copyright (p) – Le Chant Du Monde Copyright (c) – Seventh Records Recorded At – Manor Mobile Credits Bass [Basse], Violoncello [Violoncelle], Vocals [Chant], Piano – Jannick Top Composed By – Christian Vander (tracks: 1, 2, 4), Jannick Top (tracks: 3) Drums [Batterie], Vocals [Chant], Piano, Percussion [Percussions], Liner Notes – Christian Vander Engineer [Recording Engineer] – Simon Heyworth Guitar [Guitare] – Brian Godding Keyboards [Claviers] – Gérard Bikialo, Michel Graillier Producer – Giorgio Gomelsky Vocals [Chant] – Stella Vander Vocals [Chant], Percussion [Percussions] – Klaus Blasquiz Notes Originally released in 1974. Recorded on the Manor Mobile at "Bastide de Pierrefeu" Valbonne. Barcode and Other Identifiers Barcode: 7 94881 90782 3 Matrix / Runout: Sony DADC A0101024688-0101 15 Mastering SID Code: IFPI L555 Other versions Category Artist Title (Format) Label Category Country Year Köhntarkösz (LP, 6325 750 Magma Vertigo 6325 750 France 1974 Album) Köhntarkösz (CD, Seventh REX VIII Magma REX VIII France 1988 Album, RE) Records Seventh Köhntarkösz (CD, Records, Le 274 1705 -
Precious but Not Precious UP-RE-CYCLING
The sounds of ideas forming , Volume 3 Alan Dunn, 22 July 2020 presents precious but not precious UP-RE-CYCLING This is the recycle tip at Clatterbridge. In February 2020, we’re dropping off some stuff when Brigitte shouts “if you get to the plastic section sharpish, someone’s throwing out a pile of records.” I leg it round and within seconds, eyes and brain honed from years in dank backrooms and charity shops, I smell good stuff. I lean inside, grabbing a pile of vinyl and sticking it up my top. There’s compilations with Blondie, Boomtown Rats and Devo and a couple of odd 2001: A Space Odyssey and Close Encounters soundtracks. COVER (VERSIONS) www.alandunn67.co.uk/coverversions.html For those that read the last text, you’ll enjoy the irony in this introduction. This story is about vinyl but not as a precious and passive hands-off medium but about using it to generate and form ideas, abusing it to paginate a digital sketchbook and continuing to be astonished by its magic. We re-enter the story, the story of the sounds of ideas forming, after the COVER (VERSIONS) exhibition in collaboration with Aidan Winterburn that brings together the ideas from July 2018 – December 2019. Staged at Leeds Beckett University, it presents the greatest hits of the first 18 months and some extracts from that first text that Aidan responds to (https://tinyurl.com/y4tza6jq), with me in turn responding back, via some ‘OUR PRICE’ style stickers with quotes/stats. For the exhibition, the mock-up sleeves fabricated by Tom Rodgers look stunning, turning the digital detournements into believable double-sided artefacts. -
Renaissance – Delane Lea Studios 1973
Renaissance – DeLane Lea Studios 1973 (51:16, CD, Purple Pyramid Records, 1973 / 2015) Ursprünglich handelte es sich bei den hier auf CD veröffentlichten Aufnahmen von Renaissance um einen Radiomitschnitt, der bereits in der Vergangenheit mehrfach als Bootleg kursierte. Inwieweit das in Los Angeles ansässige Reissue Label Purple Pyramid Records (veröffentliche in der Vergangenheit u.a. Nektar, Greenslade, Amon Düül II) nun der rechtmäßige Besitzer der Aufnahmen ist, bleibt etwas im Dunkeln. Zwar findet sich auf der Renaissance-Webseite bisher kein Hinweis auf diesen Tonträger, andererseits kann man aber über diverse Internetkanäle das Album ganz offiziell erwerben und es ist auch eine weitere Liveaufnahme „Academy Of Music“ von der ’74er Tour angekündigt. Vielleicht wurde auch ganz einfach die Gunst der Stunde genutzt, um im Rahmen der anstehenden Live-Aktivitäten der Band etwas Geld – von wem und für wenn auch immer – in die Kassen zu spülen. Genug der Mutmaßungen, ab zur Musik. Dieser Live-Mitschnitt entstand 1973 in den DeLane Lea Studios in London, einer Lokation, in der die Band bereits im gleichen Jahr das damals aktuelle Album „Ashes Are Burning“ aufnahm, welches aber auch von Künstlern wie The Beatles, Jimi Hendrix, Queen oder Pink Floyd genutzt wurde. Da man sich aus verschiedenen Gründen dagegen entschied auf Tour zu gehen (u.a. wg. der damalige Ölkrise), lud man kurzerhand die nächsten Freude ein und spielte einfach einen knapp 51-minütigen Gig Live im Studio, welcher auch bei der BBC gesendet wurde. Als Gäste traten zudem bei „Ashes Are Burning“ die mit der Band befreundeten Andy Powell (Wishbone Ash) und Singer / Songwriter Al Stewart (u.a. -
Joe Satriani 與steve Vai 的神乎其技(陳友信-陳彥皓-林忠村
投稿類別:藝能類 篇名: Joe Satriani 與 Steve Vai 的神乎其技 作者: 陳友信。市立高雄高工。資訊二甲 陳彥皓。市立高雄高工。資訊二甲 林忠村。市立高雄高工。資訊二甲 指導老師: 許靖卿 老師 PDF created with pdfFactory trial version www.pdffactory.com Joe Satriani 與 Steve Vai 的神乎其技 壹●前言 一、研究背景 在時代的進步下,現代人的生活充斥許多壓力,其中與人們生活息息相關的 音樂,總是帶給人許多不同感覺,有些音樂甚至帶給人舒服感,並有助於紓解壓 力。其中,高亢響亮的電吉他聲音吸引了我們,它所彈撥出來的不同的旋律帶領 我們走入不同的音樂世界,高低的音階帶領我們體會不同的風格感受,因此我們 想一探電吉他音樂大師獨創的特色與音樂學問。 二、研究目的 在台灣,電吉他演奏曲的觀眾似乎不多,但在許多地方卻能見到這類型的音 樂是多麼地流行,電吉他演奏曲不只餘音繞樑,更是許多電吉他手訓練自己演奏 能力的好教材。希望藉由本文的引薦,讓這類音樂在台灣展開一股新潮。 三、研究方法 因為此類型的作品甚多,所以我們以世界知名度較高的兩位電吉他手做為主 題,先介紹兩位大師的基本資料與經歷,其次以兩位電吉他大師的音樂做為分析 與討論的重點,再結合世人對此類型音樂的評比,最後提出我們的感受與心得, 並推薦幾首音樂讓大家嘗試聆聽。 除了非常喜愛這類型的音樂,也因為本組組員有接觸樂器的緣故,我們希望 能將自己對電吉他演奏曲的認知與看法融合網路與書籍的資料來分析與討論,讓 人們對這一片不熟悉的領域有初步的認識。 四、研究步驟 我們先在書籍與網路資訊中尋找兩位大師的基本資料與經歷,並蒐集他們有 何不同的創意作風。接著尋找兩位大師的音樂作品,並且分析其音樂主奏、背景 旋律與節奏的不同,記錄歌曲帶給我們的感受;由搜索網路其它歌迷對這首歌曲 的評價加以比較;最後將較受歡迎與悅耳動聽的歌曲記錄並推薦。 貳●正文 一、兩位電吉他大師的基本資料與經歷 1 PDF created with pdfFactory trial version www.pdffactory.com Joe Satriani 與 Steve Vai 的神乎其技 (一)、吉他手中的吉他手─Joe Satriani Joe Satriani,出生於1956年7月15日,美國多 樂器演奏家,以彈奏電吉他聞名,早期為Kirk Hammett和Steve Vai的吉他教師,因獨特的吉他技 巧而聲名大噪! Joe Satriani 受 Beatles 的影響,他開始學鼓, 14 歲因為 Jimi Hendrix 之死而放棄學鼓改學吉 他,並組了 Tarsus 樂團。 1983年發行了自己錄的專輯「Joe Satriani」。 1986年,Relativity唱片公司發行他的第一張 專輯「Not of This Earth」。 圖一、吉他巫師─ Joe Satriani 1987年,Joe Satriani發行了「Surfing with the Alien」之後才名聲遠播,並取得一 張金唱片,這是第一次吉他手僅憑演奏音樂不唱歌而獲得金唱片。 「1988年,被滾石樂隊的米克·賈格爾在第二次個人巡迴時聘為主吉他手。」( 註 一 ) 1990年,利用搖桿與泛音等技巧演奏出Flying in a Blue Dream 。 「1994年,擔任深紫的主吉他手。」(註二) 其風格主要受到藍調搖滾吉他的影響,不 過仍創造了他自己易辨的演奏風格。 1988年,Joe Satriani開始使用他的代言吉他,Ibanez JS系列,該系列在商店銷 售成績不錯。 -
Los Músicos Presentarán Canciones De Su Más
10515465 05/21/2005 10:53 p.m. Page 3 ESPECTÁCULOS | DOMINGO 22 DE MAYO DE 2005 | EL SIGLO DE DURANGO | 3B El quinteto británico ha marcado la diferencia en su género por varias décadas. SUCESO | VOCALISTA ORIGINAL DEL GRUPO BRITÁNICO HA VUELTO Judas Priest viene a México Los músicos Discografía presentarán Judas Priest se ha consolidado como uno de los grupos históricos del canciones de su más metal debido a la gran demanda de sus materiales discográficos. reciente álbum, ■ “Live in London” ■ “Defenders of the faith” “Angel of retribution” ■ “Demolition” ■ “Screaming for vengeance” ■ “The best of Judas Priest - ■ “Point of entry” living after midnight” ■ “British steel” NOTIMEX ■ “Live meltdown” ■ “Unleashed in the east” ■ “Jugulator” ■ “Stained class” MÉXICO, DF.- El legendario gru- ■ “Metal works 73-93” ■ “Hell bent for leather” po británico Judas Priest, con- ■ “Painkiller” ■ “Sin after sin” siderado uno de los más influ- ■ “Ram it down” ■ “Sad wings of destiny” yentes en la historia del metal, ■ “Turbo” ■ “Rocka rolla” actuará en los escenarios mexi- FUENTE: Investigación de El Siglo de Durango. canos el 3 de septiembre próxi- mo acompañado por su vocalis- ta original Rob Haldford. considerado el padre del me- desde el aspecto musical has- La agrupación originaria tal, Judas Priest toma enton- ta el atuendo de los pantalo- de Birmingham, Reino Uni- ces el papel de “padrino del nes de cuero y estoperoles. do, presentará en vivo los metal”, pues fue quien inven- Después de que Rob temas de su disco de estudio tó el ataque sonoro a dos gui- Haldford anunció que se reti- más reciente “Angel of re- tarras, al cual le añadió el ele- raba del grupo vinieron años tribution”, que marcó el re- mento de la velocidad. -
I Love Metal Press Release.Docx
Tony Iommi/Black Sabbath and Judas Priest backs #ILoveMetal – The world’s biggest ever metal-music charity prize draw. Visit - www.ilovemetal.co.uk Donated by international metal-music industry heavyweights such as Black Sabbath, Judas Priest, Nuclear Blast, My Dying Bride, Laney, Epiphone, Earache, Sony/BMG, Razamataz, PRS Guitars, Live Nation/Download, 5BAM, Bravado, and UK Metal Merger resulting in nine incredible bundles, with over 1,000 items of ‘money-can’t-buy’ metal memorabilia, merchandise and rarities - #ILoveMetal is the world’s biggest ever metal-music charity prize draw. In partnership with Julie Weir/Music For Nations – the #ILoveMetal collection was collated by the UK Metal Merger ‘In Solitude’ single supergroup collaboration, again with the motivation of raising funds for the Stagehand Charity. Stagehand is the only UK charity that specifically helps music stage and road crew, and is dedicated to providing severe-hardship funding and mental health support for live events industry workers. The #ILoveMetal campaign is critical to supporting the ‘behind the scenes’ workers in the live music industry that, right now, are in crisis. Without them there won't be a live events industry, even when covid restrictions are lifted. Whilst providing the opportunity to win money-can’t-buy prizes, #ILoveMetal is a way for the metal community to come together to support live music (a cause very dear to our hearts and ears!) giving back to the people who make these life-affirming events happen. This is not an auction! It is a series of prize draws for each available bundle. With an auction, only fans with the deepest pockets get involved, whereas with a prize draw the whole international metal community can participate through £5 entries via the #ILoveMetal Crowdfunder page.