El Presente Julieta Venegas Unplugged
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Pet Shop Boys Introspective (Introspectivo) Mp3, Flac, Wma
Pet Shop Boys Introspective (Introspectivo) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Introspective (Introspectivo) Country: Ecuador Released: 1988 Style: Synth-pop MP3 version RAR size: 1773 mb FLAC version RAR size: 1773 mb WMA version RAR size: 1819 mb Rating: 4.9 Votes: 443 Other Formats: MP3 MMF ASF ADX AHX AC3 VQF Tracklist Hide Credits Hago Lo Que Se Me Antoja (Left To My Own Devices) A1 Producer – Stephen Lipson, Trevor HornVocals – Sally Bradshaw Quiero Un Perro (I Want A Dog) A2 Mixed By – Frankie Knuckles La Danza Del Dominó (Domino Dancing) A3 Mixed By – Lewis A. Martineé, Mike Couzzi, Rique AlonsoProducer – Lewis A. Martineé No Tengo Miedo (I'm Not Scared) B1 Producer – David Jacob (Siempre En Mi Mente / En Mi Casa) (Always On My Mind / In My House) B2 Producer – Julian MendelsohnWritten-By – Christopher*, James*, Thompson* Está Bien (It's Alright) B3 Producer – Stephen Lipson, Trevor HornWritten-By – Sterling Void Companies, etc. Manufactured By – Ifesa Distributed By – Fonorama Other versions Category Artist Title (Format) Label Category Country Year PCS 7325, 79 Pet Shop Introspective (LP, Parlophone, PCS 7325, 79 UK 1988 0868 1 Boys Album) Parlophone 0868 1 Pet Shop Introspectivo (Cass, 66312 EMI 66312 Argentina 1988 Boys Album, RE) Pet Shop Introspectivo (Cass, 20059 EMI 20059 Argentina 1988 Boys Album) 080 79 0868 Parlophone, 080 79 0868 Pet Shop Introspective (LP, 1, 080 7 EMI, 1, 080 7 Spain Unknown Boys Album) 90868 1 Parlophone, EMI 90868 1 Introspective (CD, Pet Shop Not On Label 13421 Album, -
Spanish Women Composers, a Critical Equation Susan Campos
Between Left-led Republic and Falangism? Spanish Women Composers, a Critical Equation Susan Campos Fonseca Director, Women’s Studies in Music Research Group Society for Ethnomusicology (SIBE), Spain A Critical Equation The nature of this research depends on the German concept Vergangenheitsbewältigung, a term consisting of the words Vergangenheit (past) and Bewältigung (improvement), equivalent to “critical engagement with the past.”1 This term is internationalized in the sense that it express the particular German problem regarding the involvement that the generations after Second World War had with the Nazis crimes. Germany forced itself to take a leading role in addressing critically their own history. Spain offered in this area for a long time a counterexample. The broader debate on the valuation of the recent past carried out both in politics and in public life only began at the turn of the century, for example in the legislative period from 2004 to 2008 with the “Ley de Memoria” (Memory Law), which sought moral and material compensation for victims of Civil War and Dictatorship.2 But the law is a consequence not a cause. 1 W. L. Bernecker & S. Brinkmann, Memorias divididas. Guerra civil y franquismo en la sociedad y la política españolas (1936-2008) (Madrid: ABADA Ed./Sociedad Estatal de Conmemoraciones Culturales, 2009). [Author’s translation.] 2 Ibid., 8. Therefore, I present this research as a work in progress,3 because today bio- bibliographies devoted to recover the legacy of Spanish women composers during this period show an instrumental absence of this type of analysis, and instead have favored nationalistic appreciations. -
Flowers for Algernon.Pdf
SHORT STORY FFlowerslowers fforor AAlgernonlgernon by Daniel Keyes When is knowledge power? When is ignorance bliss? QuickWrite Why might a person hesitate to tell a friend something upsetting? Write down your thoughts. 52 Unit 1 • Collection 1 SKILLS FOCUS Literary Skills Understand subplots and Reader/Writer parallel episodes. Reading Skills Track story events. Notebook Use your RWN to complete the activities for this selection. Vocabulary Subplots and Parallel Episodes A long short story, like the misled (mihs LEHD) v.: fooled; led to believe one that follows, sometimes has a complex plot, a plot that con- something wrong. Joe and Frank misled sists of intertwined stories. A complex plot may include Charlie into believing they were his friends. • subplots—less important plots that are part of the larger story regression (rih GREHSH uhn) n.: return to an earlier or less advanced condition. • parallel episodes—deliberately repeated plot events After its regression, the mouse could no As you read “Flowers for Algernon,” watch for new settings, charac- longer fi nd its way through a maze. ters, or confl icts that are introduced into the story. These may sig- obscure (uhb SKYOOR) v.: hide. He wanted nal that a subplot is beginning. To identify parallel episodes, take to obscure the fact that he was losing his note of similar situations or events that occur in the story. intelligence. Literary Perspectives Apply the literary perspective described deterioration (dih tihr ee uh RAY shuhn) on page 55 as you read this story. n. used as an adj: worsening; declining. Charlie could predict mental deterioration syndromes by using his formula. -
Download YAM011
yetanothermagazine filmtvmusic aug2010 lima film festival 2010 highlights blockbuster season from around the world in this yam we review // aftershocks, inception, toy story 3, the ghost writer, taeyang, se7en, boa, shinee, bibi zhou, jing chang, the derek trucks band, time of eve and more // yam exclusive interview with songwriter diane warren film We keep working on that, but there’s toy story 3 pg4 the ghost writer pg5 so much territory to cover, and so You know the address: aftershocks pg6 very little of us. This is why we need [email protected] inception pg7 lima film festival// yam contributors. We know our highlights pg9 readers are primarily located in the amywong // cover// US, but I’m hoping to get people yam exclusive from other countries to review their p.s.: I actually spoke to Diane interview with diane warren pg12 local releases. The more the merrier, Warren. She's like the soundtrack music people. of our lives, to anyone of my the derek trucks band - roadsongs pg16 generation anyway. Check it out. se7en - digital bounce pg16 shinee - lucifer pg17 Yup, we’re grovelling for taeyang - solar pg17 contributors. I’m particularly eminem - recovery pg18 macy gray - the sellout pg18 interested in someone who is jing chang - the opposite me pg18 located in New York, since we’ve bibi zhou - i.fish.light.mirror pg18 nick chou - first album pg19 received a couple of screening boa - hurricane venus pg19 invites, but we got no one there. tv Interested? Hit me up. bad guy pg20 time of eve pg20 books uso. -
A Meditation on Boredom
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UEL Research Repository at University of East London Running head: A MEDITATION ON BOREDOM A meditation on boredom: Re-appraising its value through introspective phenomenology Dr. Tim Lomas, University of East London, School of Psychology, [email protected] Note: This article may not exactly replicate the final version published in Psychology, Public Policy, and Law. It is not the copy of record. 2 Running head: A MEDITATION ON BOREDOM Abstract Boredom is almost universally regarded as a dysphoric mental state, characterised by features such as disengagement and low arousal. However, in certain quarters (e.g., Zen Buddhism), boredom is seen as potentially having great value and even importance. The current study sought to explore boredom through a case study involving introspective phenomenology. The author created conditions in which he would experience boredom for an hour, and recorded his experience in real-time using a variant of the Experiencing Sampling Method. The data were analysed using an adaptation of Interpretative Phenomenological Analysis. The results indicated that the state of boredom contained three main sources of value: (a) altered perception of time; (b) awakened curiosity about the environment; and (c) exploration of self. Consequently, the paper offers a re-appraisal of boredom, suggesting that rather than necessarily being a negative state, if engaged with, boredom has the potential to be a positive and rewarding experience. Keywords: boredom; meditation; phenomenology; introspection; wellbeing. 3 Running head: A MEDITATION ON BOREDOM The problem of boredom Boredom is almost universally regarded as a negative mental state. -
The Voice 50% English – 50% Spanish MAGAZINE Locally Owned and Operated © 2016 • La Voz Bilingual Newspaper Community Magazine
w w w . l A V O Z . u S . c om r e v i s t a b i l i n g ü e JUlIo/agosto•JUly/aU g U s t i 2 0 1 6 PO bOx 3688, santa rOsa, ca 95402 vOlumen / vOlume xv, númer0 / number 8 50% inglés – 50% español, una revista comunitario produ- cido y operado en la región. ¡galería de fotos de la Voz ! ¿aparece ahí? 50% IN ENglIsH! la Voz photo gallery! are you there? BILINGUAL www.lavoz.us.com The Voice 50% english – 50% spanish MAGAZINE locally owned and operated © 2016 • La Voz Bilingual Newspaper community magazine. B I l ing u A l MAGAZINE ¡50% EN EsPaÑol! La Mejor Revista Bilingüe del Norte de California nOrthern CalifOrnia’s ForemOst bilingual magazine dos IdIomas, dos cUltUras, UN ENtENdImIENto two laNgUagEs, two cUltUrEs, oNE UNdErstaNdINg Register to vote in november! Deadline to register for the november 8 general election is october 24, 2016. www.votolatino.org or registertovote.ca.gov. To register to vote in California, you must be: a U.s. citizen, a resident of California, 18 years of age or older on election Day VoTe! Make your voice heard! a FRee Concert for the Community! sunday, July 31 at 7 pM. presented by the green Music Center and santa Rosa symphony. Reserve tickets now! Mariachi Reyna de Los Angeles, the first all-female Mariachi phenomenon, brings their sensitivity, warmth and vivacious spirit to the historic art of mariachi. Their enthusiasm and musical talent are not to be missed! Come and enjoy live music and warm sunshine at our favorite Community Concert! Free of charge as a thank you to our community. -
La Música Colombiana Inundará La Feria Literaria Más Importante De Hispanoamérica
La música colombiana inundará la feria literaria más importante de Hispanoamérica Presentación oficial en Colombia Miércoles 31 de octubre Restaurante bar Punto G Ministerio de Cultura República de Colombia Guadalajara, octubre de 2007. Con una muestra de lo mejor de la música inspirada en nuestras raíces, catorce agrupaciones musicales colombianas se tomaran la explanada de la 21 Feria Internacional del Libro de Guadalajara, en la que Colombia es País Invitado de Honor, evidenciando la riqueza de sonidos autóctonos originados en función de la música contemporánea que se impone alrededor del mundo. En la programación de actividades que tendrá Colombia en esta feria y que fue presentada recientemente en Guadalajara por la ministra de cultura, Paula Marcela Moreno Zapata, se destaca la participación de artistas tan importan- tes como Hugo Carlos Granados, Rey de Reyes Vallenato; Orlando “Cholo” Valderrama, uno de los cantautores más destacados de la música llanera co- lombiana y Jahmin Jam, el representante más reconocido de la música calypso originaria del Archipiélago de San Andrés y Providencia. De igual manera, la explanada de la Feria Internacional del Libro de Guada- lajara contará con la presencia de agrupaciones con una importante trayectoria en el manejo de sonidos tradicionales colombianos como Puerto Candelaria, Palenque Estéreo, Grupo Tambó, Kilombo, Chocquibtown, Sidestepper, La 33 y Pernett. Se suman a ellos, artistas de la talla de Fonseca, ganador del premio Bill- board Latino en la categoría Álbum Tropical del Año Nueva Generación 2007, del premio Lo Nuestro como Revelación del Año 2007 y de dos Grammy Lati- no en las categorías de Álbum del Año y Grabación Tropical del año 2007. -
The Power of the Voice: Listening to Mexican and Central American Immigrant Experiences (1997-2010)
The Power of the Voice: Listening to Mexican and Central American Immigrant Experiences (1997-2010) BY Megan L. Thornton Submitted to the Department of Spanish and Portuguese and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Dr. Jill S. Kuhnheim, Chairperson ______________________________ Dr. Vicky Unruh ______________________________ Dr. Yajaira Padilla ______________________________ Dr. Stuart Day ______________________________ Dr. Ketty Wong Date Defended: _________________ ii The Dissertation Committee for Megan L. Thornton certifies that this is the approved version of the following dissertation: The Power of the Voice: Listening to Mexican and Central American Immigrant Experiences (1997-2010) Committee: ______________________________ Dr. Jill S. Kuhnheim, Chairperson ______________________________ Dr. Vicky Unruh ______________________________ Dr. Yajaira Padilla ______________________________ Dr. Stuart Day ______________________________ Dr. Ketty Wong Date Defended: _________________ iii Abstract Megan L. Thornton, Ph.D. Department of Spanish and Portuguese, April 2010 University of Kansas This dissertation examines representations of immigrant experiences in Mexican and Central American cultural texts at the end of the twentieth and beginning of the twenty-first centuries. By examining immigrant experiences through the lenses of testimonial writing, fictional narrative, documentary film, and popular music, this -
Caliente Latin Ballads Zum Valentinstag
Medienmitteilung Zürich, 30. Januar 2008 CALIENTE! Neue CD „Latin Ballads 8“ als Valentins-Präsent Die 8. Auflage des Balladen-Samplers von Caliente! wird von den sehr erfolgreichen Latin- Ladies dominiert. So finden wir die neusten „Canciones de Amor“ (Liebeslieder) von Shakira, Beyoncé, Gloria Estefan, Christina Aguilera, Julieta Venegas und Jennifer Lopez. Auch männliche Stars sind gebührend vertreten mit Mana, Juan-Luis Guerra, Chayanne, Joaquin Sabina, Nek, Tiziano Ferro, Franco De Vita und vielen mehr. Die CD beginnt mit Juan Luis Guerra, dem grossen Abräumer der Latin Grammy Awards 2007. Nebst den beiden wichtigsten Preisen "Bestes Album" und "Song des Jahres" konnte er noch drei weitere Preise mit nach Hause nehmen. Chayanne ist mittlerweile auch in Europa den meisten ein Begriff. Seit Jahren dominieren seine Songs die Latin-Charts. „Me muero“ ist ein Ohrwurm von der in Mexiko domizilierten spanischen Poprock-Band La Quinta Estacion. Und der Singer-Songwriter Franco de Vita singt zusammen mit der Vocal-Group Sin Bandera. Besonders erfolgreich sind in letzter Zeit die Frauenstimmen aus Lateinamerika und Spanien. Jennifer Lopez singt „Toma De Mi“ aus dem Soundtrack zum aktuellen Salsa-Film „El Cantante“. Auch die beiden Weltstars Beyoncé und Christina Aguilera haben Gefallen an der spanischen Sprache gefunden und singen uns „Oye“ bzw. „El Beso Final“. Gloria Estefan beweist mit „Yo No Cambiaria“, dass sie eine echte Kubanerin ist. Julieta Venegas, letztes Jahr als Headliner live am Caliente-Festival in Zürich, fordert uns mit „Andar Conmigo“ auf, mit ihr zu gehen. Die kolumbianische Shakira bringt eine weitere Single-Auskopplung aus dem Erfolgsalbum „Pies Descalzos“ und Ednita Nazario aus Puerto Rico mit einem ihrer schönsten Hits „Tu Sabes Bien“. -
Final Nominations Lista Final De Nominaciones Lista Final
THE LATIN ACADEMY OF RECORDING ARTS & SCIENCES, INC. FINAL NOMINATIONS 17th Latin GRAMMY® Awards For recordings released during the Eligibility Year July 1, 2015 through June 30, 2016 The following information is confidential and is not to be copied, loaned or otherwise distributed. ACADEMIA LATINA DE ARTES Y CIENCIAS DE LA GRABACIÓN, INC. LISTA FINAL DE NOMINACIONES ® 17ª Entrega Anual Del Latin GRAMMY Para grabaciones lanzadas durante el año de elegibilidad 1° de julio del 2015 al 30 de junio del 2016 La siguiente información es confidencial y no debe ser copiada, prestada o distribuida de ninguna forma. ACADEMIA LATINA DAS ARTES E CIÊNCIAS DA GRAVAÇÃO, INC. LISTA FINAL DOS INDICADOS ® 17a Entrega Anual Do Latin GRAMMY Para gravações lançadas durante o Ano de Elegibilidade 1° de julho de 2015 a 30 de junho de 2016 As informações aqui contidas são confidenciais e não devem ser copiadas, emprestadas ou distribuídas por nenhum meio. General Field Category 1 Record Of The Year Grabación del Año 6. DUELE EL CORAZÓN Gravação do Ano Enrique Iglesias Featuring Wisin Award to the Artist(s), Album Producer(s), Recording Engineer(s), Carlos Paucar, record producer; Carlos Paucar, recording and/or Mixer(s), and Mastering Engineer(s) if other than the artist. engineer; Carlos Paucar, mixer; Tom Coyne, mastering Premio al Artista(s), Productor(es) del Álbum, Ingeniero(s) de engineer Grabación, Ingenieros de Mezcla y Masterizadores si es(son) [RCA/Sony Music Latin] otro(s) diferente(s) al artista. 7. ECOS DE AMOR Prêmio ao(s) Artista(s), Produtor(es) do Álbum, Engenheiro(s) de Gravação Mixagem e Masterização, se outro que não o próprio Jesse & Joy Jesse Huerta & Fraser T. -
Miguel Giusti El Soñado Bien, El Mal Presente
El soñado bien, el mal presente Rumores de la ética MIGUEL GIUSTI EL SOÑADO BIEN, EL MAL PRESENTE Rumores de la ética El soñado bien, el mal presente. Rumores de la ética Primera edición, octubre de 2008 © Miguel Giusti, 2008 De esta edición: © Fondo Editorial de la Pontificia Universidad Católica del Perú, 2008 Av. Universitaria 1801, Lima 32 - Perú Teléfono: (511) 626-2650 Fax: (511) 626-2913 [email protected] www.pucp.edu.pe/publicaciones Diseño de carátula: Gisella Scheuch, basado en la pintura «De la herencia y los herederos» de A. Alexis García, reproducida por Cécile Villa-García Prohibida la reproducción de este libro por cualquier medio, total o parcialmente, sin permiso expreso de los editores. ISBN: 978-9972-42-863-0 Hecho el Depósito Legal en la Biblioteca Nacional del Perú N° 2008-12216 Impreso en el Perú – Printed in Peru A Paulina Hundskopf de la Rivera y Luis Giusti La Rosa, mis padres queridos Índice Introducción 11 EL SOÑADO BIEN El sentido de la ética 17 Ética y democracia 51 Areté (excelencia) académica 65 El cultivo de las humanidades 75 ¿Cervantes contra Descartes? 87 Rumor platónico 97 EL MAL PRESENTE Memorias del mal 109 Violencia política y globalización 123 Pobreza, igualdad y derechos humanos 135 Salvajes y demonios 145 Richard Rorty: un «bebé anticomunista con pañales rojos» 155 RUMORES DE RECONOCIMIENTO El «Señor de los anillos». Fuentes y límites del concepto de tolerancia 165 Autonomía y reconocimiento. Entre Kant y Hegel 181 ¿Qué tan hegelianos son los comunitaristas? 201 Reconocimiento y gratitud. El «itinerario» de Paul Ricoeur 221 «Padecer de indeterminación».