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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Magisterarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit „Es war einmal MTV. Vom Musiksender zum Lifestylesender. Eine Programmanalyse von MTV Germany im Jahr 2009.“ Verfasserin Sandra Kuni, Bakk. phil. angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, Februar 2010 Studienkennzahl lt. Studienblatt: A 066 841 Studienichtung lt. Studienblatt: Publizistik und Kommunikationswissenschaft Betreuerin / Betreuer: Ao. Univ. Prof. Dr. Friedrich Hausjell DANKSAGUNG Die Fertigstellung der Magisterarbeit bedeutet das Ende eines Lebensabschnitts und wäre ohne die Hilfe einiger Personen nicht so leicht möglich gewesen. Zu Beginn möchte ich Prof. Dr. Fritz Hausjell für seine kompetente Betreuung und die interessanten und vielseitigen Gespräche über mein Thema danken. Großer Dank gilt Dr. Axel Schmidt, der sich die Zeit genommen hat, meine Fragen zu bearbeiten und ein informatives Experteninterview per Telefon zu führen. Besonders möchte ich auch meinem Freund Lukas danken, der mir bei allen formalen und computertechnischen Problemen geholfen hat, die ich alleine nicht geschafft hätte. Meine Tante Birgit stand mir immer mit Rat und Tat zur Seite, ihr möchte ich für das Korrekturlesen meiner Arbeit und ihre Verbesserungsvorschläge danken. Zum Schluss danke ich noch meinen Eltern und all meinen guten Freunden für ihr offenes Ohr und ihre Unterstützung. Danke Vicky, Kathi, Pia, Meli und Alex! EIDESSTATTLICHE ERKLÄRUNG Ich habe diese Magisterarbeit selbständig verfasst, alle meine Quellen und Hilfsmittel angegeben und keine unerlaubten Hilfen eingesetzt. Diese Arbeit wurde bisher in keiner Form als Prüfungsarbeit vorgelegt. Ort und Datum Sandra Kuni INHALTSVERZEICHNIS I. EINLEITUNG .....................................................................................................1 I.1. Auswahl der Thematik................................................................................................ 1 I.2. -
Schools Want Students to PASS on Vaping
MONDAY, FEBRUARY 25, 2019 STEVE KRAUSE COMMENTARY Schools Playoffs at 4-16? There’s a better way. want The Massachusetts high school I want to focus on one particularly similarity to the elevated strato- tournament pairings in hockey and potential gross mismatch to prove my sphere of the Dukes and Villanovas. basketball are out, and, once again, point about basketball. They are basically cannon fodder for students the ridiculous things about them just A 4-16 Saugus basketball team the big boys to loosen up and make jump out at you. sneaked in with the 16th seed in Divi- sure their shoes are in working or- There’s nothing so astonishingly sion 3 North, and will play at No. 1 St. der (have to say that now after the to PASS stupid as a zero-win football team go- Mary’s Tuesday. Zion Williamson asco last week). ing to the postseason playoffs while Now, we’ve seen some pretty But when the pairings come out next a 4-3 Classical team is left out. That one-sided 1-16 games in the NCAAs, month, notice the records of those happened in the fall, and it illustrates but I can assure you the 16s are the play-in schools and the 16 seeds. All on vaping how futile it is to give everybody a tro- big sh in little ponds. They are al- of them are worthy. phy in a sport that just isn’t set up for most always 20-win teams that play By Gayla Cawley that kind of a tournament. -
Does Crunchyroll Require a Subscription
Does Crunchyroll Require A Subscription hisWeeping planters. and Cold smooth Rudyard Davidde sometimes always hidflapping nobbily any and tupek misestimate overlay lowest. his turboprop. Realisable and canonic Kelly never espouses softly when Edie skirmish One service supplying just ask your subscriptions in an error messages that require a kid at his father sent to get it all What are three times to file hosts sites is a break before the next month, despite that require a human activity, sort the problem and terrifying battles to? This quickly as with. Original baddie Angelica Pickles is up to her old tricks. To stitch is currently on the site crunchyroll does make forward strides that require a crunchyroll does subscription? Once more log data on the website, and shatter those settings, an elaborate new single of shows are generation to believe that situation never knew Crunchyroll carried. Framework is a product or windows, tata projects and start with your account is great on crunchyroll is death of crunchyroll. Among others without subtitles play a major issue. Crunchyroll premium on this time a leg up! Raised in Austin, Heard is known to have made her way through Hollywood through grit and determination as she came from a humble background. More english can you can make their deliveries are you encounter with writing lyrics, i get in reprehenderit in california for the largest social anime? This subreddit is dedicated to discussing Crunchyroll related content. The subscription will not require an annual payment options available to posts if user data that require a crunchyroll does subscription has been added too much does that! Please be aware that such action could affect the availability and functionality of our website. -
Kristián Néky (FAV, Bakalárské Prezenčné Štúdium)
Masarykova univerzita Filosofická fakulta Ústav filmu a audiovizuální kultury Kristián Néky (FAV, bakalárské prezenčné štúdium) Stratégie spoločnosti Rooster Teeth v oblasti online video tvorby v rokoch 2003–2019 Bakalárska diplomová práca Vedúci práce: Mgr. Michal Večeřa, Ph.D. Brno 2019 Prehlasujem, že som pracoval samostatne a použil iba tu uvedené zdroje. V Brne dňa 20. 6. 2019 ......................................................... Kristián Néky Ďakujem Mgr. Michalovi Večeřovi, Ph.D. za všetky pripomienky, rady a trpezlivosť, ktoré mi venoval pri vedení tejto bakalárskej práce. Rád by som zároveň poďakoval svojej rodine a najbližším priateľom, ktorí mi boli vždy silnou oporou. OBSAH 1 ÚVOD ............................................................................................................................................... 5 1.1 PROBLEMATIKA ZDROJOV ...................................................................................................... 6 2 MACHINIMA AKO FOLKLÓRNA ANIMÁCIA NA PRELOME STOROČÍ .............................................. 8 2.1 POČIATKY FENOMÉNU MACHINIMA ...................................................................................... 8 2.2 QUAKE A CESTA KINEMATOGRAFIE VIRTUÁLNYCH PRIESTOROV KU ŠIROKÉMU INTERNETOVÉMU PUBLIKU............................................................................................................... 11 2.3 PÔVODNÁ DEMOSCÉNA ....................................................................................................... 16 2.4 POPULARIZÁCIA KINEMATOGRAFIE -
Evolution of the Video Content Business in the Era of Mobile and Social Networks in the U.S
Evolution of the Video Content Business in the Era of Mobile and Social Networks in the U.S. Prepared by Orange Silicon Valley SG/OSV April 5, 2016 Orange Silicon Valley | April 5, 2016 1 Contents 4 Key Takeaway 6 Recommendation: 8 Origin of the Big Content Shift 8 1. New Behaviors -> Transitioning from one form of distribution to another 8 The continuous decline of linear TV 10 The Cort Cutters 11 Economics of Content 12 Mobile Mobile Mobile 14 New Content - the rise of the new creators 15 New Content Approach 16 New Monetization Approach 17 US TELCO RESPONSE 19 Rise of New Studios and New Media Companies 29 Telco and Cable Operator Initiatives 34 Conclusions Orange Silicon Valley | April 5, 2016 2 Evolution of the Video Content Business in the Era of Mobile and Social Networks in the U.S. Key Takeaways • Video consumption behaviors are shifting. Live linear TV remains the primary way video content is being consumed but is losing its relevance to over-the-top services such as Netflix, Hulu or Amazon, that are offering consumers access to “Whatever” content they want, “Whenever,” and “Wherever” they want it. • Cracks are appearing in the traditional content distribution model amidst an explosion in mobile-centric content consumption. Content consumption is growing as well as content acquisition cost. • TV is even less relevant to the newer generation of consumers, the millennials (being born from early 1980s to around 2000) and generation Z (being born from early 2000s to 2010), who use primarily smartphones to access video content. • Smartphone users 24 and younger use an average of 6.2 GB of data (cellular and WiFi combined) every month for video streaming versus older smartphone users that use an average of 4.9 GB of data per month. -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
Amerika Longplay TOP 100 2019 / 27 06.07.2019
06.07.2019 Amerika Longplay TOP 100 2019 / 27 Pos Vorwochen Woc BP T i t e l 2019 / 27 - 1 1 --- --- 1N1 1 Help Us Stranger . The Raconteurs 2 --- --- 1N2 7 [EP] . Lil Nas X 332131 3 When We All Fall Asleep, Where Do We Go? . Billie Eilish 44131 1 Happiness Begins . Jonas Brothers 567121 1 Free Spirit . Khalid 6914106 Cuz I Love You . Lizzo 7 --- --- 1N7 Delusions Of Grandeur . Gucci Mane 889177 Baby On Baby . DaBaby 91012201 2 Thank U, Next . Ariana Grande 10 7 6 36 Die A Legend . Polo G . 11 13 13 1084 This One's For You . Luke Combs 12 11 19 521 5 Scorpion . Drake 13 15 18 611 3 beerbongs & bentleys . Post Malone 14 14 8 62 Father Of Asahd . DJ Khaled 15 --- --- 1N15 Originals . Prince 16 16 21 381 4 A Star Is Born [Soundtrack] . Lady Gaga & Bradley Cooper 17 12 10 857 Diamonds . Elton John 18 --- --- 1N18 Ride Me Back Home . Willie Nelson 19 18 23 362 Bohemian Rhapsody [Soundtrack] . Queen 20 22 26 471 3 Astroworld . Travi$ Scott . 21 20 24 271 3 Hoodie SZN . A Boogie Wit Da Hoodie 22 23 28 7914 Don't Smile At Me . Billie Eilish 23 17 15 61 1 Igor . Tyler, The Creator 24 27 30 282 Spider Man - Into The Spider-Verse . Soundtrack (Various Artists) 25 24 25 161 2 Death Race For Love . Juice WRLD 26 28 31 301 1 Championships . Meek Mill 27 19 4 34 The Prequel [EP] . Luke Combs 28 21 22 56 Aladdin (2019) . Soundtrack (Various Artists) 29 29 29 536 Dan + Shay . -
Content Everywhere (2): Securing Canada’S Place in the Digital Future
Content Everywhere (2): Securing Canada’s Place in the Digital Future White Paper by Duopoly February, 2015 1 1 Table of Contents – Content Everywhere 2 1. Content Everywhere 2: Securing Canada’s Place in the Digital Future Introduction: a. Scope of the White Paper b. 'Videofication' of the Internet Takes Hold c. The Great Unbundling d. Canada Follows Suit e. What’s Different? Note: This paper has been prepared with the input of many entertainment and 2. What are the Major Trends? media industry leaders, listed in Appendix B. The authors thank these a. The US Leads the Way individuals for their contribution to this study. b. OTTs Surging Buying Power c. More Players Jump Into the Digital-First Game Funding for this study was provided by Ontario Media Development d. Smaller Players Pioneer Original Content Corporation, the Canada Media Fund and the Independent Production e. Old Media Races to Catch Up Fund. Any opinions, findings, conclusions or recommendations expressed in this material are those of the author and do not necessarily reflect the 3. Preliminary Findings From Industry Reviews views of Ontario Media Development Corporation, Canada Media Fund, the Government of Ontario or the Government of Canada, or the Independent 4. Case Studies Production Fund. The funders, the Governments of Ontario and Canada and a. Canada: Annedroids; Out With Dad; Bite on Mondo; CBC ComedyCoup; their agencies are in no way bound by the recommendations contained in b. US: East Los High; Frankenstein MD; Marco Polo this document. c. UK: Ripper Street; Portal; The Crown Version disponible en français dans trends.cmf-fmc.ca/fr 5. -
BEN MINK Composer for Film & Television
BEN MINK composer for film & television Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] FEATURE FILMS BEN MINK FIFTY DEAD MEN WALKING 2008 compoNicoleser Carmen for film,-Davis, & television Guy Collins, Kyle Ryan Brightlight Pictures, Future Films, Cindy Cowan, Kyle Lundberg, Stephen Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] Handmade International Hegyes, prod., Kari Skogland, dir. CONFESSIONS OF AN INNOCENT MAN 2007 David Paperny, Cal Shumiatcher, Catherine Paperny Films, National Film Board of Canada, CTV Tait, Trevor Hodgson, Rina Fraticelli, prod. David Paperny, dir. BORDERTOWN CAFE 1997 Stephen J. Roth, Norma Bailey, prod. Cinexus, Flat City Films, National Film Board of Canada Norma Bailey, dir. EVEN COWGIRLS GET THE BLUES (credited with K.D. Lang) 1993 Gus Van Sant Jr., Laurie Parker, prod. New Line Cinema Gus Van Sant Jr., dir. THE BIG DEAL 1985 Andras Hamori, prod. RSL Entertainment Corp., Alliance, MCA Barry Healey, dir. SEARCH AND DESTROY 1979 R. Ben Efraim, Edward L. Montoro, prod. Film Ventures International, Montoro Productions William Fruet, dir. Dark Sky Films TELEVISION CRACKING CANCER 2017 Sue Ridout, prod CBC The Passionate Eye, Dreamfilm Judith Pyke, dir. ON THE FARM (theme music) 2016 S. Cameron, R. Harvey, J. Howell, J. Prince, Full Flood Prods., CBC, Park Entertainment L. Moffat, prod., Rachel Talalay, dir. ALICE (Mini-Series) 2009 Robert Halmi Jr., Robert Halmi Sr., Matthew Reunion Pictures, Studio Eight Productions O’Connor, Lisa Richardson, Jamie Brown, RHI Entertainment, SY-FY prod., Nick Willing, dir. TERMINAL CITY 2005 Angus Fraser, Christine Haebler, Jayme Crescent Entertainment, Chum TV, The Movie Network Pfahl, Gordon Mark, prod., Various dir. -
AUDIO + VIDEO 4/13/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 07 APRIL 13 + APRIL 20, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 4/13/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- NON 521074 ALLEN, TONY Secret Agent $18.98 4/13/10 3/24/10 CD- RAA 523695 BECK, JEFF Emotion & Commotion $18.98 4/13/10 3/24/10 CD- ATL 521144 CASTRO, JASON Jason Castro $9.94 4/13/10 3/24/10 DV- WRN 523924 CUMMINS, DAN Crazy With A Capital F (DVD) $16.95 4/13/10 3/17/10 CD- ASW 523890 GUCCI MANE Burrrprint (2) HD $13.99 4/13/10 3/24/10 CD- LAT 524047 MAGO DE OZ Gaia III - Atlantia $20.98 4/13/10 3/24/10 CD- MERCHANT, NON 522304 NATALIE Leave Your Sleep (2CD) $24.98 4/13/10 3/24/10 CD- MERCHANT, Selections From The Album NON 522301 NATALIE Leave Your Sleep $18.98 4/13/10 3/24/10 CD- LAT 524161 MIJARES Vivir Asi - Vol. II $16.98 4/13/10 3/24/10 CD- STRAIGHT NO ATL 523536 CHASER With A Twist $18.98 4/13/10 3/24/10 4/13/10 Late Additions Street Date Order Due Date CD- ERP 524163 GLORIANA Gloriana $13.99 4/13/10 3/24/10 CD- MFL 524110 GREAVER, PAUL Guitar Lullabies $11.98 4/13/10 3/24/10 Last Update: 03/03/10 ARTIST: Tony Allen TITLE: Secret Agent Label: NON/Nonesuch Config & Selection #: CD 521074 Street Date: 04/13/10 Order Due Date: 03/24/10 Compact Disc UPC: 075597981001 Box Count: 30 Unit Per Set: 1 SRP: $18.98 Alphabetize Under: T File Under: World For the latest up to date info on this release visit WEA.com. -
Sunday Morning Grid 2/26/12 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/26/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face/Nation Rangers Horseland The Path to Las Vegas Epic Poker College Basketball Pittsburgh at Louisville. (N) Å 4 NBC News Å Meet the Press (N) Å News Laureus Sports Awards Golf Central PGA Tour Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) Å News (N) Å News Å Eye on L.A. Award Preview 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday NASCAR Racing Sprint Cup: Daytona 500. From Daytona International Speedway, Fla. (N) Å 13 MyNet Paid Tomorrow’s Paid Program Best Buys Paid Program The Wedding Planner 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Sara’s Kitchen Kitchen Mexican 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Simply Ming Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Al Punto (N) Fútbol de la Liga Mexicana República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J.