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Pg. 1 Mood of the Country Still Not Recovered American's Feelings In Light of Current Events March 2020-Present Concerned Worried Anxious 70% 70% 70% 60% 60% 60% 50% 50% 50% 40% 40% 40% 30% 30% 30% 20% 20% 20% 10% 10% 10% 0% 0% 0% Mar Apr May Jun July Aug Sep Oc t Nov Dec Jan Feb Mar Apr Mar Apr May Jun July Aug Sep Oc t Nov Dec Jan Feb Mar Apr Mar Apr May Jun July Aug Sep Oc t Nov Dec Jan Feb Mar Apr 20 20 20 20 20 20 20 20 20 20 21 21 21 21 20 20 20 20 20 20 20 20 20 20 21 21 21 21 20 20 20 20 20 20 20 20 20 20 21 21 21 21 Cautious Hopeful Optimistic 70% 70% 70% 60% 60% 60% 50% 50% 50% 40% 40% 40% 30% 30% 30% 20% 20% 20% 10% 10% 10% 0% 0% 0% Mar Apr May Jun July Aug Sep Oc t Nov Dec Jan Feb Mar Apr Mar Apr May Jun July Aug Sep Oc t Nov Dec Jan Feb Mar Apr Mar Apr May Jun July Aug Sep Oc t Nov Dec Jan Feb Mar Apr 20 20 20 20 20 20 20 20 20 20 21 21 21 21 20 20 20 20 20 20 20 20 20 20 21 21 21 21 20 20 20 20 20 20 20 20 20 20 21 21 21 21 BASE: n=1,001 Pg. 2 Q210: Please select the words below that best describe the way you feel right now in light of current events. -
Clickscapes Trends 2021 Weekly Variables
ClickScapes Trends 2021 Weekly VariableS Connection Type Variable Type Tier 1 Interest Category Variable Home Internet Website Arts & Entertainment 1075koolfm.com Home Internet Website Arts & Entertainment 8tracks.com Home Internet Website Arts & Entertainment 9gag.com Home Internet Website Arts & Entertainment abs-cbn.com Home Internet Website Arts & Entertainment aetv.com Home Internet Website Arts & Entertainment ago.ca Home Internet Website Arts & Entertainment allmusic.com Home Internet Website Arts & Entertainment amazonvideo.com Home Internet Website Arts & Entertainment amphitheatrecogeco.com Home Internet Website Arts & Entertainment ancestry.ca Home Internet Website Arts & Entertainment ancestry.com Home Internet Website Arts & Entertainment applemusic.com Home Internet Website Arts & Entertainment archambault.ca Home Internet Website Arts & Entertainment archive.org Home Internet Website Arts & Entertainment artnet.com Home Internet Website Arts & Entertainment atomtickets.com Home Internet Website Arts & Entertainment audible.ca Home Internet Website Arts & Entertainment audible.com Home Internet Website Arts & Entertainment audiobooks.com Home Internet Website Arts & Entertainment audioboom.com Home Internet Website Arts & Entertainment bandcamp.com Home Internet Website Arts & Entertainment bandsintown.com Home Internet Website Arts & Entertainment barnesandnoble.com Home Internet Website Arts & Entertainment bellmedia.ca Home Internet Website Arts & Entertainment bgr.com Home Internet Website Arts & Entertainment bibliocommons.com -
Kristián Néky (FAV, Bakalárské Prezenčné Štúdium)
Masarykova univerzita Filosofická fakulta Ústav filmu a audiovizuální kultury Kristián Néky (FAV, bakalárské prezenčné štúdium) Stratégie spoločnosti Rooster Teeth v oblasti online video tvorby v rokoch 2003–2019 Bakalárska diplomová práca Vedúci práce: Mgr. Michal Večeřa, Ph.D. Brno 2019 Prehlasujem, že som pracoval samostatne a použil iba tu uvedené zdroje. V Brne dňa 20. 6. 2019 ......................................................... Kristián Néky Ďakujem Mgr. Michalovi Večeřovi, Ph.D. za všetky pripomienky, rady a trpezlivosť, ktoré mi venoval pri vedení tejto bakalárskej práce. Rád by som zároveň poďakoval svojej rodine a najbližším priateľom, ktorí mi boli vždy silnou oporou. OBSAH 1 ÚVOD ............................................................................................................................................... 5 1.1 PROBLEMATIKA ZDROJOV ...................................................................................................... 6 2 MACHINIMA AKO FOLKLÓRNA ANIMÁCIA NA PRELOME STOROČÍ .............................................. 8 2.1 POČIATKY FENOMÉNU MACHINIMA ...................................................................................... 8 2.2 QUAKE A CESTA KINEMATOGRAFIE VIRTUÁLNYCH PRIESTOROV KU ŠIROKÉMU INTERNETOVÉMU PUBLIKU............................................................................................................... 11 2.3 PÔVODNÁ DEMOSCÉNA ....................................................................................................... 16 2.4 POPULARIZÁCIA KINEMATOGRAFIE -
Cord Cutting 2020
Cord Cutting 2020 TCPC General Meeting January 2020 Ungerleider’s Theory on Cord Cutting If your reason for exploring Streaming plus OTA is to save money, you will disappointed. The reason to choose streaming over cable/satellite TV is to control your content and options. Borrowing Terminology Cable companies use various terms like Basic, Premium, Bundles, and On-Demand. For our purposes we will look at various streaming providers and how they compare to the packages a cable provider might have. Prices listed in the slides are per month. (Some services have annual rates at a discount.) OTA is a must Remember that if you are streaming content you will need an antenna and tuner to watch local broadcast channels. Over the Air (OTA) is a vital component of most cord cutting scenarios. Replacing the basic cable bundle WIth a basic cable subscription you get a large number of channels dictated by the cable company. There are several streaming services that provide most of the same channels as your basic cable subscription. (Some even include local channels.) One of these services is most likely to be the core subscription of your setup. Currently there are two tiers of service with corresponding differences in price points. Tier 1: Full Basic Cable replacement Hulu + Live TV: Provides around 70 Channels including most news, sports and entertainment channels you’ll find on entry tier cable package. Majority owner: Disney Price: $54.99 YouTube TV: Advertises 70+ channels. Like Hulu + Live TV it contains the usual channels. The line up is a little different from Hulu so you’ll want to check which channel selection is more to your liking. -
Dave Resume-As of 1-31-19-Short-Edited.Pages
! " DAVE EDWARDS Production Design PRODUCTION DESIGN TELEVISION and ONLINE MEDIA Dan Patrick Show At Superbowl 2014-2019 Audience DirecTV/ AT&T Rich Eisen Show At Superbowl 2015-2019 Audience DirecTV/ AT&T Funny Dance Show 2018 E! Ugly Brothers Studios Katherine Ryan Stand Up Special 2018 Netflix Irwin Productions Pamela Pupkin (pilot) 2018 Facebook JMX, LLC. Contender Live Finale 2018 EPIX MGM Love Is Blind 2018 season 1 2018 Netflix Kinetic Content World of Dance seasons 1-3, 2017, 2018 NBC Universal Television Gong Show 2017, 2018 ABC Den of Thieves Shawn Mendes- One Night Only 2018 Apple Music Done + Dusted On The Record- 5 Seconds Of Summer 2018 Apple Music Done + Dusted On The Record- Bebe Rexha 2018 Apple Music Done + Dusted Look Me In The Eye (pilot) 2018 ABC Kinetic Are You The One? Reunion 2018 MTV MTV Challenge Reckoning Reunion 2018 MTV MTV Challenge Champs VS Stars Reunion 2018 MTV MTV MTV Movie and TV Awards PreShow 2018 MTV.com MTV YouTube Live at E3 2015-2018 YouTube Ola Balola, LLC Married at First Sight Reunion 2015-2018 FYI Kinetic Content Boxed (pilot) 2018 FOX FremantleMedia March For Our Lives 2018 streaming Den Of Thieves The Comedy Line Up 2018 Netflix Den Of Thieves Dan Patrick in LA 2015, 2016, 2018 Audience DirecTV Dan Patrick Show At Pebble Beach 2018 Audience DirecTV/ AT&T Dan Patrick Show At Final Four 2018 Audience DirecTV/ AT&T Teen Mom OG Reunion 2018 MTV MTV Challenge Vendetta Reunion 2018 MTV MTV Total Request Late Night 2018 MTV MTV Teen Mom 2 Reunion 2018 MTV MTV Teen Mom Young and Pregnant Reunion 2018 -
Evolution of the Video Content Business in the Era of Mobile and Social Networks in the U.S
Evolution of the Video Content Business in the Era of Mobile and Social Networks in the U.S. Prepared by Orange Silicon Valley SG/OSV April 5, 2016 Orange Silicon Valley | April 5, 2016 1 Contents 4 Key Takeaway 6 Recommendation: 8 Origin of the Big Content Shift 8 1. New Behaviors -> Transitioning from one form of distribution to another 8 The continuous decline of linear TV 10 The Cort Cutters 11 Economics of Content 12 Mobile Mobile Mobile 14 New Content - the rise of the new creators 15 New Content Approach 16 New Monetization Approach 17 US TELCO RESPONSE 19 Rise of New Studios and New Media Companies 29 Telco and Cable Operator Initiatives 34 Conclusions Orange Silicon Valley | April 5, 2016 2 Evolution of the Video Content Business in the Era of Mobile and Social Networks in the U.S. Key Takeaways • Video consumption behaviors are shifting. Live linear TV remains the primary way video content is being consumed but is losing its relevance to over-the-top services such as Netflix, Hulu or Amazon, that are offering consumers access to “Whatever” content they want, “Whenever,” and “Wherever” they want it. • Cracks are appearing in the traditional content distribution model amidst an explosion in mobile-centric content consumption. Content consumption is growing as well as content acquisition cost. • TV is even less relevant to the newer generation of consumers, the millennials (being born from early 1980s to around 2000) and generation Z (being born from early 2000s to 2010), who use primarily smartphones to access video content. • Smartphone users 24 and younger use an average of 6.2 GB of data (cellular and WiFi combined) every month for video streaming versus older smartphone users that use an average of 4.9 GB of data per month. -
Incorporating Fansubbers Into Corporate Capitalism on Viki.Com
“A Community Unlike Any Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Taylore Nicole Woodhouse TC 660H Plan II Honors Program The University of Texas at Austin Spring 2018 __________________________________________ Dr. Suzanne Scott Department of Radio-Television-Film Supervising Professor __________________________________________ Dr. Youjeong Oh Department of Asian Studies Second Reader ABSTRACT Author: Taylore Nicole Woodhouse Title: “A Community Unlike Another Other”: Incorporating Fansubbers into Corporate Capitalism on Viki.com Supervising Professors: Dr. Suzanne Scott and Dr. Youjeong Oh Viki.com, founded in 2008, is a streaming site that offers Korean (and other East Asian) television programs with subtitles in a variety of languages. Unlike other K-drama distribution sites that serve audiences outside of South Korea, Viki utilizes fan-volunteers, called fansubbers, as laborers to produce its subtitles. Fan subtitling and distribution of foreign language media in the United States is a rich fan practice dating back to the 1980s, and Viki is the first corporate entity that has harnessed the productive power of fansubbers. In this thesis, I investigate how Viki has been able to capture the enthusiasm and productive capacity of fansubbers. Particularly, I examine how Viki has been able to monetize fansubbing in while still staying competitive with sites who employee trained, professional translators. I argue that Viki has succeeded in courting fansubbers as laborers by co-opting the concept of the “fan community.” I focus on how Viki strategically speaks about the community and builds its site to facilitate the functioning of its community so as to encourage fansubbers to view themselves as semi-professional laborers instead of amateur fans. -
Regressive Femininity in American J-Horror Remakes
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2015 Lost in Translation: Regressive Femininity in American J-Horror Remakes Matthew Ducca Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/912 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] LOST IN TRANSLATION: REGRESSIVE FEMININITY IN AMERICAN J-HORROR REMAKES by Matthew Ducca A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2015 © 2015 MATTHEW J. DUCCA All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the dissertation requirement for the degree of Master of Arts. Professor Edward P. Miller__________________________ _____________________ _______________________________________________ Date Thesis Advisor Professor Matthew K. Gold_________________________ ______________________ _______________________________________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract Lost in Translation: Regressive Femininity in American J-Horror Remakes by Matthew Ducca Advisor: Professor Edward Miller This thesis examines the ways in which the representation of female characters changes between Japanese horror films and the subsequent American remakes. The success of Gore Verbinski’s The Ring (2002) sparked a mass American interest in Japan’s contemporary horror cinema, resulting in a myriad of remakes to saturate the market. -
Strong Leap-S1 Datasheet
4K UHD Box SRT 401 Picture similar Picture Get access to +5000 apps directly on your TV via Google Play Store ! Connect STRONG’s Android TV box SRT 401 LEAP-S1 to upgrade your TV to a Smart TV with direct access to the Google Play Store! Equipped with the latest Android version, it is Google certified and gives access to numerous apps, games, streaming services and more. Enjoy your favourite movies directly from Netflix, Youtube, Prime Video or Disney+*. SRT 401 LEAP-S1 also comes with must-haves such as 4K UHD resolution, H.265 Decoding, Wi-Fi 5 Dual Band, Chromecast function and more. With the fully- featured Google Assistant you can control playback, play or resume TV shows and movies with voice commands and get answers to trivia questions. 2 USB ports, Bluetooth 4.2, Micro SD Card slot, HDMI and Ethernet ports make your TV experience easy, complete and user-friendly. Android TV box (latest Android version) Access to apps, games, streaming services and more 4K Ultra HD video decoding (3840 x 2160p) Simple download and installation of apps from the Play Supports HDR Store Quad Core Cortex-A53 1.8 GHz Connect Bluetooth devices such as speakers, head User-friendly and easy to handle interface phones, keyboards… Remote control with Bluetooth and voice control Video streaming: Netflix, Youtube, Amazon Prime Video, Easy connection to the Internet via built-in Wi-Fi or Disney+* LAN * Availability of apps depending on the country. STRONG cannot be held liable for services by third parties. Offers by third parties may be changed or removed at any time, may not be available in all regions and may require a separate subscription. -
AT&T Investor Relations
AT&T 4Q20 Highlights Following are certain 4Q20 highlights. The full set of earnings materials with all reported results and non-GAAP reconciliations is posted here, including trend schedules. Consolidated Results 4Q20 EPS Reported ($1.95) 4Q20 adj. EPS down ($0.14); including ($0.08) of estimated EPS Adjusted $0.75 COVID impacts Revenues $45.7 billion Down ($1.1B) YOY; sequential growth of $3.4B ~($2.5B) estimated YOY impact from COVID partially offset by higher Mobility revenue +$1.4B Adj. EBITDA $12.9 billion Down ($1.5); including ($0.7B) estimated impact from COVID 2020 free cash flow of $27.5B Free Cash Flow $7.7 billion Total dividend payout ratio of ~55% for full year; Capex $2.4 billion Expect 2021 free cash flow in $26B range and gross capital Gross Cap Investment $4.3 billion investment in the $21B range $147.5B net debt; ~$10B cash on hand at end of 4Q20 Net Debt to Adj. EBITDA 2.70x Reduced ~$33B in net debt since closing of TWX transaction Restructured ’21-’25 debt maturities in 2020 Revenues ($M) 4Q20 4Q19 % Change $ Change COVID impact (estimated) Mobility 20,119 18,700 7.6% 1,419 (250) Wireless service revenue 14,022 13,948 0.5% 74 (250) Video1 7,168 8,075 -11.2% (907) (210) Broadband1 3,116 3,161 -1.4% (45) 0 Business Wireline1 6,319 6,586 -4.1% (267) (100) WarnerMedia2 8,554 9,453 -9.5% (899) (1,550) Latin America 1,498 1,758 -14.8% (260) (350) Other2,3,4 (1,083) (912) - (171) (20) Total Revenues 45,691 46,821 -2.4% (1,130) (2,480) Adj. -
Sports Streaming Quickly Becoming the Way to Watch Your Team
CHICAGOLAWBULLETIN.COM TUESDAY, FEBRUARY 9, 2016 ® Volume 162, No. 27 Serving Chicago’s legal community for 161 years Sports streaming quickly becoming the way to watch your team ust about everyone followed by sports networks knows Netflix, Amazon MLB.TV and WWE Network in Video and Hulu, the Big fourth and fifth place, respec - SPORTS MARKETING PLAYBOOK Three of “over the top” tively, according to a survey (OTT) streaming released by Parks Associates in Jservices that offer a wide variety November 2015. of entertainment programming. NFL Game Pass is further And for good reason — they down the list in eighth place. dominate the list of top 10 OTT (Rounding out the list are HBO DOUGLAS N. M ASTERS streaming services with the most Now and Crunchyroll in sixth AND SETH A. R OSE U.S. subscribers, according to a and seventh place, with The recent survey. Blaze and Sling TV taking ninth Most people think of OTT and 10th place.) Douglas N. Masters is a partner at Loeb & Loeb LLP, where he litigates and streaming services in terms of Just how big is the OTT counsels clients primarily in intellectual property, advertising and unfair the delivery of film and television subscriber base? Netflix competition. He is deputy chairman of the firm’s advanced media and technology content, whether its original launched its streaming service in department and co-chair of the firm’s intellectual property protection group. He can content or access to existing 2007 and is closing in on 70 be reached at [email protected]. Seth A. Rose is a partner at the firm, where he movies and episodes of shows. -
Oops Something Went Wrong Try Again Crunchyroll
Oops Something Went Wrong Try Again Crunchyroll I guarantee this will work. I've gotten this red banner for the past 2 days while trying to do anything within the shop manager (editing mostly). I'm getting really sick of this problem. You can look at the Request and the Response. Their server went down I assume. Hello, we've been having trouble setting up our Chromecast. Oops! Something went wrong, please try again or check out our testing. Then I tried later again, still get the "oops" message. Turns out that the iPhone temporarily shuts down the photo import service in order to save resources. I get this message again and again when I try to pay for a pair of shoes I´ve bought on Ebay. Please try again later. I was able to access it yesterday, no problem, but last night this issue started and it has not gone away. Got tired of waiting for it to be fixed, because it did say it had been logged. It happens to all IE, Firefox and Chrome. I clicked on the "forgot my password" option, entered my e-mail address, and tried to change my password, but every time I try to change it, it says "Something went wrong. com and we cannot cope with the popularity. The "Oops!" error occurs after trying to click on a challenge in the map view. Both of these groups are level up groups and I tried to join the level above in the group and I had no problem joining other levels of the group.