Metamorphosis Haiku of Basho Magnolia Seitan Pubs
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Fifty Key Thinkers on the Environment
FIFTY KEY THINKERS ON THE ENVIRONMENT Fifty Key Thinkers on the Environment is a unique guide to environmental thinking through the ages. Joy A.Palmer, herself an important and prolific author on environmental matters, has assembled a team of thirty-five expert contributors to summarize and analyse the thinking of fifty diverse and stimulating figures—from all over the world and from ancient times to the present day. Among those included are: • philosophers such as Rousseau, Spinoza and Heidegger • activists such as Chico Mendes • literary giants such as Virgil, Goethe and Wordsworth • major religious and spiritual figures such as Buddha and St Francis of Assissi Lucid, scholarly and informative, these fifty essays offer a fascinating overview of mankind’s view and understanding of the physical world. Joy A.Palmer is Professor of Education and Pro-Vice-Chancellor at the University of Durham. She is Director of the Centre for Research on Environmental Thinking and Awareness at the University of Durham, Vice- President of the National Association for Environmental Education, and a member of the IUCN Commission on Education and Communication. She is the author and editor of numerous books and articles on environmental issues and environmental education. Advisory Editors: David E.Cooper, University of Durham, and Peter Blaze Corcoran, Florida Gulf Coast University. ROUTLEDGE KEY GUIDES Ancient History: Key Themes and Approaches Neville Morley Cinema Studies: The Key Concepts (second edition) Susan Hayward Eastern Philosophy: Key Readings -
Seminararbeit: Qmet
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES MAGISTERARBEIT Titel der Magisterarbeit Das zeitgenössische deutschsprachige Haiku: Imitation oder eigenständige Dichtung? Analyse eines Kulturtransfers Verfasserin Karin Dögl Bakk. phil. angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2011 Studienkennzahl lt. Studienblatt: A 066 843 Studienrichtung lt. Studienblatt: Magisterstudium Japanologie Betreuerin: Dr. Ingrid Getreuer-Kargl, Ao. Univ. Prof. - - 2 Ich möchte mich bei Eveline Dögl, Lennart-Pascal Hruška, Georges Hartmann, Dietmar Tauchner und meiner Betreuerin Frau Prof. Ingrid Getreuer-Kargl für ihre unermüdliche Unterstützung und aufmunternden Worte herzlich bedanken. かたつむり そろそろ登れ 富士の山 (小林一茶) - - 3 Inhaltsverzeichnis Technische Hinweise .................................................................................................................. 5 Abkürzungsverzeichnis .............................................................................................................. 5 Verzeichnis japanischer Ausdrücke ........................................................................................... 5 1 Einleitung .......................................................................................................................... 8 2 Problemstellung .............................................................................................................. 11 2.1 Die Theorie des Kulturtransfers ................................................................................ -
The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
Cantos: a Literary and Arts Journal
Cantos: A Literary and Arts Journal EDITOR John J. Han ASSISTANT EDITOR Ashley Anthony EDITORIAL ASSISTANTS Mary C. Bagley Sara Choate Mary Ellen Fuquay Rachel Hayes Douglas T. Morris COVER ART (“Magnolia”) COVER DESIGN Carol Sue Horstman Jenny Gravatt Cantos: A Literary and Arts Journal is published every April by the Department of English at Missouri Baptist University. It is designed to provide writers and poets with a venue for their artistic expressions and to promote literary awareness among scholars and students. The views expressed in this publication are those of the authors and do not necessarily represent those of Missouri Baptist University. Compensation for contributions is one copy of Cantos. Copyrights revert to authors and artists upon publication. SUBMISSIONS: Cantos welcomes submissions from the students, faculty, staff, alumni, and friends of Missouri Baptist University. Send previously unpublished manuscripts as e-mail attachments (Microsoft Word format) to the editor at [email protected] by March 1 each year. However, earlier submissions receive priority consideration. Poems should consist of 40 or fewer lines; limit up to five poems per submission. Prose submissions must be less than 2000 words; we consider up to three works from each author. We do not accept simultaneous submissions. By submitting, you certify that the work is your own and is not being considered elsewhere. Accepted manuscripts are subject to editing for length, clarity, grammar, usage, conciseness, and appropriate language. Along with your work, please submit a 50-100 word biographical sketch in third-person narrative. SUBSCRIPTIONS & BOOKS FOR REVIEW: Cantos subscriptions, renewals, address changes, and books for review should be mailed to John J. -
EARLY MODERN JAPAN 2010 the Death of Kobayashi Yagobei
EARLY MODERN JAPAN 2010 5 The Death of Kobayashi Yagobei since. At some point before he had reached the ©Scot Hislop, National University of Singapore pinnacle of haikai rankings, Issa wrote an account, now called Chichi no shūen nikki (父の終焉日記: Introduction A Diary of my Father’s Final Days), of his father’s illness, death, and the first seven days of the fam- It is an accident of literary history that we know ily’s mourning. anything about Kobayashi Yagobei. His death, on Chichi no shūen nikki, as it has come down to the twentieth day of the 5th month of 1801 (Kyōwa us, is a complex text. Some parts of it have been 1) in Kashiwabara village, Shinano Province,1 was discussed in English language scholarship at least 6 important to his family. But Yagobei was not John F. since Max Bickerton’s 1932 introduction to Issa Kennedy, Matsuo Bashō,2 or even Woman Wang.3 and it is often treated as a work of literature or a 7 Yagobei’s death was the quotidian demise of some- diary. This approach to Chichi no shūen nikki one of no historical importance. However his eldest owes a great deal to the work of Kokubungaku 8 son, Yatarō, became Kobayashi Issa.4 In the years (Japanese National Literature) scholars. However, following his father’s death, Issa became one of the in order to read Chichi no shūen nikki as a book two or three most famous haikai (haiku) poets of within the canon of Japanese National Literature his generation and his renown has not diminished (Kokubungaku), it must be significantly trans- formed in various ways and a large portion of it is 1 The part of Shinano Town closest to Kuro- hime train station in Nagano Prefecture. -
3Ce70fcf2def46fef69305cd567fb
REDISCOVERING BASHO ■i M ft . ■ I M S 0 N ;V is? : v> V,•• I 8 C: - :-4 5 1k: ; fly j i- -i-h. • j r-v?-- m &;.*! .! * sg ‘Matsuo Basho’ (Basho-o Gazo) painting by Ogawa Haritsu (1663-1747) (Wascda University Library, Tokyo) REDISCOVERING BASHO A 300TH ANNIVERSARY CELEBRATION f,:>; TED BY r.N HENRY GILL ' IDREW GERSTLE GLOBAL ORIENTAL REDISCOVERING BASHO A 300TH ANNIVERSARY CELEBRATION Edited by Stephen Henry Gill C. Andrew Gcrstlc First published 1999 by GLOBAL ORIENTAL PO Box 219 Folkestone Kent CT20 3LZ Global Oriental is an imprint of Global Boohs Ltd © 1999 GLOBAL BOOKS LTD ISBN 1-901903-15-X All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means without prior permission in writing from the Publishers, except for the use of short extracts in criticism. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in Bembo llpt by Bookman, Hayes, Middlesex Printed and bound in England by Bookcraft Ltd., Midsomer Norton, Avon Contents List of Contributors vii 1. Introduction - Shepherd’s Purse: A Weed for Basho 1 STEPHEN HENRY GILL 2. An Offering of Tea 13 MICHAEL BIRCH ; o and I: The Significance of Basho 300 Years after 16 his Death . - 'NEHIKO HOSHINO 4. ■ seiuation of Basho in the Arts & Media 24 : C HEN HENRY GILL 5. ri : ao has been Found: His Influence on Modem 52 Japanese Poetry VlIROFUMI WADA 6. Laughter in Japanese Haiku 63 NOBUYUKI YUASA 7. -
Biblio:Basho-27S-Haiku.Pdf
Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging in Publication Data Matsuo Basho¯, 1644–1694. [Poems. English. Selections] Basho¯’s haiku : selected poems by Matsuo Basho¯ / translated by David Landis Barnhill. p. cm. Includes bibliographical references and index. ISBN 0-7914-6165-3 — 0-7914-6166-1 1. Haiku—Translations into English. 2. Japanese poetry—Edo period, 1600–1868—Translations into English. I. Barnhill, David Landis. II. Title. PL794.4.A227 2004 891.6’132—dc22 2004005954 10 9 8 7 6 5 4 3 2 1 Basho¯’s Haiku Selected Poems by Matsuo Basho¯ Matsuo Basho¯ Translated by, annotated, and with an Introduction by David Landis Barnhill STATE UNIVERSITY OF NEW YORK PRESS for Phyllis Jean Schuit spruce fir trail up through endless mist into White Pass sky Contents Preface ix Selected Chronology of the Life of Matsuo Basho¯ xi Introduction: The Haiku Poetry of Matsuo Basho¯ 1 Translation of the Hokku 19 Notes 155 Major Nature Images in Basho¯’s Hokku 269 Glossary 279 Bibliography 283 Index to Basho¯’s Hokku in Translation 287 Index to Basho¯’s Hokku in Japanese 311 Index of Names 329 vii Preface “You know, Basho¯ is almost too appealing.” I remember this remark, made quietly, offhand, during a graduate seminar on haiku poetry. -
Revue Du Tanka Francophone N°13
REVUE DU TANKA FRANCOPHONE N°13 Table des matières Présentation Le mot du Directeur........................................................................6 Section 1 Histoire et évolution du tanka..........................................................9 Jane Reichhold et le tanka : 30 ans d’histoire. Adaptation de l’anglais : Janick Belleau................................................................................ 10 Le mot pivot dans le tanka, par Patrick Simon................................17 Gradus ad Mont Tsukuba : une Introduction à la Culture du Vers Lié au Japon, par H. Mack Horton.......................................................25 Section 2 .................................................................................. 67 Principes du tanka..........................................................................68 Tanka de poètes contemporains Sélection de 11 tanka sur 100 reçus................................................71 Greg Ashbow, Patrick Druart, Huguette Ducharme, Julien Gargani, Vincent Hoarau, Yann Redor, Pascal Serpolet, Patrick Simon, Jean Vegmann Pour nos amis au Japon...................................................................74 Section 3 Renga / tan renga / haïbun...........................................77 Le hareng saur, Rengoum par Luce Pelletier et Jean-Claude Nonnet..........................................................................................78 Section 4 : Présentation de livres et d’auteurs............................ 83 Tanka zen d’hier et d’aujourd’hui , Conception -
Books in Foreign Languages: in Alphabetical Order According to Author As of 2019/12/15
Books in Foreign Languages: in alphabetical order according to author as of 2019/12/15 Autor / Editor Title Publisher Year Place ID No. Aafjes, Bertus Rechter Ooka-mysteries Meulenhoff 1982 Amsterdam, A-6-1 Netherlands Abbasi, Saeed My Haiku Studio Abbasi 2012 Toronto, A-34-1 Canada Abid, Asghar Pandh (Advice in English) Pakistan T.V. ? Islamabad, A-14-1 Centre Pakistan A-Bomb Memorial Day Haiku Haiku Meeting, The: 33rd A.D.M.Haiku 1999 Kyoto, Japan A-23-1 Meeting (ed.) Organization Committee A-Bomb Memorial Day Haiku Haiku Meeting, The: 34th A.D.M.Haiku 2000 Kyoto, Japan A-23-2 Meeting (ed.) Organization Committee A-Bomb Memorial Day Haiku Haiku Meeting, The: 36th A.D.M.Haiku 2002 Kyoto, Japan A-23-3 Meeting (ed.) Organization Committee A-Bomb Memorial Day Haiku Haiku Meeting, The: 40th A.D.M.Haiku 2006 Kyoto, Japan A-23-4 Meeting (ed.) Organization Committee A-Bomb Memorial Day Haiku Haiku Meeting, The: 41st A.D.M.Haiku 2007 Kyoto, Japan A-23-5 Meeting (ed.) Organization Committee Addis, Stephen Haiga: Takebe Socho and the Haiku- Marsh Art Gallery 1995 Honolulu, HI, A-15-2*Z Painting Tradition U.S.A. Addis, Stephen Haiku Garden, A: The Four Seasons in Weatherhill 1999 New York, A-15-3 Poems and Prints NY, U.S.A. Addis, Stephen Haiku Menagerie, A : Living Creatures in Weatherhill 1992 New York, A-15-1 Poems and Prints NY, U.S.A. Addiss, Stephen cloud calligraphy Red Moon Press 2010 Winchester, A-15-5*S VA, U.S.A. -
Tin £415 14-4^
Tin £415 14-4^ Jr THE LIFE AND WORK OF KOBAYASHI ISSA. Patrick McElligott. Ph.D. Japanese. ProQuest Number: 11010599 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010599 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Patrick McElligott. "The Life and Work of Kobayashi Issa., Abstract. This thesis consists of three chapters. Chapter one is a detailed account of the life of Kobayashi Issa. It is divided into the following sections; 1. Background and Early Childhood. 2. Early Years in Edo. 3. His First Return to Kashiwabara. ,4. His Jiourney into Western Japan. 5. The Death of His Father. 6 . Life im and Around Edo. 1801-1813. 7. Life as a Poet in Shinano. 8 . Family Life in Kashiwabara.. 9* Conclusion. Haiku verses and prose pieces are introduced in this chapter for the purpose of illustrating statements made concerning his life. The second chapter traces the development of Issa*s style of haiku. It is divided into five sections which correspond to the.Japanese year periods in which Issa lived. -
Simply Haiku Vol
Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 SIMPLY HAIKU Vol. 10 No. 3 SPRING / SUMMER 2013 Co-owned by Robert D. Wilson and Saša Važić 1 Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 Features 2 Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 Haiku is Dead TO BE OR NOT TO BE An Experiment Gone Awry Part VI: An Essay on Haiku Aesthetics By Robert D. Wilson "Since becoming the sport of amateurs and ignoramuses, haiku have become more and more numerous, more and more banal." Masaoka Shiki Tr. by Janine Beichman Masaoka Shiki His Life and Works Skinhead the words Fuck You carved on his forehead Jack Galmitz New York, U.S.A. Spot ImPress 2013 Published by Dimitar Anakiev at his facebook group Haiku Masterclass, October 12, 2013. My father, mouth and anus wide open --- a shining cloud Ban'ya Natsuishi Japan Mending the holes of my raincoat - that's the way I became a Marxist Dimitar Anakiev Slovenia Mending the Holes of My Raincoat 3 Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 new fish pond – the cat learns to swim Lorin Ford Australia Shiki Kukai, June 2005 (9th place) as the world fails saxophone in the lips of a walrus Marlene Mountain U.S.A. Haiku 21 2011 frost-covered window I add a rubber ducky to the bubble bath Roberta Beary Washington D.C., U.S.A. First Prize Winner of the 2012 Kiyoshi and Kiyoko Tokutomi Memorial Haiku Contest botanic gardens a plastic daisy dangles from a woman's hat Ernest Berry New Zealand Honorable Mention of the 2013 23rd Ito en Oi ocha New Haiku Contest nevertheless fall colors Christopher Patchel U.S.A. -
Matsuo ■ Basho
; : TWAYNE'S WORLD AUTHORS SERIES A SURVEY OF THE WORLD'S LITERATURE ! MATSUO ■ BASHO MAKOTO UEDA JAPAN MATSUO BASHO by MAKOTO UEDA The particular value of this study of Matsuo Basho is obvious: this is the first book in English that gives a comprehen sive view of the famed Japanese poet’s works. Since the Japanese haiku was en thusiastically received by the Imagists early in this century, Basho has gained a world-wide recognition as the foremost writer in that miniature verse form; he is now regarded as a poet of the highest cali ber in world literature. Yet there has been no extensive study of Basho in Eng lish, and consequently he has remained a rather remote, mystical figure in the minds of those who do not read Japanese. This book examines Basho not only as a haiku poet but as a critic, essayist and linked-verse writer; it brings to light the whole range of his literary achievements that have been unknown to most readers in the West. * . 0S2 VS m £ ■ ■y. I.. Is:< i , • ...' V*-, His. -.« ■ •. '■■ m- m mmm t f ■ ■ m m m^i |«|mm mmimM plf^Masstfa m*5 si v- mmm J 1 V ^ K-rZi—- TWAYNE’S WORLD AUTHORS SERIES A Survey of the World's Literature Sylvia E. Bowman, Indiana University GENERAL EDITOR JAPAN Roy B. Teele, The University of Texas EDITOR Matsuo Basho (TWAS 102) TWAYNES WORLD AUTHORS SERIES (TWAS) The purpose of TWAS is to survey the major writers — novelists, dramatists, historians, poets, philosophers, and critics—of the nations of the world.