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The Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2013 Foxfire: the Selected Poems of Yosa Buson, a Translation Allan Persinger University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the American Literature Commons, and the Asian Studies Commons Recommended Citation Persinger, Allan, "Foxfire: the Selected Poems of Yosa Buson, a Translation" (2013). Theses and Dissertations. 748. https://dc.uwm.edu/etd/748 This Dissertation is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English at The University of Wisconsin-Milwaukee May 2013 ABSTRACT FOXFIRE: THE SELECTED POEMS OF YOSA BUSON A TRANSLATION By Allan Persinger The University of Wisconsin-Milwaukee, 2013 Under the Supervision of Professor Kimberly M. Blaeser My dissertation is a creative translation from Japanese into English of the poetry of Yosa Buson, an 18th century (1716 – 1783) poet. Buson is considered to be one of the most important of the Edo Era poets and is still influential in modern Japanese literature. By taking account of Japanese culture, identity and aesthetics the dissertation project bridges the gap between American and Japanese poetics, while at the same time revealing the complexity of thought in Buson's poetry and bringing the target audience closer to the text of a powerful and mov- ing writer. -
EARLY MODERN JAPAN 2010 the Death of Kobayashi Yagobei
EARLY MODERN JAPAN 2010 5 The Death of Kobayashi Yagobei since. At some point before he had reached the ©Scot Hislop, National University of Singapore pinnacle of haikai rankings, Issa wrote an account, now called Chichi no shūen nikki (父の終焉日記: Introduction A Diary of my Father’s Final Days), of his father’s illness, death, and the first seven days of the fam- It is an accident of literary history that we know ily’s mourning. anything about Kobayashi Yagobei. His death, on Chichi no shūen nikki, as it has come down to the twentieth day of the 5th month of 1801 (Kyōwa us, is a complex text. Some parts of it have been 1) in Kashiwabara village, Shinano Province,1 was discussed in English language scholarship at least 6 important to his family. But Yagobei was not John F. since Max Bickerton’s 1932 introduction to Issa Kennedy, Matsuo Bashō,2 or even Woman Wang.3 and it is often treated as a work of literature or a 7 Yagobei’s death was the quotidian demise of some- diary. This approach to Chichi no shūen nikki one of no historical importance. However his eldest owes a great deal to the work of Kokubungaku 8 son, Yatarō, became Kobayashi Issa.4 In the years (Japanese National Literature) scholars. However, following his father’s death, Issa became one of the in order to read Chichi no shūen nikki as a book two or three most famous haikai (haiku) poets of within the canon of Japanese National Literature his generation and his renown has not diminished (Kokubungaku), it must be significantly trans- formed in various ways and a large portion of it is 1 The part of Shinano Town closest to Kuro- hime train station in Nagano Prefecture. -
Tin £415 14-4^
Tin £415 14-4^ Jr THE LIFE AND WORK OF KOBAYASHI ISSA. Patrick McElligott. Ph.D. Japanese. ProQuest Number: 11010599 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010599 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Patrick McElligott. "The Life and Work of Kobayashi Issa., Abstract. This thesis consists of three chapters. Chapter one is a detailed account of the life of Kobayashi Issa. It is divided into the following sections; 1. Background and Early Childhood. 2. Early Years in Edo. 3. His First Return to Kashiwabara. ,4. His Jiourney into Western Japan. 5. The Death of His Father. 6 . Life im and Around Edo. 1801-1813. 7. Life as a Poet in Shinano. 8 . Family Life in Kashiwabara.. 9* Conclusion. Haiku verses and prose pieces are introduced in this chapter for the purpose of illustrating statements made concerning his life. The second chapter traces the development of Issa*s style of haiku. It is divided into five sections which correspond to the.Japanese year periods in which Issa lived. -
Simply Haiku Vol
Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 SIMPLY HAIKU Vol. 10 No. 3 SPRING / SUMMER 2013 Co-owned by Robert D. Wilson and Saša Važić 1 Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 Features 2 Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 Haiku is Dead TO BE OR NOT TO BE An Experiment Gone Awry Part VI: An Essay on Haiku Aesthetics By Robert D. Wilson "Since becoming the sport of amateurs and ignoramuses, haiku have become more and more numerous, more and more banal." Masaoka Shiki Tr. by Janine Beichman Masaoka Shiki His Life and Works Skinhead the words Fuck You carved on his forehead Jack Galmitz New York, U.S.A. Spot ImPress 2013 Published by Dimitar Anakiev at his facebook group Haiku Masterclass, October 12, 2013. My father, mouth and anus wide open --- a shining cloud Ban'ya Natsuishi Japan Mending the holes of my raincoat - that's the way I became a Marxist Dimitar Anakiev Slovenia Mending the Holes of My Raincoat 3 Simply Haiku Vol. 10 No. 3 – Spring / Summer 2013 new fish pond – the cat learns to swim Lorin Ford Australia Shiki Kukai, June 2005 (9th place) as the world fails saxophone in the lips of a walrus Marlene Mountain U.S.A. Haiku 21 2011 frost-covered window I add a rubber ducky to the bubble bath Roberta Beary Washington D.C., U.S.A. First Prize Winner of the 2012 Kiyoshi and Kiyoko Tokutomi Memorial Haiku Contest botanic gardens a plastic daisy dangles from a woman's hat Ernest Berry New Zealand Honorable Mention of the 2013 23rd Ito en Oi ocha New Haiku Contest nevertheless fall colors Christopher Patchel U.S.A. -
Matsuo ■ Basho
; : TWAYNE'S WORLD AUTHORS SERIES A SURVEY OF THE WORLD'S LITERATURE ! MATSUO ■ BASHO MAKOTO UEDA JAPAN MATSUO BASHO by MAKOTO UEDA The particular value of this study of Matsuo Basho is obvious: this is the first book in English that gives a comprehen sive view of the famed Japanese poet’s works. Since the Japanese haiku was en thusiastically received by the Imagists early in this century, Basho has gained a world-wide recognition as the foremost writer in that miniature verse form; he is now regarded as a poet of the highest cali ber in world literature. Yet there has been no extensive study of Basho in Eng lish, and consequently he has remained a rather remote, mystical figure in the minds of those who do not read Japanese. This book examines Basho not only as a haiku poet but as a critic, essayist and linked-verse writer; it brings to light the whole range of his literary achievements that have been unknown to most readers in the West. * . 0S2 VS m £ ■ ■y. I.. Is:< i , • ...' V*-, His. -.« ■ •. '■■ m- m mmm t f ■ ■ m m m^i |«|mm mmimM plf^Masstfa m*5 si v- mmm J 1 V ^ K-rZi—- TWAYNE’S WORLD AUTHORS SERIES A Survey of the World's Literature Sylvia E. Bowman, Indiana University GENERAL EDITOR JAPAN Roy B. Teele, The University of Texas EDITOR Matsuo Basho (TWAS 102) TWAYNES WORLD AUTHORS SERIES (TWAS) The purpose of TWAS is to survey the major writers — novelists, dramatists, historians, poets, philosophers, and critics—of the nations of the world. -
EARLY MODERN JAPAN FALL, 2003 the Evening Banter of Two Tanu-Ki
EARLY MODERN JAPAN FALL, 2003 The Evening Banter of Two part of bungaku in Renku nyūmon.4 Tanu-ki: Reading the Tobi Haikai no renga texts are the product of two or 1 more poets composing together according to a set Hiyoro Sequence of rules.5 One approach to them has been to concentrate on an individual link, often reading it ©Scot Hislop, Japan Society for the Pro- as the expression of the self of the poet who composed it. This approach, however, fails to motion of Science Fellow, National Mu- take into account the rules, the interactions, and seum of Japanese History the creation of something akin to Bakhtin’s 2 dialogic voice in the production of a linked-verse Although haikai no renga was central to the sequence. poetic practice of haikai poets throughout the Edo Another approach is to treat haikai no renga period, its status within the canon of Japanese texts as intertexts. In a set of seminal essays and literature has been problematic since Masaoka 3 lectures now collected under the title Za no Shiki declared that it was not bungaku. bungaku, Ogata Tsutomu developed a set of Although Shiki admitted that haikai no renga concepts that are helpful when reading haikai texts had “literary” elements, linked verse values texts as intertexts.6 In this paper I will use change over unity so his final judgment was that Ogata’s concept of za no bungaku to look at a it could not be considered a part of bungaku. haikai no renga sequence composed by Although haikai no renga texts are now clearly Kobayashi Issa7 and Kawahara Ippyō.8 Ogata's read -
Metamorphosis Haiku of Basho Magnolia Seitan Pubs
Issue 1 July 2009 price: free (as in beer) Metamorphosis Haiku of Basho Magnolia Seitan Pubs Also in this issue: Does science really exist? Infant cannibalism recipes on a budget Crossword Clinton on hunting with hounds Is Swine Flu a cover for the REPTILIAN AGENDA? So this article's got the word "fuck" in it, what the fuck are you going to do about it? 2 The Rationalia Magazine Team Editor: Pappa Contributors: Clinton Huxley, Dasein, FrigidSymphony, Meekychuppet, Ryokan, Xamonas Chegwé Conspirators: bornagainatheist, Charlou, DP Layout and Design: Pappa No part of this magazine may be reproduced without the explicit written permission of Rationalia Association. The articles remain the intellectual property of their respective authors. Stick that in your pipe and smoke it! Advertisement: Bible Opoly One of the most popular Christian games of all time! BIBLEOPOLY has very unique game play. The object of the game is to be the first player to build a church in one of the Bible cities. In BIBLEOPOLY, you can't win by destroying your opponents. You will only win by assisting the fellow players. Cooperation is what allows you to gain the things necessary to build your church and be a winner. Go Jesus!!! 3 Editorial Features Why don't politicians just fuck off? On Love and Barley Haiku of Basho.................. 4 We've all got them; town and county Pubs................................................................... 14 councillors, mayors, commissioners, MPs, Analysis: Metamorphosis....................................17 senators, prime ministers, presidents, Under Magnolia's Shade.................................... 19 dictators... our lives are ruled and run by them, often at a distant level, but every day our Fiction: Quorp's Tableau.................................... -
Japanese Literature for the High School Classroom
Japanese Literature for the High School Classroom An annotated bibliography compiled and edited by the Educational Outreach Department Japan Society Dear Educator, Japan has a rich literary heritage that offers readers a doorway into Japanese history and culture. For high school readers Japanese literature can bring alive the historical characters they may meet in social studies class. Japan also offers a fascinating comparison to the literature of western or other Asian countries. Japanese literature has always been closely related to the visual arts and offers countless subjects that can be transformed into a variety of art forms. This annotated bibliography was prepared to help high school educators explore the world of Japanese literature that is appropriate for use in their classrooms. Because of the great breadth of subject matter in Japanese literature, it is often difficult to find works that fit into the interest and lives of young people. To make the search easier we offer this list of works that has been reviewed by a committee of high school educators. The works span the literary spectrum from verse, drama, and essays to novels, diaries, and short stories. Some of the works, such as 11th century The Tale of Genji, are well-known masterpieces of world literature. Other pieces, such as the 1989 short story, TV People, examine technology and its effect on contemporary urban society. The reviewers were asked to rate the works according to their suitability in the high school classroom on a scale from 1 (not suitable) to 10 (very suitable). All of the works were well- known by those who follow the world of Japanese literature. -
Richard Wright, Jack Kerouac, Sonia Sanchez, James
Abstract Heejung Kim, Ph.D., May 2018 ENGLISH THE OTHER AMERICAN POETRY AND MODERNIST POETICS: RICHARD WRIGHT, JACK KEROUAC, SONIA SANCHEZ, JAMES EMANUEL, AND LENARD MOORE (212 PP.) Dissertation Advisor: Professor Yoshinobu Hakutani The purpose of this dissertation is to study Richard Wright, Jack Kerouac, Sonia Sanchez, James Emanuel, and Lenard Moore as haiku poets in their efforts to create their own genres. Only a few published critical essays exist on how American writers composed haiku and applied the philosophical and aesthetical principles of haiku. The genuine identity of the American haiku, however, has not been determined to date. The American haiku seems innovative since it is a hybrid genre whose inspirations are derived from Eastern culture and American culture. This dissertation explores each poet’s haiku and investigates whether it is just an escape from the traditional style of American poetry or if the American haiku is truly a different poetic genre with its own distinct identity. This study examines each poet’s characteristics, as well as his or her limitations as a haiku poet. THE OTHER AMERICAN POETRY AND MODERNIST POETICS: RICHARD WRIGHT, JACK KEROUAC, SONIA SANCHEZ, JAMES EMANUEL, AND LENARD MOORE A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Heejung Kim May 2018 © Copyright All rights reserved Except for previously published materials Dissertation written by Heejung Kim B.A., Sookmyung Women’s University, 2008 M.A, Kent State University, 2011 Ph.D., Kent State University, 2018 Approved by Yoshinobu Hakutani , Chair, Doctoral Dissertation Committee Babacar M’Baye , Members, Doctoral Dissertation Committee Sara Newman Yuko Kurahashi John Dunlosky Accepted by Robert Trogdon , Chair, Department of English James L. -
Summary in This Lesson, Students Will Learn the Form and Basic Theme of Haikus
Haiku Summary In this lesson, students will learn the form and basic theme of haikus. The students will figure out what makes haikus powerful. The students will have a chance to experiment and create their own haiku(s). Time Frame 1 class periods of 45 minutes each Life Skills Thinking & Reasoning Background for Teachers What is Haiku? Haiku is one of the most important form of traditional japanese poetry. Haiku is, today, a 17-syllable verse form consisting of three metrical units of 5, 7, and 5 syllables. Since early days, there has been confusion between the three related terms Haiku, Hokku and Haikai. The term hokku literally means "starting verse", and was the first starting link of a much longer chain of verses known as haika. Because the hokku set the tone for the rest of the poetic chain, it enjoyed a privileged position in haikai poetry, and it was not uncommon for a poet to compose a hokku by itself without following up with the rest of the chain. Largely through the efforts of Masaoka Shiki, this independence was formally established in the 1890s through the creation of the term haiku. This new form of poetry was to be written, read and understood as an independent poem, complete in itself, rather than part of a longer chain. Strictly speaking, then, the history of haiku begins only in the last years of the 19th century. The famous verses of such Edo-period (1600-1868) masters as Basho, Yosa Buson, and Kobayashi Issa are properly referred to as hokku and must be placed in the perspective of the history of haikai even though they are now generally read as independent haiku. -
Haiku Resources
Haiku Resources Dissertations and Theses on Haiku (and Senryu, Renga and Tanka) in English Randy M. Brooks, Ph.D. 1. Theses on Haiku in English Abbas, Haruchi Ando. “Three Mediators of Haiku in America.” University of Iowa, 1988. MA thesis. 83 pages. Haruchi Abbas’s thesis compares three early translators of Japanese haiku and their various suggestions for the development of haiku in English. The three “mediators” are Harold G. Henderson, Reginald Horace Blyth, and Kenneth Yasuda. Giroux, Joan F. “Problems and Possibilities in Writing Haiku in English.” University of Ottawa, Ontario, 1968. 143 pages. MA thesis in English. Joan Giroux’s dissertation was edited and published as a book, The Haiku Form, by the Charles E. Tuttle Company in 1974. This dissertation and book was one of the first “primers” on how to write haiku in English. Giroux examines the difficulties of writing haiku in English “due to basic differences of language and poetic tradition. It is important that would-be writers of English haiku be aware of the problems.” She argues for the development of “a truly native English haiku tradition based on the western Judeo-Christian culture.” Iadonisi, Richard Alan. “’Like Ray Charles Is To Country’: Otherness And The American Haiku.” Indiana University, 1999. Dissertation. 213 pages. Richard Iadonisi employs a feminist analysis in his study of marginalized writers of American haiku. In contrast to white male poets such as Ezra Pound, Jack Kerouac, and Gary Snyder, who attempt to re-invent haiku in English, these marginalized writers “tend to adhere closely to the formal properties, especially the 5-7-5 format.” In his abstract he writes “marginalized poets call attention to the ‘haiku moment’ in which the poet loses the self through a merging with the natural world only to subvert it — Lowell by inserting homosexual desire, Wright by including elements of the blues, Vizenor by incorporating Ojibway dream songs and the trickster, and Sanchez by imbuing the poems with a sense of ‘sisterhood.’” Jones, Bob. -
Translations and Migrations of the Poetic Diary: Roy Kiyooka's Wheels
Dominican Scholar Collected Faculty and Staff Scholarship Faculty and Staff Scholarship 2016 Translations and Migrations of the Poetic Diary: Roy Kiyooka’s Wheels Judy Halebsky Department of Literature and Languages, Dominican University of California, [email protected] Survey: Let us know how this paper benefits you. Recommended Citation Halebsky, Judy, "Translations and Migrations of the Poetic Diary: Roy Kiyooka’s Wheels" (2016). Collected Faculty and Staff Scholarship. 349. https://scholar.dominican.edu/all-faculty/349 This Article is brought to you for free and open access by the Faculty and Staff Scholarship at Dominican Scholar. It has been accepted for inclusion in Collected Faculty and Staff Scholarship by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. Translations and Migrations of the Poetic Diary: Roy Kiyooka’s Wheels by Judith Halebsky Published in Interdisciplinary Literary Studies: A Journal of Criticism and Theory, 18:4, 2016. Available on Project Muse and JStor. ABSTRACT: Formal aspects of haiku inform Roy Kiyooka’s 1969 travel journal Wheels. In contrast to earlier scholarship, this study differentiates haiku traditions in Japan from English language haiku in North America. This framework reveals how Kiyooka employs select aspects of haiku practice to voice his othered cultural location. In 2012, on a Graves Award Fellowship, I retraced parts of Matsuo Basho’s (1644–1694) route in his travel journal Narrow Road to the Interior. The journal, a mix of prose sections and haiku, records Basho’s five-month journey, beginning in the Spring of 1689, through northern areas of Honshu. He traveled with a disciple and fellow poet Sora.