Storia Dell'architettura Moderna PROGRAMMA
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The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Roma Letteraria in D'annunzio, Moravia E Pasolini. Una
Roma letteraria in D’Annunzio, Moravia e Pasolini. Una lettura semiotica by Maria Laura Mosco A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Italian Studies University of Toronto © Copyright by Maria Laura Mosco, 2013 ii Roma letteraria in D’Annunzio, Moravia e Pasolini. Una lettura semiotica Maria Laura Mosco Doctor of Philosophy Department of Italian Studies University of Toronto 2013 Abstract Nel Il piacere di Gabriele D’Annunzio, i Racconti romani di Alberto Moravia e Ragazzi di vita di Pier Paolo Pasolini, Roma si pone come ‘altro’ da un semplice scenario davanti al quale si svolge la narrazione. La città interloquisce con il lettore, contribuendo alla costruzione di una forma alternativa di discorso poetico e critico che si muove tra etica ed estetica, tra condizione esistenziale e percezione della forma. Questo studio mette a dialogo semiotica e critica letteraria. La città, la sua topografia e le sue forme architettoniche dirigono il percorso interpretativo e conoscitivo del lettore, ponendosi come sistema semiotico intorno al quale la narrazione è organizzata. Qui lo spazio è geografico, bidimensionale e topografico ma è anche quello tridimensionale del volume architettonico, e infine quadridimensionale, quello del cronotopo bachtiniano. Bachtin difatti chiarisce che solo attraverso il cronotopo è possibile comprendere “l’interconnessione sostanziale dei rapporti temporali e spaziali dei quali la letteratura si è impadronita artisticamente...Nel cronotopo letterario ha luogo la fusione dei connotati spaziali e temporali in un tutto dotato di senso e di concretezza” (Estetica e Romanzo 231). Se Michail Bachtin pone il tempo come principio guida nella forma artistica, Yuri Lotman si concentra sullo spazio come sistema semiotico, spazio culturale. -
I Palazzi Storici Di Firenze
INE Indice p- 7 Introduzione Una storia di splendidi palazzi, di grandi famiglie, di grandi uomini IL PRELUDIO AI PALAZZI: LE TORRI 11 Firenze delle torri 15 Torre dei Boscoli poi del palazzo del Bargello (detta la Volognana) 19 Torre dei Giuochi (detta di Dante) 21 Torre dei Visdomini 23 Torre degli Adimari 25 Torre degli Amidei (detta dei Leoni) 29 Torre dei Donati 30 Torre degli Alberti 33 Torre dei Foraboschi poi del Palazzo della Signoria I PALAZZI DEL DUECENTO E DEL TRECENTO 45 Dalle case munite alle case comode 49 Palazzo degli Acciaioli 53 Palagio dei Cerchi 55 Palazzo Frescobaldi antico 60 Palazzo de' Mozzi 64 Palazzo Spini Feroni 70 Palazzo Peruzzi poi Bourbon del Monte 73 Palazzo Salviati poi Quaratesi 76 Palazzo Compiobbesi poi dell'Arte della Lana 79 Palazzo dei Foresi 80 Palazzo Davanzati >ICE 587 86 Palazzo Camgiani 88 Palazzo turrito dei Gianfigliazzi 91 Palazzo Alessandri 93 Palazzo Sassetti I PALAZZI DEL RINASCIMENTO 99 Lo splendore dei tempi nuovi: il Quattrocento 103 Palazzo di Cosimo Ridolfi 107 Palazzo Capponi delle Rovinate 110 Palazzo Bardi alle Grazie 114 Palazzo Medici Riccardi 124 Palazzo Barbolani da Montante 126 Palazzo Rucellai 131 Palazzo Pitti 137 Palazzo Canacci 139 Palazzo Manetti 140 Palazzo dello Strozzino 142 Palazzo Gianfigliazzi 150 Palazzo Antinori 153 Palazzo Neroni 156 Palazzo Spinelli 157 Palazzo Pazzi 164 Palazzo Lenzi 166 Palazzo Cocchi Donati 168 Palazzo Portinai! Salviati 176 Palazzo Ricasoli 178 Palazzo Strozzi 186 Palazzo Gondi 189 Palazzo Sertini 190 Palazzo Corsi ora Museo Horne 193 Palazzo Antinori già Corsini già Serristori 195 II primo Cinquecento 197 Palazzo Mellini 198 Palazzo Bartolini Salimbeni di Porta Rossa 201 Palazzo Venturi Ginori 204 Palazzo Girolami 206 Palazzo Lanfredini 207 Palazzo Dei poi Guadagni 212 Palazzo Taddei 216 Palazzi Tolomei Biffi e Tolomei 588 INDICE IND1 p. -
Where Diplomacy Meets Art
Ugo Colombo Sacco di Albiano WHERE DIPLOMACY MEETS ART FOREWORD t gives me great pleasure to present this important work by Ugo Colombo Sacco di Albiano which I takes a look at the history of the buildings that have housed Italian diplomacy in almost a century and a half of activity. In so doing, it also looks at the stages in the evolution of our profession. This original and valuable research, reconstructing the events intimately linked to the buildings in which the Italian Ministry of Foreign Affairs has carried out its work, travels along those same dual paths that tradition- ally characterise the approach of Italian diplomacy: to conserve the memory and rich legacy of an assuredly glorious past as an ideal ‘launching pad’ for projecting itself towards new challenges and the increasingly com- plex missions of the present and future. It would also appear that the route along which this book has travelled towards its publication – and espe- cially its passionate promotion effected by Gaetano Cortese – corroborates another ‘typical’ aspect of the diplomatic system: the particular relationships that are created among its members. In fact, our Representations abroad bear a certain resemblance to ships, in that the common destiny of the crew, surrounded by the high seas, inevitably depends in the main on the united aims and commitment of all those aboard. This leads to the WHERE DIPLOMACY MEETS ART forming of both professional and personal bonds – sometimes so strong as to be almost familial – between the head of a Mission and his collaborators. Often, these bonds resist the changing fortunes arising from the requirements of duty that may beset individual life paths and careers. -
Variety, Archeology and Ornament
Variety, Archeology, & Ornament Renaissance Architectural Prints from Column to Cornice UVa M Variety, Archeology, & Ornament Renaissance Architectural Prints from Column to Cornice Curated by Michael J. Waters Cammy Brothers UVa M University of Virginia Art Museum Contents 4 Acknowledgements 5 Foreword Bruce Boucher Director, University of Virginia Art Museum 6 Introduction Cammy Brothers Guest Curator, University of Virginia Art Museum Valmarana Associate Professor of Architectural History School of Architecture, University of Virginia This catalogue accompanies the exhibition 18 Looking Beyond the Treatise Variety, Archeology, and Ornament Single-leaf prints and sixteenth-century architectural culture Renaissance Architectural Prints Michael J. Waters from Column to Cornice Guest Curator, University of Virginia Art Museum August 26 – December 18, 2011 PhD candidate and Erwin Panofsky Fellow, Institute of Fine Arts, New York University University of Virginia Art Museum 49 Catalogue The exhibition was made possible through the 49 Origins generous support of Albemarle Magazine, Arts$, B. Herbert Lee '48 Endowed Fund, The Hook, Ivy 59 Antiquity Publications LLC's Charlottesville Welcome Book, 85 Variety the Page-Barbour and Richards Lectures Committee, the Veneto Society of the School of Architecture, 107 Order and the U.Va. Art Museum Volunteer Board. 123 Afterlife Publication © 2011 Cover detail University of Virginia Art Museum 136 Bibliography Master G.A. University of Virginia Art Museum with the Caltrop 155 Rugby Road Italian, Charlottesville -
Unearth the Essence of Florence with Our Extraordinary Experiences
UNEARTH THE ESSENCE OF FLORENCE WITH OUR EXTRAORDINARY EXPERIENCES THE ART OF MAKING In this series of experiences and excursions, we invite you to discover Florence as the home of Italian craftsmanship. Explore the wave of designers and makers who preserve time- honoured traditions while fashioning a new type of luxury. You could say they’re the New Renaissance, a movement that blends contemporary design with historic production techniques, resulting in irresistible creations that embody Florentine artistry. Hop in our vintage Fiat 1100 Musone car - electric and artfully customised for Villa San Michele - and head into the centre of Florence to meet local artisans. Accompanied by a passionate lifestyle specialist, you will unlock timeless techniques, step behind the scenes of creative processes and reconnect with the forgotten art of handcrafting. Discover hidden gems in the realms of fashion and lifestyle, including jewellery, hats, eyewear, shoes, handbags, crystalware, silverware, artisanal perfumes, parchment boxes and hand-embroidered garments. Each artisan will reveal a story of unique passion and heritage. The morning ends at the Louis Vuitton boutique for an inspiring Art of Packing experience. Price starting from €350 up to 4 guests (3 hours minimum). Fee for each additional person €70. Includes: lifestyle expert guide. 5 PHOTO © JOEE WONG PHOTOGRAPHY LEONARDO TOUR Discover how and where Leonardo da Vinci left his mark on a fascinating tour through the historic heart of Florence. Unmissable sites include: – Memorial statue near the Uffizi – Palazzo Gondi, where Leonardo lived for a year. The palace was built by his father; today it’s the home of the Gondi marquises (Gerardo and Lapo), who will welcome you – Works by Leonardo in Florence, for example, in the intriguing Church of Orsanmichele – Palazzo Vecchio, site of the unfinished Battle of Anghiari fresco Price starting from €370 per couple (3 hours minimum). -
Baroque Architecture
'"" ^ 'J^. rfCur'. Fig. I. — Venice. S. Maria della Salute. (See pp. 88-90.) BAROQUE ARCHITECTURE BY MARTIN SHAW BRIGGS A.K.I. B. A. " iAulhor of " In the Heel of Italy WITH 109 ILLUSTRATIONS NEW YORK ; ' McBRIDE, NAST & COMPANY ^ y 1914 ,iMvMV NA (^Ay n^/i/j reserved) In all ages there have been some excellent workmen, and some excellent work done.—Walter Pater. PREFACE is commonly supposed that the purpose of a preface is to IT explain the scope of a book to those who do not read so far as the first page. There is a touch of cynicism in such an opinion which makes one loth to accept it, but I prefer to meet my troubles half way by stating at the outset what I have emphasized in my last chapter—that this book is not in any way an attempt to create a wholesale revival of Baroque Architecture in England. It is simply a history of a complex and neglected period, and has been prepared in the uncertain intervals of an architectural practice. The difficulty of the work has been increased by the fact that the subject has never been dealt with as a whole in any language previously. Gurlitt in his Geschichte des Barockstiles, published in 1887, covered a considerable part of the ground, but his work is very scarce and expensive. To students his volumes may be recommended for their numerous plans, but for details and general views they are less valuable. In recent years several fine mono- graphs have appeared dealing with Baroque buildings in specific districts, and very recently in a new international series the principal buildings of the period in Germany and Italy have been illustrated. -
Management Plan Men Agement Plan Ement
MANAGEMENTAGEMENTMANAGEMENTEMENTNAGEMENTMEN PLAN PLAN 2006 | 2008 Historic Centre of Florence UNESCO WORLD HERITAGE he Management Plan of the His- toric Centre of Florence, approved T th by the City Council on the 7 March 2006, is under the auspices of the Historic Centre Bureau - UNESCO World Heritage of the Department of Culture of the Florence Municipality In charge of the Management Plan and coordinator of the project: Carlo Francini Text by: Carlo Francini Laura Carsillo Caterina Rizzetto In the compilation of the Management Plan, documents and data provided di- rectly by the project managers have also been used. INDEXEX INDEX INTRODUCTIONS CHAPTER V 45 Introduction by Antonio Paolucci 4 Socio-economic survey Introduction by Simone Siliani 10 V.1 Population indicators 45 V.2 Indicators of temporary residence. 46 FOREWORD 13 V.3 Employment indicators 47 V.4 Sectors of production 47 INTRODUCTION TO THE MANAGEMENT 15 V.5 Tourism and related activities 49 PLANS V.6 Tourism indicators 50 V.7 Access and availability 51 FIRST PART 17 V.8 Traffi c indicators 54 GENERAL REFERENCE FRAME OF THE PLAN V.9 Exposure to various sources of pollution 55 CHAPTER I 17 CHAPTER VI 56 Florence on the World Heritage List Analysis of the plans for the safeguarding of the site I.1 Reasons for inclusion 17 VI.1 Urban planning and safeguarding methods 56 I.2 Recognition of Value 18 VI. 2 Sector plans and/or integrated plans 60 VI.3 Plans for socio-economic development 61 CHAPTER II 19 History and historical identity CHAPTER VII 63 II.1 Historical outline 19 Summary -
Hotel2007.Pdf
AZIENDA DI PROMOZIONE TURISTICA DI ROMA REGIONE LAZIO Assessorato Sviluppo Economico, Ricerca, Innovazione e Turismo Assessore On. Raffaele Ranucci L’Azienda di Promozione Turistica di Roma The Azienda di Promozione Turistica di Roma garantisce l’informazione e l’accoglienza dei turisti, assiste (Rome Tourist Board) welcomes tourists assisting Dipartimento Economico e Occupazionale in caso di disservizi o inconvenienti riscontrati, rende them in case of inconveniences and inefficiences and Guido Magrini disponibili numerose pubblicazioni tra le quali segnaliamo: providing them with various brochures such as: Direzione Generale Sviluppo Economico, Ricerca, Innovazione e Turismo Domenica Calabrò ALBERGHI Categorie, servizi offerti e prezzi degli alberghi HOTEL Categories, available services and prices of e dei residence romani. Roman hotels and residences. BED & BREAKFAST Informazioni e prezzi di tutti gli BED & BREAKFAST Information and prices for all the esercizi di Roma. establishments of Rome. AZIENDA DI PROMOZIONE TURISTICA DEL COMUNE DI ROMA CASE PER FERIE Affittacamere, Case-Vacanze, Alloggi HOLIDAY HOMES Lodging Houses, Private Apartments, Via Parigi, 11 - 00185 Roma Agrituristici, Campeggi, Ostelli e Stabilimenti Accommodation in Farms, Camping Grounds, Youth Balneari. Hostels and Bathing Establishments. Commissario straordinario: On. Walter Veltroni PASSEGGIATE ROMANE 18 itinerari per scoprire, passo “PASSEGGIATE ROMANE” 18 itineraries to unveil, step dopo passo, le meraviglie di Roma. after step, the wonders of Rome. Direttore: -
Relazione Del Viaggio D'istruzione/Gemellaggio A
RELAZIONE DEL VIAGGIO D’ISTRUZIONE/GEMELLAGGIO A ROMA. L’Istituto Alberghiero “Dante Zappa” di Bormio ha organizzato un viaggio d’istruzione nella capitale d’Italia, Roma. Esso ha avuto inizio il 28 marzo ed è terminato il 2 aprile 2011 e ha coinvolto tutte le classi terze dell’istituto con gli accompagnatori Di Lorenzo Riccardo, Saligari Lucia, Ruscio Pietro, Puddu Giustina e Cogliandro Iris. Siamo partiti alle ore 5:00 dal piazzale della Perego di Bormio e durante il viaggio ci siamo fermati più volte per uno spuntino, siamo arrivati davanti all’hotel alle ore 17:00. Abbiamo alloggiato in un albergo a quattro stelle che distava pochi minuti dal centro, il nome dell’hotel è Executive Style Hotel (ESH). A primo impatto non ci sembrava degno delle quattro stelle, ma appena entrati abbiamo subito cambiato opinione. È una struttura alberghiera moderna, accogliente e il personale molto diligente. Le stanze sono piuttosto spaziose e luminose, tutte servite di televisione, riscaldamento e servizi igienici. Nella serata di lunedì alcuni alunni sono rimasti nelle proprie camere a riposare mentre altri sono usciti con gli insegnanti e hanno fatto un breve giro per le vie del centro. Il giorno seguente la sveglia è suonata alle ore 8:00, siamo scesi per la colazione e alle ore 10:00 con l’autobus abbiamo raggiunto la via Giulia, collocata vicino a: Palazzo Farnese Il Palazzo Farnese è un edificio di Roma, sede dell’ambasciata francese. Importante esempio d'architettura rinascimentale cinquecentesca che domina l'omonima piazza, nel rione Regola. Palazzo Spada Il Palazzo Spada è l'edificio romano nel quale ha sede il Consiglio di Stato. -
Rome in the 18R.Li Century
fl urn Rome in the 18r.li Century •ii" On the cover: Giovanni Battista Piranesi Detail of the Fontana di Trevi WS'? 0FP/C6- SLIDE UBRARY Artists in Rome in the 18th Century: Drawings and Prints The Metropolitan Museum of Art February 28 - May 7, 1978 Copyright © 1978 by The Metropolitan Museum of Art • This exhibition has been made possible through <^ a grant from the Esther Annenberg Simon Trust V V The drawings, prints, and oil sketches brought together for this exhibition offer eloquent testimony to the rich diversity of artistic activity in eighteenth-century Rome. They are the work of artists of many nationalities—Italian, French, English, Dutch, Flemish, and German—but all were executed in Rome in the course of the century. The city retained in the 1700's its position as a major artistic center, though outdistanced by Paris for first place. Rome continued to be the city to which artists came to learn, by studying and copying the ruins of Classical Antiquity and the great works of the Renaissance and Baroque periods. Papal and princely patronage continued to attract artists from all Europe, but commissions were no longer on the very grand scale of previous centuries. History painting remained a Roman specialty, occupying the highest rank in the hierarchy of painting. Preparatory drawings for major projects by Giuseppe Chiari, Pompeo Batoni, Benedetto Luti, and the Frenchman Pierre Subleyras document this side of Roman production. Sculpture flourished—witness drawings by Pietro Bracci and Camillo Rusconi for important tombs, and Luigi Vanvitelli's designs for the throne of St. -
Architectural Temperance: Spain and Rome, 1700-1759
Architectural Temperance Spain and Rome, 1700–1759 Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700–1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural educa- tion at the newly-founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides an insight into readers with new insights into the cultural history of early modern Spain. Victor Deupi teaches the history of art and architecture at the School of Architecture and Design at the New York Institute of Technology and in the Department of Visual and Performing Arts at Fairfield University. His research focuses on cultural politics in the early modern Ibero-American world. Routledge Research in Architecture The Routledge Research in Architecture series provides the reader with the latest scholarship in the field of architecture. The series publishes research from across the globe and covers areas as diverse as architectural history and theory, technology, digital architecture, structures, materials, details, design, monographs of architects, interior design and much more. By mak- ing these studies available to the worldwide academic community, the series aims to promote quality architectural research.