I Palazzi Storici Di Firenze
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The Architecture of the Italian Renaissance
•••••••• ••• •• • .. • ••••---• • • - • • ••••••• •• ••••••••• • •• ••• ••• •• • •••• .... ••• .. .. • .. •• • • .. ••••••••••••••• .. eo__,_.. _ ••,., .... • • •••••• ..... •••••• .. ••••• •-.• . PETER MlJRRAY . 0 • •-•• • • • •• • • • • • •• 0 ., • • • ...... ... • • , .,.._, • • , - _,._•- •• • •OH • • • u • o H ·o ,o ,.,,,. • . , ........,__ I- .,- --, - Bo&ton Public ~ BoeMft; MA 02111 The Architecture of the Italian Renaissance ... ... .. \ .- "' ~ - .· .., , #!ft . l . ,."- , .• ~ I' .; ... ..__ \ ... : ,. , ' l '~,, , . \ f I • ' L , , I ,, ~ ', • • L • '. • , I - I 11 •. -... \' I • ' j I • , • t l ' ·n I ' ' . • • \• \\i• _I >-. ' • - - . -, - •• ·- .J .. '- - ... ¥4 "- '"' I Pcrc1·'· , . The co11I 1~, bv, Glacou10 t l t.:• lla l'on.1 ,111d 1 ll01nc\ S t 1, XX \)O l)on1c111c. o Ponrnna. • The Architecture of the Italian Renaissance New Revised Edition Peter Murray 202 illustrations Schocken Books · New York • For M.D. H~ Teacher and Prie11d For the seamd edillo11 .I ltrwe f(!U,riucu cerurir, passtJgts-,wwbly thOS<' on St Ptter's awl 011 Pnlladfo~ clmrdses---mul I lr,rvl' takeu rhe t>pportrmil)' to itJcorporate m'1U)1 corrt·ctfons suggeSLed to nu.• byfriet1ds mu! re11iewers. T'he publishers lwvc allowed mr to ddd several nt•w illusrra,fons, and I slumld like 10 rltank .1\ Ir A,firlwd I Vlu,.e/trJOr h,'s /Jelp wft/J rhe~e. 711f 1,pporrrm,ty /t,,s 11/so bee,r ft1ke,; Jo rrv,se rhe Biblfogmpl,y. Fc>r t/Jis third edUfor, many r,l(lre s1m1II cluu~J!eS lwvi: been m"de a,,_d the Biblio,~raphy has (IJICt more hN!tl extet1si11ely revised dtul brought up to date berause there has l,een mt e,wrmc>uJ incretlJl' ;,, i111eres1 in lt.1lim, ,1rrhi1ea1JrP sittr<• 1963,. wlte-,r 11,is book was firs, publi$hed. It sh<>uld be 110/NI that I haw consistc11tl)' used t/1cj<>rm, 1./251JO and 1./25-30 to 111e,w,.firs1, 'at some poiHI betwt.·en 1-125 nnd 1430', .md, .stamd, 'begi,miug ilJ 1425 and rnding in 14.10'. -
Florence Florence Can Boast Many Histories – Artistic, Financial, Religious, the Central Point of the City’S Political and Cultural Development
AGENZIA PER IL TURISMO FIRENZE florence Florence can boast many histories – artistic, financial, religious, the central point of the city’s political and cultural development. cultural, political. These are so rich that it is impossible to sum By virtue of its geographic position and social climate, Florence them up in a few short lines. One word, however, has always dis- exercised a function of equilibrium in the history and art of the pe- tinguished the city in the eyes of the world: the Renaissance. riod known as the Renaissance. After various vicissitudes involving the Florentine Republic and history Medici restorations, another historic era started for Florence in a brief 1530 with the establishment of the Grand Duchy of Tuscany. The The early Etruscan settlements sprang up on the hill of Fiesole, power of the city grew, reaching a peak with the defeat of arch-ri- while the Romans established themselves (in 59 BC) on the plain val Siena in 1555. The House of the Medici died out in the 18th around the Arno. The Forum of Roman Florentia was situated where century, giving way to the rule of the Habsburg-Lorraine, under Piazza della Republica stands today, and the inner circle of walls whom Florence also conquered Lucca (1847). Finally, the Duchy ran along today’s Via Tornabuoni, Via Cerretani and Via del Pro- entered the Kingdom of Italy in 1859 following a plebiscite. consolo. Florence was the capital of unified Italy from 1865 to 1870, dur- Miniato and Reparata were the first patron saints of Florence, ing which time Giuseppe Poggi produced an urban planning proj- which became an episcopal see in the 4th century. -
Museo Salvatore Ferragamo Palazzo Spini Feroni Piazza Santa Trinita 5R, 50123, Firenze 24 May 2018-10 March 2019
Museo Salvatore Ferragamo Palazzo Spini Feroni Piazza Santa Trinita 5R, 50123, Firenze 24 may 2018-10 march 2019 UNDER THE PATRONAGE OF SCENOGRAPHY CATALOGUE CURATED BY Ministero dei Beni e delle Attività Maurizio Balò Stefania Ricci Culturali e del Turismo In collaboration with Regione Toscana Andrea De Micheli CONTRIBUTIONS BY Comune di Firenze Silvio Alovisio, Giulia Carluccio, VIDEO INSTALLATIONS Fulvio Conti, Roberta Ferrazza, EXHIBITION PROMOTED AND FILMS Silvia Lucchesi, Elena Mosconi, ORGANIZED IacquoneAttilii Studio Giuliana Muscio, Deborah AND ORGANIZED BY Daniele Tommaso Nadoolman Landis; Stefania Ricci, Museo Salvatore Ferragamo in John Paul Russo, Luca Scarlini, collaboration with Fondazione TWO YOUNG ITALIANS Rosa Sessa, Carlo Sisi, Maddalena Ferragamo IN HOLLYWOOD Tirabassi, Elvira Valleri Yuri Ancarani Skira editore, Milano, 479 pages, CURATED BY Manfredi Gioacchini illustrated Giuliana Muscio, Stefania Ricci Curated by Silvia Lucchesi for Lo Schermo dell’Arte Film Festival SPONSOR TECNICI SCIENTIFIC COMMITTEE AON S.p.A. Insurance & Luca Scarlini RESEARCH Reinsurance Broker, Firenze Rosa Sessa Simona Carlesi Bonaveri Unipersonale S.r.l. Carlo Sisi Catherine Angela Dewar Maddalena Tirabassi Daniele Tommaso EDUCATIONAL PANELS Elvira Valleri CURATED BY Alessandro Alberti, Costanza INCLUDING THE Giovacchini, Marco Magini, Clara Academy of Motion Picture, Pescatori, studenti della IV A del Arts and Sciences, Los Angeles Liceo Classico Michelangiolo di Cinemazero, Pordenone Firenze supervised by professor Cineteca del Friuli, Gemona Maria Teresa Leoncino Cineteca di Bologna, Bologna Within the framework of the Museo Nazionale del Cinema, Alternanza Scuola-Lavoro-MIUR Turin in agreement with Fondazione Ferragamo LIST OF LENDERS Museo Civico Giovanni Fattori, Livorno Museo del Paesaggio, Verbania Archivio Fornasetti, Milan Museo Internazionale Enrico Caruso, Archivio Galleria Campari, Comune di Lastra a Signa (FI) Sesto S. -
Neri Di Bicci: a Study of Three of His Patrons' Commissions of the Assumption of the Virgin Altarpieces with a Focus on Their Choice of an All'antica Style
Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design Summer 8-12-2014 Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style Kara Samples Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Samples, Kara, "Neri di Bicci: A study of three of his patrons' commissions of the Assumption of the Virgin altarpieces with a focus on their choice of an all'antica style." Thesis, Georgia State University, 2014. https://scholarworks.gsu.edu/art_design_theses/162 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. NERI DI BICCI: A STUDY OF THREE OF HIS PATRONS’ COMMISSIONS OF THE ASSUMPTION OF THE VIRGIN ALTARPIECES WITH A FOCUS ON THEIR CHOICE OF AN ALL’ANTICA STYLE by KARA SAMPLES Under the direction of Dr. John Decker ABSTRACT This thesis will analyze why three of Neri di Bicci’s patrons—the Spini family of Florence, a nun of the Bridgettine Order of Florence, and Ser Amideo of Santa Maria degli Ughi—desired to commission an altarpiece of the Assumption of the Virgin in an all’antica style. Neri di Bicci’s background as an artist, existing scholarship, and comparisons of older styles of art will also be discussed. -
Variety, Archeology and Ornament
Variety, Archeology, & Ornament Renaissance Architectural Prints from Column to Cornice UVa M Variety, Archeology, & Ornament Renaissance Architectural Prints from Column to Cornice Curated by Michael J. Waters Cammy Brothers UVa M University of Virginia Art Museum Contents 4 Acknowledgements 5 Foreword Bruce Boucher Director, University of Virginia Art Museum 6 Introduction Cammy Brothers Guest Curator, University of Virginia Art Museum Valmarana Associate Professor of Architectural History School of Architecture, University of Virginia This catalogue accompanies the exhibition 18 Looking Beyond the Treatise Variety, Archeology, and Ornament Single-leaf prints and sixteenth-century architectural culture Renaissance Architectural Prints Michael J. Waters from Column to Cornice Guest Curator, University of Virginia Art Museum August 26 – December 18, 2011 PhD candidate and Erwin Panofsky Fellow, Institute of Fine Arts, New York University University of Virginia Art Museum 49 Catalogue The exhibition was made possible through the 49 Origins generous support of Albemarle Magazine, Arts$, B. Herbert Lee '48 Endowed Fund, The Hook, Ivy 59 Antiquity Publications LLC's Charlottesville Welcome Book, 85 Variety the Page-Barbour and Richards Lectures Committee, the Veneto Society of the School of Architecture, 107 Order and the U.Va. Art Museum Volunteer Board. 123 Afterlife Publication © 2011 Cover detail University of Virginia Art Museum 136 Bibliography Master G.A. University of Virginia Art Museum with the Caltrop 155 Rugby Road Italian, Charlottesville -
OVERLOOKING a WORK of ART Tuscany Portraits on Show at Forte Di Belvedere
FLORENCE CITY GUIDE ® OCTOBER 2020 WWW.WHEREITALIA.COM/FLORENCE AUTUMN TIPS ON LUXURY SHOPPING, DINING AND SIGHTSEEING HOW TO ENJOY YOUR WINE TASTING IN ITALY OVERLOOKING A WORK OF ART Tuscany portraits on show at Forte di Belvedere SIGHTSEEING | MUSEUMS | SHOPPING | DINING | ENTERTAINMENT | MAPS Florence October 2020 VIA SESTESE WINE EXPERIENCE CASTELLO SESTO 14 the guide apertura SIGHTSEEING FIORENTINO SVINCOLO SESTO FIORENTINO V I A 18 SHOPPING S AUTOSTRADA FIRENZE-MARE E S VI VIA XXV APRILE T A E VIA DEL CHIUSO DEI PAZZI G S E At the Officina . DUPRÈ VIA REGINALDO GIULIANI VIA DELLE PANCHE Profumo-Farmaceutica VIA ANDREA COSTA Santa Maria Novella you VIA ANDREA COSTA VIA G. DUPRÈ Teatro Romano can discover products VIA FAENTINA VIA DE' PERFETTI RICASOLI VIA CARLO DEL GRECO Museo Bandini VIA MARINI VIA PORTIGIANI for personal care with Cattedrale di San Romolo BO SCONI STRAD A PROV INCIALE 54 DEI PIAZZA PIAZZA G.GARIBALDI MINO DA FIESOLE a Florentine spirit VIA MASSICINI V. LUCCHESE A VIALE XI AGOSTO LUC V VIA SANT’APPOLINAR AUTOSTRADA FIRENZE-MARE I VIA S.CHIARA A E VIA SALVADOR ALLENDE F R À VIALE SAN G VIA GI VIALE 30GAETANO PIERACCINIDINING I O ULI AENTINA V O CACCIN A N I N VIA F SOLANA I PONTE D A Today, as over 130 F VIA DELLA BADIA DEI ROCCETTINI I NUOVO E VIA REGINALDO GIULIANI S H I A F I E VIA DELLE PANCHE O FIESOLE L ALLA CC E D PIAZZA E years ago, the most T Aeroporto Amerigo V I A V E T ENRICO O Vespucci PIGNONE BADIA L MATTEI VIA MANTELLINI ' A N G E VIA PRATESE L I C authentic cuisine of PIZZERIA O V I A U G O C O R S I SAN DOMENICO V. -
Unearth the Essence of Florence with Our Extraordinary Experiences
UNEARTH THE ESSENCE OF FLORENCE WITH OUR EXTRAORDINARY EXPERIENCES THE ART OF MAKING In this series of experiences and excursions, we invite you to discover Florence as the home of Italian craftsmanship. Explore the wave of designers and makers who preserve time- honoured traditions while fashioning a new type of luxury. You could say they’re the New Renaissance, a movement that blends contemporary design with historic production techniques, resulting in irresistible creations that embody Florentine artistry. Hop in our vintage Fiat 1100 Musone car - electric and artfully customised for Villa San Michele - and head into the centre of Florence to meet local artisans. Accompanied by a passionate lifestyle specialist, you will unlock timeless techniques, step behind the scenes of creative processes and reconnect with the forgotten art of handcrafting. Discover hidden gems in the realms of fashion and lifestyle, including jewellery, hats, eyewear, shoes, handbags, crystalware, silverware, artisanal perfumes, parchment boxes and hand-embroidered garments. Each artisan will reveal a story of unique passion and heritage. The morning ends at the Louis Vuitton boutique for an inspiring Art of Packing experience. Price starting from €350 up to 4 guests (3 hours minimum). Fee for each additional person €70. Includes: lifestyle expert guide. 5 PHOTO © JOEE WONG PHOTOGRAPHY LEONARDO TOUR Discover how and where Leonardo da Vinci left his mark on a fascinating tour through the historic heart of Florence. Unmissable sites include: – Memorial statue near the Uffizi – Palazzo Gondi, where Leonardo lived for a year. The palace was built by his father; today it’s the home of the Gondi marquises (Gerardo and Lapo), who will welcome you – Works by Leonardo in Florence, for example, in the intriguing Church of Orsanmichele – Palazzo Vecchio, site of the unfinished Battle of Anghiari fresco Price starting from €370 per couple (3 hours minimum). -
Italie : 1321-2021, Sur Les Pas De Dante
Italie : 1321-2021, sur les pas de Dante HEMIS_4003711 Italie, Toscane, Florence, centre historique classé au Patrimoine Mondial de l'UNESCO, la cathédrale Santa Maria del Fiore, Dante Alighieri portrait p[..] Page 1/23 Génie lumineux et énergique, Dante Alighieri, poète, philosophe et penseur politique, était une force imbattable. Il fut le premier à signer un poème en langue vernaculaire, et ses représentations limpides de l'Enfer, du Purgatoire et du Paradis dans La Divine Comédie ont durablement et profondément marqué l'art occidental, au moment où la Renaissance succédait au Moyen-Âge. A travers l'Émilie-Romagne et la Toscane, sur près de 400 kms, le Chemin de Dante propose une boucle entre Florence, son lieu de naissance, et Ravenne où il repose. Rédaction du texte sur demande Page 2/23 HEMIS_3324576 HEMIS_0372082 Italie, Toscane, Pistoia, place Piazza del Duomo, église Battistero Di San Giovanni In Italie, Toscane, Florence, centre historique classé au Patrimoine Mondial de l'UNESCO, Corte et le Palazzo Dei Vescovi Piazza del Duomo, baptistère San Giovanni, mosaïque de la coupo[..] HEMIS_4031202 HEMIS_4031205 Portrait de Dante Alighieri (1265-1321) par Sandro Botticelli, 1495 Italie, Toscane, Florence, centre historique classé au Patrimoine Mondial de l'UNESCO, Dante et Virgile en enfer représenté dans le couloir Vasari dan[..] Page 3/23 HEMIS_4028421 HEMIS_4028431 Italie, Toscane, Florence, centre historique classé au Patrimoine Mondial de l'UNESCO, Italie, Toscane, Florence, centre historique classé au Patrimoine Mondial de l'UNESCO, -
A Palace and the City
A PALACE AND THE CITY 150 years since Florence was named An exhibition created and curated by the Capital of Italy Stefania Ricci and Riccardo Spinelli Palazzo Spini Feroni opens its doors Design to the city in a fascinating exhibition Maurizio Balò on its centuries of history in collaboration with Davide Amadei Museo Salvatore Ferragamo Exhibition organised by Florence, Palazzo Spini Feroni Museo Salvatore Ferragamo 8 May 2015- 3 April 2016 in collaboration with inauguration 7 May Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della Città di Firenze Fondazione Ferragamo With the sponsorship of Ministero dei Beni e delle Attività Culturali e del Turismo Regione Toscana Comune di Firenze 1 A PALACE AND THE CITY “Long before I ever moved into the Palazzo Spini Feroni it was one of the buildings of Florence that I most admired and loved.” Salvatore Ferragamo From 8 May 2015 to 3 April 2016, at Palazzo Spini Feroni, via Tornabuoni, Florence, Museo Salvatore Ferragamo will hold an exhibition on the building’s centuries of history, commemorating the 150 years since Florence was named capital of the Kingdom of Italy (1865-1870), and Palazzo Spini Feroni became the city hall in 1865. Curated by Stefania Ricci and Riccardo Spinelli, the exhibition will include prestigious works of art and documents from museums and private collections and will tell the intricate stories behind the palace and its residents, in captivating displays created by stage designer Maurizio Balò, thus sharing one of the most important buildings in the city’s urban landscape with Florence, Florentines and travellers. -
Management Plan Men Agement Plan Ement
MANAGEMENTAGEMENTMANAGEMENTEMENTNAGEMENTMEN PLAN PLAN 2006 | 2008 Historic Centre of Florence UNESCO WORLD HERITAGE he Management Plan of the His- toric Centre of Florence, approved T th by the City Council on the 7 March 2006, is under the auspices of the Historic Centre Bureau - UNESCO World Heritage of the Department of Culture of the Florence Municipality In charge of the Management Plan and coordinator of the project: Carlo Francini Text by: Carlo Francini Laura Carsillo Caterina Rizzetto In the compilation of the Management Plan, documents and data provided di- rectly by the project managers have also been used. INDEXEX INDEX INTRODUCTIONS CHAPTER V 45 Introduction by Antonio Paolucci 4 Socio-economic survey Introduction by Simone Siliani 10 V.1 Population indicators 45 V.2 Indicators of temporary residence. 46 FOREWORD 13 V.3 Employment indicators 47 V.4 Sectors of production 47 INTRODUCTION TO THE MANAGEMENT 15 V.5 Tourism and related activities 49 PLANS V.6 Tourism indicators 50 V.7 Access and availability 51 FIRST PART 17 V.8 Traffi c indicators 54 GENERAL REFERENCE FRAME OF THE PLAN V.9 Exposure to various sources of pollution 55 CHAPTER I 17 CHAPTER VI 56 Florence on the World Heritage List Analysis of the plans for the safeguarding of the site I.1 Reasons for inclusion 17 VI.1 Urban planning and safeguarding methods 56 I.2 Recognition of Value 18 VI. 2 Sector plans and/or integrated plans 60 VI.3 Plans for socio-economic development 61 CHAPTER II 19 History and historical identity CHAPTER VII 63 II.1 Historical outline 19 Summary -
Rinaldi Simona
F ORMATO EUROPEO PER IL CURRICULUM V I T A E INFORMAZIONI PERSONALI Nome RINALDI SIMONA Residenza Via Luigi Gordigiani, 34 – 50127 Firenze - Italia Telefono 0553289581 mobile +393389239540 E-mail [email protected] PEC [email protected] Nazionalità Italiana Data di nascita Firenze, 07/08/1971 ESPERIENZA LAVORATIVA • Date (da – a) 2007-2018 • Nome e indirizzo del datore di lavoro Costituzione dell’Associazione Professionale con l’Arch. Massimo Lozza denominata: LOZZA RINALDI – ARCHITETTI ASSOCIATI con sede in Firenze, viale Corsica 37/C. • Tipo di azienda o settore Edilizia, progettazione, direzione lavori e coordinamento Sicurezza, ecc. • Tipo di impiego Libero professionista in associazione. • Principali mansioni e responsabilità Socio libero professionista. L’Associazione professionale è stata chiusa il 31.12.2018. • Date (da – a) dal 1998 • Nome e indirizzo del datore di lavoro Architetto Simona Rinaldi, libero professionista • Tipo di azienda o settore Edilizia, progettazione, direzione lavori e coordinamento Sicurezza, ecc. • Tipo di impiego Libero professionista. • Principali mansioni e responsabilità Dal 1998 esercita la libera professione di Architetto anche in forma individuale. ISTRUZIONE E FORMAZIONE • Date (da – a) 2019 • Nome e tipo di istituto di istruzione o Agatos Service S.r.l. formazione • Principali materie / abilità Coordinamento Sicurezza cantieri professionali oggetto dello studio • Qualifica conseguita Corso di Aggiornamento per Coordinatore per la Sicurezza (40 ore). • Livello nella classificazione nazionale (se pertinente) • Date (da – a) 2014 • Nome e tipo di istituto di istruzione o Fondazione Architetti Firenze formazione • Principali materie / abilità Coordinamento Sicurezza cantieri professionali oggetto dello studio • Qualifica conseguita Corso di aggiornamento per Coordinatori per la Sicurezza (ai sensi dell’allegato XIV del D.Lgs. -
Florence City Guide
www.firenzeturismo.it www.firenzeturismo.it LIBERA Florence City Guide Guida alla città di Firenze 2 0 1 1 1 2 A CITY GUIDE TO FLORENCE of Renaissance art by the likes of Botticelli, One day in Florence Filippo Lippi, Paolo Uccello, Leonardo da One day in Florence: the city deserves a little longer than that, but a one-day visit will at least give you an Vinci and Michelangelo. A visit to the gal- idea. With just one day at your disposal, you will want to see the main sites and walk around the heart of the lery requires several hours. If you do not historic city centre. have time, continue on foot towards Ponte Start from Piazza del Duomo, where the Baptistery and the cathedral of Santa Maria del Fiore face each Vecchio, another symbol of the city, which other. The cathedral was begun by Arnolfo di Cambio in 1296, but it was not until 1436 that it was crow- has survived wars and flooding. Since the ned by the Cupola, Filippo Brunelleschi’s Guida alla città/City Guide 16th century, the buildings on the bridge masterpiece. The dome is the symbol of have been occupied by goldsmiths. Florence, a bold and majestic piece of ar- Crossing the bridge, you find yourself di là chitecture that affords fantastic views of d’Arno, that is, ‘beyond the Arno’, an impor- the city (and of the cathedral interior). On tant notion in Florence. Of the four historic the façade side of the cathedral is the bol- neighbourhoods, three (San Giovanni, San- dly coloured campanile of Giotto, which ta Maria Novella and Santa Croce) are north also has fine views of the city.