Saint Louis (Louis IX)
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Elizabeth Thomas Phd Thesis
'WE HAVE NOTHING MORE VALUABLE IN OUR TREASURY': ROYAL MARRIAGE IN ENGLAND, 1154-1272 Elizabeth Thomas A Thesis Submitted for the Degree of PhD at the University of St Andrews 2010 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/2001 This item is protected by original copyright Declarations (i) I, Elizabeth Thomas, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September, 2005 and as a candidate for the degree of Ph.D. in September, 2005, the higher study for which this is a record was carried out in the University of St Andrews between 2005 and 2009. Date: Signature of candidate: (ii) I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Doctor of Philosophy in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. Date: Signature of supervisor: (iii) In submitting this thesis to the University of St Andrews we understand that we are giving permission for it to be made available for use in accordance with the regulations of the University Library for the time being in force, subject to any copyright vested in the work not being affected thereby. -
WHO WAS ST. LOUIS ANYWAY? St
Apotheosis of St. Louis The plaster statue of King Louis IX of France (1214- 1270) was sculpted by Charles Henry Niehaus for the 1904 World’s Fair. After the Fair, the Louisiana Purchase Exposition Company decided to present a bronze version of the sculpture to the City of St. Louis. The plaster was cast in bronze by W. R. Hodges. The statue has stood tall upon Art Hill since 1906. WHO WAS ST. LOUIS ANYWAY? St. Louis IX was King of France from 1226 to 1270. He was crowned king at the age of 12 and his mother ruled the kingdom as regent until he reached maturity. A devout Catholic, St. Louis was known for his sense of justice and piety. He led two crusades to recover the Holy Land, the second of which led to his death. He is the only French king to be canonized a saint. He was a family man. He was a loving husband to Margaret of Provence and father to eleven children. He was very close to his mother, Queen Blanche, who instilled in him a deep love for his faith. He was a humanitarian. He fed the poor daily at his table in the palace and washed their feet every Saturday. He often visited hospitals and tend- ed to the sick. He built hospitals, libraries, orphanages, and hostels for the blind and for women. He promoted justice, peace, and reform. He reformed the courts and the tax system, introduced the concept of the presumption of innocence in criminal procedure, and eliminated trial by combat and trial by ordeal, replacing them with trial by jury. -
Introduction: the Queen Versus the People 1
N OTES Introduction: The Queen versus the People 1 . J e a n n e L o u i s e C a m p a n , Memoirs of the Court of Marie Antoinette, Queen of France , ed. M de Lamartine (Philadelphia, PA: Parry and McMillan, 1854), pp. 158–159. 2 . Nancy Nichols Barker, “Revolution and the Royal Consort,” in Proceedings of the Consortium on Revolutionary Europe (1989): 136–143. 3 . Barker, “Revolution and the Royal Consort,” p. 136. 4 . Clarissa Campbell Orr notes in the introduction to a 2004 collection of essays concerning the role of the European queen consort in the Baroque era that “there is little comparative work in English on any facet of European Court life in the period from 1660 to 1800.” See Clarissa Campbell Orr, “Introduction” in Clarissa Campbell Orr (ed.), Queenship in Europe: 1660–1815: The Role of the Consort (Cambridge: Cambridge University Press, 2004), p. 2. There are strong exceptions to Orr’s conclusion, including the works of Jeroen Duidam and T.C.W. Blanning, which compare the culture, structure, and politics of Early Modern courts revealing both change and continuity but these stud- ies devote little space to the specific role of the queen consort within her family and court. See Jeroen Duindam, Vienna and Versailles: The Courts of Europe’s Dynastic Rivals 1550–1780 (Cambridge: Cambridge University Press, 2003), and T.C.W. Blanning, The Culture of Power and the Power of Culture: Old Regime Europe 1660–1789 (Oxford: Oxford University Press, 2002). 5 . See Kevin Sharpe, The Personal Rule of Charles I (New Haven, CT: Yale University Press, 1996); Bernard Bourdin, The Theological-Political Origins of the Modern State: Controversy between James I of England and Cardinal Bellamine (Washington, DC: The Catholic University of America Press, 2010), pp. -
Eastern Objects and Western Desires: Relics and Reliquaries Between Byzantium and the West
Eastern Objects and Western Desires: Relics and Reliquaries between Byzantium and the West Holger A. Klein Dumbarton Oaks Papers, Vol. 58. (2004), pp. 283-314. Stable URL: http://links.jstor.org/sici?sici=0070-7546%282004%2958%3C283%3AEOAWDR%3E2.0.CO%3B2-U Dumbarton Oaks Papers is currently published by Dumbarton Oaks, Trustees for Harvard University. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/doaks.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. -
First Line of Title
MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in Art History Spring 2011 Copyright 2011 Karla Francheska Torres Avilés All Rights Reserved MADE IN THE AMERICAS? DECIPHERING THE ENIGMA OF THE MANO PODEROSA by Karla Francheska Torres Avilés Approved: __________________________________________________________ Mónica Domínguez Torres, Ph.D. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ Nina M. Athanassoglou-Kallmyer, Ph.D. Chair of the Department of Art History Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Charles G. Riordan, Ph.D. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS I would like to dedicate this thesis to an exemplary human being, my Abuelo, Edwin Torres-Seda. Without his constant support and love, I would have never been able to fulfill my dreams of pursuing a graduate degree. He is truly an inspiration and I wish to express my deepest gratitude from the bottom of my heart. ¡Gracias Abuelo! I am personally indebted to everyone at the Department of Art History at the University of Delaware for providing the tools and knowledge required for me to excel in this field. My academic adviser, Dr. Mónica Domíguez Torres, has been instrumental in my professional growth. I wish to thank her for her academic support and for helping me overcome various hurdles in my graduate career. I am also extremely grateful to Dr. -
Sacred Music and Female Exemplarity in Late Medieval Britain
UNIVERSITY OF CALIFORNIA Los Angeles The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Gillian Lucinda Gower 2016 © Copyright by Gillian Lucinda Gower 2016 ABSTRACT OF THE DISSERTATION The Iconography of Queenship: Sacred Music and Female Exemplarity in Late Medieval Britain by Gillian Lucinda Gower Doctor of Philosophy in Musicology University of California, Los Angeles, 2016 Professor Elizabeth Randell Upton, Chair This dissertation investigates the relational, representative, and most importantly, constitutive functions of sacred music composed on behalf of and at the behest of British queen- consorts during the later Middle Ages. I argue that the sequences, conductus, and motets discussed herein were composed with the express purpose of constituting and reifying normative gender roles for medieval queen-consorts. Although not every paraliturgical work in the English ii repertory may be classified as such, I argue that those works that feature female exemplars— model women who exemplified the traits, behaviors, and beliefs desired by the medieval Christian hegemony—should be reassessed in light of their historical and cultural moments. These liminal works, neither liturgical nor secular in tone, operate similarly to visual icons in order to create vivid images of exemplary women saints or Biblical figures to which queen- consorts were both implicitly as well as explicitly compared. The Iconography of Queenship is organized into four chapters, each of which examines an occasional musical work and seeks to situate it within its own unique historical moment. In addition, each chapter poses a specific historiographical problem and seeks to answer it through an analysis of the occasional work. -
Theory of Dynasticism
Theory of Dynasticism Actors, Interests, and Strategies of Medieval Dynasties Sindre Gade Viksand Master’s Thesis Department of Political Science University of Oslo Spring 2017 I II Theory of Dynasticism Actors, Interests, and Strategies of Medieval Dynasties Sindre Gade Viksand III © Sindre Gade Viksand 2017 Theory of Dynasticism. Actors, Interests, and Strategies of Medieval Dynasties Sindre Gade Viksand http://www.duo.uio.no Print: Grafisk Senter AS Word Count: 33 363 IV Abstract Dynasticism has emerged as common concept to refer to the logics of rule in pre-modern international systems. This thesis will attempt both to theorise the concept, as well as developing an ideal-typical framework to analyse one of the most important strategies of the dynasty: the dynastic marriage. It will be argued that the dynamics of dynasticism arose from the changing structures to the European family around AD 1000. These structural changes gave further rise to hierarchies among dynastic actors, interests, and strategies, which will form the basis of a theory of dynasticism. This theory will be utilised to make sense of the various interests involved in creating matrimonial strategies for the dynasty. The argument advanced is that dynastic heirs married according to logics of reproduction; dynastic cadets married for territorial acquisitions; and dynastic daughters married to establish and maintain alliances with other dynasties. These theoretical insights will be used to analyse the marriages of three dynasties in medieval Europe: the Plantagenet, the Capet, and the Hohenstaufen. V VI Acknowledgements In Dietrich Schwanitz’ Bildung. Alles, was man wissen muß, the author notes the danger of appearing to know details about royal families. -
Dynastic Marriage in England, Castile and Aragon, 11Th – 16Th Centuries
Dynastic Marriage in England, Castile and Aragon, 11th – 16th Centuries Lisa Joseph A Thesis submitted in fulfilment of the requirement for the degree of Masters of Philosophy The University of Adelaide Department of History February 2015 1 Contents Abstract 3 Statement of Originality 4 Acknowledgements 5 Abbreviations 6 Introduction 7 I. Literature Review: Dynastic Marriage 8 II. Literature Review: Anglo-Spanish Relations 12 III. English and Iberian Politics and Diplomacy, 14 – 15th Centuries 17 IV. Sources, Methodology and Outline 21 Chapter I: Dynastic Marriage in Aragon, Castile and England: 11th – 16th Centuries I. Dynastic Marriage as a Tool of Diplomacy 24 II. Arranging Dynastic Marriages 45 III. The Failure of Dynastic Marriage 50 Chapter II: The Marriages of Catherine of Aragon I. The Marriages of the Tudor and Trastámara Siblings 58 II. The Marriages of Catherine of Aragon and Arthur and Henry Tudor 69 Conclusion 81 Appendices: I. England 84 II. Castile 90 III. Aragon 96 Bibliography 102 2 Abstract Dynastic marriages were an important tool of diplomacy utilised by monarchs throughout medieval and early modern Europe. Despite this, no consensus has been reached among historians as to the reason for their continued use, with the notable exception of ensuring the production of a legitimate heir. This thesis will argue that the creation and maintenance of alliances was the most important motivating factor for English, Castilian and Aragonese monarchs. Territorial concerns, such as the protection and acquisition of lands, as well as attempts to secure peace between warring kingdoms, were also influential elements considered when arranging dynastic marriages. Other less common motives which were specific to individual marriages depended upon the political, economic, social and dynastic priorities of the time in which they were contracted. -
Toward a New Portrait of Madame Élisabeth De France Maria Spencer Wendeln Wayne State University
Wayne State University Wayne State University Dissertations 1-1-2015 Princess On The aM rgins: Toward A New Portrait Of Madame Élisabeth De France Maria Spencer Wendeln Wayne State University, Follow this and additional works at: http://digitalcommons.wayne.edu/oa_dissertations Part of the Feminist, Gender, and Sexuality Studies Commons, and the History Commons Recommended Citation Wendeln, Maria Spencer, "Princess On The aM rgins: Toward A New Portrait Of Madame Élisabeth De France" (2015). Wayne State University Dissertations. Paper 1322. This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. PRINCESS ON THE MARIGNS: TOWARD A NEW PORTRAIT OF MADAME ÉLISABETH DE FRANCE by MARIA SPENCER WENDELN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan, in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2015 MAJOR: HISTORY Approved by: ____________________________________ Advisor Date ____________________________________ ____________________________________ ____________________________________ ____________________________________ © COPYRIGHT BY MARIA SPENCER WENDELN 2015 All Rights Reserved DEDICATION For my sisters in French heritage and history: Alice du Puy Spencer, my grandmother; Josephine du Puy, her sister and my godmother; Mary Paulette Van Vactor Heil, my beloved friend; and Mary Joan Gills Spencer, my mother and fellow researcher. ii ACKNOWLEDGEMENTS My acknowledgements begin with a special note of gratitude to Dr. Christopher Johnson. I could have not had a better adviser for my master’s thesis and this work in part derives from his guidance on my analysis of Madame Élisabeth’s 1787 portrait by Labille-Guiard. -
1 the Nature and the Identity of the Constitution During the Minority Of
The Nature and the Identity of the Constitution during the Minority of Henry III (1216-1227) Submitted by Stephen Michael Gates to the University of Exeter as a thesis for the degree of Masters by Research in Law in June 2014 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 Abstract This thesis investigates the nature of the thirteenth-century constitution by focusing on the minority of Henry III. It is argued that Henry’s succession to the throne was a demonstration of the complicated interaction between hereditary right, designation, and election. It is argued that the distribution of power within the government was, for the most part, ill-defined and varied throughout the minority’s course. It is also argued that there was a fundamental uncertainty about when the minority would end and what role Henry himself would play during the minority. Taken together, it is argued, these demonstrate that Henry’s minority was more of a political settlement than a constitutional settlement. This does not mean that England had no constitution during the thirteenth century but merely that it was more sensitive to the political dynamics of the time than perhaps modern constitutions are and that, compared to modern constitutions, it was much less well defined and lacking a clear unified philosophy. -
Night of the Living Dead
Alessandro Mercuri Night of the Living Dead During the Age of Pisces, according to tradition around the middle or the end of the 10th century – almost one century before the First Crusades – two Italian monks by the names of Arcano and Egidio made the pilgrimage to the Holy Land. By night, by day, on foot, on a mule’s back and in a boat, they returned to Italy, the home of Christianity, with relics of the Holy Sepulchre in their bags. Established on pontifical ground, within the bounds of Tuscany, Umbria and The Marches, the two pilgrims erected a small chapel, an Oratory dedicated to Christ’s Holy Sepulchre. The premises were intended for the spiritual communication with God through prayer: silent, murmured or mumbled and public speaking. Like a marble jewel box, the Oratory is said to hold precious relics, at once religious memory and archaeological talismans of the believers’ faith. However, sources from long ago disagree. No mention of the voyage, the tomb, the sepulchre or relics exists. At least that is the version told by 1 SantiBeati, the Italian internet site of those few made a Saint or beatified. The web version of the prestigious Enciclopedia Bibliotheca Sanctorum doesn’t mention the pilgrimage either, nor the Holy Sepulchre though it does reveal that Arcano and Egidio, the two monks, were united in beatification. Not the Blessed (Beato) Arcano and the Blessed (Beato) Egidio, two distinct entities, but the Blessed (Beati) Arcano and Egidio. Beatified yes, but not canonized. While subject to local veneration, their place of worship has never been officially recognized by the Church. -
REPRESENTATIONS of MARIE- ANTOINETTE in 19Th
L’AUGUSTE AUTRICHIENNE: REPRESENTATIONS OF MARIE- ANTOINETTE IN 19th CENTURY FRENCH LITERATURE AND HISTORY --------------------------------------------------------------------------------------------------------------------- A Dissertation presented to the Faculty of the Graduate School at the University of Missouri-Columbia --------------------------------------------------------------------------------------------------------------------- In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy --------------------------------------------------------------------------------------------------------------------- by KALYN ROCHELLE BALDRIDGE Dr. Carol Lazzaro-Weis, Dissertation Superviser MAY 2016 APPROVAL PAGE The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled L’AUGUSTE AUTRICHIENNE: REPRESENTATIONS OF MARIE-ANTOINETTE IN 19th CENTURY FRENCH LITERATURE AND HISTORY presented by Kalyn Rochelle Baldridge, a candidate for the degree of doctor of philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Carol Lazzaro-Weis Professor Ilyana Karthas Professor Valerie Kaussen Professor Megan Moore Professor Daniel Sipe ACKNOWLEDGEMENTS I would first of all like to acknowledge the Department of Romance Languages at the University of Missouri for having supported me throughout my dissertation writing process, allowing me to spend time in France, and welcoming me back to the campus for my final year of study. Secondly, I would like to thank the members of my committee, Dr. Valerie Kaussen, Dr. Megan Moore and Dr. Daniel Sipe, for taking the time to read my research and offer their welcome suggestions and insight. I would especially like to thank Dr. Ilyana Karthas, from the Department of History, for having spent many hours reading earlier drafts of my chapters and providing me with valuable feedback which spurred me on to new discoveries. I am most grateful to my dissertation superviser, Dr. Carol Lazzaro-Weis.